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WIP FLASH is a MOPLA (Month of Photography LA) event featuring Women in Photography. 4-27-2012 Photos by Ana Luisa Ahern.
Jueves 18 de agosto. Alumnos de secundaria presentaron la poesÃa "Me gritaron negra" de Victoria Santa Cruz, y el baile grupal "Festejo", todo a manera de flash mob durante la hora de almuerzo de secundaria.
Post sunset, the light was fading although an orange tinge was there marking the twilight. The source of the light is the headlight of a loco, which was coming on the down track.
Shutter Speed: 0.81 sec
Aperture: F/3.5
ISO: 400
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The pendant in an amazing piece of raku clay, handstamped using fossils and seashells and flashing copper, turquoise, gold, green, fuchsia and purple. It measures about 2 7/8 inches x 1 7/8 inches (73mm x 47mm) and signed by the artist (Marianne "MAK" Kasparian) on the back (MAKU).
The pendant is fantastically framed with shimmery aquamarine, chunks of labradorite, more MakuStudio beads, gleaming sunstone, iron pyrite squares, hematite chips and bits of shiny glass.
17 1/2inches (44cm), strung on professional quality beading cable, and the easy to use, secure and lovely hoop clasp is handformed (by me) sterling silver.
I shot these all with my flash at different locations with my external flash and my wireless remote trigger.
UW Photo Club event. See www.flickr.com/photos/uwphotostefan/ for some more by me, and the group pool for more by the other club members who, unlike me, know what they're doing.
The beauty of digital photography is the way you can do some experimenting without tossing away a bunch of film. This time around we were at Longwood Gardens and decided to fool around with some fill flash technique. On a previous trip, I had used a radio trigger to fire the manually controlled flash unit. For some reason the radio triggers wouldn't work so this became our chance to try the optical trigger built into the flash attachment.
Firing the unit optically involves using the flash built into the camera to tell the off camera unit when to fire. I didn't want the on camera flash to light up the image so I set it's power level as low as possible. That way, most of the light hitting the subject would come from the off camera flash unit giving me control of the intensity, distance, and direction of the light.
These panels were put together to record what we did AND as a way of sharing the techniques with fellow photographers.