View allAll Photos Tagged five
I did some photos with my friend's from Five Blank Pages. It was a fun day. This shot was taken by some art installation in High Park. It's basically a bunch of shiny silver poles clustered together just south of the bloor entrance on the east side. Check out their music
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Five Dock Library, Level 1, 4-12 Garfield Street, Five Dock, New South Wales.
More photographs at imagelibrary.canadabay.nsw.gov.au/Library
Five little uglies, sitting on a gate;
The first one said, "Oh my it's getting late."
The second one said, "There are witches in the air."
The third one said, "But I don't care."
The fourth one said, "I'm ready for some fun!"
The fifth one said, "Let's run run run!"
(adapted from the "five little pumpkins" poem ;)
Seen near my hotel in Phoenix. I am here for a Road Scholar program on digital photography with an Arizona Highways photographer.
Photo take for Our Daily Challenge: Five
Black Five 45231 waits impatiently at Leeds Station to depart for York with a special from Carlisle on 12 August, 2009.
These beautiful five were ecstatic to realize that for the first time in many years they were all together. I was among those who teared up. This is why I'm a photographer, & why quality photography is important. You never know when an unforgettable memory will happen. Wedding photography is not just for the bride & groom, it is for their families, friends & neighbors.
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Thanks for the support, my work is all word of mouth!
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Five Wells stone age chambered tomb is near Chelmorton in the Peak District. In a moment while contemplating the scene I stood back and changed the wide lens for a telephoto, and suddenly there seemed to be theatre, with the distant clouds and quarry becoming a close backdrop to the ancient monument. I have another version of this picture with the wide lens, and I'm not sure which I like best.
A slightly surreal composition on the theme of `castles', taken on the shore of Loch Etive at Dunstaffnage. Compare the straight black and white version.
Taken on the Shen-Hao large-format camera using Ilford Delta-100 b&w film; gradient sky and sepia tint added afterwards. I had to dig the tripod into the beach to get it low enough; there was huge rear-tilt movement required for perspective and focus, grad-blue filter for the sky, ND filter to slow things down, red filter for contrast. See the whole crazy setup :)
Josh Eans Ramen
High Five Ramen
Chicago, Illinois
(May 5, 2015)
the ulterior epicure | Twitter | Facebook | Bonjwing Photography
Something I'd not seen before - a five headed daffodil. I've seen two, three and four headed ones but never a fiver. Mind you saying that, there were loads of them at the roadside - all five headed ones.
Five Guys的店內景象。由紅色與白色兩色裝點全部店面，簡單到極點。
今天到Five Guys吃漢堡。點了一個起司漢堡，看起來不大，但是咬起來可是厚實飽滿！裡頭是二大片厚厚的牛肉，加上香濃的起司，真是美味無比。Five Guys的漢堡多次被評為Best Burgers。
他們的薯條也很有名，下次單點來試看看！
A beautiful specimen of Creeping AKA European Cinquefoil growing between the stone of Jackson’s Bridge west of #Maynooth. These lovely flowers are usually hiding between tall grass along hedgerows, so you can’t usually isolate both the flower and its jagged fingered leaves, which is why this one immediately caught my eye.
Each summer, the Fashion Center BID and the DOT Urban Art Program select an artist to present artwork along Broadway between 36th and 41st Streets in Manhattan. This year, international artist Xin Song presented "Five Elements," a series of five eight-foot tall glass art fixtures. On one side of the structure, the artist implemented traditional Chinese paper-cut techniques creating forms out of site-specific photographs of the neighborhood, and on the reverse side, the artist created silhouettes out of black paper reminiscent of the wrought iron filigree elements found in historic New York City architecture.
The configuration of both paper-cuts formed new images that represented the five elements: water, fire, wood, metal and earth. Together, the structures were an exploration of environmental and personal transformations in New York City's surroundings. A corresponding floral pattern was painted in circular patterns on the plaza pavement to complement the exhibit.
NYCDOT Urban Art Program, Arterventions
Five Elements by Xin Song
Presented with the Fashion Center BID
Broadway Plaza, Broadway between 36th and 41st Streets, Manhattan
I think this is Five-ribbed Kelp Costaria costata
I found David Jamison's web site EXPLORE PUGET SOUND HABITATS AND MARINE LIFE to be extremely useful in figuring identifications.
www.inaturalist.org/observations/278798
A nice beach walk with Mary Ellen while we had a -3.06 feet Low Tide
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New Instagram! instagram.com/45surf
Nikon D810 HDR Photos Window Rock on Pfeiffer Beach Big Sur Sunset Sea Cave Sunset, Dr. Elliot McGucken Fine Art Photography! 14-24mm Nikkor Wide Angle F/2.8 Lens!
The sun sets right through the sea cave at window rock in Big Sur in the winter time! It was stormy all day, but then the sun burst through as it cleared abit, before clouding over again!
Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
Will be busy printing and framing in nice large, matted formats and frames and museum glass! Five of these photos will be printed on 40" x 60" floating wall mounted metal sheets! I think I know which--will share photos of the photos hanging on the walls!
And I am mounting some on plexiglass/acryllic--front mounting them! Some I am printing on lossy fuji-crystal archival paper too, and then front mounting 40"x60" versions to plexiglass--will send photos!
The secret to HDR photography is that you want people to say, "Woe dude--that's unreal!" And not, "Dude--that's not real!" "Unreal" is the word they use when they're trying to figure out the photo--what makes it cool--is it a photo? Is it painted? How'd it come to be--how'd you bend the light that way? "That's not real," is what they say if you have the saturation/HDR/ etc. turned up too high. :)
Some (almost) final edits for my Los Angeles Gallery Show! Printing them on metallic paper at 13" x 19" and mounting and framing them on a 4mm 18x24 white mat and 2" dark wood frame. Also printing some 40" x 70" which is over three feet by five feet! Wish you all could come (and hang out with the goddesses)!
Let me know your favs.!
New Instagram!
Videos!
I booked a major photography show at a major LA gallery in December! Will also be giving some lectures on the story--the Hero's Odyssey Mythology--behind the photography!
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Preparing for some gallery shows this fall to celebrate 300,000,000 views! Printing a few dozen photographs in ~ 30"x40" formats and mounting/framing. Here are some close-to-final edits. HDR photography 7 exposures shot at 1EV and combined in photomatix: 36 megapixel Nikon D8010 with the awesome Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens. 45SURF Hero's Odyssey Mythology Photography!
Epic Scenic HDR Landscapes Shot with Nikon D810: Hero's Odyssey Mythology Photography!
Three-Seven exposures @ 1EV finished in photomatix.
Enjoy the Hero's Odyssey Mythology Photography, and all the best on a hero's odyssey of your own making!
High Dynamic Range (HDR) photos rock in capturing the full dynamic range of the scene!
All the best on your epic hero's odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Nikon D810 Sunset Photos of Malibu Sea Cave! Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler
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Feel free to ask any questions about composing, shooting, finishing, mounting, and presenting Fine Art Photography! :)
All the Best on your Epic Hero's Odyssey from Johnny Ranger McCoy! The reflections of the reeds are titled "The Rage of Achilles!" :) Enjoy!
Corrected facebook link for my new facebook page: www.facebook.com/45surfAchillesOdysseyMythology
Five Points: House-Made Pork-Fennel Sausage & Poached Eggs with Buttermilk Biscuit, Roasted Tomato Sauce & Hollandaise Sauce.
Loved it. Loved the roasted tomato sauce w/ the hollandaise sauce.
I have driven past Winchester on the M3 five times this year, on the sixth passing, I tried to find a place to park so I could visit the cathedral.
It costs £8.50 to go in, but you can take as many pictures as you like, which is fine by me.
The Nave and Chancel are huge, and long. All surfaces are apparently covered with memorials, with other spaces filled with chapels and shrines to past Bishops, as well as the relics of St Swithun.
It did rain after I left. Not a good sign.
But inside it is a delight, even the smallest details, like the tiles, just wonderful.
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Winchester Cathedral is a cathedral of the Church of England in Winchester, Hampshire, England. It is one of the largest cathedrals in Europe, with the longest nave and greatest overall length of any Gothic cathedral in Europe.[3]
Dedicated to the Holy Trinity,[1] Saint Peter, Saint Paul, and before the Reformation, Saint Swithun,[4] it is the seat of the Bishop of Winchester and centre of the Diocese of Winchester. The cathedral is a Grade I listed building.
The cathedral was founded in 642 on a site immediately to the north of the present one. This building became known as the Old Minster. It became part of a monastic settlement in 971.
Saint Swithun was buried near the Old Minster and then in it, before being moved to the new Norman cathedral. So-called mortuary chests said to contain the remains of Saxon kings such as King Eadwig of England, first buried in the Old Minster, and his wife Ælfgifu, are in the present cathedral.[5] The Old Minster was demolished in 1093, immediately after the consecration of its successor.
In 1079, Walkelin, Bishop of Winchester, began work on a completely new cathedral.[6] Much of the limestone used to build the structure was brought across from quarries around Binstead, Isle of Wight. Nearby Quarr Abbey draws its name from these workings, as do several nearby places such as Stonelands and Stonepitts. The remains of the Roman trackway used to transport the blocks are still evident across the fairways of the Ryde Golf Club, where the stone was hauled from the quarries to the hythe at the mouth of Binstead Creek, and thence by barge across the Solent and up to Winchester.[citation needed][No sign of any Binstead Creek on the map]
The building was consecrated in 1093. On 8 April of that year, according to the Annals of Winchester, "in the presence of almost all the bishops and abbots of England, the monks came with the highest exultation and glory from the old minster to the new one: on the Feast of S. Swithun they went in procession from the new minster to the old one and brought thence S. Swithun's shrine and placed it with honour in the new buildings, and on the following day Walkelin's men first began to pull down the old minster."[6]
A substantial amount of the fabric of Walkelin's building, including crypt, transepts and the basic structure of the nave, survives.[7] The original crossing tower, however, collapsed in 1107, an accident blamed by the cathedral's medieval chroniclers on the burial of the dissolute William Rufus beneath it in 1100.[6] Its replacement, which survives today, is still in the Norman style, with round-headed windows. It is a squat, square structure, 50 feet (15 m) wide, but rising only 35 feet (11 m) above the ridge of the transept roof.[8] The Tower is 150 feet (46 m) tall.
After the consecration of Godfrey de Luci as bishop in 1189, a retrochoir was added in the Early English style. The next major phase of rebuilding was not until the mid-14th century, under bishops Edington and Wykeham.[10] Edingdon (1346–1366)[11] removed the two westernmost bays of the nave, built a new west front and began the remodelling of the nave.[12]
Under William of Wykeham (1367–1404) the Romanesque nave was transformed[clarification needed], recased in Caen stone and remodelled in the Perpendicular style,[13] with its internal elevation divided into two, rather than the previous three, storeys.[14] The wooden ceilings were replaced with stone vaults.[13]
Wykeham's successor, Henry of Beaufort (1405–1447) carried out fewer alterations, adding only a chantry on the south side of the retrochoir, although work on the nave may have continued through his episcopy.[15] His successor, William of Waynflete (1447–1486), built another chantry in a corresponding position on the north side. Under Peter Courtenay (Bishop 1486–1492) and Thomas Langton (1493–1500), there was more work. De Luci's Lady chapel was lengthened, and the Norman side aisles of the presbytery replaced. In 1525, Richard Foxe (Bishop 1500–1528) added the side screens of the presbytery, which he also gave a wooden vault.[10] With its progressive extensions, the east end is now about 110 feet (34 m) beyond that of Walkelin's building
King Henry VIII seized control of the Catholic Church in England and declared himself head of the Church of England. The Benedictine foundation, the Priory of Saint Swithun, was dissolved. The priory surrendered to the king in 1539. The next year a new chapter was formed, and the last prior, William Basyng, was appointed dean.[17] The monastic buildings, including the cloister and chapter house, were later demolished, mostly during the 1560–1580 tenure of the reformist bishop Robert Horne.[18][19]
North Transept
The Norman choir screen, having fallen into a state of decay, was replaced in 1637–40 by a new one, designed by Inigo Jones. It was in a classical style, with bronze figures by Hubert le Sueur of James I and Charles I in niches. It was removed in 1820, by when its style was felt inappropriate in an otherwise medieval building. The central bay, with its archway, is now in the University Museum of Archaeology and Anthropology at Cambridge;[20] it was replaced by a Gothic screen by Edward Garbett, its design based on the west doorway of the nave.[21]
This stone structure was itself removed in the 1870s to make way for a wooden one designed by George Gilbert Scott,[22] who modelled it on the canopies of the choir stalls of the monks (dating from around 1308).[23] Scott's west-facing screen has been much criticised, although the carving is of superlative workmanship and virtually replicates the earlier, albeit finer, carving of the early 14th century east-facing return stalls on to which it backs. The displaced bronze statues of the Stuart kings were moved to the west end of the Cathedral, standing in niches on each side of the central door. Scott's work was otherwise conservative. He moved the lectern to the north side of the quire beside the pulpit, facing west, where it remained for a century before returning to its present central position, now facing east.