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Monument to Henry (Norris or Norreys) 1st Baron Norris of Rycote (?1525-1601) and his wife Margaret.
The monument of alabaster and marbles, by sculptor Isaac James (original surname Haastregt), has no inscription and Henry and Margaret are both buried at Rycote chapel in Oxfordshire, in the grounds of their house. The date of erection of the monument is not clear but it was after 1606.
Either side of their recumbent effigies kneel their six sons in armour. Only their third son Sir Edward Norris, M.P. and Governor of Ostend, survived his father. He married Elizabeth Webb (heir of Sir John Norris of Fifield). They had no children and he died in 1603 and was buried at Englefield in Berkshire. He is shown kneeling and looking upwards (not visible in the picture), whereas the other sons have bowed heads and praying hands to indicate they were deceased.
These were William (d.1579), Marshal of Berwick; Sir John (?1547-1597), a celebrated military commander known as 'Black Jack' who died unmarried at Norris Castle, Mallow, co.Cork in Ireland, the home of Sir Thomas; Henry (1554-1599); Maximilian who died in 1591 and was buried in St Helier town church, Jersey; and Sir Thomas (1556-1599) who married Bridget Kingsmill. They had a daughter Elizabeth who married Sir John Jephson. Sir Thomas died at his home in Ireland and was returned to Rycote for burial.
The carved shield on the top section of the monument includes the coat of arms of Norris of Rycote, supported by two monkeys. The square pedestal depicts military scenes on all sides and is surmounted by a small statue of Fame. The carved scene on the south is of cavalry in the field and can be seen from the chapel. The northern scene depicts infantry. A painted scene with military emblems can be glimpsed on the west side from the north transept. These reliefs could be by de Floris, a notable sculptor from the Low Countries.
[Westminster Abbey]
In the chapel of St Andrew, Westminster Abbey
Westminster Abbey (The Collegiate Church of St Peter)
In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.
The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.
Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.
Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.
It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.
There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.
A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.
Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.
Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.
History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.
But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.
[Westminster Abbey]
Sculpt update on Kane: Burial Shroud. 1:18 scale, ALIEN 79. Some have asked where this is seen in the film - it isn't....not much anyway. The body is seen in the main airlock via the monitors Dallas and the rest of the crew are gathered around and the next time you see Kane is when the miniature prop appears to be shot out of the airlock into deep space.
The sculpt I am working on reflects mostly the 1:1 prop the production team created to shoot a scene where Kane's corpse would make a return later in the film - please read this excellent article that defines that scene....
alienseries.wordpress.com/2013/08/20/the-funeral/
Much more detail to be added and a variant head sculpt or two to be made. Happy to be creating a not so well known piece of ALIEN lore. #alien #nostromo #kane #burialshroud #deletedscene #observationdome #sculpt
1981 MGB GT LE.
H&H classic car auction, Buxton -
"Chassis Number:GVGEJ1AG522348
Engine Number:39109
Reputedly supplied new by University Motors, this particular example was first registered on 11th February 1981 and over the course of the last twenty-eight years is understood to have covered just 13,100 miles. An accompanying letter relates that a Mr Fifield of Warlingham purchased the MG on 23rd March 1986 with a recorded mileage of 1,700 and since then it has had just two further keepers. Described by the vendor as being in "very good" condition with regard to its engine, gearbox, electrical equipment, interior trim, bodywork and paintwork, recent work has apparently seen 'NPA 860W' treated to "a service, new fuel pump and replacement brake pipes". Said to drive "almost like a new car" and to have been "only used for Club events" during the current stewardship, this nicely presented MG B GT LE is offered for sale with MOT certificate valid until July 2010."
Sold for £5280.
Monument to Henry (Norris or Norreys) 1st Baron Norris of Rycote (?1525-1601) and his wife Margaret.
The monument of alabaster and marbles, by sculptor Isaac James (original surname Haastregt), has no inscription and Henry and Margaret are both buried at Rycote chapel in Oxfordshire, in the grounds of their house. The date of erection of the monument is not clear but it was after 1606.
Either side of their recumbent effigies kneel their six sons in armour. Only their third son Sir Edward Norris, M.P. and Governor of Ostend, survived his father. He married Elizabeth Webb (heir of Sir John Norris of Fifield). They had no children and he died in 1603 and was buried at Englefield in Berkshire. He is shown kneeling and looking upwards (not visible in the picture), whereas the other sons have bowed heads and praying hands to indicate they were deceased.
These were William (d.1579), Marshal of Berwick; Sir John (?1547-1597), a celebrated military commander known as 'Black Jack' who died unmarried at Norris Castle, Mallow, co.Cork in Ireland, the home of Sir Thomas; Henry (1554-1599); Maximilian who died in 1591 and was buried in St Helier town church, Jersey; and Sir Thomas (1556-1599) who married Bridget Kingsmill. They had a daughter Elizabeth who married Sir John Jephson. Sir Thomas died at his home in Ireland and was returned to Rycote for burial.
The carved shield on the top section of the monument includes the coat of arms of Norris of Rycote, supported by two monkeys. The square pedestal depicts military scenes on all sides and is surmounted by a small statue of Fame. The carved scene on the south is of cavalry in the field and can be seen from the chapel. The northern scene depicts infantry. A painted scene with military emblems can be glimpsed on the west side from the north transept. These reliefs could be by de Floris, a notable sculptor from the Low Countries.
[Westminster Abbey]
In the chapel of St Andrew, Westminster Abbey
Westminster Abbey (The Collegiate Church of St Peter)
In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.
The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.
Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.
Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.
It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.
There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.
A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.
Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.
Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.
History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.
But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.
[Westminster Abbey]
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A follow-up on the progress to the Warrior Alien head sculpt. ALIENS 86 - 1:18 scale. Some smart phone shots showing the sculpt from several angles - still a work in progress. Should have it complete tonight.
The torso you see here will be a total re-sculpt....presently it's a casting from the Revoltech figure. Helps with scaling/proportion. The lower abdomen piece however is a cast of an original sculpt from my 79 Alien. I can get away with using it for the Warrior but the upper torso will be a complete, original re-sculpt as I hate borrowing parts when I have the ability to create them myself these days....
If you have the ability and time, sculpt it.
I still have to borrow articulated joints and extremities such as hands from time to time...especially with the human figures, but when I can sculpt it myself I will do so...
...and with the Warrior alien finally moving forward, others are sure to follow...Ripley, Marines, Newt, Burke, Bishop.....Queen(cough,cough)....
Get a fresh take on new homes, apartments, neighborhoods and the way life’s lived in Chicago at YoChicago.
ME66 MUD
2017 Mercedes-Benz Arocs 3240
Manor Environmental, Fifield, Berkshire
Buckingham, 30 November 2020
Paint progress on "The Beast" - ALIEN 79 - 1:18 scale.Close mouthed "lipped" version - Dome removed. Old bone when dry, is mostly white...living bone has a more aged white, richness to it. So the skull is more off white this time around with darker hues surrounding it. Still have some detailing to add. #alien #nodome #bigchap #painting #nostromo #giger
Another static sculpt of Kane I am in the process of painting right now - ALIEN - 1:18 scale. Kane as he appears once the face hugger has had its way with him. Sleeping soundly. Will go well with the Autodoc diorama I plan to begin building soon. #alien #kane #nostromo #facehugger #sculpture #painting
Sculpt progress on Kane - Sleep Chamber - ALIEN 1:18 scale. After the passing of John Hurt I felt it wouldn't be appropriate to drop updates of his likeness pertaining to Kane sleeping or deceased...perhaps nobody would have cared but that's just me. Anyway, first off is an update of Kane in the sleep camber. My plan with the sleep chamber diorama is to have a static sculpt of each character quietly sleeping in their respective chamber. Kane is the first of the series. I have a male body that I have cast to create the static pieces but the parts need to be wired together in different poses. Doesn't make sense if they are all sleeping in the same position right? Looking a little rough right now but that will change with the next update. Hope to have the sculpt complete by the end of the week. #alien #kane #sleepchamber #nostromo #sculpting
Front Row: L to R - Darren O'Quinn, Dwayne DuBourdieu, Glen Moulton, Roger Clarke.
Back Row: L to R - J. Gallagher-Duffy (Coach), Paul Langdon (Captain), Darren Compton, Tim Fifield, Maurice Ruiz, Aiden Organ, Bill Jones.
Missing: Fred Nichols.
24th November 2013 at Queen Elizabeth Hall (Front Room), London SE1.
The Saxophone was invented in 1841 by Adolphe Sax from the Belgium. It consists of a single reed mouthpiece and a conical metal tube, with keys which open and close by pressing buttons with the fingers.
The Soprano Saxophone is usually straight and has a higher pitch than most other members of the Saxophone family (there are Sopranino and Soprillo instruments with higher pitches, but these are much less common).
Some Soprano Saxs are curved and resemble a small Alto.
Saxophones are assigned the number 422.212 in the Hornbostel-Sachs classification of musical instruments ( en.wikipedia.org/wiki/Hornbostel-Sachs ), indicating:
4 = Aerophones. Sound is primarily produced by vibrating air. The instrument itself does not vibrate, and there are no vibrating strings or membranes.
42 = Non-free aerophones. The vibrating air is contained within the instrument.
422 = Reed Instruments. The player's breath is directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion.
422.2 = Single Reed Instruments or Clarinets. The pipe has a single 'reed' consisting of a percussion lamella
422.21 = Single Clarinets [as opposed to sets of Clarinets].
422.212 = With conical bore.
An unidentified young woman likely in New Hampshire or Maine. The photo is from the album of Gram Fifield (1820-1895). The picture would seem to be from perhaps the 1870s?
Gram Fifield and her husband Edward were foster parents for my Great-grandmother Ellen Andrews after her father died in the Civil War and her mother soon after.
This photograph was in an unmarked album of 150 photos. Only five photographs were dated—three copies of the same image of Janice Dawe in a sled from 3 April 1920 (she would have been two weeks shy of one year old,) one from Bear Brook New Hampshire dated March 1922, and the last from Northwood New Hampshire on 22 May 1922. Excepting the 1920 picture, the images all appear to be from around 1922 and are centered on the Stuart Guy Fifield family. IDs are guesses. -- Looks like a Mian beach, maybe Roland int he background, and I'm thinking Lillian is one of the woman in front.
Rose Ella Andrews (Griffin), 1856-1933
Rose Ella's father, Ethan Allen Andrews, died in the United States Civil War and her mother, Alvina Frost Andrews, died soon after. She was raised by Gram Fifield, and her husband Edward, in Dummer, Coos County, New Hampshire.
Rose Ella was my great-grandmother..
(The back of this photo is blank.)
A follow-up on the progress to the Warrior Alien head sculpt. ALIENS 86 - 1:18 scale. Some smart phone shots showing the sculpt from several angles - still a work in progress. Should have it complete tonight.
The torso you see here will be a total re-sculpt....presently it's a casting from the Revoltech figure. Helps with scaling/proportion. The lower abdomen piece however is a cast of an original sculpt from my 79 Alien. I can get away with using it for the Warrior but the upper torso will be a complete, original re-sculpt as I hate borrowing parts when I have the ability to create them myself these days....
If you have the ability and time, sculpt it.
I still have to borrow articulated joints and extremities such as hands from time to time...especially with the human figures, but when I can sculpt it myself I will do so...
...and with the Warrior alien finally moving forward, others are sure to follow...Ripley, Marines, Newt, Burke, Bishop.....Queen(cough,cough)....
This is scanned from a tintype 3/8th of an inch tall. The photo is from the album of Gram Fifield (Hester Ellingwood Fifield,1820-1895, Dummer, Coos County,New Hampshire). Hester and her husband, Edward, were foster parents to my G-G-Grandmother Alvina Frost Andrews and her brother Sumner Frost after their parents died in Albany, Maine.
I suspect this tintype is pre-or post-Civil War due to the absence of Civil War tax stamps on its back.
This tintype is from Hester Ann Ellingwood Fifield (1820-1895)'s Photo Album.
Another photo of perhaps the same child from the same photo album:
www.flickr.com/photos/30484128@N03/6862642922/in/photostream
The back of the card is blank. There is no Civil War tax stamp, as had been required from 1864 to 1866, .
Gram Fifield, and her husband, Edward, were foster parents for my Great-grandmother Rose Ella Andrews after her father died in the Civil War and her mother died soon after. My maternal grandparents saw I was interested in old photos and gave me Gram Fifield's album in the 1960s,
52 Weeks the 2015 Edition - Without faces
Photographed the 3rd Annual Wildflower Music Festival in Chico, CA www.DougChurchill.com/WildflowerMusic2015. Was introduced to this fantabulous band. I grew up on country and western music, the old school stuff, and The Easy Leaves bring back those childhood memories of live local bands at country fairs and festivals.
"The Easy Leaves, songwriters Kevin Carducci and Sage Fifield, formed north of the Golden Gate in 2008 immersed in a diverse set of flailing rockers, gospel skeptics, and country outlaws. Their initial intent was to establish an old-time string band. However, this did not happen (at all). In love with just too many different musics, artists as disparate as Bob Wills and Smokey Robinson slinking into their songwriting, Kevin and Sage gave up their banjo habits cold-turkey. The Easy Leaves’sound was born- A modern acoustic sound, its roots kept close to the chest while tirelessly sprawling out in new directions that stretch the borders of the Americana genre in exciting ways.
“Our sound is a personal distillation of American music, based on the styles we connect with and all the songs and sounds we’ve been saturated with.” The finest filters on this still are songs written with painstaking attention to detail and dynamic intricate vocal harmonies. They’re melodic, lyric-driven (catchy-as-all-hell) compositions pinned with the syncopated rhythm of two acoustic instruments, guitar and upright bass. A trap kit, and pedal steel – The whipped cream and cherry."
The Easy Leaves website • www.theeasyleaves.com/
Mobile Processing · Sony RX100M3 > #EyeFiCard Mobi Pro > Galaxy S3 > Eye.fi Cloud > > #VSCOCam > Add Watermark
Processed with VSCOcam with kk2 preset
This tintype is from Hester Ann Ellingwood Fifield (1820-1895)'s Photo Album.
www.flickr.com/photos/30484128@N03/6050449493/
The back of the card is blank. There is no Civil War tax stamp, as required from 1864 to 1866, .
Gram Fifield, and her husband, Edward, were foster parents for my Great-grandmother Rose Ella Andrews after her father died in the Civil War and her mother died soon after. My maternal grandparents saw I was interested in old photos and gave me Gram Fifield's album in the 1960s,
Gem photo, patented 1863, no Civil War tax stamp. This is a photo from Hester Ann Ellingwood Fifield (1820-1895)'s Album.
"The form of tintype (also referred to as ferrotype or sometimes melainotype) known as a 'gem'; is a small photographic image usually anywhere from 3/4" to 1" wide and 1¼" high made possible by the use of a multi-lens camera with repeating back which therefore could produce multiple exposures on a single photographic plate. In terms of quantity, the gem was the most prolifically produced form of photograph in the 1860s in America...." -- Marcel Safier, Brisbane, Australia via an Internet Search.
The back of the card is blank.
Gram Fifield, and her husband, Edward, were foster parents for my Great-grandmother Rose Ella Andrews after her father died in the Civil War and her mother died soon after. My grandparents gave me Gram Fifield's album in the 1960s.
Paint progress on "The Beast" - ALIEN 79 -1:18 scale. Closed mouth "lipped" version - Group shots containing the transparent dome. I painted the dome as it would be a living part of the organism, not just a cool see through cover...looking organic, not just transparent. It's living material so you'd think it would have veining, textures, and various waves of color throughout the fleshy dome. Used swirls of clear gloss mixed with earth toned colors inside the dome to give some dimension to the vacuum formed piece. Pretty cool effects when the light moves through it. The rest of the head sculpt used an oily black as a base and additional earth tones and grays- this will play through the rest of the body and the rest of the head sculpts. #alien #bigchap #nostromo #alien79 #painting #giger
Paint progress on "The Beast" - ALIEN 79 -1:18 scale. Closed mouth "lipped" version - Group shots containing the transparent dome. I painted the dome as it would be a living part of the organism, not just a cool see through cover...looking organic, not just transparent. It's living material so you'd think it would have veining, textures, and various waves of color throughout the fleshy dome. Used swirls of clear gloss mixed with earth toned colors inside the dome to give some dimension to the vacuum formed piece. Pretty cool effects when the light moves through it. The rest of the head sculpt used an oily black as a base and additional earth tones and grays- this will play through the rest of the body and the rest of the head sculpts. #alien #bigchap #nostromo #alien79 #painting #giger
Policy Statements - ITU PP-18
H.E. Mr Mitch Fifield, Minister for Communications and the Arts
Department of Communications and the Arts, Australia
©ITU/R.Maniego
A pedestrian bridge connects the property to the Jewel-Osco.
Get a fresh take on new homes, apartments, neighborhoods and the way life’s lived in Chicago at YoChicago.
A stray grass growing in the fields along wheat and poppies in a field near Fifield in rural Gloucestershire.
June 2017
Sculpt/Paint update on Ripley- 1:18 scale - ALIEN 79
Ripley's head sculpt has gone through an evolution since 2012 when I started this project. This particular sculpt is a variant from the master- wearing a headset as most the crew did during the Nostromo's landing and ascension from the planet. This, the master sculpt and two others (one being with her hair up) will round out Ripley's likeness. Also included in the shot is the beginning paint work on Jonesy the Cat as well as multiple Working Joes from Alien: Isolation - (6) plus master that will be made. #alien #alienisolation #nostromo #ripley #painting #sculpting
Paint progress on "The Beast" - ALIEN 79 -1:18 scale. Closed mouth "lipped" version - Group shots containing the transparent dome. I painted the dome as it would be a living part of the organism, not just a cool see through cover...looking organic, not just transparent. It's living material so you'd think it would have veining, textures, and various waves of color throughout the fleshy dome. Used swirls of clear gloss mixed with earth toned colors inside the dome to give some dimension to the vacuum formed piece. Pretty cool effects when the light moves through it. The rest of the head sculpt used an oily black as a base and additional earth tones and grays- this will play through the rest of the body and the rest of the head sculpts. #alien #bigchap #nostromo #alien79 #painting #giger
Also home to a new Jewel-Osco.
Get a fresh take on new homes, apartments, neighborhoods and the way life’s lived in Chicago at YoChicago.
Anna Fifield: Finding Kim Jong Un. WORD Christchurch event at Tūranga. Saturday 17 April 2021. File reference:IMG_4609
Photo by Donna Robertson.
From the collection of Christchurch City Libraries
from www.bristolsu.co.uk/Su/operatordetails/westernnational/33...
Operator:Western NationalFleet No:402
Chassis:Bristol SUL4AChassis No:157.019
Body:ECW C33FBody No:12065
HISTORY
May 61In service with Western National Omnibus Company Limited, Exeter (402) - Based at Minehead
Nov 69Transferred to Taunton
Jun 71Converted to DP33F
Jun 71Fleet Number changed to 1202
Jun 71Transferred to Plymouth
Mar 72Transferred to Minehead
Mar 73Repainted in NBC Local Coach Livery (Green & White)
Oct 73Transferred to Barnstaple
Dec 73Transferred to Bideford
Oct 77Out of service with Western National Omnibus Company Limited, Exeter (1202)
Jan 78P Sykes, Barnsley (dealer)
Mar 78Caldicott Comprehensive School, Caldicott
<Jan 80Derelict at Parkwell
Jan 80Colin Billington, Fifield & Pete Moody, Ascot
Apr 82Engine transferred from 273 KTA (1223)
Bob Day, Bracknell
Aug 87John Hawkins, Shepperton
Tait, Dartford
<Sep 97In Service with Vintage Coachways, Dartford
Feb 00Out of service with Vintage Coachways, Dartford
Feb 00Mark Lawrence, Edmonton
2003 Mark Lawrence, Par
Jan 06 Terry Partridge, Saltash
Status: Preserved as Western National 1202
Paint progress on "The Beast" - ALIEN 79 -1:18 scale. Closed mouth "lipped" version - Group shots containing the transparent dome. I painted the dome as it would be a living part of the organism, not just a cool see through cover...looking organic, not just transparent. It's living material so you'd think it would have veining, textures, and various waves of color throughout the fleshy dome. Used swirls of clear gloss mixed with earth toned colors inside the dome to give some dimension to the vacuum formed piece. Pretty cool effects when the light moves through it. The rest of the head sculpt used an oily black as a base and additional earth tones and grays- this will play through the rest of the body and the rest of the head sculpts. #alien #bigchap #nostromo #alien79 #painting #giger
A follow-up on the progress to the Warrior Alien head sculpt. ALIENS 86 - 1:18 scale. Some smart phone shots showing the sculpt from several angles - still a work in progress. Should have it complete tonight.
The torso you see here will be a total re-sculpt....presently it's a casting from the Revoltech figure. Helps with scaling/proportion. The lower abdomen piece however is a cast of an original sculpt from my 79 Alien. I can get away with using it for the Warrior but the upper torso will be a complete, original re-sculpt as I hate borrowing parts when I have the ability to create them myself these days....
If you have the ability and time, sculpt it.
I still have to borrow articulated joints and extremities such as hands from time to time...especially with the human figures, but when I can sculpt it myself I will do so...
...and with the Warrior alien finally moving forward, others are sure to follow...Ripley, Marines, Newt, Burke, Bishop.....Queen(cough,cough)....
Paint progress on "The Beast" - ALIEN 79 -1:18 scale. Closed mouth "lipped" version - Group shots containing the transparent dome. I painted the dome as it would be a living part of the organism, not just a cool see through cover...looking organic, not just transparent. It's living material so you'd think it would have veining, textures, and various waves of color throughout the fleshy dome. Used swirls of clear gloss mixed with earth toned colors inside the dome to give some dimension to the vacuum formed piece. Pretty cool effects when the light moves through it. The rest of the head sculpt used an oily black as a base and additional earth tones and grays- this will play through the rest of the body and the rest of the head sculpts. #alien #bigchap #nostromo #alien79 #painting #giger
Spent an hour or so vacuum forming the adjusted helmet bubbles to the Prometheus figures I am currently working on....and I finally worked out the kinks! Made several, lined them and attached them to the neck collars I created earlier. Thes...e figures will now have replaceable neck collars - one with the helmet attached and one without. Both shaped to fit a sculpted groove I made to the upper body gear. Image shows Elizabeth Shaw's (Noomi Rapace) final work up of the helmet - detailing will be added at this pont. Cameras that attach to the sides and top will be sculpted then cast a few times for the others in the line. Now that this has been accomplished I may continue on with the sculpts of David, Charlie, Vickers, Fifield (three versions) and more... I love doing this stuff....I really do! :)