View allAll Photos Tagged feedback
Based on feedback received from this original upload: www.flickr.com/photos/79387036@N07/51250487934, I've provide this (what I consider a significant improvement).
If you can switch back and forth between these two images, you can better see what I mean. The smoke aloft is more apparent in this revision.
Picture of the Day
Nine Inch Nails: Lights in the Sky
over north america 2008
Van Andel Arena
Grand Rapids, MI
11.15.08
Set 2
So I'm building this diorama (hopefully for bbtb 2017) and I wanted to do something a little more out of my element, so I decided to do mostly structures. However, I am running into problems making them look like more than just a bunch of bricks stacked on top of one another. I am happy with one or two of the buildings but the others are just looking kind of boring. Also, the final product will of course be in the midst of a battle from the second world war, so I need some advice on how to make some good bombed out buildings. I have tried this in the past and I am just not to happy with my results so any feedback is greatly appreciated! Oh also the picture is just an idea for a building I had, let me know what you think. Happy building!
-Ty
Dear Flickr users,
May I kindly ask you to vote for an idea which I posted in the Flickr feedback blog:
yahoo.uservoice.com/forums/211185-us-flickr/suggestions/1...
Thanks, guys! Enjoy Flickr!
weekly theme of #SmileOnSaturday - June 16th, 2018: #HatsAndCo
seen on Mainau Island, Lake Constance (South Germany):
a display of sun hats with colourful ribbons and bows - but on this day you were in dire need of a rain jacket (or a strong, storm-proof umbrella) rather than a sun hat!
A relaxed day, nonetheless ... bridging the time of rain showers and thunderstorm with lots of coffee and tea : ))
[taken with the manual focus vintage lens SMC Pentax-M 50mm f/1.7 - aperture: 4.5]
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Für das Thema "Hüte und Co." der Gruppe "Smile on Saturday"
... Hutauslage auf der Insel Mainau, Bodensee:
An diesem Tag benötigte man aber weniger einen Sonnenhut als eine gute Regenjacke oder einen sturmerprobten Regenschirm ... ungeachtet dessen ein schöner, entspannter Tag (mit viel Kaffee- und Teepausen während der Regenschauer) ; ))
(aufgenommen mit dem manuellen "Vintage"-Objektiv SMC Pentax-M 50mm f/1.7 - wohl bei Blende 4,5)
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Happy Smile on Saturday, everybody!!
And a wonderful weekend : ))
Thank you all for taking the time to view, comment or fave.
I appreciate every single feedback very much !!
Thanks to everyone for visits , comments , awards and invitations, I appreciate your feedback very much
Thanks for taking the time to look at my photos. Feel free to leave feedback.
To see more please visit my web site www.daviddahlenburg.com
Thanks for taking the time to look at my photos. Feel free to leave feedback.
To see more please visit my web site www.daviddahlenburg.com
This is a cropped version of an earlier upload. Thank you to all of you who provided comments, views and feedback!
As several of you realised this shot was taken at The Level in Brighton. It is usually considered one of Brighton's less salubrious areas. However on this particular morning it was absolutely beautiful.
Once again thank you.
Stephen
¡Muchas gracias a todos por sus favoritos y buenos comentarios! Sus comentarios son muy apreciados.
Thank you so much all for your favorites and nice comments! Your feedback is highly appreciated.
Thanks to everyone for visits , comments , awards and invitations, I appreciate your feedback very much
This shot was taken at the same place as a week ago. An other try, always on the east coast of Tahiti Island, French Polynesia, Pacific Ocean
I prefer this one, what do you think ?
Lee BIg Stopper + Lee Landscape Polariser + GND 0,9 Soft Edge
Thanks for taking the time to view this. Any comments and feedback would be much appreciated.
Press "L" to enlarge
Crawford County, PA. This warbler was patrolling the edge of the woodlands, moving in and out of the light. Thanks for looking and any comments or feedback.
Mehr Feedback von Teilnehmern die im Fotoworkshop Fes, Barcelona, Sevilla, Lissabon dabei waren: www.insider-fototour.de/feedback/
FES 2018: NOCH 1 PlATZ FREI!!
The Flatiron Building, originally the Fuller Building, is a triangular 22-story,285-foot-tall (86.9 m) steel-framed landmarked building located at 175 Fifth Avenue Manhattan, New York City. Designed by Daniel Burnham and Frederick Dinkelberg, it was one of the tallest buildings in the city upon its 1902 completion, at 20 floors high,and one of only two "skyscrapers" north of 14th Street. It was to be named the Fuller Building after George A. Fuller, founder of the Fuller Company and "father of the skyscraper", who had died two years earlier.However, locals persisted in calling it "The Flatiron", a name which has since been made official.
The Flatiron Building was designed by Chicago architect Daniel Burnham as a vertical Renaissance palazzo with Beaux-Arts styling.Unlike New York's early skyscrapers, which took the form of towers arising from a lower, blockier mass, such as the contemporary Singer Building (built 1902–1908), the Flatiron Building epitomizes the Chicago school conception.Like a classical Greek column, its facade – limestone at the bottom, changing to glazed terra-cotta from the Atlantic Terra Cotta Company in Tottenville, Staten Island, as the floors rise – is divided into a base, shaft, and capital.
Two features were added to the Flatiron Building following its completion. The "cowcatcher" retail space at the front of the building was added in order to maximize the use of the building's lot and produce some retail income. Harry Black had insisted on the space, despite objections from Burnham. Another addition to the building not in the original plan was the penthouse, which was constructed after the rest of the building had been completed to be used as artists' studios, and was quickly rented out to artists such as Louis Fancher, many of whom contributed to the pulp magazines which were produced in the offices below.
The retail space in the building's "cowcatcher" at the "prow" was leased by United Cigar Stores, and the building's vast cellar, which extended into the vaults that went more than 20 feet (6.1 m) under the surrounding streets,was occupied by the Flatiron Restaurant, which could seat 1,500 patrons and was open from breakfast through late supper for those taking in a performance at one of the many theatres which lined Broadway.
When the building was first constructed, it received mixed feedback. The most known criticism received was known as "Burnham's Folly". This criticism, focused on the structure of the building, was made on the grounds that the "combination of triangular shape and height would cause the building to fall down." Critics believed that the building created a dangerous wind-tunnel at the intersection of the two streets, and could possibly knock the building down.The building's shape was blamed for the 1903 death of a bicycle messenger, who was blown into the street and run over by a car. However, the building's structure was meant to accommodate four times the typical wind loads in order to stabilize and retain the building's iconic triangular shape.
The New York Tribune called the new building "A stingy piece of pie ... the greatest inanimate troublemaker in New York", while the Municipal Art Society said that it was "Unfit to be in the Center of the City". The New York Times called it a "monstrosity".But some saw the building differently. Futurist H. G. Wells wrote in his 1906 book The Future in America: A Search After Realities:
"I found myself agape, admiring a sky-scraper the prow of the Flat-iron Building, to be particular, ploughing up through the traffic of Broadway and Fifth Avenue in the afternoon light."
As of November 2020, the building is empty, and the full renovation is expected to take at least until 2022.
Half Dome From Snow Creek, Sunset. Yosemite, California. Peter was a consumate professional, and I was in awe of someone who was making his living working as a photographer, always busy, always travelling. He seemed so self assured, and seemed to bounce from heel to heel ready to start the next project. It was all film then, no digital, no instant feedback. He solved exposure and composition problems like it was the easiest thing, while I, trying to become serious about my photography, struggled to figure out why some things came out good and others so wrong. He was so patient giving me answers, advice, and critique...and there were endless war stories of his job as a commercial photographer. Looking at my work from then, I don't know how, but I guess he saw some promise in me. When an opportunity came for a firm who needed some landscape work, he pushed me out there to be recognized as a photographer. For that I am eternally grateful. We'd instantly start in on equipment and techniques and artists whenever we met up, and I would sometimes bring him some of my prints, hoping to get feedback. He instinctively knew exactly what I had been drawn to in any photograph, and would sweep his hand over that part of an image like a magnet. It was always such a confirmation, so selflessly given. We both loved black and white, and of course we both loved Ansel...what photographers don't eventually beat that conversation to death? He told me more than once of a cherished trip he took to California; his awe, like mine, of Yosemite, and his quest for an original Adams print. I mostly do color work, but from the first time I timidly brought him a monochrome print to give me suggestions, his eyes lit up and his smile said it all. I floated off the floor getting that reaction from him. A couple of years ago, he got sick. I brought a black & white print to him in rehab, and watched his eyes light up, even though his words wouldn't come as easy as before. I did good. When I left, I sat in my car and cried, sad for my friend. A couple of weeks ago I ran into his son. I said I'd go up and bring him another print, because it had been awhile, and I had been remiss in not visiting. But of course I delayed, and I need say no more. There will be no replacing his swagger, his stories, his way of making you feel like you were the most important person for him to talk to. There is no replacing his inspiration. This is for Peter. You didn't know it was coming, and I'm sorry it's late.
Miyajima, an island in Hiroshima Bay, is most famous for its giant torii gate, which at high tide seems to float on top of the water. The sight is ranked as one of Japan's three best views.
We spent two days on this island, and though the famous floating torii of Itsukushima Shrine is a major attraction, there are plenty of other things to do and see on the island.
While we had intended to photograph this at sunrise, which also happened to correspond to high tide, this is a post-sunset shot. We were here for two sunrises: the first one was an overcast dud and the second one was likely quite nice but we slept through it. So no sunrise shots worth sharing, but a few sunset ones instead. Unfortunately the tide was rather low at sunset, but it did allow for some reflections in the wet sand.
I've taken a rather heavy hand to processing this. The Cokin ND 8x filter I used to even out the water reflection imparted a bit of extra red/pink into the image, which I brought out even more. The result isn't exactly what I really saw, but I'll be curious to get any feedback anyone has.
Please don't use this image on websites, blogs, facebook, or other media
without my explicit permission.
© All rights reserved
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2018 Winkler
Remember to follow me on Twitter @BjarneWinkler and @NewTeamSoftware
IAPP Member: US#12002
Negative feedback
Im always experimenting with photography, this here is actually light sensitive photographic print paper that I put in the camera to see what I could do with it. turned out much better than I thought. Its not as perfect as film in that the lights blow out too quick but its a cheap way to experiment and use an old camera. I metered the paper at 6 ISO, developed in rodinal under red safe light. I have alot more to learn.
If you like this photograph as well as some of my other images, I invite you to take a look at my wildlife/birding page, which I try to update every few days, at grenfell.weebly.com and my fresh and updated web page at www.tekfx.ca
As always I am delighted and most appreciative of your your feedback and comments! so feel free to contact me for any reason. I can be reached at billm@tekfx.ca or on Flickrmail
All images are copyright. Please don't use this, or any other of my, images, on websites, blogs or any other media without my explicit written permission © All rights reserved and my web page at www.tekfx.ca
...
it's crazy what you could've had,
It's crazy what you could've had,
I need this,
I neeeeeeed this!
R.E.M - Country Feedback
Come on guys, never worked so hard on a rifle!
Even the WIP had more comments!
Please! PLEASE! Give me some feedback! ._____.
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2013 Winkler
IAPP Member: US#12002
Finally! happy with this technique of extracting the background! I've now done it about eight times, and have committed the procedure to memory.
The model was not shot by me, but I have been helping a friend with his "glamour retouching".
Background is wrapping paper (I photographed) - not sure about copyright problems here - if anyone can enlighten me ... thanks.
I worked from a not very high resolution original, and there seemed to be a lot of compression artifacts. Click for the before-and-after edit in large. Let me know what you think!
Stills from video feedback as manipulated by Corbett Sparks and myself.
This split-screen effect happening here is the result of some kind of ground loop introduced by a wonky VCD recorder that was connected but not being used.
Sitting atop a rotted pine tree stump, the glass sphere reflects on the other pines trees that continue to grow nearby. Almost as a reflection upon what this remnant of a tree once was.
Comments and constructive feedback are always appreciated!
Even the toughest heroes can crack sometimes and when Charles Deccon, self-proclaimed "Hero" and best friend of Jabberwock, was about to find out how this exactly felt, the unexpected happened. Despite being in a severe state of disrepair, Deccon had pushed himself and his armour well beyond their very limits and he was about to revert back to his human form. This would mean the end of him as the opposing forces would surely crush him and his friends, leaving all that was fought for in vain..
Without warning, the armor reacted and started glowing furiously with a white light that completely enveloped him. Deccon thought his time had finally come and an Angelwas about to take him from the plane of mortals but when he opened his eye he realized he wasstill wearing his armor, which was shining as if nothing ever happened to it. Now stronger than ever, Deccon made good use of his newfound power and upgraded armor.
TL:DR: I uppgraded my secondary selfmoc, Charles Deccon into something I had been envisioning for him for a very long time. His base-proportions haven't changed but despite the fact I added relatively little to the existing frame I still consider this a V2.
Feedback is appreciated!
Lower-leg design is based on one made by ShadowGear6335!
Thanks for stopping by and viewing this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2023 Winkler
Remember to follow me on Social Media Facebook: Bjarne Winkler, We Capture Your Business, or Twitter @Bjarne Winkler, @CaptureWe, @NewTeamSoftware
IAPP Member: US#12002
Hey guys, I want some feedback with some of the combinations I've been trying out on my Green Arrow figure. Let me know which one you guys like best, or which combo would work better (if it's not shown). In the end I might not even go with what is preferred, but I would still love the feedback!
Personally my favorite at the moment is A as well as D but with regular green arms (not shown)
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2019 Winkler
Remember to follow me on Twitter @BjarneWinkler and @NewTeamSoftware
IAPP Member: US#12002