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Top Gynecologist in Mumbai. Find Best, Hospitals, Clinics, in Mumbai and Book Appointment. Book Appointment Instantly.
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Read more about FAO emergency activities and Syria.
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• Support density over sprawl to create a cohesive campus.
• Connect to isolated places, such as the Ellicott Complex, by creating a north-south spine.
• Create a center of gravity around the academic core.
• Change the character of Lake LaSalle.
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from Burnt Offering fanzine, issue #3 (1979)
stillunusual.tumblr.com/post/172820287661/burnt-offering-...
When you press the button to cross the street, there is both visual feedback (the light lights up) and auditory feedback (there is a voice that says 'wait')
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Image via www.flickr.com/photos/baronvonbrunk/26393095552
Quote via Deborah Netolicky theeduflaneuse.com/2017/08/04/emotional-feedback/
During my keynote presentation at the Durham Blackboard Users conference (7th January 2014) I asked the audience to draw the 'architecture of participation' for their organisation.
More about architectures of participation here.
Système Balagny en format 18X24cm. Chambre et photo par Stéphane BOUCHET.
(circa 1890)
Vous souhaitez un verre dépoli sur mesure? Contactez moi ici : hello@felixmarcel.com
You want a custom and a bright ground glass? Contact me here :
hello@felixmarcel.com
Contact me here to order : hello@felixmarcel.com (fast answer)
EN : ➡️ Following the positive feedbacks I’ve got from first batch of focusing screens I made 4 years ago, I’ve decided to offer that service to analog photographers!
These ground glasses are polished by hand and not with acid or laser like industrial ones.
This offers an ultra thin grain and a bright screen which is really nice when you work with small depth of field.
You can choose to upgrade your current ground glass, or refurbish an old camera or replace of broken glass.
I try to keep in stock a small batch of standard sizes ground glasses. However, I recommend you to double check the dimensions you need before ordering.
Large format camera makers (Sinar, Toyo, Speed Graphic, Chamonix, Stenopeika, Gibellini , Intrepid, Kodak Deardoff, Shenhao, Wista, Linhof, ArcaSwiss etc...) use different focusing screen sizes!
📏 Use a caliper or a precise ruler to take the measurements of the glass you need. You can slightly adjust the glass later using sandpaper or metal file with a lot of care and gloves!
👷♂️ My ground glasses are made by hands, the polishing is a long and exhausting process, some imperfections could be visible (really small scratches). The cuts are <1mm precise too! Overall the result is really good ! Only have positive feedbacks after +1,5k ground glasses made in 4 years ! I regularly make focusing screens for professional large camera makers.
️ For custom size order, please ask the current making-time before placing your oder, I might be travelling or my glass supplier takes some vacations from time to time. I try to do my best to make it quick but I don’t want you to be disappointed by the potential delay. It usually takes two weeks to make a ground glass, more in summer!
📞 I can be contacted through the platform anytime or here :
hello@felixmarcel.com
(+33)699226536
💸 You can pay through the platform payment service, I also accept Paypal, Lydia, Bank Transfert etc.
📦 I ship all my orders with a lot of care. I protect a lot the glasses in order to avoid any damage.
Every order to France includes tracking.
If you need a tracking number (Europe or Worldwide) it costs €3,2 and you’ll have to drop me a message when you order.
(tracking recommended for Mexico, Russia, Brazil, Chili, Peru etc..).
FR : ➡️ Après des retours positifs j'ai décidé de réaliser d'autres verres de visée. Les verres sont découpés par un professionnel et sont polis par mes soins, ils sont très brillants et le grain du dépoli est très fin, c'est très agréable surtout lorsqu'on shoote avec des profondeurs de champs minuscules. Vous pouvez aussi choisir d'améliorer un vieux verre dépoli industriel, restaurer une chambre ou remplacer un verre brisé. Le polissage des verres est réalisé à la main et non à l'acide ou au laser comme les fabricants modernes.
Je dispose, en général, d'un petit stock d'avance de verres aux dimensions standards. Je recommande néanmoins de toujours vérifier la taille souhaitée avant de passer commande ! Les fabricants d'appareils grands formats (Sinar, Toyo, Speed Graphic, Chamonix, Stenopeika, Gibellini , Intrepid, Kodak Deardoff, Shenhao, Wista, Linhof, ArcaSwiss etc...) utilisent des tailles différentes de verre de visée.
📏 Utilisez un pied à coulisse ou une règle précise pour prendre les dimensions. Vous pouvez ensuite ajuster le verre lors de son installation avec du papier de verre ou une lime à métaux avec délicatesse et des gants!
👷♂️ Mes dépolis sont réalisés à la main, leur polissage est une procédure longue et fatigante, quelques micro-rayures peuvent être présentes. Les découpes sont réalisées à la main par un artisan vitrier de ma ville natale, la précision des découpes est malgré tout < 1mm ! Je n’ai eu que des retours positifs, après plus de 1,500 dépolis réalisés en 4 ans. Je fabrique régulièrement des dépolis pour des fabricants d’appareils photos grands formats !
️ Pour les commandes sur mesure, merci de me demander le temps de réalisation avant de commander, je suis parfois en déplacement ou alors mon vitrier est en congé et je n’ai pas envie que vous soyez déçus ! Je fais tout mon possible pour réaliser les dépolis dans les meilleurs délais !
En général il me faut une quinzaine de jours pour réaliser les dépolis sur mesure, parfois plus en été.
📞 Je suis joignable à tout moment par messages sur la plateforme.
💸 Vous pouvez payer directement via la plateforme. J’accepte également les réglements via Paypal, Lydia, Chèques ou Virements Bancaires pour les commandes spécifiques.
📦 Mes envois sont réalisés avec soin. Je protège avec attention mes verres afin qu'ils arrivent intacts à destination !
Tous les envois réalisés en France incluent un numéro de suivi.
I've uploaded some pictures made by happy customers and their cameras :-)
Feedback Festival in S.Casciano
Feedback Festival in S.Casciano in Val di Pesa, 25/28 June 2009
Feedback Festival in S.Casciano in Val di Pesa, 25/28 June 2009
Interactive art, new media art, interactivity, curated by: Cristina Trivellin, Martina Coletti, Neri Torcello, artists: Marco Brianza, Armando Cornin, Max Coppeta, Ale Guzzetti, Salvatore Iaconesi, Gruppo Làbun, Shadi Lahham, Kirsten Julia Lockie, Molleindustria, Francesco Monico, Le Maleerbe, Tommaso Tozzi,Accademia Belle Arti di Carrara
Feedback Festival in S.Casciano in Val di Pesa, 25/28 June 2009
Interactive art, new media art, interactivity, curated by: Cristina Trivellin, Martina Coletti, Neri Torcello,
artists: Marco Brianza, Armando Cornin, Max Coppeta, Ale Guzzetti, Salvatore Iaconesi, Gruppo Làbun, Shadi Lahham, Kirsten Julia Lockie, Molleindustria, Francesco Monico, Le Maleerbe, Tommaso Tozzi,Accademia Belle Arti di Carrara
Feedback Festival in S.Casciano in Val di Pesa, 25/28 June 2009
Interactive art, new media art, interactivity, curated by: Cristina Trivellin, Martina Coletti, Neri Torcello,
artists: Marco Brianza, Armando Cornin, Max Coppeta, Ale Guzzetti, Salvatore Iaconesi, Gruppo Làbun, Shadi Lahham, Kirsten Julia Lockie, Molleindustria, Francesco Monico, Le Maleerbe, Tommaso Tozzi,Accademia Belle Arti di Carrara
Thank you so much for all your feedback yesterday. I am completely lost on the calibration part, where everyone of you have been positive, i felt the colors were not right. Untill, I checked the browsers. Can some of you confirm if you look at this image in Google Chrome, it looks odd in comparision to IE or Firefox? I did a google search and found out that chrome has issues with color rendering. Please help!!
Please see more images on www.facebook.com/pages/Anupam-Dashs-Photography/204617659...
I tried to do something different with this photo. I am not sure i like it. Feel free to critique and give any feedback.
During my keynote presentation at the Durham Blackboard Users conference (7th January 2014) I asked the audience what would constitute 'radical particaption' during the session (which was held in a large, modern lecture theatre).