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German postcard by Ross Verlag, no. 3870/1, 1928-1929. Photo: Jacobi, Berlin / Eichberg-Film.
Pretty Fee Malten (1911-2005) was a popular German film star in the late 1920s and early 1930s. She portrayed uncomplicated, gay girls in several silent and early sound films until her budding career was broken off by the rise of Adolph Hitler.
Fee Malten was born as Felicitas Mansch in 1911, in Berlin, Germany. At the age of 9 she made her film debut. She was introduced by an uncle who worked as an actor In Christi Geburt (1920) she did a little dance performance. The next year she concentrated on her ballet and piano studies. In 1927 she returned to the cinema in Am Rande der Welt/ At the Edge of the World (Karl Grune, 1927) and the supernatural thriller Der geheimnisvolle Spiegel/The Mystic Mirror (Carl Hoffmann, Richard Teschner, 1928), credited as Felicitas Malten. In the following years, she made some more silent films, now as Fee Malten, like Rutschbahn/Whirl of Youth (Richard Eichberg, 1928) with Heinrich George, and Tagebuch einer Kokotte/Diary of a Coquette (Constantin J. David, 1928). In those films, she was often cast as an uncomplicated, cheerful girl.
Fee Malten’s film career seemed stimulated by the arrival of the sound film. In the early 1930s, she played leading roles in several films. In the popular operetta Ein Tango für Dich/A Tango For You (Géza Von Bolvary, 1930) she was a dancer loved by two jazz singers, played by Paul Otto and Willy Forst. The following year she made another operetta with the same actors and director, Sein Leibeslied/His Love Song (Geza Von Bolvary, 1931). Among her other films were the comedy Die schwebende Jungfrau/The Gliding Virgin (Carl Boese, 1931), the thriller D-Zug 13 hat Verspätung/Express 13 (Alfred Zeisler, 1931), and the military comedy Falscher Feldmarschall/False Field Marshall (Karel Lamac aka Carl Lamac, 1932). Then her budding career was halted by the rise of the Nazis. The Jewish Malten wasn’t allowed to appear in more films in Germany. In 1937, Paul Kohner invited her to come to Hollywood. She moved to the USA with her husband, Hans Wall, and their two children. There she appeared in a few films, including the Monogram quickie Foreign Accent (William Beaudine, 1942) and - as Faye Wall - in Hitler - Dead or Alive (Nick Grinde, 1942). The reviewer on IMDb, Donnie Lee, writes about the latter film: “To everyone who tells me that Plan 9 From Outer Space was the worst film ever made, I simply reply: "You haven't seen 'Hitler: Dead or Alive. Watch it for laughs!” Fee Malten would never rise above supporting parts in Hollywood. Her last bit part was in Young Bess (George Sidney, 1953). She died in 2005, in Los Angeles, USA.
Sources: Thomas Staedeli (Cyranos), Hal Erickson (All Movie), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
of the.dinosaur: feleciaandthedinosaur.com
©MadDreamer ©2👽22/All rights reserved. Do not use without written permission from photographer/artist.
Cat in the local shelter - Katzenhilfe Oberhausen - searching a new home
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Katze aus dem katzenhaus der Tierhilfsorganisation Katzenhilfe Oberhausen sucht ein neues zu Hause
German postcard by Ross Verlag, no. 4071/1, 1929-1930. Photo: Alex Binder.
Pretty Fee Malten (1911-2005) was a popular German film star in the late 1920s and early 1930s. She portrayed uncomplicated, gay girls in several silent and early sound films until her budding career was broken off by the rise of Adolph Hitler.
Fee Malten was born as Felicitas Mansch in 1911, in Berlin, Germany. At the age of 9 she made her film debut. She was introduced by an uncle who worked as an actor In Christi Geburt (1920) she did a little dance performance. The next year she concentrated on her ballet and piano studies. In 1927 she returned to the cinema in Am Rande der Welt/ At the Edge of the World (Karl Grune, 1927) and the supernatural thriller Der geheimnisvolle Spiegel/The Mystic Mirror (Carl Hoffmann, Richard Teschner, 1928), credited as Felicitas Malten. In the following years, she made some more silent films, now as Fee Malten, like Rutschbahn/Whirl of Youth (Richard Eichberg, 1928) with Heinrich George, and Tagebuch einer Kokotte/Diary of a Coquette (Constantin J. David, 1928). In those films, she was often cast as an uncomplicated, cheerful girl.
Fee Malten’s film career seemed stimulated by the arrival of the sound film. In the early 1930s, she played leading roles in several films. In the popular operetta Ein Tango für Dich/A Tango For You (Géza Von Bolvary, 1930) she was a dancer loved by two jazz singers, played by Paul Otto and Willy Forst. The following year she made another operetta with the same actors and director, Sein Leibeslied/His Love Song (Geza Von Bolvary, 1931). Among her other films were the comedy Die schwebende Jungfrau/The Gliding Virgin (Carl Boese, 1931), the thriller D-Zug 13 hat Verspätung/Express 13 (Alfred Zeisler, 1931), and the military comedy Falscher Feldmarschall/False Field Marshall (Karel Lamac aka Carl Lamac, 1932). Then her budding career was halted by the rise of the Nazis. The Jewish Malten wasn’t allowed to appear in more films in Germany. In 1937, Paul Kohner invited her to come to Hollywood. She moved to the USA with her husband, Hans Wall, and their two children. There she appeared in a few films, including the Monogram quickie Foreign Accent (William Beaudine, 1942) and - as Faye Wall - in Hitler - Dead or Alive (Nick Grinde, 1942). The reviewer on IMDb, Donnie Lee, writes about the latter film: “To everyone who tells me that Plan 9 From Outer Space was the worst film ever made, I simply reply: "You haven't seen 'Hitler: Dead or Alive. Watch it for laughs!” Fee Malten would never rise above supporting parts in Hollywood. Her last bit part was in Young Bess (George Sidney, 1953). She died in 2005, in Los Angeles, USA.
Sources: Thomas Staedeli (Cyranos), Hal Erickson (All Movie), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
(ENG Below)
Próximamente, estreno del nuevo videoclip de Moira Fee.
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New videoclip from Moira Fee coming up soon.
/me ..
tv
©MadDreamer ©2👽22/All rights reserved. Do not use without written permission from photographer/artist
ما كنك ادوس الثرا باقدامك
كنك ترا تحــــتك يسيــــل امروه
القوس قوسك و السهام اسهامك
مالــــى علي رمــــش تســــله قوه
(ENG Below)
Próximamente, estreno del nuevo videoclip de Moira Fee.
--------------------------
New videoclip from Moira Fee coming up soon.
Ah, the days of wooden skis with cable bindings, leather ski boots, stretch ski trousers, nylon ski jackets, roll-neck ski sweaters, balaclavas and bobble hats. Have a fall, and you'd spend the following half-hour getting your ski(s) back on and the snow out of your clothing.
[Kodachrome slide, Konica Auto S2]
48x48 boxpleat pour chacune
Probablement mes modèles préférées. La première d'entre elles, la fée bleue, m'est venue en tentant de créer mon ange. Les 5 autres sont toutes des modifications de cette parfaite base : les cheveux, la robe, les manches et probablement même les ailes peuvent être modifiées d'une manière complètement différentes.
CP de base : www.flickr.com/photos/sunburst2000/3592637606/in/photostream
The Fee Glacier, with heavy cloud cover above, taken from just outside Saas-Fee village (1800m). The wooded area in the foreground is the outer surface of the moraine created when the glacier reached down to the level of the village as recently as 150 years or so ago.
Canon EOS 5D Mark II | Canon EF 24-105mm f/4L IS USM
Vintage postcard, no. 3942. Photo: Vogel-Sandau, Berlin.
Pretty Fee Malten (1911-2005) was a popular German film star in the late 1920s and early 1930s. She portrayed uncomplicated, gay girls in several silent and early sound films until her budding career was broken off by the rise of Adolph Hitler.
Fee Malten was born as Felicitas Mansch in 1911, in Berlin, Germany. At the age of 9 she made her film debut. She was introduced by an uncle who worked as an actor In Christi Geburt (1920) she did a little dance performance. The next year she concentrated on her ballet and piano studies. In 1927 she returned to the cinema in Am Rande der Welt/ At the Edge of the World (Karl Grune, 1927) and the supernatural thriller Der geheimnisvolle Spiegel/The Mystic Mirror (Carl Hoffmann, Richard Teschner, 1928), credited as Felicitas Malten. In the following years, she made some more silent films, now as Fee Malten, like Rutschbahn/Whirl of Youth (Richard Eichberg, 1928) with Heinrich George, and Tagebuch einer Kokotte/Diary of a Coquette (Constantin J. David, 1928). In those films, she was often cast as an uncomplicated, cheerful girl.
Fee Malten’s film career seemed stimulated by the arrival of the sound film. In the early 1930s, she played leading roles in several films. In the popular operetta Ein Tango für Dich/A Tango For You (Géza Von Bolvary, 1930) she was a dancer loved by two jazz singers, played by Paul Otto and Willy Forst. The following year she made another operetta with the same actors and director, Sein Leibeslied/His Love Song (Geza Von Bolvary, 1931). Among her other films were the comedy Die schwebende Jungfrau/The Gliding Virgin (Carl Boese, 1931), the thriller D-Zug 13 hat Verspätung/Express 13 (Alfred Zeisler, 1931), and the military comedy Falscher Feldmarschall/False Field Marshall (Karel Lamac aka Carl Lamac, 1932). Then her budding career was halted by the rise of the Nazis. The Jewish Malten wasn’t allowed to appear in more films in Germany. In 1937, Paul Kohner invited her to come to Hollywood. She moved to the USA with her husband, Hans Wall, and their two children. There she appeared in a few films, including the Monogram quickie Foreign Accent (William Beaudine, 1942) and - as Faye Wall - in Hitler - Dead or Alive (Nick Grinde, 1942). The reviewer on IMDb, Donnie Lee, writes about the latter film: “To everyone who tells me that Plan 9 From Outer Space was the worst film ever made, I simply reply: "You haven't seen 'Hitler: Dead or Alive. Watch it for laughs!” Fee Malten would never rise above supporting parts in Hollywood. Her last bit part was in Young Bess (George Sidney, 1953). She died in 2005, in Los Angeles, USA.
Sources: Thomas Staedeli (Cyranos), Hal Erickson (All Movie), Wikipedia and IMDb.
No Repro Fee ……30-9-15 .. The Living wage Forum held in Dublin Castle hosted by the Department of Jobs , Enterprise and Innovation . Pic shows Tanaiste and Minister for Social Protection Joan Burton with Minister for Business & Employment Ged Nash along with from left Joe Zefran from the Dublin Food Co Op , Jacqueline Synnott from Cluid Housing and Aoife Mc Carthy from IKEA who attended the Living Wage Forum held in Dublin Castle. Pic Maxwell’s - No Repro Fee 30-9-15
Korschenbroich Liedberg Mill Tower
For a fee of 50 cent you can enter the mill tower and climb upstairs to enjoy the view.
Korschenbroich Liedberg Mühlenturm
Für ein Eintrittsgeld von 5 Cent kann man in den Mühlenturm hinein und dort hinaufklettern, um die Aussicht zu genießen.
Here you can see this panorama in its full glory and you can zoom in and view it in Hi Res by pressing the right mouse key: