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German postcard by Ross Verlag, no. 3463/1, 1928-1929. Photo: Atelier Kiesel, Berlin.
Pretty Fee Malten (1911-2005) was a popular German film star in the late 1920s and early 1930s. She portrayed uncomplicated, gay girls in several silent and early sound films until her budding career was broken off by the rise of Adolph Hitler.
From summer 2013 at the cabin. A 30 second exposure from the marina by our cabin. It's starting to be spring here, time to start thinking about summer at the cabin.
Posted as day 5 of a combined 10 day B&W challenge from Cindy's Here and kfpsardou. One thing I like about this miniproject is that I'm going through some older photos doing a little past processing. I had taken a series of long exposures at the marina that I never did process. A nice little rediscovery in my archives. I'm trying to post something a little different every day, and this day is a long exposure landscape.
All photos are copyrighted. Do not use without permission.
Youtube clips from my friend RPMIME:
Feelies / Clip 1:
www.youtube.com/watch?v=R26jmVB61ns
Feelies / Clip 2:
www.youtube.com/watch?v=tauKYSsbs-A
Feelies / Clip 3:
Saas-Fee can be reached by car or bus—postal buses run during much of the day half-hourly from Brig and Visp, though none provides a service beyond the bus terminal through the length of the town during the winter. No cars are allowed to enter the city (they have to be parked in special car parks outside); only small electric vehicles operate on the streets (and some petrol-driven garbage trucks). The decision to exclude most motor vehicles was made by the village at the time of the construction of the road from Saas Grund in 1951.
See more of my work and connect with me on my website or Facebook page :)
Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
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Fee (real name Annekatrin) is a German filmmaker and stylist I spotted on Portobello Road. How could I not ask her for her photo, with such a cool outfit? Her cardigan is real Icelandic wool, and the dress is from H&M's ethical range. The shades were a designer whose name I couldn't remember... but anyhow, Fee was happy to chat for a little bit. She's been stopped for street shots before so she was no stranger to posing - this is the first 3 of the several very nice shots I managed to take of her in the short time we had available before she had to go and find her friends. I would have liked to chat more about her work and style inspiration, really enjoyed meeting you Fee!
Saas-Fee (1800m) by night. On the far side of the village several snow cannons can be seen topping up the snow on one of the village's nursery slopes.
Canon EOS 5D Mark III | Canon EF 50mm f/1.2L USM
of the.dinosaur: feleciaandthedinosaur.com
©MadDreamer ©2👽22/All rights reserved. Do not use without written permission from photographer/artist.
German postcard by Ross Verlag, no. 4071/1, 1929-1930. Photo: Alex Binder.
Pretty Fee Malten (1911-2005) was a popular German film star in the late 1920s and early 1930s. She portrayed uncomplicated, gay girls in several silent and early sound films until her budding career was broken off by the rise of Adolph Hitler.
Fee Malten was born as Felicitas Mansch in 1911, in Berlin, Germany. At the age of 9 she made her film debut. She was introduced by an uncle who worked as an actor In Christi Geburt (1920) she did a little dance performance. The next year she concentrated on her ballet and piano studies. In 1927 she returned to the cinema in Am Rande der Welt/ At the Edge of the World (Karl Grune, 1927) and the supernatural thriller Der geheimnisvolle Spiegel/The Mystic Mirror (Carl Hoffmann, Richard Teschner, 1928), credited as Felicitas Malten. In the following years, she made some more silent films, now as Fee Malten, like Rutschbahn/Whirl of Youth (Richard Eichberg, 1928) with Heinrich George, and Tagebuch einer Kokotte/Diary of a Coquette (Constantin J. David, 1928). In those films, she was often cast as an uncomplicated, cheerful girl.
Fee Malten’s film career seemed stimulated by the arrival of the sound film. In the early 1930s, she played leading roles in several films. In the popular operetta Ein Tango für Dich/A Tango For You (Géza Von Bolvary, 1930) she was a dancer loved by two jazz singers, played by Paul Otto and Willy Forst. The following year she made another operetta with the same actors and director, Sein Leibeslied/His Love Song (Geza Von Bolvary, 1931). Among her other films were the comedy Die schwebende Jungfrau/The Gliding Virgin (Carl Boese, 1931), the thriller D-Zug 13 hat Verspätung/Express 13 (Alfred Zeisler, 1931), and the military comedy Falscher Feldmarschall/False Field Marshall (Karel Lamac aka Carl Lamac, 1932). Then her budding career was halted by the rise of the Nazis. The Jewish Malten wasn’t allowed to appear in more films in Germany. In 1937, Paul Kohner invited her to come to Hollywood. She moved to the USA with her husband, Hans Wall, and their two children. There she appeared in a few films, including the Monogram quickie Foreign Accent (William Beaudine, 1942) and - as Faye Wall - in Hitler - Dead or Alive (Nick Grinde, 1942). The reviewer on IMDb, Donnie Lee, writes about the latter film: “To everyone who tells me that Plan 9 From Outer Space was the worst film ever made, I simply reply: "You haven't seen 'Hitler: Dead or Alive. Watch it for laughs!” Fee Malten would never rise above supporting parts in Hollywood. Her last bit part was in Young Bess (George Sidney, 1953). She died in 2005, in Los Angeles, USA.
Sources: Thomas Staedeli (Cyranos), Hal Erickson (All Movie), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
(ENG Below)
Próximamente, estreno del nuevo videoclip de Moira Fee.
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New videoclip from Moira Fee coming up soon.
/me ..
tv
©MadDreamer ©2👽22/All rights reserved. Do not use without written permission from photographer/artist