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A new feature at the Pierhead. I only saw it today for the first time
Jeremiah Horrocks
Born: 1619
Birthplace: Toxteth Park, Merseyside, England
Died: 3-Jan-1641
Location of death: Toxteth Park, Merseyside, England
Cause of death: unspecified
Gender: Male
Religion: Anglican/Episcopalian
Race or Ethnicity: White
Occupation: Astronomer
Nationality: England
Executive summary: Observed transit of Venus
English astronomer, born in 1619 at Toxteth Park, near Liverpool. His family was poor, and the register of Emmanuel College, Cambridge, testifies to his entry as sizar on the 18th of May 1632. Isolated in his scientific tastes, and painfully straitened in means, he pursued amid innumerable difficulties his purpose of self-education. His university career lasted three years, and on its termination he became a tutor at Toxteth, devoting to astronomical observations his brief intervals of leisure. In 1636 he met with a congenial spirit in William Crabtree, a draper of Broughton, near Manchester; and encouraged by his advice he exchanged the guidance of Philipp von Lansberg, a pretentious but inaccurate Belgian astronomer, for that of Johannes Kepler. He now set himself to the revision of the Rudolphine Tables (published by Kepler in 1627), and in the progress of his task became convinced that a transit of Venus overlooked by Kepler would nevertheless occur on the 24th of November (Old Style) 1639. He was at this time curate of Hoole, near Preston, having recently taken orders in the Church of England, although, according to the received accounts, he had not attained the canonical age. The 24th of November falling on a Sunday, his clerical duties threatened fatally to clash with his astronomical observations; he was, however, released just in time to witness the punctual verification of his forecast, and carefully noted the progress of the phenomenon during half an hour before sunset (3.15 to 3.45). This transit of Venus is remarkable as the first ever observed, that of 1631 predicted by Kepler having been invisible in western Europe. Notwithstanding the rude character of the apparatus at his disposal, Horrocks was enabled by his observation of it to introduce some important corrections into the elements of the planets orbit, and to reduce to its exact value the received estimate of its apparent diameter.
After a year spent at Hoole, he returned to Toxteth, and there, on the eve of a long-promised visit to his friend Crabtree, he died, on the 3rd of January 1641, when only in his twenty-second year. To the inventive activity of the discoverer he had already united the patient skill of the observer and the practical sagacity of the experimentalist. Before he was twenty he had afforded a specimen of his powers by an important contribution to the lunar theory. He first brought the revolutions of our satellite within the domain of Kepler's laws, pointing out that her apparent irregularities could be completely accounted for by supposing her to move in an ellipse with a variable eccentricity and directly rotatory major axis, of which the earth occupied one focus. These precise conditions were afterwards demonstrated by Isaac Newton to follow necessarily from the law of gravitation.
In his speculations as to the physical cause of the celestial motions, his mind, though not wholly emancipated from the tyranny of gratuitous assumptions, was working steadily towards the light. He clearly perceived the significant analogy between terrestrial gravity and the force exerted in the solar system, and by the ingenious device of a circular pendulum illustrated the composite character of the planetary movements. He also reduced the solar parallax to 14" (less than a quarter of Kepler's estimate), corrected the sun's semi-diameter to 15' 45", recommended decimal notation, and was the first to make tidal observations.
Only a remnant of the papers left by Horrocks was preserved by the care of William Crabtree. After his death (which occurred soon after that of his friend) these were purchased by Dr. Worthington, of Cambridge; and from his hands the treatise Venus in sole visa passed into those of Johannes Hevelius, and was published by him in 1662 with his own observations on a transit of Mercury. The remaining fragments were, under the directions of the Royal Society, reduced by Dr. Wallis to a compact form, with the heading Astronomia Kepleriana defensa et promota, and published with numerous extracts from the letters of Horrocks to Crabtree, and a sketch of the author's life, in a volume entitled Jeremiae Horroccii opera posthuma (London, 1672). A memoir of his life by the Rev. Arundell Blount Whatton, prefixed to a translation of the Venus in sole visa, appeared at London in 1859.
University: Emmanuel College, Cambridge University (dropped out in 1635)
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I got my work published in Freque Magazine!
If you haven't heard of it here is a link to the magazine's Facebook:
www.facebook.com/FrequeMagazine
This is the biggest magazine I've been featured in so far so I am sooooo excited!
Model: www.facebook.com/ChorusNyx
MUA/Hair: www.facebook.com/deshon.coffindolls
Follow more of my work at:
Central Campus’ Fashion Design and Merchandising program held its annual Fashion Show. The show featured fashions designed and modeled by students in the program. The show was the last event in the Central Campus week long Block Party.
The labyrinth (early 1200s) is a famous feature of the cathedral, located on the floor in the center of the nave. Labyrinths were found in almost all Gothic cathedrals, though most were later removed since they distracted from the religious services in the nave. They symbolized the long winding path towards salvation. Unlike mazes, there was only a single path that could be followed. On certain days the chairs of the nave are removed so that visiting pilgrims can follow the labyrinth. Copies of the Chartres labyrinth are found at other churches and cathedrals, including Grace Cathedral, San Francisco.[60] Artist Kent Bellows depicts a direct reference to the labyrinth, which he renders in the background of at least one of his artworks; Mandala, 1990, Pencil on paper, 18 x 19 1/2 in.
The Chapel of Saint Piatus of Tournai was a later addition to the cathedral, built in 1326, close to the apse at the east end of the cathedral. It contained a collection of reputed relics from the saint, who was bishop of Tournai in modern-day Belgium in the third century. Martyred by the Romans, who cut off the top of his skull, he is depicted in stained glass and sculpture holding the fragment of his skull in his hands. The chapel has a flat chevet and two circular towers. Inside are four bays, in a harmonious style, since it was built all at the same time. It also contains a notable collection of 14th-century stained glass. The lower floor was used as a chapter house, or meeting place for official functions, and the top floor was connected to the cathedral by an open stairway.
The sacristy, across from the north portal of the cathedral, was built in the second half of the 13th century. The bishop's palace, also to the north, is built of brick and stone, and dates to the 17th century. A gateway from the period of Louis XV leads to the palace and also gives access to the terraced gardens, which offer of good view of the cathedral, particularly the chevet of the cathedral at the east end, with its radiating chapels built over the earlier Romanesque vaults. The lower garden also has a labyrinth of hedges.
Construction
Work was begun on the Royal Portal with the south lintel around 1136 and with all its sculpture installed up to 1141. Opinions are uncertain as the sizes and styles of the figures vary and some elements, such as the lintel over the right-hand portal, have clearly been cut down to fit the available spaces. The sculpture was originally designed for these portals, but the layouts were changed by successive masters, see careful lithic analysis by John James. Either way, most of the carving follows the exceptionally high standard typical of this period and exercised a strong influence on the subsequent development of Gothic portal design.
Some of the masters have been identified by John James, and drafts of these studies have been published on the web site of the International Center of Medieval Art, New York.
On 10 June 1194, another fire caused extensive damage to Fulbert's cathedral. The true extent of the damage is unknown, though the fact that the lead cames holding the west windows together survived the conflagration intact suggests contemporary accounts of the terrible devastation may have been exaggerated. Either way, the opportunity was taken to begin a complete rebuilding of the choir and nave in the latest style. The undamaged western towers and façade were incorporated into the new works, as was the earlier crypt, effectively limiting the designers of the new building to the same general plan as its predecessor. In fact, the present building is only marginally longer than Fulbert's cathedral.
One of the features of Chartres cathedral is the speed with which it was built – a factor which helped contribute to the consistency of its design. Even though there were innumerable changes to the details, the plan remains consistent. The major change occurred six years after work began when the seven deep chapels around the choir opening off a single ambulatory were turned into shallow recesses opening off a double-aisled ambulatory.
Australian architectural historian John James, who made a detailed study of the cathedral, has estimated that there were about 300 men working on the site at any one time, although it has to be acknowledged that current knowledge of working practices at this time is somewhat limited. Normally medieval churches were built from east to west so that the choir could be completed first and put into use (with a temporary wall sealing off the west end) while the crossing and nave were completed. Canon Delaporte argued that building work started at the crossing and proceeded outwards from there,[67] but the evidence in the stonework itself is unequivocal, especially within the level of the triforium: the nave was at all times more advanced than ambulatory bays of the choir, and this has been confirmed by dendrochronology.
The builders were not working on a clean site; they would have had to clear back the rubble and surviving parts of the old church as they built the new. Work nevertheless progressed rapidly: the south porch with most of its sculpture was installed by 1210, and by 1215 the north porch and the west rose window were completed. The nave high vaults were erected in the 1220s, the canons moved into their new stalls in 1221 under a temporary roof at the level of the clerestory, and the transept roses were erected over the next two decades. The high vaults over the choir were not built until the last years of the 1250s, as was rediscovered in the first decade of the 21st century.
Chartres is the prefecture of the Eure-et-Loir department in the Centre-Val de Loire region in France. It is located about 90 km (56 mi) southwest of Paris. At the 2019 census, there were 170,763 inhabitants in the metropolitan area of Chartres (as defined by the INSEE), 38,534 of whom lived in the city (commune) of Chartres proper.
Chartres is famous worldwide for its cathedral. Mostly constructed between 1193 and 1250, this Gothic cathedral is in an exceptional state of preservation. The majority of the original stained glass windows survive intact, while the architecture has seen only minor changes since the early 13th century. Part of the old town, including most of the library associated with the School of Chartres, was destroyed by Allied bombs in 1944.
History
Chartres was one of the principal towns in Gaul of the Carnutes, a Celtic tribe. In the Gallo-Roman period, it was called Autricum, name derived from the river Autura (Eure), and afterwards civitas Carnutum, "city of the Carnutes", from which Chartres got its name. The city was raided and burned down by the Norsemen in 858, and once again besieged, this time unsuccessfully, by them in 911.
During the Middle Ages, it was the most important town of the Beauce. It gave its name to a county which was held by the counts of Blois, and the counts of Champagne, and afterwards by the House of Châtillon, a member of which sold it to the Crown in 1286.
In 1417, during the Hundred Years' War, Chartres fell into the hands of the English, from whom it was recovered in 1432. In 1528, it was raised to the rank of a duchy by Francis I.
In 1568, during the Wars of Religion, Chartres was unsuccessfully besieged by the Huguenot leader, the Prince of Condé. It was finally taken by the royal troops of Henry IV on 19 April 1591. On Sunday, 27 February 1594, the cathedral of Chartres was the site of the coronation of Henry IV after he converted to the Catholic faith, the only king of France whose coronation ceremony was not performed in Reims.
In 1674, Louis XIV raised Chartres from a duchy to a duchy peerage in favor of his nephew, Duke Philippe II of Orléans. The title of Duke of Chartres was hereditary in the House of Orléans, and given to the eldest son of the Duke of Orléans.
In the 1870–1871 Franco-Prussian War, Chartres was seized by the Germans on 2 October 1870, and continued during the rest of the war to be an important centre of operations.
In World War II, the city suffered heavy damage by bombing and during the battle of Chartres in August 1944, but its cathedral was spared by an American Army officer who challenged the order to destroy it. On 16 August 1944, Colonel Welborn Barton Griffith, Jr. questioned the necessity of destroying the cathedral and volunteered to go behind enemy lines to find out whether the Germans were using it as an observation post. With his driver, Griffith proceeded to the cathedral and, after searching it all the way up its bell tower, confirmed to Headquarters that it was empty of Germans. The order to destroy the cathedral was withdrawn.
Colonel Griffith was killed in action later on that day in the town of Lèves, 3.5 kilometres (2.2 miles) north of Chartres. For his heroic action both at Chartres and Lèves, Colonel Griffith received, posthumously, several decorations awarded by the President of the United States and the U.S. Military, and also from the French government.
Following deep reconnaissance missions in the region by the 3rd Cavalry Group and units of the 1139 Engineer Combat Group, and after heavy fighting in and around the city, Chartres was liberated, on 18 August 1944, by the U.S. 5th Infantry and 7th Armored Divisions belonging to the XX Corps of the U.S. Third Army commanded by General George S. Patton.
Geography
Chartres is built on a hill on the left bank of the river Eure. Its renowned medieval cathedral is at the top of the hill, and its two spires are visible from miles away across the flat surrounding lands. To the southeast stretches the fertile plain of Beauce, the "granary of France", of which the town is the commercial centre.
Main sights
Chartres is best known for its cathedral, the Cathédrale Notre-Dame de Chartres, which is considered one of the finest and best preserved Gothic cathedrals in France and in Europe. Its historical and cultural importance has been recognized by its inclusion on the UNESCO list of World Heritage Sites.
It was built on the site of the former Chartres cathedral of Romanesque architecture, which was destroyed by fire in 1194 (that former cathedral had been built on the ruins of an ancient Celtic temple, later replaced by a Roman temple). Begun in 1205, the construction of Notre-Dame de Chartres was completed 66 years later.
The stained glass windows of the cathedral were financed by guilds of merchants and craftsmen, and by wealthy noblemen, whose names appear at the bottom.
It is not known how the famous and unique blue, bleu de Chartres, of the glass was created, and it has been impossible to replicate it. The French author Michel Pastoureau says that it could also be called bleu de Saint-Denis.
The Église Saint-Pierre de Chartres was the church of the Benedictine Abbaye Saint-Père-en-Vallée, founded in the 7th century by queen Balthild. At time of its construction, the abbey was outside the walls of the city. It contains fine stained glass and, formerly, twelve representations of the apostles in enamel, created about 1547 by Léonard Limosin, which now can be seen in the fine arts museum.
Other noteworthy churches of Chartres are Saint-Aignan (13th, 16th and 17th centuries), and Saint-Martin-au-Val (12th century), inside the Saint-Brice hospital.
Museums
Musée des Beaux-Arts, Fine arts museum, housed in the former episcopal palace adjacent to the cathedral.
Le Centre international du vitrail, a workshop-museum and cultural center devoted to stained glass art, located 50 metres (160 feet) from the cathedral.
Conservatoire du machinisme et des pratiques agricoles, an agricultural museum.
Musée le grenier de l'histoire, history museum specializing in military uniforms and accoutrements, in Lèves, a suburb of Chartres.
Muséum des sciences naturelles et de la préhistoire, Natural science and Prehistory Museum (closed since 2015).
Other sights
The Eure river running through Chartres
The river Eure, which at this point divides into three branches, is crossed by several bridges, some of them ancient, and is fringed in places by remains of the old fortifications, of which the Porte Guillaume (14th century), a gateway flanked by towers, was the most complete specimen, until destroyed by the retreating German army in the night of 15 to 16 August 1944. The steep, narrow streets of the old town contrast with the wide, shady boulevards which encircle it and separate it from the suburbs. The "parc André-Gagnon" or "Clos St. Jean", a pleasant park, lies to the north-west, and squares and open spaces are numerous.
Part of the Hôtel de Ville (City Hall) is a building of the 17th century called Hôtel de Montescot. The Maison Canoniale dating back to the 13th century, and several medieval and Renaissance houses, are of interest.
There is a statue of General Marceau (1769–1796), a native of Chartres and a general during the French Revolution.
La Maison Picassiette, a house decorated inside and out with mosaics of shards of broken china and pottery, is also worth a visit.
Economy
Chartres is one of the most important market towns in the region of Beauce (known as "the granary of France").
Historically, game pies and other delicacies of Chartres were well known, and the industries also included flour-milling, brewing, distilling, iron-founding, leather manufacture, perfumes, dyeing, stained glass, billiard requisites and hosiery. More recently, businesses include the manufacture of electronic equipment and car accessories.[citation needed]
Since 1976 the fashion and perfumes company Puig has had a production plant in this commune.
Transport
The Gare de Chartres railway station offers frequent services to Paris, and a few daily connections to Le Mans, Nogent-le-Rotrou and Courtalain. The A11 motorway connects Chartres with Paris and Le Mans.
Sport
Chartres is home to two semi-professional association football clubs; FC Chartres, who play in the French sixth division, and HB Chartres, who play in the seventh tier.
Chartres has a table tennis club which is playing in the Pro A (French First division) and in the European Champions League. The club won the ETTU Cup on the season 2010 – 2011 and it finished at the second position in the French First division.
Chartres has the second most important squash club in France.
There is also a handball club and it is playing in the French second division.
In November 2012, Chartres organized the European Short Course Swimming Championships.
Diocese
Main article: Diocese of Chartres
The town is the seat of a diocese (bishopric), a prefecture, and a cour d'assises. It has a Tribunal de grande instance, a Tribunal d'instance, a Chamber of commerce and a branch of the Banque de France.
Public and religious schooling from kindergarten through high school and vocational schools is given in mixed (boys and girls) establishments. The two main high schools are the Lycée Jehan de Beauce and the Lycée Marceau, named after two important personages of the history of Chartres: Jehan de Beauce was a 16th-century architect who rebuilt the northern steeple of the cathedral after it had been destroyed by lightning in July 1506, and Marceau, a native of city, who was a general during the French Revolution of 1789.
Pilgrimages
Chartres has been a site of Catholic pilgrimages since the Middle Ages. The poet Charles Péguy (1873–1914) revived the pilgrimage route between Paris and Chartres before World War I. After the war, some students carried on the pilgrimage in his memory. Since 1982, the association Notre-Dame de Chrétienté, with offices in Versailles, organizes the annual 100 km (62 mi) pilgrimage on foot from Notre-Dame de Paris to Notre-Dame de Chartres. About 15,000 pilgrims, from France and countries outside France, participate every year.
Bishops
Notable bishops of Chartres:
Fulbert of Chartres (1007–1029)
St. Ivo of Chartres (1090–1115)
John of Salisbury (1176–1180)
Érard de La Marck (1472–1538)
Notable people
Chartres was the birthplace of:
Hélène Boucher (1908–1934), pilot
Jacques Pierre Brissot (1754–1793), a leading member of the Girondist movement (French Revolution)
Julien Cétout (born 1987 or 1988), football player
Arlette Chabot (born 1951), journalist
Fulcher of Chartres (born around 1059 in or near Chartres), chronicler of the First Crusade
Alexis de Castillon (1838–1873), composer
Philippe de Dangeau (1638–1720), officer and member of the Académie française
Philippe Desportes (1546–1606), poet
Antoine François Desrues (1744–1777), poisoner
Loïc Duval (born 1982), racing driver
Julien Escudé (born 1979), football player
Nicolas Escudé (born 1976), tennis player
André Félibien (1619–1695), architect and historiographer
Achille Guenée (1809–1880), lawyer and entomologist
Pierre-Jules Hetzel (1814–1886), editor and publisher
Éric Lada (born 1965), football player
Luc Lamirault (born 1962), politician
François Séverin Marceau-Desgraviers (1769–1796), general
Pierre Nicole (1625–1695), Jansenist theologian
Jérôme Pétion de Villeneuve (1756–1794), writer and politician
Allison Pineau (born 1989), handball player
André Plassart (1889–1978), hellenist, epigrapher and archaeologist
Philippe Quintais (born 1967), pétanque player
Mathurin Régnier (1573–1613), satirist
Jacqueline de Romilly (1913–2010), philologist, classical scholar and fiction writer
Benjamin Nivet (born 1977), football player
Wandrille Lefèvre (born 1989), Canadian football player
Audrey Marnay (born 1980), actress and model
International relations
Chartres is twinned with:
Italy Ravenna, Italy (since 1957)
Germany Speyer, Germany (since 1959)
United Kingdom Chichester, United Kingdom (since 1959)
State of Palestine Bethlehem, Palestine (since 1995)
Portugal Évora, Portugal (since 2003)
Spain León, Spain (since 2009)
Japan Sakurai, Japan (since 1989)
Wellington engagement shoot - featuring Canon 7D II. Can it step up to the test?
Read more at - www.kentyuphotography.com/blog/2014/12/canon-7d-mark-ii-h...
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Though founded in 1769, Wheeling did not become the "City of Wheeling" until 1836. When Meriwether Lewis, of the Lewis & Clark expedition fame, passed through in 1803, he remarked that Wheeling was,"a pretty considerable Village." In 1806, Wheeling would obtain "town" status from the Virginia legislature and in 1836, upgraded to "city."
In recognition of the centennial "city" status of Wheeling, in August of 1936, an elaborate, citywide, week-long celebration was staged. The festivities included historical and industrial exhibits at the Market Auditorium and displays in every store window downtown, a golf and tennis tournament, a River Regatta, Dodson World’s Fair Carnival at the Fairgrounds, the coronation of the “Queen of the Centennial,” a “Nationality Night” featuring Polish, Italian, and Ukrainian music and dancing in costume, and the “On Wings of Time” Pageant — a “Mammoth Spectacle” at Wheeling Island Stadium featuring a cast of more than 1000 portraying Wheeling’s History “from the beginning of time,” with a 150 piece band, “dazzling costumes,” dozens of horsemen, oxen, covered wagons, and trains.
-Daily Events Calendar from the Archives Vertical Files of the Ohio County Public Library Archives.
➤ Visit the Library's Wheeling History website
The photos on the Ohio County Public Library's Flickr site may be freely used by non-commercial entities for educational and/or research purposes as long as credit is given to the "Ohio County Public Library Archives, Wheeling WV." These photos may not be reproduced in any format for profit or other presentation without the permission of the Ohio County Public Library.
➤ Contact the Ohio County Public Library to request permission for use or publication of materials.
Featured on Featured on Frank Lloyd Wright Preservation Trust Wright Plus 2012 housewalk. Philip Griess House (1913) (John S. Van Bergen) Charming variation of Wright’s famous fireproof Prairie houses.
Unter Bauern
Regie: Ludi Boeken
Kamera: Dani Schneor
Marga Spiegel: Veronica Ferres
Menne Spiegel: Armin Rohde
Tochter Karin Spiegel: Luisa Mix
Bauer Hermann Aschoff: Martin Horn
Frau Aschoff: Margarita Broich
Tochter Anni Aschoff: Lia Hoensbroech..Prod.:.FilmForm Köln GmbH.Pandora Filmproduktions GmbH.Acajou Films Paris.3L Filmproduktion GmbH & CoKG
Feature Parade
Copyright © 2018 Neil Papworth. All rights reserved.
Any unauthorised Copying, Downloading or Reproduction will constitute an infringement of copyright.
JALALABAD, 22 September 2014 - In United Nations-backed radio and television broadcasts and community events to mark this year’s International Day of Peace, Afghan women, men and children came together on Sunday and in preceding days in a spirit of solidarity to make their voices heard on peace, development and a conflict-free Afghanistan.
To mark the 30th anniversary of the General Assembly’s Declaration on the Right of Peoples to Peace, the theme of this year’s Peace Day – the ‘Right of Peoples to Peace’ – was at the forefront of the events organised by the United Nations Assistance Mission in Afghanistan (UNAMA), in partnership with Afghans around the country, to highlight the commitments, purposes and principles upon which the world body was founded.
“Peace and security are essential foundations for social progress and sustainable development,” said UN Secretary-General Ban Ki-moon in a statement to mark this year’s Peace Day. “That is why, three decades ago, the United Nations affirmed the right of peoples to peace.”
The General Assembly established the International Day of Peace in 1981 to coincide with its opening session. In 2001, the Assembly unanimously voted to establish 21 September as an annual day of non-violence and cease-fire – a day devoted to strengthening the ideals of peace, both within and among all nations and peoples.
Photo: Shamsuddin Hamedi / UNAMA
"Steering feature" upgrade for set 2497 "M8 Greyhound" with parts from the single "Battle of Berlin" issue No. 19 "Sd.Kfz.251 Hanomag" (5568).
Cobi introduced this cool feature with the above mentioned magazine issue, and later on also incorporated it into the following sets:
2361 "Armoured Command Vehicle"
2368 "M3 Scout Car"
2442 "Sd.Kfz.251 Hanomag" (re-release)
2479 "Zil-157 Katyusha BM-13"
24260 "Jeep Wrangler".
It's not really a fully working steering operated via the actual steering wheel, but at least you can manually put the wheels in a tilted position for display and photoshoots.
Unfortunately it looks like Cobi is already discontinuing this feature, as all more recent vehicle releases (2497 "M8 Greyhound", 2378 "GMC CCKW 353 Transport Truck", 2499 "M16 Half-Track") sadly did not have this feature anymore.
But luckily you always have the option to modify the official set and incorporate this cool feature using the scrapped steering parts from sets that have them :-)
Featuring Eddie Acaros Steak, Lobster and Brewhouse. Courtesy Car to JFK.
JFK International Airport
Rockaway Boulevard at Belt Parkway
Jamaica, NY 11434
✰ This photo was featured on The Epic Global Showcase here: bit.ly/27mkcPf
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》Featuring The Amazing: @morgandavidson ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄
A better version of the drawing I finished the other day! Now on to more new work! 💖 Also I’ll be uploading new drawings to my print site this week so you guys can buy prints in time for Christmas!
✰Follow @morgandavidson on Instagram for more awesomeness like this!
One of my humble photo was featured in Jan - Mar 2011 issue for Marina Bay News..
My photo has been featured on Page 8 of the e-newsletter.
Please check it out.
...
The e-newletter has been posted on both their website & facebook:
Marina Bay's Website:
www.marina-bay.sg/enewsletters.html
Marina Bay Singapore’s Facebook Fan Page :
This vehicle featured in the Channel 4 drama, "The Red Riding Trilogy"
Picture taken at Event City, Manchester on 19th September 2014. Setting up day for the Footman James Manchester Classic Car Show.
✰ This photo was featured on The Epic Global Showcase here: flavoredtape.com/post/158208540135
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✰ Featuring @paschamo ✰
-Explore @paschamo here and on instagram for more!
Still available featured by @artfinder_com , acrylic #painting 60x80cm check out the website
✰ This photo was featured on The Epic Global Showcase here: ift.tt/1XvwD76
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》Featuring The Amazing: @lizzlerthedoodler ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄
Debating to color this or water color. #art #illustration #drawing #draw #picture #artist #sketch #sketchbook #paper #pen #pencil #artsy #instaart #beautiful #instagood #gallery #masterpiece #creative #photooftheday #instaartist #graphic #graphics #artoftheday
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Featured in the article "Siri is killing the Geordie accent" by Matthew Hughes (TNW website, 29 September 2016). thenextweb.com/insider/2016/09/29/siri-is-killing-the-geo...
Featured on gaileguevara.blogspot.com/
Architecture & Interiors by EVOKE INTERIORS
Interior Photography by www.evoke.ca/
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Ghoul for Bishbox June
Wearing:
Ghoul - Kimi Shirt & Mikasa Skirt
Suicide Girls - Rebel Me choker
Truth - Rogue
I am featured in this months issue of the Olympus online magazine.
content.yudu.com/A20gyv/OlympusMagIssue5/resources/index....
Featuring Starfire Pearl projector shrouds, Dual Red Demon Eye, Dual ORB LED Rings & White LED Parking Light retrofit.
This picture was featured in 'YOUR BIG PICTURE OF THE DAY' section of the BBC website on 02 June 2009.
In its 12th year, 100% Norway will bring the best of contemporary Norwegian interior and product design to London. The exhibition will feature prototypes from selected designers alongside classic and contemporary products, as well as material applications from Norwegian manufacturers. 100% Norway 2015 is a collaboration between The Norwegian Centre for Design and Architecture, the Royal Norwegian Embassy in London and Ministry of Foreign Affairs, in partnership with Norwegian Icons.