View allAll Photos Tagged featured
I'm happy to be included in the "Expert Advice" section, along with a couple of my photos and some tips on long exposures
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1SYpRGZ
-------------
✰Featuring The Amazing: @yasush ✰ ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄
“Photography Studio” a work I did with @m.khademsadegh studio a while back. More images at my website. (Link in bio) #graphicroozane #graphicdesignui @simply.cool.design #graphicdesignblg #graphicgang @behance #rsa_graphics #dobe #cooldesign #bilboard #rendering #lighting #3D #zbrush #wedding #couple #bride #groom #vray #flower #designarf #camera #photography #illustrate #nature #manipulationclan #pirategraphic #advertising #designinspiration
✰Follow @yasush on Instagram for more awesomeness like this!
various photos. photoshop. Featuring airborne trolly service by
Maikeru7056: www.flickr.com/photos/bokky/
Deboxing the Rapunzel Feature Doll. Rapunzel's inner box slides out from the bottom, not the top of the box. First you have to detach the 'try me' switch from the front window by undoing two layers of tape. Once freed from the tape, it can be pushed back through a hole in the box to fall inside the box. The other end of the switch plugs into a socket in the back of the doll, and is detachable once the doll is deboxed. Then the doll is removed from the box, still attached to the inner backing. The backing can free stand, and now the doll is in the clear.
The recently released Disney Store Deluxe Feature Rapunzel Doll. She is part of the line of new 16 inch singing Princess dolls for 2015. They not only sing, but each also comes with an accessory and have other special features. They also come in a sturdy reusable box with a satin carrying handle. They are available online and in stores in North America, and cost $49.95 each. Rapunzel I think is the most impressive doll in the line, and the most different from previous singing dolls of the same character.
Once the 'try me' switch is detached, you trigger the sound and lights by sliding the lantern back and forth a little way along her hand. There is a LED light in the palm of her hand that flickers while she is singing, and lights up the lantern. She sings about 35 seconds of the 'Healing Incantation' song very clearly and just the right volume. The sound is better than any previous DS singing doll that I have heard. The gentleness of the song, with accompanying lights, and the beauty of the doll, makes for a very moving experience. I don't think I will get tired of hearing the song and seeing the lights on this doll.
Roger Waters @ D.A.R. Constitution Hall, Washington, DC, on Friday, October 16, 2015.
Set 1:
When the Tigers Broke Free (Pink Floyd song - Tim Donley vocals)
Wide River to Cross (Buddy Miller cover - Tim Donley vocals)
Mother (Pink Floyd song with Pigs On The Wing teasing)
Lean On Me (Bill Withers cover - J.W. Cortés vocals)
A Change Is Gonna Come (Sam Cooke cover - J.W. Cortés vocals)
Shine On You Crazy Diamond (Pink Floyd song with Tom Morello & Tim Donley vocals)
Money (Pink Floyd song with Tom Morello & Greg Galeazzi vocals)
The Ghost of Tom Joad (Bruce Springsteen cover with Tom Morello)
Set 2:
Wish You Were Here (Pink Floyd song with Billy Corgan)
Brain Damage (Pink Floyd song with Billy Corgan)
Eclipse (Pink Floyd song with Billy Corgan)
Crystal Clear Brooks
Goodbye Blue Sky (Pink Floyd song)
Blowin' in the Wind (Bob Dylan cover with Sheryl Crow and Tim Donley vocals)
Is There Anybody Out There? (Pink Floyd song)
Nobody Home (Pink Floyd song)
Hallelujah (Leonard Cohen cover - Tim Donley vocals)
Another Brick in the Wall Part 2 (Pink Floyd song)
Encore:
Comfortably Numb (Pink Floyd song with Billy Corgan, Roger and Tim Donley vocals)
Forever Young (Cover with Billy Corgan and Tom Morrello vocals)
Note: Music Heals, a benefit concert in aid of MusiCorps With Billy Corgan, Tom Morello, & G.E. Smith and featuring the MusiCorps Band
Video of Comfortably Numb can be found at youtu.be/7urjTOyaZpo
Video of Forever Young can be found at
medievalpoc: Cameos featuring detailed profiles of Black men and women in precious metals and jewels were popular in many European countries. The ones above date circa 1600-1800. Some art historians relate the style above to depictions of the goddess Diana, others relate them to the association of Blackness and wealth that came though trade in the Middle ages and Renaissance. You can read more about cameos like these in Black Africans in Renaissance Europe By K. J. P. Lowe, p. 204-206, and Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England By Peter Erickson & Clark Hulse, p. 193-198.
Featuring:
- Torsten Grede, Spokesman of the Board of Management, Deutsche Beteiligungs AG
- Jörg Rocholl, President, ESMT Berlin
- Ahmet Peker, Director, Head of Institutional Clients Germany, FERI Trust GmbH
- Giovanna Maag, Partner, Altor Equity Partners AG
The amazing, Jennifer Dontz, asked my permission to feature my Party Cake (which was inspired by Andreas Sweetcakes) in her August newsletter!!! Immidiately I said YES!!!
Well, I have been anxiously waiting for her to post it and finally, here it is!!!
Scroll all the way down to the bottom to see my cake. =D
To all my cake buddies, please show your support to Jennifer by purchasing your supplies from her. She's an amazing woman with a heart of gold!
hosted.verticalresponse.com/362714/b5270b8348/1454004151/...
Featuring FINESMITH Spirit Black
Featuring FINESMITH Blossom Blue
Featuring {{BSD Design Studio}} My Destiny Raw
1. EMO-tions: Maxine
2. Caryn Tats: Butterflies
3. [NikitaFride]: Long Lashes
4. KMADD/Moda: Mesh Eyes
5. Kyxe Skins & Shapes: Blossom Skin Tone
-- Teal Brow
-- Candy Eyeshadow Collection Emerald
-- Glamour Lips Ombre Passion
6. Face Paint: Square Prim Nails
7. Poses built into Props at Image Essentials
Photo by Greg Shine, BLM
Redmond Caves is a site featuring five caves formed by volcanic flows of molten lava from the Newberry Caldera. Located inside the Redmond city limits, the site is managed by the Bureau of Land Management in partnership with the City of Redmond and is a unique site where visitors can learn about geology, wildlife, and past human use.
The five caves were created from the collapse of a single lava tube. While some caving groups have given the individual caves names, most academic and archaeological groups refer to the caves by number.
Cave 1: The largest cave opening, with the highest roof, located in the center of the site.
Cave 2: A very small and shallow entrance tube that is present as a surface feature, located to the northwest of Cave 1
Cave 3: A long section of lava tube, with a southern and northern opening.
Cave 4: A short section of lava tube with very low ceiling, located at the south end of the site, visible from Airport Avenue.
Cave 5: A very small and shallow cave opening, located immediately east of Cave 4.
The largest opening (Cave 1) enters a fairly deep and expansive cave, while Cave 3 has two openings joined by a narrow, but easily passable connection.
Caves 1, 3, and 4 are accessible and have deep, sandy soils, with scattered boulders and ceiling blocks.
The caves are a great place to explore today, and archaeological evidence and oral tradition point to human use of the caves for at least 6,000 years.
Visitors are asked to respect the caves and the land surrounding them as a natural park, and to avoid artifact collecting, trash dumping, woodcutting or adding graffiti to the cave walls and entrances.
The Prineville BLM will be managing the Redmond Caves area for foot traffic only with parking and an entrance on SW Airport Way.
The area is flat and covered with scattered juniper trees, sagebrush and rabbitbrush. Visitors to the area can take a short, 3/4 - 1/2 mile hike around the parcel and explore the five caves.
Redmond Caves have been listed as "Significant" under the Federal Caves Resources Protection Act due to their cultural, recreational, biological, and educational values.
Given the unique historical, cultural, wildlife, and geological values of the site, visitors should practice "leave no trace ethics" when visiting the site.
This 40-acre parcel is managed for education and interpretive use, and prohibits the following activities to help protect the caves:
•Motorized and mechanized vehicles;
•Campfires in the entire Redmond Caves Area, including the caves;
•Overnight use, except under permit;
•Placement of physical geocaches;
•Paintball use;
•All firearm discharge;
•All rockhounding and collection of decorative stone;
•Painting, marking, or otherwise defacing the caves and surrounding rocks;
•Digging and excavating;
•Use of fireworks or other pyrotechnic devices within the caves;
•Dogs or other animals within the caves;
•No smoking within the caves.
These caves are preserved in their natural state; therefore, inherent risks exist that require precautions:
•Always watch for rattlesnakes.
•Leave word with someone stating what cave you will be visiting and an approximate return time.
•Take three dependable sources of light.
•Wear sturdy shoes that protect the ankle and have non-leather, non-skid, non-marking soles.
•Gloves and kneepads may be necessary and/or useful in some caves.
•Wear a helmet to protect against low ceilings.
•Take someone with you when you enter a cave—don't go alone.
Over the past fifty years, proposals for the use of the site have been creative and diverse. At the height of the Cold War, the caves were proposed for use as a fallout shelter in the event of an atomic attack; farmers from Madras looked at the site as a possible mushroom farm; and, the Deschutes County Historical Society even received a proposal to develop their offices in the caves themselves.
In the mid-1990s, the Prineville BLM and City of Redmond formed a partnership to cooperatively manage the Redmond Caves site. This partnership was central to funding archaeological surveys and other site surveys to support management decisions for the area.
In 2005, the BLM completed the Upper Deschutes Resource Management Plan, which provides objectives for managing the Redmond Cave area, including:
•Protecting and maintaining the biologic, cultural, and geologic features of the caves;
•Working with the City of Redmond to pursue the development of the area into a natural community park and to interpret the important features of the area; and
•Providing recreation appropriate to management of the caves through the use of marked foot trails, designated parking and fencing.
Redmond Caves is located on the northern end of the Newberry lava plain between the Crooked and Deschutes Rivers. As part of the high desert, the hot and dry character of the area influenced how native human populations and local wildlife used the caves and the surrounding lands. While the rivers represented access to vital resources, trails between the two rivers passed near the Redmond Caves site, and the caves likely provided a cool, but short-term, stop-over for travelers.
Based on available information, this pattern of use seems to have persisted for the last 5000-7000 years. Formal archaeological excavations have provided a glimpse into the caves' use, with evidence of hunting and gathering through the remains of stone, bone, shell and textile artifacts.
In 1941, Robert Heizer of the University of Oregon, conducted partial excavations inside the caves. His discoveries included items like obsidian and chert flakes, dart points, arrow points, a mano (a hand-held stone for grinding), a sandal fragment, and several pieces of animal bone.
The scale of volcanic activity in Central Oregon is very large. The flows that created Redmond Caves came from Newberry Caldera over the past 2 million years. Newberry is a shield volcano located 35 miles away, and is the largest such volcano in the lower 48 states. Redmond Caves is just one portion of a system that stretches through eastern Bend, across BLM-managed lands east of State Highway 97 and into Redmond. A 1963 BLM mineral report mentions that local residents entered a cave on private property to the northeast of the site, crawled in a southwest direction, and exited one of the caves on the BLM parcel.
The BLM has led several field trips to the caves with members and elders of the Confederated Tribes of the Warm Springs Reservation of Oregon (CTWSRO), Burns Paiute, and Klamath Tribes. Recollections of a few of the elders are as follows:
•According to Delbert Frank, Sr. and Geraldine Jim of CTWSRO, the area around Redmond is referred to in the Sahaptin language as P'oosh P'oosh for the number of juniper trees in the area.
•As young people, some of the elders recalled camping in the vicinity of the caves when their parents were working at nearby potato fields, while attending the rodeo, or traveling from one point to another off reservation.
•Some elders remember a shallow layer of water on the cave floor and to keep them from potential danger, their parents told them that water babies and other malevolent spirits lived there. Some of the elders confided that despite their parent's warnings, they went into the caves anyway!
In 2002, the BLM and the City of Redmond authorized the University of Oregon (Field School) to conduct a multi-year archeological project at Redmond Caves. This work included surveys of the entire 40-acre parcel, with the discovery of numerous prehistoric sites and a few historic period refuse scatters. Over the course of several seasons of work, archeological excavation was done inside the caves. Cultural items identified and recorded included:
•Projectile points (arrowheads);
•Fresh water and marine shells (Olivella and Dentalium);
•Bifaces and edge-modified flakes;
•Cordage, shell, bone and stone disc beads, and bone needles, awls, and hooks;
•Ochre;
•Tools such as an Elkhorn digging stick handle, a milling stone, and stone mortar;
•Large amounts of naturally and culturally deposited animal bones (the later resulting from food consumption by early human inhabitants);
•Obsidian from the site was analyzed through X-ray fluorescence, identifying where the stone originated.
Based on the testing, obsidian tools at the site came from the following locations:
Obsidian Cliffs - 33 miles
McKay Butte - 37 miles
Newberry Volcano - 36 miles
Spodue Mountain - 114 miles
Quartz Mountain - 45 miles
The Field School sent a sagebrush sandal fragment found in Redmond Caves in the 1940s for radiocarbon dating, which showed that it is roughly 1700 to 1900 years old. The sandal is a multiple warp type sandal, which is one of styles of sandal with the widest geographic and temporal distribution in the Northern Great Basin.
In 1938, J.M. Valentine collected a holotype (the individual organism used in naming and describing a new species and usually preserved afterward) of the Charlotte's False Scorpion (Parobisium charlotteae) from Redmond Caves. This false scorpion is in the family Neobisiidae, which contains over 200 named species of false scorpions.
Pseudoscorpions are very small (usually less than 4 millimeters) and generally beneficial. Their prey includes moth larvae, carpet beetle larvae, booklice, mites, and small flies.
Photograph of the Jericho Drive-In in Glenmont, N.Y. Eight photos combined with day-night exposure, time sliced. Nikon Df camera, Irix 15mm f/2.4 lens. (c) Chuck Miller, all rights reserved.
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1SSCFN4
-------------
…✰Featuring The Amazing: @zeynep2o16 ✰ ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄
جمعة طيبة ونهاركم سعيد 🌼🌼 . #superb_flowers #macroworld_tr #hd_macros #hot_macro #ig_captures #igbest_macros #macro_freaks #best_macro #electric_macro #macro_holic #fav_macro #macroclique #kings_floral
✰Follow @zeynep2o16 on Instagram for more awesomeness like this!
Waterfall
Where does one find a waterfall in the desert? I went to my TrueValue Hardware store and they were kind enough to turn on their little garden water feature for me. This is the end result.
Featuring Michelle Pfeiffer as Catwoman. Stick-up street art seen at night.
More Liz Art, Berlin: www.instagram.com/liz_art_berlin/
More Lembo: www.instagram.com/lemboart/
These clients wanted a sleek contemporary space for entertaining, with a stylish water feature. Three separate rendered walls, each with its own stainless steel water chute create a dramatic backdrop to this garden.
Three standard photinias are each underlit to highlight the foliage. The spacious hardwood deck has ample space for a large table and chairs for eating out, and the contemporary planting consists mainly of grasses and other plants with architectural foliage.
The original brickwork behind the three green walls has been painted over to give contrasting texture and an industrial feel to this minimilistic scheme.
It's been a while! Here is Kiki and the Mums' 21st custom faceup, Guinevere!
Ashley Townsend-Motter approached us with a doll project which she had for a while. She wasn't too sure about the character she had created and so, gave us full artistic liberty to do what we imagined for the doll. We had been interested in trying some new things for a while and so took this as the perfect opportunity to do so.
Ashley wanted Guinevere to be like a medieval lady, but given her colourful wig, we decided to go with a more fantasy look. Her facial features are loosely based on Olivia Hussey, the actress who played the 1968's film adaption of William Shakespeare's "Romeo and Juliet".
Guinevere is Kiki and the Mums' most colourful custom yet, with rainbow blush that includes pink, red, magenta, violet and blue. She has dazzling light green-gold eyes framed by expressive purple eyebrows that give her a thoughtful expression. Her lips are a vibrant shade of rosy pink, with a slight iridescent shimmer. Her eyelids feature fantastical hand-painted swirling pearlescent patterns, inspired by Vincent Van Gogh's famous "Starry Night". It only seemed appropriate that such a lovely girl had eyelids like the wondrous galaxies that appear in our night sky.
Guinevere was truly a pleasure to work on and we hope she makes Ashley very happy.
Model: Guinevere
Custom by Kiki & Chrysanthemum. Eyes by Kiki. Clothes by Chrysanthemum. Wig from eBay.
Featuring graffiti from Korea! Another excellent zine by OC. Edition of 150 available at ratmilkzine.bigcartel.com
Photo Ken Larkin
Link to Sean Brennan's Video Links
This photo was taken from a sequence of images used to create a time-lapse of the sunset. The time-lapse is viewable online here: www.youtube.com/watch?v=G6pbSU9eZQE
Those of us fortunate enough to live and work at Hume Lake have the opportunity to simply walk outside each day at sunset and see this amazing display of God's creation. The crazy this is that we don't always take advantage of that opportunity. You may not live near our nation's deepest canyon or largest tree like we do, but you're still surrounded by God's creation. Take a few moments today to walk outside and take note of the beauty of God's creation and give Him the praise He deserves!
Photo album featuring the City of Varanasi (Benares, Banāras, Kashi, Kasi), Uttar Pradesh, North India and it's people. The City of Benares exists for over 2700 years and is one of the oldest city's in the world. The photographs were shot in 2019 by Dutch travel photographer Hans Hendriksen. Should you want to buy a high-res file for publication, photo print or poster? Visit www.hanshendriksen.net to find all information about the author and how to order or publish his work.
Deze fotoserie uit Varanasi (Benares, Banāras, Kashi, Kasi), Uttar Pradesh, Noord India werd in 2019 gemaakt door reisfotograaf Hans Hendriksen. U wilt meer zien? Bezoek dan zijn populaire homepage www.hanshendriksen.net met fotogalerijen uit meer dan 30 landen, info over de auteur en hoe te bestellen/publiceren.
Cette photographie Voyage photo sur l'Inde Varanasi a été prise 2019 par Hans Hendriksen Voyage photographe néerlandais. Si vous voulez acheter un haute-rés. fichier pour la publication, tirage photo ou une affiche? Visite www.hanshendriksen.net pour y trouver toutes les informations sur l'auteur et la façon de commander ou de publier son travail.
Este India Varanasi fotografía viajes foto recibió un disparo por el fotógrafo de viajes neerlandés Hans Hendriksen. Si usted quiere comprar una de alta resolución de archivo para la publicación, impresión de fotografías o carteles? Visita www.hanshendriksen.net para encontrar toda la información sobre el autor y la forma de orden o publicar su trabajo.
Autor dieser Indien Varanasi (Benares) Reise-Fotografie Galerie aus 2019 ist Hans Hendriksen, einen Niederländischer Reise-Fotograf mit Vorliebe für das Abbilden des Alltags. Mehr auf seiner Homepage www.hanshendriksen.net mit Informationen über den Autor und wie Sie seine Bilder bestellen/publizieren.
Автор серии иэ фотографии о Варанаси Индии Ханс Хендриксен, голланкдский фотограф. Хотите еще? Зайдите на страничку www.hanshendriksen.net где вы можете найти серий фотографий о разных странах, всю информачию об авторе и информачию о том как заказать и получить его работы.
An invaluable mobile app helping Kenyan pastoralists beat the drought
ITU photos are subject to copyright by ITU (and the photographer, if indicated). ITU photos are shared for information purposes and may be re-used under the Creative Commons license CC BY-NC-ND: This license allows reusers to copy and distribute the material in any medium or format in unadapted form only, for noncommercial purposes only, and only so long as attribution is given to the creator/s. More details on Creative Commons licenses are available at www.creativecommons.org.
©ITU/Trans.Lieu