View allAll Photos Tagged fack
German postcard by Katja Riemann.de. Photo: Mirjam Knickriem.
German actress and singer Katja Riemann (1963) was a major star of the German cinema of the 1990s, who appeared in such international successful films as Der bewegte Mann (1994) and Comedian Harmonists (1997). Riemann also often worked with the directors Katja von Garnier and Margaretha von Trotta.
Katja Hannchen Leni Riemann was born in 1963 in Weyhe-Kirchweyhe, Germany. She is the daughter of two teachers and she has a sister, Susanne, and a brother, Jochen. Riemann grew up in Weyhe, near Bremen. After high school she went to study at the School of Theater and Music in Hanover from 1984 to 1986 and the Otto Falckenberg Drama School in Munich from 1986 to 1987. She attended the Westphalian Landestheater in Castrop-Rauxel and came to the ensemble of the Münchner Kammerspiele before the end of her training. She made her screen debut in the TV mini-series Sommer in Lesmona/Summer in Lesmona (Peter Beauvais, 1985-1986). For her role she won two awards. After this success, several TV roles followed, including the title role in the series Regina auf den Stufen (Bernd Fischerauer, 1992) with Mark Kuhn and Serge Avedikian. She had her breakthrough in the cinema with Abgeschminkt!/Making Up! (Katja von Garnier, 1993) opposite Max Tidof. The film is a satire about women of the 1990s in search of the men of their dreams. The following year, she appeared as the girlfriend of Til Schweiger in the hilarious romantic comedy Der bewegte Mann/ Maybe, maybe not (Sönke Wortmann, 1994), also with Joachim Król. The comedy was based on the gay comics by Ralf König. At the time of its release, this was the biggest grossing homegrown film at the German box office. Other comedies followed like Nur über meine Leiche/Over My Dead Body (Rainer Matsutani, 1995). Riemann reunited with director Katja von Garnier for the road movie Bandits (Katja von Garnier, 1997) with Jutta Hoffmann. The story is about members of a female rock band who escape from prison. Riemann even learned to play the drums for her role. Both the film and soundtrack album were commercially successful in Germany, and Riemann won the Deutscher Filmpreis (German Film Award) for her role. With director Rainer Kaufmann, she made the films Stadtgespräch/Talk of the Town (Rainer Kaufmann, 1995) with Martina Gedeck and Kai Wiesinger, and the comedy Die Apothekerin/The Pharmacist (Rainer Haufmann, 1997) with Jürgen Vogel and August Zirner. An international success was Comedian Harmonists (Joseph Vilsmaier, 1997) about the legendary close harmony sextet, played by a.o. Ben Becker, Kai Wiesinger and Max Tidof.
Beside her acting career, Katja Riemann started singing and released her first album Nachtblende in 2000. In 2003, the English-language jazz album Favourites followed with the Katja Riemann octet. In the cinema she appeared in the pan-European production Novel (Fabio Carpi, 2001) starring Hector Alterio. She starred with Maria Schrader in the film Rosenstraße (Margarethe von Trotta, 2003) about the Rosenstrasse protest where women waited for seven days and nights outside of a Nazi jail for their Jewish husbands. The protests took place in Berlin during the winter of 1943. In Italy, the film won a David at the David di Donatello Awards. With Von Trotta, she also worked on the psychodrama Ich bin die Andere/I Am the Other Woman (Margarethe von Trotta, 2006) with Armin Mueller-Stahl and Karin Dor. She played with Moritz Bleibtreu in the drama Agnes und seine Brüder/Agnes & His Brothers (Oskar Roehler, 2004). With Von Garnier, she made an international production Blood and Chocolate (Katja von Garnier, 2007) with Hugh Dancy and Olivier Mratinez, but it was a flop. More interesting was the Swiss-German rural drama Der Verdingbub/The Foster Boy (Markus Imboden, 2011). Filmportal.de: “she gives a stunning performance as a cold-hearted farmer, who holds an orphan boy like a slave on her yard.” A huge box office success was the comedy Fack ju Göhte/Suck Me Shakespeer (Bora Dagtekin, 2013) starring Elyas M'Barek, Riemann played a strict school principal and received for her performance a Best Supporting Actress Nomination at the 2014 German Film Award. In the drama Die abhandene Welt/The Misplaced World (Margaretha von Trotta, 2015) she co-starred with Barbara Sukowa and Mathias Habich. She also had a small part in the Hitler-in the-21st-century comedy Er ist wieder da/Look Who's Back (David Wnendt, 2015). At the moment of writing, several films with her are in production, including Fack ju Göhte 3/Suck Me Shakespeer3 (Bora Dagtekin, 2017), the comedy Forget About Nick (Margaretha von Trotta, 2017) and Subs (Oskar Roehler, 2018). Katja Riemann is the mother of actress Paula Riemann (also Paula Romy), whose father is Peter Sattmann. Riemann met Sattmann, on the set of Von Gewalt keine Rede (1991), and they had a relationship from 1990 to 1998. Since 2007, she has been the longtime companion of sculptor Raphael Alexander Beil. Riemanne won the Bavarian Film Award three times. Twice as Best Actress in 1993 and 1995, and once for the Best Film Score in 1997. She wrote two successful children`s books, Der Name der Sonne (The name of the sun) and Der Chor der Engel (The choir of the angels), together with her sister Susanne (2002).
Sources: Filmportal.de, Wikipedia (English and German), and IMDb.
Just as I was taking a picture of this wall, a man entered the frame. What struck me was the piercing focus of his gaze, the precise tilt of his hat brim, the graceful cradling of the cigarette. A line of chalk follows him on the wall and a scrawled "Fack" precedes him. The Rat Pack, the cowboy, and the jazz musician have nothing on this man's lingering cool.
In a span of three segments of sidewalk, his presence transformed an intriguing wall into a mere backdrop for his character. When he exited the frame, his absence seemed to accentuate the impact of the human element.
German postcard by Franz Josef Rüdel, Filmpostkartenverlag, Hamburg. Photo: Jim Rakete / Photo Selection.
German actress and singer Katja Riemann (1963) was a major star of the German cinema of the 1990s, who appeared in such international successful films as Der bewegte Mann (1994) and Comedian Harmonists (1997). Riemann also often worked with the directors Katja von Garnier and Margaretha von Trotta.
Katja Hannchen Leni Riemann was born in1963 in Weyhe-Kirchweyhe, Germany. She is the daughter of two teachers and she has a sister, Susanne, and a brother, Jochen. Riemann grew up in Weyhe, near Bremen. After high school she went to study at the School of Theater and Music in Hanover from 1984 to 1986 and the Otto Falckenberg Drama School in Munich from 1986 to 1987. She attended the Westphalian Landestheater in Castrop-Rauxel and came to the ensemble of the Münchner Kammerspiele before the end of her training. She made her screen debut in the TV mini-series Sommer in Lesmona/Summer in Lesmona (Peter Beauvais, 1985-1986). For her role she won two awards. After this success, several TV roles followed, including the title role in the series Regina auf den Stufen (Bernd Fischerauer, 1992) with Mark Kuhn and Serge Avedikian. She had her breakthrough in the cinema with Abgeschminkt!/Making Up! (Katja von Garnier, 1993) opposite Max Tidof. The film is a satire about women of the 1990s in search of the men of their dreams. The following year, she appeared as the girlfriend of Til Schweiger in the hilarious romantic comedy Der bewegte Mann/ Maybe, maybe not (Sönke Wortmann, 1994), also with Joachim Król. The comedy was based on the gay comics by Ralf König. At the time of its release, this was the biggest grossing homegrown film at the German box office. Other comedies followed like Nur über meine Leiche/Over My Dead Body (Rainer Matsutani, 1995). Riemann reunited with director Katja von Garnier for the road movie Bandits (Katja von Garnier, 1997) with Jutta Hoffmann. The story is about members of a female rock band who escape from prison. Riemann even learned to play the drums for her role. Both the film and soundtrack album were commercially successful in Germany, and Riemann won the Deutscher Filmpreis (German Film Award) for her role. With director Rainer Kaufmann, she made the films Stadtgespräch/Talk of the Town (Rainer Kaufmann, 1995) with Martina Gedeck and Kai Wiesinger, and the comedy Die Apothekerin/The Pharmacist (Rainer Haufmann, 1997) with Jürgen Vogel and August Zirner. An international success was Comedian Harmonists (Joseph Vilsmaier, 1997) about the legendary close harmony sextet, played by a.o. Ben Becker, Kai Wiesinger and Max Tidof.
Beside her acting career, Katja Riemann started singing and released her first album Nachtblende in 2000. In 2003, the English-language jazz album Favourites followed with the Katja Riemann octet. In the cinema she appeared in the pan-European production Novel (Fabio Carpi, 2001) starring Hector Alterio. She starred with Maria Schrader in the film Rosenstraße (Margarethe von Trotta, 2003) about the Rosenstrasse protest where women waited for seven days and nights outside of a Nazi jail for their Jewish husbands. The protests took place in Berlin during the winter of 1943. In Italy, the film won a David at the David di Donatello Awards. With Von Trotta, she also worked on the psychodrama Ich bin die Andere/I Am the Other Woman (Margarethe von Trotta, 2006) with Armin Mueller-Stahl and Karin Dor. She played with Moritz Bleibtreu in the drama Agnes und seine Brüder/Agnes & His Brothers (Oskar Roehler, 2004). With Von Garnier, she made an international production Blood and Chocolate (Katja von Garnier, 2007) with Hugh Dancy and Olivier Mratinez, but it was a flop. More interesting was the Swiss-German rural drama Der Verdingbub/The Foster Boy (Markus Imboden, 2011). Filmportal.de: “she gives a stunning performance as a cold-hearted farmer, who holds an orphan boy like a slave on her yard.” A huge box office success was the comedy Fack ju Göhte/Suck Me Shakespeer (Bora Dagtekin, 2013) starring Elyas M'Barek, Riemann played a strict school principal and received for her performance a Best Supporting Actress Nomination at the 2014 German Film Award. In the drama Die abhandene Welt/The Misplaced World (Margaretha von Trotta, 2015) she co-starred with Barbara Sukowa and Mathias Habich. She also had a small part in the Hitler-in the-21st-century comedy Er ist wieder da/Look Who's Back (David Wnendt, 2015). At the moment of writing, several films with her are in production, including Fack ju Göhte 3/Suck Me Shakespeer3 (Bora Dagtekin, 2017), the comedy Forget About Nick (Margaretha von Trotta, 2017) and Subs (Oskar Roehler, 2018). Katja Riemann is the mother of actress Paula Riemann (also Paula Romy), whose father is Peter Sattmann. Riemann met Sattmann, on the set of Von Gewalt keine Rede (1991), and they had a relationship from 1990 to 1998. Since 2007, she has been the longtime companion of sculptor Raphael Alexander Beil. Riemanne won the Bavarian Film Award three times. Twice as Best Actress in 1993 and 1995, and once for the Best Film Score in 1997. She wrote two successful children`s books, Der Name der Sonne (The name of the sun) and Der Chor der Engel (The choir of the angels), together with her sister Susanne (2002).
Sources: Filmportal.de, Wikipedia (English and German), and IMDb.
Give me the facking money or ill blow your facking head off U cant! East end villains getaway car of choice in their day ( now its the banks that do the robbing). Love this one even tho I much prefer them in period spec race or road.
Runö Folkhögskola
"Palme stenar"
"Palme stenar" restes med Olof Palmes tal julen 1972 som utgångspunkt.
Varje sten ska påminna om kända och okända övergrepp som gjorts mot olika folk. Vi vill att området ska stämma till eftertanke och reflektion.
Stenarna är trappsteg från Runöskolan och har nötts av fackligt och politiskt aktiva från hela världen. De är formade i en spiral, som i sig uttrycker oändlighet. 26 trappsteg är resta och 24 liggande. Minnesmärket är 55 x 35 meter stort.
Palme stenar invigdes av Socialdemokratiska Kvinnoförbundets ordförande Inger Segelström i samband med organisationens kongress på Runö Kursgård 1998.
Konstnären heter Anders Örnberg.
En del av monumentet finns att beskåda här.
These two dogs own one of the bartenders at Whiskey Thieves. They were kicking back in front of the bar. So. Facking. Cute.
You are all such talents, I could browse your pictures endless... thanks for sharing!
Walter
(Created with flickrAide)
heelflip over rail.
"Bandaged up from his finger debacle, Tyshaun don't give a fack! Still killin' it!"
viernes 31 de diciembre 2010 12:30 hs LA.
ayer 30 decidi ir a festejar mi cumpleaños sola a un recital de una banda surf californiana en un bar en la sunset blvd. me averigué bien donde tomar el cole, x donde iba, horarios, donde bajar, etc etc. todo bien anotadito en mi libreta. la flia se habia ido a comer a lo de caro pero yo tenia ganas de andar por ahi, conociendo un poco la noche californiana. cuestion q me subo al bondi, 1,50, la chofer una mala onda, me voy a sentar atras y me pongo a escuchar antu al palo. aca no hay timbres, sino un cable al costado q se tira como en la cancion de viajar en tren es de lo mejor! se tira el cordel... y se para el tren! el inspector se enojara y mandará a detener el tren!!! bueh, aca funciona asi! con cordel para detener el bus! tambien tiene un cartel luminoso ahi adelante que te va diciendo las proximas paradas, junto con la voz de un señor yanki que te avisa tambien. cuestion que una hora y 10 minutos despues de ir arriba del cole, aparece la direccion del lugar, tiro el cordel, y me bajo.... a ver, por la calle no pasaba NADIE! dije FACK! me baje antes! supuestamente segun el numero q yo me acordaba, me faltaban como 5 cuadras.... empiezo a caminar, hice 5 cuadras y no habia cambiado la numeracion, sigo puteando, con la camara de fotos en la cartera andaba medio cagada, pero me decia: he estado en lugares peores... pero si me roban la camara me la corto (si tuviera). bue, sigo caminando, 10 cuadras, 15 cuadras, NADIE en la calle, solo autos, algun cabaret por ahi. llego a la direccion que supuestamente era, y no habia nada, absolutamente nada... entonces me fijo en la fakin libretita, y la direccion era otra! porfavor que pelotuda!!! me habia bajado bien del cole!!!!!!!!!! UF. que bronca. estaba en el medio de la nada, con mi camara de fotos en la cartera, a 20 cuadras del lugar, y con un lugar para tomar cafe en la eskina. llamo por telefono, hablo con caro, me dice te voy a buscar. ok, media hora 40 minutos masomenos. ok, espero aca, esta todo bien, me tomo un cafe mientas.... dicho y hecho, me pido un coffe grande, me pongo antu al palo, agarro la birome y a dibujar esta situacion tan patetica que estaba viviendo. patetica yo. ja. al toke cae antiz con caro. me buscan, volvemos a lo de caro, me como un sanwich, ya eran como las 22 y algo. y bue,. comimos ahi con los cohen y marisa y patrick, otros argentinos amigos de ellos. y bue, se me truncó un toke la salida pero igual estuvo bueno, ahora kiero volver por la sunset a recorrerla de onda.