Copyrightvermelding: Stad Gent | Martin Corlazzoli

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Copyrightvermelding: Stad Gent | Bas Bogaerts

Image use disclaimer / copyright

All images in this database are protected by copyright. They are the property of Stad Gent.

When using an image you must mention copyright © Stad Gent as well as the author of the image.

Please send a copy or digital file of the publication in which the images are used to beeld@stad.gent

The image shall not be modified, altered or misused. If you wish to modify the image, you must first request permission to do so.

Sale of the images is prohibited.

The images shall not be used for commercial, philosophical, religious or political purposes.

@ Site Abdij van Park- Heverlee

Tobias Reyes makes his way slowly, but surly, toward the door of the small pub. The blond was probably a bit over-dressed for the particular establishment, but he preferred the laid-back atmosphere the pub provided. After a while, the coffee shops and diners on the northern side of town just ceased to peek the man's amusement. With an all-too-casual stride, the blond would make his way through the doors and into the pub; his blue eyes scanning the patrons inside before making his way toward the bar. "Whatever you've got on tap would be fine." He'd mutter to the bartender before turning around and leaning back against the bar. His gaze turning from person to person before finally resting on the woman seated on one of the tables and the man standing beside her, though his gaze would occasionally turn toward the door so as not to draw too much attention from the pair as he waited for his drink.

Maggie's arm automatically raised her thick leather case to her shoulder, it was natural reaction for her higher up clients to want to be hidden from view, but so hastly without prior notification. Maggie knew Eden had gone and done something blusteringly stupid. Her body swayed her step towards the back of the pub, her body staying wide, hands at her hips she leaned in and spoke in a hush tone, "You better have a fucking good reason to have me out at this hour. What the hell is going on..." she demanded, her voice harsh and full of irritation.

Gypsy Queller rolled her mismatched hues at the man's words. It was flattering, really, to know that even with her face in the present state it was, broken nose, a deep gash through her bottom lip, and a scabbing bruise where her hairline met her forehead--guys would still remain relentlessly devoted to grabbing her attention. She flashed her obvious wounds towards the man as she grinned wide and toothy, seeping with irony to expose her chipped front tooth. "Th' fack gave ye' that idea?" she mumbled behind her cigarette, it bouncing on her bottom lip with each syllable. She inhaled, let the smoke penetrate her lungs, then blew it out the side of her mouth before taking another swig of the beer. Her gaze was fixed forward, unamused. It was then that her gaze met the man's stare from across the bar. She drew in a sharp breath as she mindlessly looked him down.

Riddick Republic jumped out of the cruiser and locked it shut. He had his headset...his radio...and his bulletproof vest on. He took out his gun as he moved into the pub and pressed his finger to his lips signaling the people inside to keep quite as he showed his badge to those that were inside. The woman was no where to be seen. He saw gypsy and smirked inwardly for a moment. He wanted to make some sort of smartass comment but really wasn't in the position to waste any time. He began to slowly move towards the back area of the bar. "This is the PPD," he called out "Anyone in the back room come out with your hands in the air." he said as he pointed the gun at the corner. Vlad was very well trained in combat with weapons. He was, after all, an ex ranger. He held his gun steady as he called agian "This is the PPD. Come out with your hands up!" He then remembred that there was a door in that room that would lead to the outside "Fuck." he muttered under his breath as he began to move towards the corner...A lamp shined light from inside and he saw no shadows. "Fucking-A." he growled as he then ran through the empty room and saw the door opened, he then took off chasing in the theoretical direction of the suspect

Syd Gloom smiles and raises a hand, the universal 'I give up' sign without looking at her again. He wasn't coming on to her or anything, he just felt she could use a cold one. He would get away from her, discreetly, as he shiflted is weight from one foot to the other. He didn't startle when the cop comes in all commando, and grins to himself with a slight shake of his head, chugging some more beer.

Tobias Reyes frowned at the pair as he noticed the cigarettes in their possession. Damn it, why was it whenever the blond saw someone smoking it simply raised his urge to do the same? As he turned his attention away from the two figures on the other side of the bar, the blond would reach into one of the front pockets in his slacks, producing a hard-pack of menthol cigarettes just as a member of the PPD came flying through the front door of the pub; flashing his badge for the world to see. As he ran through the building and out the back door, Tobias would shake his head from side to side, chuckling silently to himself as he pulls a cigarette from the pack and places it neatly between his lips. "They sure keep this city entertaining." He'd mutter, placing the pack back in his pocket before producing a small light-blue lighter from the same bit of fabric.

Gypsy Queller took mental note of the officer as he entered the pub, she too wanting to say something smartass in his general direction for the shit the police department had put her through over the past three days, but she soon realized there was no need‚ he did a perfectly wonderful job of making an ass out of himself. "Fackin' rookie." she mumble through another snort of laughter, shaking her head. She wagged her fingers in a half-assed wave, knowing he'd never see it, as he ran back out the door. And like nothing had happened, her attention was drawn back to the situation at hand. Gypsy offered a nod, a wink, a smirk, and held up her bottle as a silent cheers before downing the rest of it, watching him back away from her. That was the usual chain of events. Men thought her hot enough to approach, but it was always after a certain number of feet or number of words spoken that they are instantly scared off. She was absolutely used to it and completely okay with it. Her attention was drawn back to the blonde at the opposite end of the bar, hopping down with a grunt and approaching him as he spoke. She laughed under her breath as she slid in next to him, leaning over the bar. "Aye, eh fackin' riot." her cynicism sang through her words before she pounded her palm on the counter to get the bartender's attention. "Aye. Jameson. Straight. Cheers, doll." She ended with another wink and took another drag of her cigarette.

Syd Gloom downed the rest of his beer and laid the bottle on a nearby table, stretching his back and motioning his bad shoulder for some, the pain was momentarily gone. He took a last glance at the gal, still making up his mind about what to think of her as he shakes his head, puffing his cig as he makes for the door.

Tobias Reyes pressed a button on the top of the lighter and, after a couple failed attempts, a flame would finally rise up from the small electronic device. He'd light the cigarette held tightly between his lips before turning around to face the front of the bar. "It's funny, huh?" The blond would say before inhaling on the cigarette, his thought-process paused as he attempted to get the stick of tobacco, nicotine and countless other chemicals that were probably killing his lungs to remain light. "The police in this city tend to cause more riots among the citizens than prevent them." He'd pause, leaning forward as he takes another drag off the cigarette. His head instinctively turning toward the door as he hears the man behind them head toward the door. "It looks like your friend there is leaving you." The blond would mutter.

Syd Gloom took in the night air in a deep breath, as if to try and catch a scent. He tosses the finnished cigarrete over the curb and makes his way into the night.

Gypsy Queller glanced over her shoulder as the Blonde addressed her directly. Strict brow arching upward, she darted her mismatched hues to the back of Mustache as he headed out the door. She smirked to herself and looked back to the bartender as he prepared her drink. It was slid towards her and she took it with the greatest of ease, dropping a five dollar bill on the counter. She fully intended on taking a hefty swig before she even comment back to the Blonde. She felt the liquor burn as it went down her throat and she loved every second of it. She ended her swig with a sigh of content and dropped the half-empty glass onto the counter, shaking her head. "I haven't th' slightest fackin' idea who tha' was." she mumbled through a laugh.

Tobias Reyes chuckled half-heartedly as a pint-glass of some unnamed draft beer was placed in front of him, the cigarette tucked between his lips dipping toward the floor as he chuckles at the woman's response. "Well, I guess that's the appeal of a pup." The blond would say as he reaches out a hand to pull the glass in his direction; though he wouldn't make any attempt to drink the draft yet. He'd simply take another sharp drag on the cigarette, quietly watching it burn between his lips as the tingle of menthol passes over his tongue. As he inhales on the cigarette, the blond would turn his gaze back toward the woman, exhaling the smoke gathered in his lungs before continuing the bit of bar-talk conversation the two were engaged in. "So--what the hell happened to you?" He'd ask, the question a bit blunt but the blond was inquisitive, to say the least.

Gypsy Queller glanced over at him and managed to offer the first sincere smirk of the evening. "Fell down th' stairs," she laughed at her own sarcasm before finally shaking her head and looking down at the bar top. A rough index finger extended to point to each wound as she would then explain it. "Knife sliced through me lip, eh' fist te' me nose‚ an' apparently‚" She turned her full attention towards him for the last one, a shiteating grin curled along her lips as she pointed to the scabbing bruise on her forehead, "I rammed me own head into eh brick wall last night." She snorted out a laugh, amused, but only because she remembered perfectly well ramming the jail cell wall. She took another harsh swig of her Jameson, wincing as it went down before finally saying in sarcasm, but not really, "Ye' should see th' other guy." That grin returned with pleasure.

Tobias Reyes watches the woman in silence as she points out each of the wounds on her face; the only movement he would make as he listened to her was a simple drag from his cigarette. When she'd finished, he'd pull the half-burnt stick of tobacco from his lips and lace it between his right index and middle fingers. "The other guy?" He'd ask as the blond ashed his cigarette on the bar-top. "You're telling me a scrawny thing like you got the shit beaten out of you by a guy?" He'd shake his head before turning toward the pint-glass stationed in front of him. "Hope the bastard at least got what was coming to him." The blond would mutter as he dropped the cigarette into the glass; immediately dousing the flames as the stick of tobacco touched the liquid inside.

Gypsy Queller offered a smirk of cynicism as she shook her head. "Aye. He got wha' he deserved from me, but not nearly enough." Just thinking of her old friend, Zacch and the shit he pulled at the jail made her skin crawl. Granted, they both thought the other had been dead, and the psychotic pikey's idea of a reunion always had to involve blood, but that was why she and Zacch were always going to be friends... he was almost as fucked up in the head as she was. They just happened to do so in public‚ and got caught. "Th' arsehole sold me out at th' station yesterday. Told his fackin' lawyer tha' I attacked him, he was th' victim in all this, an' he got early parole." She took another sip of her drink, her mind obviously not at the bar anymore. Finally she shrugged. "But wha' th' fack eveh. Wha' can ye' do."

Tobias Reyes stares at his cigarette as it floats on top of the full glass of beer. He didn't dare look up, he could just picture the expression of disgust on the bar-tenders face, so he'd simply keep his gaze locked on the bit of burnt paper as he listened to the woman describe the happenings of the prior day. When she'd finished, a small smirk would pass over the blonds lips though his gaze wouldn't move from the glass placed in front of him. "You could get yourself a fuckin' lawyer." The blond would say, the amusement in his voice would sound quite obviously as he spoke. "That's what they're in this city for, am I wrong? You toss a little something their way and they lie and cheat your way out of jail." The blond's lips would curl upward at either end as he turned his head to look in the other woman's direction. "You've just got to one-up him."

Gypsy Queller smirked, shaking her head again. "Aye. One up 'em. Lawyers." she sighed heavily before finally finishing her drink. Dropping the glass down on the counter, she finally glanced back up at the Blonde. "'m in th' process o' tellin' me story t' The Post. I mean hell, he's an established fackin' Doctor in this city, but not for long." that grin of deviousness appeared. "Shite, I'm still tryin' te' get used to this whole 'fight yer' wars through politics an' not yer' fists' shite. That's not how I operate. Ye' fack with me, I fack yer' shite up. Bottom line." She scoffed under her breath, shaking her head. "don't know th' first fackin' thing 'bout lawyers." She allowed a small moment of silence to pass as she stared off into space before finally shooting her gaze back to the Blonde, a fake grin curled on her lips, and a slap to his arm was offered, "But like I said‚ wha' th' fack can ye' do 'bout it. Thanks for th' chatter." she turned on her heel and headed towards the door in more of an aimless wander than having a destination.

Tobias Reyes turns his head back toward the counter-top when the woman slapped his arm and he wouldn't say anything in reply as she got up from the bar and started to make her way toward the door. When she was a good couple of steps away, the blond would finally speak. Raising his voice so it was loud enough to fill the entire bar. "You don't need to know a thing about lawyers miss." The blond would say as he pushed himself away from the counter, turning in her direction. "Because you're going to let me worry about all of that for you." The blond would reach into his right pocket, producing a moderately-sized silver money clip and, with his left hand, he'd pull a small business card from the clips grasp; holding it out toward the woman. "My name's Tobias Reyes Nakajima, Esq. and I want to represent you. Hell, I want to put the bastard back behind bars if you'll let me." The blond would smirk as he takes a step in the woman's direction.

This was certainly the last thing Gypsy had expected as she was about to leave the bar. Hell, if she would have known he was a lawyer, maybe she wouldn't have said half the shit she had. It was too late now she mused and released the worry into the air like a grain of sand. "Woah, woah, wait, what?" she asked, shaking her head for a moment. She took the card from him, not realizing his height differing from hers until they were now much closer than before. She tilted her head back to look up at him, wondering for a moment if he was absolute bullshit or not. She looked back down at the card. It looked legit. She looked back up at him. Well, not so legit, but she was never one to judge off of appearances. She had no place. Her gashed bottom lip was pulled in to be nibbled on for a moment as she stared into his eyes, as if silently deciding to do this to one of her closest friends or not. But if he had the audacity to sell her out back at the cell, this was simply her chance at saying 'checkmate.' This was how they always played. Gypsy finally released a reluctant nod up towards the man. "Gypsy Queller Cinneide. I look forward te' playin' with ye's." Chapped lips curled on one side of her face into that signature smirk.

Tobias Reyes nods his head as the smirk on his own lips turns to a full-on grin. The blond had gotten slack before for his casual appearance and his some-what street-turned look, but seeing potential clients surprise when they found out he was a lawyer never got old; even if his peers didn't appreciate this little quirk of his. "Give me a call when you get a chance." The blond would say, nodding his head once more in the woman's direction. "The number on the card goes straight to my personal line. No need to screw around with the firm that way." He'd turn on his heels and take a step back toward the bar, allowing a moment of silence to pass before he continues. "It's sure to be a fun little game--and, with any luck, we can back the bastard into a corner and turn the playing field on him."

Gypsy Queller took a moment for her head to stop spinning in the whirlwind of luck that had just happened. Not another word was spoken as she held a personal smirk, turned for the door, and flashed the business card over her shoulder as a makeshift wave to the man. Indeed, this could get interesting... just so long as she was able to stay out of trouble long enough to make it work... "You don't even bother to tell that asshat about lil' old me?" Orly's voice cackled up inbetween Gypsy's ears. Gypsy released a sigh as she turned the corner. "Sorry, Orly... I'm sure he'll find out 'bout ye's soon' 'nough..." she shot back outloud, knowing full well it appeared as if she were talking to herself. Her heavy boots thudded against the pavement as she continued on into the night's brisk air.

Tobias Reyes didn't pay any mind to the woman as she left, and her spoken words would go completely unnoticed. He'd simply pull a twenty-dollar bill from the money clip in his hand and seat himself at the bar, nodding to the bar-tender as he pulled his pack of cigarettes and lighter out of his left pocket once more. "Can I get another draft?" The blond would ask as he places yet another cigarette between his lips, lighting the end of it as a grin passes over his lips. The blond was pleased with himself, to say the least. Another prospective client to add to the list.

high as fack

www.youtube.com/watch?v=tZFzBKl5ODY&list=RDwhTiiz2pCR...

c/n 21056/1122. On short finals for runway 08R at Gatwick. New to CP Air as C-GCPA in 1975. To Dan-Air as G-BKNG in 1983. Reregistered as G-NROA in 1984. To Royal Airlines as C-GRYR in 1992. Converted to a freighter for All Canada Express as C-FACK in 1999. To Cargojet in 2005 then to Allied Air Cargo as 5N-JNR in 2006. Withdrawn from use at Lagos in 2014.

Graffiti in Amsterdam

marker & pencil

Örebro 2014-05-01

VSCC Prescott - Long Course Friday 5th August 2016

17/365

Ok so day 2 of greenriver. i got homework D: and everything is like online.. which is cool but still... i swear our generation is changing so fast like everything is computer based now, we do like everything over the computer and it's weird. And its dumb... >___> But still cool? ok so like and like yawh.. My math book yeah doesnt exsist! WHO NEEDS A MATH BOOK WHEN YOU CAN JUST READ IT AND LOOK AT IT ONLINE FOR FREE. So all our homework is either handouts or we have to rely on a computer to do them, and we cant throw out the excuse i didnt have my book with me anymore or something cause all our homework and assignments and documents and all that shit is online now. Like i just took a freaking test over the interwebs and did my homework and turned it in over the interwebs. WATTEHFACK?!?!?!. Le future is nao. But holy crap i was pissed freaking computer problems and like the website i have to use isnt supported by google chrome and stuff so i was forced to use internet explorer and i wanted to cut myself cause it was so slow and poop. \( probably wont even do it tonight... LOL ok cool! to the main point. our lives are being consumed by technology were starting to become lazy and the thrill of actually turning something in or the stress you feel while taking a test is all gone. thats good and all but what about the next generation? Our kids?!?! they'll grow up all lazy and smart but they still havent experienced shit! they'll be like "school is so easy hah i already got like a 97% on my SAT's and i'm only 6"... thats good and all but WTF BISH CHILD I SUFFERED SO MUCH AND U FACKING DO ALL THIS STUFF LIKE ITS NOTHING NO NOT FAIR GO SUFFER! lol... xD Now about the picture the focal point is the enter and backspace because WE ARE ENTERING THE INTERWEB ERA AND I WANT TO BACKSPACE THE F OUT. lol ok. well even though this does make everything easier and better and it'll help improve our world... yeah i'm not really against this haha oh well i do it for teh lulz

Canon Q8200 a.k.a Olympia a.k.a Focus and probably other names.

A new camera I've got.

It says Canon and look like a proper SLR but really its just a toy camera, with 4 apertures (6.3-16) and a fixed exposure and focus.

Its not manual and runs on 2 AA's.

This interesting thing is that it has two viewfinders: a normal one on the side and a top one like some medium format cameras have.

Kos - Ippokratis (KGS / LGKO)

Greece 1.1985

First Flight 3.1975

Del. 4.1975 to CP Air C-GCPB

Alaska Airlines C-GCPB

Dan-Air London G-BKNG ✔

Dan-Air London G-NROA

Conifair-Royal Airlines C-GRYR

All Canada Express C-FACK

Cargojet Airways C-FACK

Allied Air Cargo 5N-JNR

secuencias inolvidables

Bielefeld

Bürgerpark mit Konzerthalle (später Rudolf-Oetker-Halle)

Gerard Way from My Chemical Romance

00:00 Jan 1st :3

Kicking off ADAD with "FACK YOU" Blair <3

Gerard Way from My Chemical Romance

Hasselblad 500c - Planar 80

Kodak Ektar 100 - fresh

Digibase C41

May 19, 2012

NWC meet. Was alright. Super loud and crowded. The burgers were so facking bomb though lol.

Camera Info:

Canon 5D Mark II

Bower 35mm

I <3 ChinaJade.

Had a good time @ the mall today :D

I hope you GBS :(

If i dont see you at school tomorrow , il be sad :(

Ps. Fack you and your Gorgeous-ness D: <3

Today's photo for "Southwest Sunday" is from Wire Pass, within the Buckskin Gulch area. When they say "wire pass" they are not kiddin! ,Check out my comment photo to see what I mean. Most of the wire pass area isn't that tight, in fack it opens up more then Antelope Canyon does. The walls at the end of Wire pass are HUGE!!! and full of the glow we love so much in Slot canyons.

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still good in my hood: vandalvoyeur.wordpress.com/2012/10/07/still-good-in-my-hood/

German postcard by Franz Josef Rüdel, Filmpostkartenverlag, Hamburg. Photo: Stefan May.

German actress and singer Katja Riemann (1963) was a major star of the German cinema of the 1990s, who appeared in such international successful films as Der bewegte Mann (1994) and Comedian Harmonists (1997). Riemann also often worked with the directors Katja von Garnier and Margaretha von Trotta.

Katja Hannchen Leni Riemann was born in 1963 in Weyhe-Kirchweyhe, Germany. She is the daughter of two teachers and she has a sister, Susanne, and a brother, Jochen. Riemann grew up in Weyhe, near Bremen. After high school she went to study at the School of Theater and Music in Hanover from 1984 to 1986 and the Otto Falckenberg Drama School in Munich from 1986 to 1987. She attended the Westphalian Landestheater in Castrop-Rauxel and came to the ensemble of the Münchner Kammerspiele before the end of her training. She made her screen debut in the TV mini-series Sommer in Lesmona/Summer in Lesmona (Peter Beauvais, 1985-1986). For her role she won two awards. After this success, several TV roles followed, including the title role in the series Regina auf den Stufen (Bernd Fischerauer, 1992) with Mark Kuhn and Serge Avedikian. She had her breakthrough in the cinema with Abgeschminkt!/Making Up! (Katja von Garnier, 1993) opposite Max Tidof. The film is a satire about women of the 1990s in search of the men of their dreams. The following year, she appeared as the girlfriend of Til Schweiger in the hilarious romantic comedy Der bewegte Mann/ Maybe, maybe not (Sönke Wortmann, 1994), also with Joachim Król. The comedy was based on the gay comics by Ralf König. At the time of its release, this was the biggest grossing homegrown film at the German box office. Other comedies followed like Nur über meine Leiche/Over My Dead Body (Rainer Matsutani, 1995). Riemann reunited with director Katja von Garnier for the road movie Bandits (Katja von Garnier, 1997) with Jutta Hoffmann. The story is about members of a female rock band who escape from prison. Riemann even learned to play the drums for her role. Both the film and soundtrack album were commercially successful in Germany, and Riemann won the Deutscher Filmpreis (German Film Award) for her role. With director Rainer Kaufmann, she made the films Stadtgespräch/Talk of the Town (Rainer Kaufmann, 1995) with Martina Gedeck and Kai Wiesinger, and the comedy Die Apothekerin/The Pharmacist (Rainer Haufmann, 1997) with Jürgen Vogel and August Zirner. An international success was Comedian Harmonists (Joseph Vilsmaier, 1997) about the legendary close harmony sextet, played by a.o. Ben Becker, Kai Wiesinger and Max Tidof.

Beside her acting career, Katja Riemann started singing and released her first album Nachtblende in 2000. In 2003, the English-language jazz album Favourites followed with the Katja Riemann octet. In the cinema she appeared in the pan-European production Novel (Fabio Carpi, 2001) starring Hector Alterio. She starred with Maria Schrader in the film Rosenstraße (Margarethe von Trotta, 2003) about the Rosenstrasse protest where women waited for seven days and nights outside of a Nazi jail for their Jewish husbands. The protests took place in Berlin during the winter of 1943. In Italy, the film won a David at the David di Donatello Awards. With Von Trotta, she also worked on the psychodrama Ich bin die Andere/I Am the Other Woman (Margarethe von Trotta, 2006) with Armin Mueller-Stahl and Karin Dor. She played with Moritz Bleibtreu in the drama Agnes und seine Brüder/Agnes & His Brothers (Oskar Roehler, 2004). With Von Garnier, she made an international production Blood and Chocolate (Katja von Garnier, 2007) with Hugh Dancy and Olivier Mratinez, but it was a flop. More interesting was the Swiss-German rural drama Der Verdingbub/The Foster Boy (Markus Imboden, 2011). Filmportal.de: “she gives a stunning performance as a cold-hearted farmer, who holds an orphan boy like a slave on her yard.” A huge box office success was the comedy Fack ju Göhte/Suck Me Shakespeer (Bora Dagtekin, 2013) starring Elyas M'Barek, Riemann played a strict school principal and received for her performance a Best Supporting Actress Nomination at the 2014 German Film Award. In the drama Die abhandene Welt/The Misplaced World (Margaretha von Trotta, 2015) she co-starred with Barbara Sukowa and Mathias Habich. She also had a small part in the Hitler-in the-21st-century comedy Er ist wieder da/Look Who's Back (David Wnendt, 2015). At the moment of writing, several films with her are in production, including Fack ju Göhte 3/Suck Me Shakespeer3 (Bora Dagtekin, 2017), the comedy Forget About Nick (Margaretha von Trotta, 2017) and Subs (Oskar Roehler, 2018). Katja Riemann is the mother of actress Paula Riemann (also Paula Romy), whose father is Peter Sattmann. Riemann met Sattmann, on the set of Von Gewalt keine Rede (1991), and they had a relationship from 1990 to 1998. Since 2007, she has been the longtime companion of sculptor Raphael Alexander Beil. Riemanne won the Bavarian Film Award three times. Twice as Best Actress in 1993 and 1995, and once for the Best Film Score in 1997. She wrote two successful children`s books, Der Name der Sonne (The name of the sun) and Der Chor der Engel (The choir of the angels), together with her sister Susanne (2002).

Sources: Filmportal.de, Wikipedia (English and German), and IMDb.

Uầyyy. Sắp đi học lại rồi ~.~ Sắp tới sẽ k còn đc mặc mấy bộ nv. đi long nhong thường xuyên nữa T.T

Tuôi ghét đi học T.T Đành vậy T.T

Năm nay sẽ mang avia xanh lá và mặc váy đi học =)

Năm nay có hội xuân - ráng xin ba cho đi tập để còn diễnnn :))

Mà năm nay mệc đây :< Năm nay năm cuối rầu - fải cắm đầu dô học hành để còn thi chuyển cấp - Fắck T.T

Chắc năm nay trình Cwalk của mình xuống lắm :<. Uầy.

.

Ngày mai là sinh nhật của mẹ - Ba về nhanh nàoooo.

* Sáng nào ngủ dậy cũng thấy lo sợ cái gì đó. Muốn có anh bên cạnh - Eddy :(

.

Viết xong Sorry-track r. Muốn rec.

Mabey Universal 15 fack TEF+ Unik lansersmetod genom flottning.

(group shot).

team name: the bloo&bone destroyers.

ship name: the white dragon.

pilot name: Rick blood (aka the B-rick father) ;]

pilot Bio. Rick is a top class space pirate who will stop at nothing to get what he wants.

there is very little information about him because many who face him ...don't live to tell about it. the only record of any one even seeing his face was marked in by his own henchman who was cought by space police officers a few years back.

henchman:rob ravage, was born here in the milky way and as far as we know her human. he joind became a space offices at age 19 , then was fired for smugling in goods to prisoners, and for making weapons for space pirates.

Rick heard of the mans work and asked him to join his gange.

Rob build a robot mad for battle in low gravity area, and he also made everty weapon on the ship ( witch all the parts for the guns were stollen) .

shit info: the the white furry my not be all that fast, but what it lacks in speed it makes up in firepower. this ship is one of the most powerful onse out there with two plazma canons in the front of the ship, a nutron phazer on each side of the ship, a particle canon on each wing, two large lazer guns on the top of the ship( was normaly going to be a gatlingun, but i changed it up a bit) and many small lazer blasters all over the ship .

this ship also has a corgo hold that can contain a small speader or a few crates.

the ship is powered by a uranium-ore core witch powers the many of the ships weapons and the two large jetostes capable of travleing at the speed of darknes( slower than the speed of light, but much faster than the speed of sound)

fun facts on the buil: each the small gogle pices on each blaster on the side of the ship is held only by true force of the helmet piece :], also the cockpit and carco hold has tan tiles( to creat the fabrick afect) .

fun facks on what its made of: this ship needed

1x X-wing fighter, 1x space shuttle, and one lunar limo :] and a few extra pieces(not all the pieces from each set were used in this ship. ) you can buy those 3 sets for 211$

weapons by Brickarms :) ( i hope you all like it ) ps this was made of 100% legos and it can contain the crates shown and needed, they are of the exact size needed for the contest ) :] good luck to you all :)

famous for Das Tagebuch der Anne Frank • Bibi & Tina: Tohuwabohu Total • Ostwind – Aufbruch nach Ora • Fack ju Göhte 3

known for Kriegerin • Lollipop Monster • König von Deutschland • Fack ju Göhte 1–3 • Die goldene Gans • Looping • Vielmachglas • Kidnapping Stella • Das perfekte Geheimnis • Das Leben danach

A new camera I've got.

It says Canon and look like a proper SLR but really its just a toy camera, with 4 apertures (6.3-16) and a fixed exposure and focus.

Its not manual and runs on 2 AA's.

This interesting thing is that it has two viewfinders: a normal one on the side and a top one like some medium format cameras have.

C-FACK - Boeing B-727-217A/F - All Canada Express

at Hamilton International Airport (YM) in 2006

The aircraft - c/n 21.056 - built in 1975 - has a nice history:

C-GCPB - CP Air (+ leased to Alaska Airlines for a summer-season)

G-BNKG/G-NROA - Dan Air London

C-GRYR - Royal Aviation

C-FACK - All Canada Express (converted to Cargo)

5N-JNR - Allied Air (Nigeria) - current - operating for DHL Aviation Africa

scanned from Kodachrome-slide

Unionen hade vid utdelandet av sitt pris Guldnappen valt Carlos Rojas att moderera paneldiskussionen som var i anslutning.

Ypperligt val med tanke det projekt herr Rojas är invovlverad i: korta.nu/24a2

Så här nöjd såg han ut när vi fångade honom på film.

La wea todo lo k ago me kea mal por la cresta

noc ke me pasa :C ,

m ponde hacer otras kosas despejare mi mente.. pork ahora nadam sale!

Nos veremos en Un futuro Proximo!

xd

German postcard by Franz Josef Rüdel, Filmpostkartenverlag, Hamburg. Photo: Mathias Bothor.

German actress and singer Katja Riemann (1963) was a major star of the German cinema of the 1990s, who appeared in such international successful films as Der bewegte Mann (1994) and Comedian Harmonists (1997). Riemann also often worked with the directors Katja von Garnier and Margaretha von Trotta.

Katja Hannchen Leni Riemann was born in1963 in Weyhe-Kirchweyhe, Germany. She is the daughter of two teachers and she has a sister, Susanne, and a brother, Jochen. Riemann grew up in Weyhe, near Bremen. After high school she went to study at the School of Theater and Music in Hanover from 1984 to 1986 and the Otto Falckenberg Drama School in Munich from 1986 to 1987. She attended the Westphalian Landestheater in Castrop-Rauxel and came to the ensemble of the Münchner Kammerspiele before the end of her training. She made her screen debut in the TV mini-series Sommer in Lesmona/Summer in Lesmona (Peter Beauvais, 1985-1986). For her role she won two awards. After this success, several TV roles followed, including the title role in the series Regina auf den Stufen (Bernd Fischerauer, 1992) with Mark Kuhn and Serge Avedikian. She had her breakthrough in the cinema with Abgeschminkt!/Making Up! (Katja von Garnier, 1993) opposite Max Tidof. The film is a satire about women of the 1990s in search of the men of their dreams. The following year, she appeared as the girlfriend of Til Schweiger in the hilarious romantic comedy Der bewegte Mann/ Maybe, maybe not (Sönke Wortmann, 1994), also with Joachim Król. The comedy was based on the gay comics by Ralf König. At the time of its release, this was the biggest grossing homegrown film at the German box office. Other comedies followed like Nur über meine Leiche/Over My Dead Body (Rainer Matsutani, 1995). Riemann reunited with director Katja von Garnier for the road movie Bandits (Katja von Garnier, 1997) with Jutta Hoffmann. The story is about members of a female rock band who escape from prison. Riemann even learned to play the drums for her role. Both the film and soundtrack album were commercially successful in Germany, and Riemann won the Deutscher Filmpreis (German Film Award) for her role. With director Rainer Kaufmann, she made the films Stadtgespräch/Talk of the Town (Rainer Kaufmann, 1995) with Martina Gedeck and Kai Wiesinger, and the comedy Die Apothekerin/The Pharmacist (Rainer Haufmann, 1997) with Jürgen Vogel and August Zirner. An international success was Comedian Harmonists (Joseph Vilsmaier, 1997) about the legendary close harmony sextet, played by a.o. Ben Becker, Kai Wiesinger and Max Tidof.

Beside her acting career, Katja Riemann started singing and released her first album Nachtblende in 2000. In 2003, the English-language jazz album Favourites followed with the Katja Riemann octet. In the cinema she appeared in the pan-European production Novel (Fabio Carpi, 2001) starring Hector Alterio. She starred with Maria Schrader in the film Rosenstraße (Margarethe von Trotta, 2003) about the Rosenstrasse protest where women waited for seven days and nights outside of a Nazi jail for their Jewish husbands. The protests took place in Berlin during the winter of 1943. In Italy, the film won a David at the David di Donatello Awards. With Von Trotta, she also worked on the psychodrama Ich bin die Andere/I Am the Other Woman (Margarethe von Trotta, 2006) with Armin Mueller-Stahl and Karin Dor. She played with Moritz Bleibtreu in the drama Agnes und seine Brüder/Agnes & His Brothers (Oskar Roehler, 2004). With Von Garnier, she made an international production Blood and Chocolate (Katja von Garnier, 2007) with Hugh Dancy and Olivier Mratinez, but it was a flop. More interesting was the Swiss-German rural drama Der Verdingbub/The Foster Boy (Markus Imboden, 2011). Filmportal.de: “she gives a stunning performance as a cold-hearted farmer, who holds an orphan boy like a slave on her yard.” A huge box office success was the comedy Fack ju Göhte/Suck Me Shakespeer (Bora Dagtekin, 2013) starring Elyas M'Barek, Riemann played a strict school principal and received for her performance a Best Supporting Actress Nomination at the 2014 German Film Award. In the drama Die abhandene Welt/The Misplaced World (Margaretha von Trotta, 2015) she co-starred with Barbara Sukowa and Mathias Habich. She also had a small part in the Hitler-in the-21st-century comedy Er ist wieder da/Look Who's Back (David Wnendt, 2015). At the moment of writing, several films with her are in production, including Fack ju Göhte 3/Suck Me Shakespeer3 (Bora Dagtekin, 2017), the comedy Forget About Nick (Margaretha von Trotta, 2017) and Subs (Oskar Roehler, 2018). Katja Riemann is the mother of actress Paula Riemann (also Paula Romy), whose father is Peter Sattmann. Riemann met Sattmann, on the set of Von Gewalt keine Rede (1991), and they had a relationship from 1990 to 1998. Since 2007, she has been the longtime companion of sculptor Raphael Alexander Beil. Riemanne won the Bavarian Film Award three times. Twice as Best Actress in 1993 and 1995, and once for the Best Film Score in 1997. She wrote two successful children`s books, Der Name der Sonne (The name of the sun) and Der Chor der Engel (The choir of the angels), together with her sister Susanne (2002).

Sources: Filmportal.de, Wikipedia (English and German), and IMDb.