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Three consecutive frames taken with a Ricoh Auto-Half camera in week 85 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Expired Fujichrome Velvia ISO 50 slide film cross processed in Tetenal C41 chemistry.
The first year of the project is documented in this book:
This pipe reminds me of a model of the loch ness monster that I inherited from my great granny. 3 loops, a head and a tail in blue-green ceramic that could sit on a mantelpiece or the side of the bath.
That's not why I took the picture though. It's the totally unconnected spillage to the side. That pipe would never spill.
The External Affairs team at their video production and social media station at the Northeast Region Biologists Conference.
Credit: USFWS
- custom cross country geometry
- oversized externally and internally butted headtube for conical 1.5" fork
- gusset top of toptube and bottom of downtube
- bi-ovalized toptube
- hydroformed curved downtube
- hydroformed seatstays with splitter for belt drive
- hydroformed chainstays
- external and internal dropper seatpost routing
- triple zip-tie cable routing
- custom CNC’ed PINION shell
- made in USA PARAGON flanged sliding dropouts with boosted DT Swiss 148 x 12mm postmount inserts
- hand brushed finish
- custom sandblasting
- ti bolts
Size: Extra Large (460x633mm)
Weight: 1880g
External Affairs Minister, Dr. S. Jaishankar joined the President of Fiji, H.E. Mr. Ratu Wiliame Katonivere in the inauguration of 12th World Hindi Conference in Nadi, Fiji
IAEA Director General Rafael Mariano Grossi, receives the naval honor guard ceremony as he departs the ARAMAR Experimental Center during his official visit to Brazil on 17th July 2021.
Photo Credit: Dean Calma / IAEA
IAEA:
IAEA Director General Rafael Mariano Grossi
Edgard Perez Alvan, Senior Advisor to the Director General
Luciana Viegas Assumpcao, IAEA Senior Press Officer, Office of Public Information and Communication
Brazilian Officials:
HE Mr. Carlos Sérgio Sobral Duarte, Resident Representative of Brazil to the IAEA
Aldo Malavasi, Technical-Scientific Advisor, Brazilian Navy Technological Center in Sao Paolo
Ricardo Koji Yamamoto, Technical Advisor, Brazilian Navy Technological Center in Sao Paolo
Claudio Medeiros Leopoldino, Head Disarmament and Sensitive Technologies Division, Ministry of Foreign Affairs, Brazil
Marcelo Gameiro de Moura, Deputy Head of the Division of Disarmament and Sensitive Technologies, Ministry of External Relations, Brazil
Madison Coelho de Almeida, Research and Development Director, Comissao Nacional de Energia Nuclear (CNEN)
Website | Instagram | Google+ | Flickr
A vision of yesterday’s tomorrow.
Westin Bonaventure Hotel,
Los Angeles,
California, USA
2015/06/19
During part of this years E3 business trip my team was lucky enough to stay at the landmark Westin Bonaventure Hotel in downtown Los Angeles.
The building is a striking vision of the future designed by architect John C. Portman, Jr and built in the mid 1970’s.
It’s main structure consists of four giant glass cylinders flanking a central hub with a myriad of interconnected walkways and bridges.
The space within is as mesmerising as it’s external reflections with natural light pouring in through giant skylights bouncing off concrete pillars and curved walkways.
If it feels familiar, it might be because you recognise it from one of the numerous TV shows and movies shot there.
From “True Lies” to “Buck Rogers in the 25th Century” and most recently used as the NASA facility and rocket launch bay in Christopher Nolan’s epic “Interstellar.”
en.wikipedia.org/wiki/Westin_Bonaventure_Hotel
Taken with the Canon EF 16-35mm LII lens on my Sony A7R (via Metabones mount adapter) and processed with the newly released Lightroom CC (Lightroom 6.1)
#WestinBonaventureHotel #Bonaventure #JohnCPortmanJr #Canon #EFLens #16-35mm #f2.8 #Architecture #Form #Structure #Postmodern #Postmodernism #ScienceFiction #1970s #LosAngeles #California #USA #SonyA7R #A7R #Metabones #Lightroom6 #LR6 #ナイジャルレイモンド #NigalRaymond #www.nigal-raymond.com
The Stockwood Discovery Centre in Luton, Bedfordshire.
It opened in 1986 as the Stockwood Craft Museum, before being renamed after a £6 million redevelopment in 2007 by charitable trust Luton Culture.
The centre displays collections of local social history, archaeology, geology, and rural crafts. It also houses the biggest collection of horse-drawn carriages in Europe, the Mossman Collection.
The external part of the Discovery Centre features extensive gardens. The Period Gardens, ranging from the Elizabethan Knot Garden to the Dig for Victory Garden, were created by Luton Council from the mid-1980s onwards.
The redevelopment included the building of the Sensory Garden, World Garden and Medicinal Garden. It is one of the few places in the country where the work of acclaimed artist Ian Hamilton Finlay can be seen on permanent display.
Information Source:
Internal external wall joint containing expended mesh
This image is part of the CalVisual for Construction Image Archive. For more information visit www.engsc.ac.uk/resources/calvisual/index.asp
Author: Loughborough University
French promotion card by Odilène, Paris.
Blonde French actress France Anglade (1942-2014) was the sweet and sexy star of many European comedies of the 1960s.
Marie-France Anglade was born in Constantine, France (now Algeria) in 1942. After the war, she grew up in Chalons-sur-Marne. In 1958 she spent the holidays with an aunt in Chelles where director Jean Delannoy made the external shots for his film Guinguette (1959) with Zizi Jeanmaire. An assistant noticed her there and France became an extra. Subsequently, she moved to Paris where she posed with Genevieve Grad for fashion photographs and advertisements for Elle magazine. As a result, she began a career in theatre and film. In 1961 her film career got on speed with parts in five films. She played the fiancée of Michel Auclair in Le rendez-vous de minuit/Midnight Meeting (Roger Leenhardt, 1961) starring Lili Palmer. She had small parts in three portmanteau (anthology) films, Amours célèbres/Famous Love Affairs (Michel Boisrond, 1961) with Brigitte Bardot and Alain Delon, Les parisiennes/Tales of Paris (Marc Allégret, 1962) starring Catherine Deneuve, and Les sept péchés capitaux/The Seven Deadly Sins (Edouard Molinaro, 1962) with Dany Saval. The following year she continued to play small parts in such French films as the erotic Douce Violence/Sweet Ecstasy (Max Pécas, 1962) with Elke Sommer and Pierre Brice, Comme un poisson dans l'eau/Like a Fish in Water (André Michel, 1962) starring Michel Piccoli, and La denunciation/The Immoral Moment (Jacques Doniol-Valcroze, 1962) with Maurice Ronet.
France Anglade had her first leading role in the TV comedy Le monsieur de 5 heures (André Pergament, 1962). She also appeared in small roles in such prestigious productions as the Oscar winner Les dimanches de Ville d'Avray/Sundays and Cybele (Serge Bourguignon, 1962) with Hardy Krüger as a man suffering from war trauma and amnesia who befriends a lonely little girl. Anglade found her niche in comedies. She played the title role in the comedy Clémentine chérie (Pierre Chevalier, 1963). Soon followed parts in other comedies like Les bricoleurs/Who Stole the Body? (Jean Girault, 1963) with Darry Cowl, Du mouron pour les petits oiseaux/Chicken Feed for Little Birds (Marcel Carné, 1963) with Dany Saval, and Les veinards/People in Luck (Jean Girault, 1963) opposite Jean Lefebvre. She also appeared in Italian comedies, including Le motorizzate/The Motorised (Marino Girolami, 1963) with Totò, and Canzoni bulli e pupe (Carlo Infascelli, 1964) with the Italian comic duo Franco Franchi and Ciccio Ingrassia. In Germany, she appeared in the Krimi spoof Maskenball bei Scotland Yard/Masked Ball at Scotland Yard (Domenico Paolella, 1963) starring Bill Ramsey. These were often European co-productions with several countries involved. She had grown into leading roles and starred in the romantic comedy Comment trouvez-vous ma soeur?/How Do You Like My Sister? (Michel Boisrond, 1964). In addition to her comedies, she played some dramatic roles such as in the war drama Le repas des fauves/Champagne for Savages (Christian-Jaque, 1964) with Antonella Lualdi.
In Italy France Anglade appeared in the spy spoof James Tont operazione D.U.E./The Wacky World of James Tont (Bruno Corbucci, 1965). After the success of the James Bond films, the Italians were among the first to jump on the Secret Agent bandwagon. They were also at the fore when it came to parody them. Two James Tont adventures emerged in 1965 (‘Tonto’ is Italian for ‘Dope’ (stupid)) featuring Sicilian comic Lando Buzzanca. Tont drives in a little Fiat which can double as a submarine. This film is the second entry – ‘D.U.E’. means ‘Two’, though the initials stand for ‘Destruction Urbi Eterna’. This refers to the Vatican, whose invaluable wealth the chief villain plans on stealing via an improbably elaborate plan which would even see the cupola of St. Peter’s flying into space! She then appeared in the British, Beirut-set thriller Twenty-Four Hours to Kill (Peter Bezencenet, 1965) starring Lex Barker and Mickey Rooney. In 1968 Life magazine placed a photo of her and a big gun in the magazine. She had auditioned for the new James Bond opus, On Her Majesty's Secret Service (Peter R. Hunt, 1969), but she never became a Bond girl. In the second half of the 1960s France Anglade only appeared in two films. She was one of the many beautiful European actresses who appeared in a sketch of the anthology film Le plus vieux métier du monde/The Oldest Profession (Claude Autant-Lara, 1967) about the history of prostitution through the ages, and she played the title role in the remake Caroline chérie/Dear Caroline (Denys de La Patellière, 1968). In the following decades, she sometimes appeared on French TV, and for long intervals, she seemed to be retired. She returned to the cinema in a supporting part in Madame Claude 2/Intimate Moments (François Mimet, 1981) starring Alexandra Stewart, a mediocre sequel to Just Jaeckin’s erotic thriller about a notorious Parisian madam. Later she appeared in the French-Senegalese coproduction Toubab Bi (Moussa Touré, 1991) and the thriller Money (Steven Hilliard Stern, 1991) starring Eric Stoltz. France Anglade’s last camera appearance was in the TV series Highlander (Peter Ellis, 1994) with Adrian Paul. France Anglade died in 2014 in La Verrière, Yvelines, France.
Sources: Mario Gauci (IMDb), Actrices de France, Life, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
A layer of snow brightens Draper Hall, making everything look like winter. Photo taken February 1, 2013.
External Affairs Minister Dr. S. Jaishankar inaugurated the Consulate General of India in Belfast, Northern Ireland
External capsule indicated by black arrow. Notably contains corticocortical association fibers, and cholinergic fibers from the basal forebrain traveling to cortex.
2 outside galleries and 1 curved Juliet balcony
2 Stainless steel and toughened glass external galleries that include stainless steel posts, handrails and fixings. The infill is toughened glass. The handrail on the 1st floor is curved with straight glass infill. The 2nd floor is straight, mounted into stainless steel faced channel.
Juliet balcony curved toughened glass, held by stainless steel fittings.
Choreography, Valerie Gonzalez
Music, Meditation Drums and Japanese Temple, by Columbia Nature Sound Project,
Talking Drums, Bikram Ghosh
Costumes, Kim Instenes
Light Design, William Newcomb
Performers
Alexandrou, Libby Nelson, Kristin Orban, Megan Smith, Kelly West, Emily Wild,
Jenny Wild
Features:
Versatile: Plays digital content stored in hard drives, flash drives and memory cards seamlessly on your TV by making it a one stop solution for your entertainment needs.
Ultra Compact: Place Flash TV in your packet like a wallet as it is so light and easy to carry even on the move. Take it to the office, to your friend’s or relative’s place and surprise them with this small wonder
High Definition Output: Flash TV supports high definition 720p content to be played on your television.
Multi Device Connectivity: Connects more than one external storage device at a time so that you can access any file from any device.
File Transfer: Flash TV empowers you to smoothly transfer data between external storage device. e.g. photos from a memory card can be copied to an external hard drive.
Energy Efficient: Low power processing unit with a unique ventilation design to ensure proper heat dissipation.
Format Support: Flash TV supports all popular formats such as : RM/RMVB,DIVX,AVI,MPG,MP4,XVID,BMP,JPEG,GIF,TIFF,PNG,DAT,VOB,MP3,WMA,TXT.
Tech Specs
File formats
Flash TV supports many popular file formats.
Video formats supported are DAT/VCD (MPEG-1), VOB/DVD (MPEG-2), AVI-DivX/XviD (MPEG-4, Layer 2), RM/RMVB formats.
Audio formats supported are MP3 and WMA formats
You can see your images in JPEG, BMP, TIFF and PNG files on your TV.
It also supports .txt files.
Output
Flash TV gives video output in AV composite, YUV component formats to television. It supports 5.1 surround sound through digital coaxial output.
Input
Flash TV takes its input from one USB 2.0 port and one SD/MMC Card Slot.
Storage formats supported
It supports External USB hard disks, USB Flash drive, SD/MMC Cards in NTFS, FAT32, and FAT16 formats.
Physical attributes Flash TV is ultra compact and light weight its size is 66x66x16 (mm), weight 43gm.
Power supply
Adapter can be connected to 100-240V A.C, 50/60 Hz house hold electrical supply. Flash TV operates on 5V DC - 2A supply
2 outside galleries and 1 curved Juliet balcony
2 Stainless steel and toughened glass external galleries that include stainless steel posts, handrails and fixings. The infill is toughened glass. The handrail on the 1st floor is curved with straight glass infill. The 2nd floor is straight, mounted into stainless steel faced channel.
Juliet balcony curved toughened glass, held by stainless steel fittings.