View allAll Photos Tagged expressionism
Greece is one of the most beautiful locations I've had the pleasure of visiting. The color of the water is amazing.
Viento ...
Ánima blanca de mis sombras
Director férreo de mis congojas.
A tus manos me confié
Y todo te lo llevaste.
¡Convexo recipiente de mis dichas!
Porque todo a ti te dí
Y con nada yo me quedo
Oscilando trémulo y perdido
En este ocaso carmesí.
¡Nunca más ser un cuervo!
¡Nunca más recibir
De la hoguera que es tu cuerpo
Mi ahora muerta voluntad de vivir !
Viento...
Arrástrame en tu parábola
Hasta extinguir mi silbido.
Desde la niebla me llama, turbio
Un nuevo amanecer prohibido.
Original abstract artwork
36x36 in.
Oil, oil stick, oil pastel, spray enamel on canvas
To purchase original please contact AlanTaylorJeffries@ugallery.com
Thanks for taking the time to look at my work.
In the realm where dreams blend with reality, "Whispers of the Dreaming Soul" emerges as a profound exploration of the ethereal dance between the conscious and the subconscious. Through vibrant hues, daring shapes, and emotive textures, this collection invites you on a journey deep into the heart of human emotion, where the lines between the seen and unseen are beautifully blurred. Each piece serves as a gateway to understanding the unspoken dialogues within us, offering a unique perspective on the continuum of existence. As you immerse yourself in this exquisite display, allow the whispers of the dreaming soul to guide you through a landscape of inner discovery and transcendental beauty.
Poem:
Upon the Canvas of the Night
In strokes of shadow, bursts of light,
A dreamer paints the soul's flight,
Where fears and hopes in colors bright,
Entwine in dance, dispel the plight.
In depths where silent whispers dwell,
Beneath the conscious, surface swell,
Emotions in rebellion yell,
Yet in the chaos, beauty's spell,
Weaves tales that only art can tell.
A journey through the heart's domain,
Where joy meets sorrow, pleasure, pain,
And through the tempest, calm again,
The canvas holds, in every stain,
The essence of the dreamer's reign.
Within this realm, no boundaries known,
Where seeds of unseen worlds are sown,
Expression's purest form is shown,
And through such art, we're gently thrown
Into realms to us, previously unknown.
Haiku:
Dreams weave through the void,
Colours blend, emotions swirl,
Souls speak without words.
Title: Pocket Library of Great Art: Expressionists
Author: Will Grohmann
Publication: Harry N. Abrams, Inc. New York
Publication Date: 1957
Book Description: White paperback with cover image, Self Portrait by Lovis Corinth. 31 color plate images with text.
Call Number: ND 1265 .G74
I was trying to take a photograph with some technical manipulation but am lacking the skill set required , thus decided to check which image I can use from my library , The image appears to depict myself sitting in a room designed to mimic Vincent van Gogh's famous painting, "Bedroom in Arles."
Here's how this image demonstrates expressionism:
1. Evoking Emotion Through Context
The room's design and decor are immediately recognizable to those familiar with Van Gogh's work, evoking a sense of nostalgia and a connection to the artist's emotional state.
2. Color and Composition
The colors in the room are vivid and slightly exaggerated, similar to Van Gogh's style. The bold use of colors can evoke a range of emotions, from tranquility to melancholy.
3. Symbolism and Metaphor
The setting itself is symbolic. By placing a modern individual in this historical, artistic context, the photograph creates a bridge between the past and present, highlighting the timeless nature of human experiences and emotions.
4. Abstract Elements
The slightly surreal quality of the room – with its painted walls and floor designed to look like a 2D artwork – adds an abstract, dreamlike element to the photograph. This blurring of reality and art is a hallmark of expressionism.
5. Interaction with the Environment
My presence in the room, wearing modern clothing and a face mask, adds a layer of contemporary relevance. This contrast provoke thoughts about isolation, the passage of time, and the continuing impact of historical art on modern life.
Chaïm Soutine (1893-1943) . La maison blanche [The white house] (ca. 1918). In the Walter-Guillaume Collection at Musée de l'Orangerie, Paris.
This is at Green Park station - they've torn off all the layers of advertising posters all the way down the platform, ready to put new posters up