View allAll Photos Tagged expressionism
A still frame of a new digital painting composed using action movie gun fights. Colorful forms from bursts of gun fire and smoke are extracted using custom software and are layered over time to form abstract expressionist paintings. This composition was made from the film The Untouchables.
More information about Action Painting is available here: www.mantissa.ca/projects/actionpainting.php
+ 1 in comments.
The 'Floating Heads' installation by Sophie Cave are from Kelvingrove Art Gallery & Museum in Glasgow, which I recently visited for the first time, despite living near the city for the last few years.
The picture in the comments shows them in a more accurate context of where they are in the gallery layout. Quite an unusual sight!
uploaded because flickr requirement 5 public photos before full access to account features.
this account created after flicker dropped google+ and therefore my old account connected with my g+ account will no longer permit me access. Yes i tried sorting this out and no yahoo are incapble of fixing it.
thus: a new flicker. The old one is here:
www.flickr.com/photos/126538735@N02/albums
www.flickr.com/photos/27342753@N02/albums
so it seems this account is a new beginning for the next level of the game, it being a time of closing of the roots which brought me thus far.
I had a root extraction this year. One of the roots is still connected to the nerve, alive, and thus a little tiny fang sticks cutely up from the gum between the other molars. It hurts like XXXX and takes months to properly heal. Don't eat sugar kids, it gives you cancer anyway. Imagine a world where sugar is banned for health reasons. It is possible...
The paintings in this series are textures for a cgi builds and videogames.
They are inspired by the coast of Wales.
Original Info:
also known as Lovers II
1917
Oil on canvas
Osterreichische Galerie Belvedere, Austria.
Original abstract artwork
36x36 in.
Oil, oil stick, oil pastel, acrylic, spray paint, graphite on gallery canvas
To purchase original please contact AlanTaylorJeffries@ugallery.com
Thanks for taking the time to look at my work.
via Painters' Table - Contemporary Art Magazine: Daily Painting Links on Artist Blogs, Painting Blogs and Art Websites ift.tt/2aqlt1b
This painting is one out of a series of four painted at the same time over the same theme. The object of the painting was to focus on an abstract flow exploding out from a center point and curling back in over itself, such as seen in breaking waves and chrysanthemum flowers.
Original Info:
also known as Krumau Town Crescent III
1918
Oil on canvas
109.5 cm (43.11 in.) x 139.5 cm (54.92 in.)
Neue Galerie am Landesmuseum, Austria.
Original abstract artwork
40x30 in.
Oil & acrylic on traditional canvas
To purchase original please contact ajeffries101958@yahoo.com
Prints, etc. are available at www.redbubble.com/people/atj1958
Thanks for taking the time to look at my work.
Oil on canvas
by Milton Avery
Taken in the Exhibition
By 1926 Avery was living in New York and working full-time as an artist. Avery took advantage of the access to art offered by the city, and he and his wife, Sally, spent every Saturday visiting galleries and museums. In 1929 the Museum of Modern Art opened, allowing Avery’s interest in European Modernism to grow as he saw more examples of the movement’s works.
In addition to using the sketches he had executed throughout the summer months, Avery also turned to the city for inspiration for his paintings, in particular to its human activity and crowds.
[Royal Academy]
Milton Avery: American Colourist
(July — October 2022)
Recognised as an important and influential twentieth-century American artist, Milton Avery’s entry into the art world was somewhat unconventional. Born in 1885 in Altmar, New York, into a working-class family that finally settled in Connecticut, near Hartford, Avery left school at sixteen to work in a factory. Four years later, in an attempt to improve his earning potential, he enrolled in an evening class in ‘commercial lettering’ at the Connecticut League of Art Students and soon after transferred to drawing, so commencing a fifteen-year part-time study of art and a lifetime dedicated to drawing and painting.
Avery’s work spanned and, to some extent, became the link between two significant movements in the United States in the twentieth-century, American Impressionism and Abstract Expressionism, with both having an impact on his oeuvre. Through his close association with some of the younger key exponents of Abstract Expressionism, Avery’s early work played an influential role in how the movement later developed and unfolded. Never affiliated to any particular group or tendency, Avery followed his own artistic inclination. With his steadfast adherence to representation and the innovative ways in which he balanced colour and form within his compositions, he often appeared to be running counter to the prevailing trends of the time.
In 1926 Avery was married and living in New York, where he was to three months every summer at different locations of natural beauty, where he documented the landscape, providing material and inspiration for the later studio paintings.
This retrospective survey presents a selection of Avery’s finest work from across his career and charts his constant development, revealing his unique ability to create exquisitely balanced poetic compositions of colour and form.
[Royal Academy]