View allAll Photos Tagged expressionism
Original abstract artwork
34.5 x 28.25 in.
Acrylic, oil, oil stick, oil pastel, charcoal, pencil, paper collage on unstretched unprimed canvas
To purchase original please contact ajeffries101958@yahoo.com
Prints, etc. are available at www.redbubble.com/people/atj1958
Thanks for taking the time to look at my work.
The Courtauld Gallery in Somerset House is one of the finest collections of art in the UK.
Visitors can enjoy a remarkable art collection, including famous Impressionist and Post-Impressionist masterpieces, and an acclaimed programme of temporary exhibitions
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Leo Gestel (1881–1941) was a Dutch visual artist, painter, and illustrator. He came across the Parisian avant-garde movement and developed his eclectic style through experimentation with various art forms including cubism, expressionism, futurism, and post-impressionism.
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Berthe Morisot (1841-1895), Le berceau (ca 1872), oil on canvas, 56 x 46 cm, Musée d'Orsay
The Cradle
Burlington House, Piccadilly, the home of the Royal Academy where the Abstract Expressionism exhibition is taking place.
20161021_4842x
A project inspired by Abstract Expressionism, Jackson Pollock, Ciro Totku, and Kilford.
Light painting and layering.
The Courtauld Gallery in Somerset House is one of the finest collections of art in the UK.
Visitors can enjoy a remarkable art collection, including famous Impressionist and Post-Impressionist masterpieces, and an acclaimed programme of temporary exhibitions
Es curioso que a la gente le consuele pensar que todas las respuestas están en su interior, porque asà sólo confirman que es absolutamente imposible compartirlas...
... a painting, a photo... ??
It's a shot thru a glass of beer... !
... Malerei, Fotografie... ??
Es ist eine Aufnahme durch ein Glas Bier... !
"The pause during which the entire world halts in its orbit. Your face embodies all the beauty of the world. Your lips, as crimson as a ripe fruit, are half open as if to express pain. A corpse's smile. Here life and death shake hands. The chain that links thousands of past generations to the thousands to come has been meshed." (E. M.)
Mobile Photography, Digital Collage, Abstract Expressionism, © Kurt E. Norlin, Albany OR USA, 2016
Apps Used: Hipstamatic, Juxtaposer, Snapseed, DistressedFx
Quizá caminamos cada vez más lento.
Quizá nos tambaleamos sin saberlo.
Quizá no sabemos sino que creemos.
Quizá estoy mirando directo al abismo.
Paul Gauguin (1848-1903), Nature morte à l'éventail, 1889, oil on canvas, 51 x 62 cm, Musée d'Orsay
Still Life with Fan
One of a number of abstract works inspired by the late cubism of Lionel Feininger and the early abstract expressionism of Paul Klee. This piece is also strongly influenced by the colours of August Macke. Cézanne migrated backwards and forwards between the Paris region and Provence until Louis-Auguste had a studio built for him at his Provencal home, Jas de Bouffan, in the early 1880s. The is, therefore, much to be grateful to Louis-August for.
Original abstract artwork
40x30 in.
Oil, oil stick, acrylic, pastel stick, Turpenoid on canvas
Prints, posters, etc. are available at www.redbubble.com/people/atj1958
Thanks for taking the time to look at my work.
Paul Klee, Münchenbuchsee 1879 - Muralto 1940
Rosengarten - Rose Garden (1920)
Lenbachhaus, München
Paul Klee war als Maler und Grafiker tätig und sein vielseitiges Werk ist dem Expressionismus, Konstruktivismus, Kubismus, Primitivismus und Surrealismus zuzuordnen.
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Paul Klee hat um 1920 in einer Reihe von Werken gewachsene und gebaute Strukturen zu einem rhythmischen Bildganzen verschmolzen. "Rosengarten" ist zweifellos das bedeutendste von ihnen. Bereits in dem für Klee so wichtigen Thema des Gartens ist das zweigesichtige Prinzip künstlicher, gestalteter Ordnung und des natürlichen, organischen Wachstums enthalten. Im "Rosengarten" bilden unregelmäßige schmale, von filigranen schwarzen Linien eingefasste Rechtecke, im Zentrum des Bildes auch zurückspringende Trapezformen, ein 'gemauertes' horizontales Zeilengefüge, das sich vollständig aus der Parzellierung der lebendigen, differenziert gegeneinander gesetzten Rottöne entwickelt. Die Rotschattierungen der kunstvoll arrangierten Natur überziehen auch die über das ganze Bild verteilten pavillonartigen Architekturen mit spitzen Dächern, in denen die horizontale Quaderung des Gartens lediglich um einige Grade gestrafft ist. Die rhythmisch verteilten Rosen mit ihren kugeligen, zu Spiralen gerollten Blütenköpfen – für Klee stets ein Symbol des Wachsens und Sprießens – ragen wie Notenköpfe auf geraden Stielen aus den horizontalen Bändern.
Quelle: Lenbachhaus