View allAll Photos Tagged expressionism
Original abstract artwork
40x30 in.
Acrylic, oil stick, oil pastel on canvas
To purchase original please contact AlanTaylorJeffries@ugallery.com
Thanks for taking the time to look at my work.
Paul Cézanne (1839-1906), Nature morte aux oignons, 1896-98, oil on canvas, 66 x 82 cm, Musée d'Orsay
Still Life with Oignons and Bottle
Free download under CC Attribution (CC BY 2.0). Please credit the artist and rawpixel.com
Leo Gestel (1881–1941) was a Dutch visual artist, painter, and illustrator. He came across the Parisian avant-garde movement and developed his eclectic style through experimentation with various art forms including cubism, expressionism, futurism, and post-impressionism.
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An artwork by David Paul Mesler. Pianist, Vocalist, Composer, Songwriter. Seattle, Washington USA. 2014.
MUSIC ON I-TUNES: itunes.apple.com/us/artist/david-paul-mesler/id251806549
MUSIC ON CDBABY: www.cdbaby.com/artist/davidpaulmesler
JAZZ BANDLEADER WEBSITE: www.davidpaulmesler.com
I HEAR AMERICA SINGING: www.ihearamericasing.com
ARTWORK ON FLICKR: www.flickr.com/photos/davidpaulmesler
VIDEOS ON YOUTUBE: www.youtube.com/doublepianomaniac
REVIEWS: www.davidpaulmeslerreviews.blogspot.com
FACEBOOK: www.facebook.com/davidpaulmesler
TWITTER: twitter.com/davidpaulmesler
TUMBLR: nomadblue.tumblr.com
PINTEREST: pinterest.com/davidpaulmesler
SOUNDCLOUD: soundcloud.com/davidpaulmesler
FOR GOD'S GLORY.
modern art contemporary postmodern moody surreal abstract expressionism impressionism colorful picture photo graphic photographer animation cell image fantasy film cinematic artwork painting photoshop manipulation illustration male portrait man masculine face “close up” close-up detailed interesting dutch scandinavian christian spiritual representational american “united states” holland netherlands norwegian swedish “modern art” “expressionist portrait” drawing watercolor “abstract painting” “abstract art” “on black” digital texture color colors “photo art” photoart landscape arte “vivid colors” photomanipulation “digital art” light dark moment lumiere couleurs day night surrealism saturation photomorphing best artistic tone colorgrading fullcolor techniques multicolor technicolor “generative art” contrast sketch artista artiste portraiture illusion effect virtual fun abstrait cg figurative self me “david paul mesler” “david paul” “david mesler” david paul mesler jazz classical music “singer songwriter” instrument musical musician composer artist singer pianist songwriter vocalist bluecentaur “blue centaur” doublepianomaniac “double piano maniac”
Free download under CC Attribution (CC BY 2.0). Please credit the artist and rawpixel.com
Leo Gestel (1881–1941) was a Dutch visual artist, painter, and illustrator. He came across the Parisian avant-garde movement and developed his eclectic style through experimentation with various art forms including cubism, expressionism, futurism, and post-impressionism.
Higher resolutions with no attribution required can be downloaded: rawpixel
One of my popular paintings, and my first nude. I didn't think anyone would like it. Funny.
Ironically, I didn't mean to make the background look like a flag, but it ended up looking like one if you ask me.
Fauvism was a French art movement, and their flag is red, white and blue. With a slight stretch of the imagination, this could be the flag of Ireland, the Ivory Coast, Hungary, Italy, or even part of the flag of Equatorial Guinea, but not France. Oh well. We're not looking at the background anyway, right?
This piece sold the day it went on display, I'm proud to say.
Stats:
36" x 48"
Oil on canvas
August Macke’s German Expressionist work veers into abstractionism. His talent was tragically cut short with the outbreak of World War I in 1914.
www.originalartbroker.com/blog/artwork/original_art/mysti...
Jamali is one of the most successful contemporary artists in the world. But along with his success has also come controversy. The artist’s willingness to rebuke the art community while simultaneously succeeding in it is one of the most fascination stories in today’s art world.
Named Faiz Aqdas Hussain Khanjamali, the artist better known as Jamali describes his style as “Mystical Expressionism.” His painting process is a spiritual event. Jamali comes from a very devout family. His father and grandfather were passionate Sufis, and he sees his spiritual role as expression his beliefs through his art. In fact his name, Aqdas, means the holy one.
With a military officer for a father, Jamali was enrolled in a Military Academy but was expelled soon after. His independent nature was not compatible with the school’s need for discipline. After his expulsion, Jamali moved to the desert for 5 years where he started painting. When he moved back to his hometown of Peshawar he completed his education before deciding to live with an isolated Himalayan tribe. After living with the tribe where he worked as a sculptor of the dead, he make the decision to move the United States and become an artist. Jamali’s range of early experiences provided meaningful inspiration for his work.
Jamali wears scrubs and a surgical mask to protect him from the paint splatter. And he wears sneakers, because he sometimes paints with his feet. Of course. His paintings are as diverse and eclectic as the man himself. Each week, he produces 7 painting. He meditates, eats organic, and lives alone. He sells his paintings himself over the phone.
Using a specially concocted substance to paint with gives Jamali paintings their trademark texture. His paintings look like ancient cave paintings, incorporating elements of nature. But there is something off about them, looking almost other-worldly. You might indeed think Jamali’s work is an ancient cave painting, but more likely from another planet. The reason for their ancient quality is not just the use of color, texture, and design. Jamali leaves each painting outside for many months to weather naturally and give them an old-world feeling. A list of oddities like this might make you assume that Jamali caters to a small niche in the art market, but that could not be farther from the truth. With art sales surpassing $35 million and collectors like Oprah Windfrey and Kelsey Grammer, Jamali is one of the most successful artists in the world.
So how did he do it? How did Jamali make an eclectic personality and equally eclectic art so shockingly mainstream? He did it his way. Rather than trying to please art critics and hoping for commercial success to follow, he focused on the commercial market form the outset. He began presenting his artwork in high-end furniture galleries in cities like Chicago, Los Angeles, and Dallas. He essentially peddled his paintings door to door, operating in the realm of art as interior decoration. His art was criticized as merely decoration with no substance. He went to school at the University of Central Florida, where he did not fit in. He fought with his professor’s, had a committee reject his thesis proposal, and he was not given studio space. Despite these obstacles, Jamali’s success continued to grow for his personal connections and commercial sales. His direct marketing worked. He succeeded entirely outside the art community, and now his art is embraced by the same community that once shunned him.
The lessons we can learn from Jamali are not just art lessons. The artist is more than an artist. He is an expert marketer, a creative solution-finder, and a diligent worker. If the world had more Jamali’s, it would no doubt be a better place.
Story by Orlando Sentinel
uploaded because flickr requirement 5 public photos before full access to account features.
this account created after flicker dropped google+ and therefore my old account connected with my g+ account will no longer permit me access. Yes i tried sorting this out and no yahoo are incapble of fixing it.
thus: a new flicker. The old one is here:
www.flickr.com/photos/126538735@N02/albums
www.flickr.com/photos/27342753@N02/albums
so it seems this account is a new beginning for the next level of the game, it being a time of closing of the roots which brought me thus far.
I had a root extraction this year. One of the roots is still connected to the nerve, alive, and thus a little tiny fang sticks cutely up from the gum between the other molars. It hurts like XXXX and takes months to properly heal. Don't eat sugar kids, it gives you cancer anyway. Imagine a world where sugar is banned for health reasons. It is possible...
The paintings in this series are textures for a cgi builds and videogames.
They are inspired by the coast of Wales.
Original abstract artwork
24x18 in.
Oil, oil stick, oil pastel, oil-based paint marker, charcoal on Canson paper
To purchase original please contact ajeffries101958@yahoo.com
Prints, etc. are available at www.redbubble.com/people/atj1958
Thanks for taking the time to look at my work.
Edouard Manet (1832-1883), Le déjeuner sur l'herbe (1863), oil on canvas, 208 x 265 cm, Musée d'Orsay
Luncheon on the Grass, also known as 'The Picnic'
theinspirationroom.com/daily/2011/hp-mobile-expressionism/
HP is running “Mobile Expressionism”, an integrated advertising campaign aimed at app developers, online at palm.com. Devised for the HP webOS mobile platform, the campaign looks beyond the technical challenges of creating apps, and re-brands the process as ‘Mobile Expressionism’ –- the latest in a long line of art movements such as Cubism, Impressionism and Pop Art –- positioning developers as modern day artists, able to demonstrate their contributions to popular culture using mobile content. To celebrate the link between technology and creativity, Seattle/London agency Creature commissioned several leading illustrators and artists to create nine bespoke pieces of original artwork inspired by popular mobile apps. The resulting silkscreen prints are visual representations of HP webOS apps created for The New York Times, Angry Birds, Evernote, Pandora, Absolute Fitness, Flight Track, How To Train Your Dragon, Taxi Magic and Flickr.
The campaign’s key online assets are a series of 90-second films featuring developers from Facebook, Sony Pictures and DreamWorks SKG. Titled ‘Meet the Mobile Expressionists’, each film illustrates how these high-profile developers use webOS to realize their work across photography, film and games, as tangible mobile content. The films will feature as rich media content on well-known technology websites, including Wired.com and Engadget. The films will also run at events and feature at developer.palm.com.
The campaign will roll out globally over coming months, while the silkscreen artwork will be exhibited at a number of international developer events. Creature also produced a print catalogue showcasing the thousands of apps currently available on webOS to drive further awareness. Additional online assets include banner ads and rich media material.
Credits
The Expressionism campaign was developed at Creature, Seattle and London, by chief creative officer Matt Peterson, Jim Haven, executive creative director Pat Horn, art director Adam Deer, copywriter Alberto Garcia Orte, designers Ray Dotterer and Haley Munro, producers Andrew Lovold, Bethany Papenbrock, Kristin Holder, account executive Ryan Cunningham.
Creature has worked with the brand for the last year but has been working with the Palm brand since 2008, which was acquired by HP in 2010. Jim Haven, founder and chief creative officer at Creature, said: “I’m a huge fan of letting technology influence traditional art forms and vice-versa. This really showcases a contemporary vantage on creativity with apps as an art form influencing what we would conventionally view as art.”
Illustrators were Dan Stiles (Flight Track), Patrick Concepción for Concepción Studios (Pandora), Timothy Doyle (Taxi Magic), Adam Pobiak (Angry Birds), Ben Chapek for Never Sleeping (The New York Times), Jon Vogl for Bungaloo (Evernote), Amy Martin (How to Train Your Dragon), Nick Rhodes for SwitchOpen (Flickr Mundo), Coby Schultz and Barry Ament for Ames Brothers (Absolute Fitness).
Filming was shot by director Rob Devor via Kaos with directors of photography Stacy Toyama and Norman Bonney, line producer Melanie Baines and editor Olin Padilla. Music was produced by Matt Hutchinson, Black Iris and Headquarters Music.