View allAll Photos Tagged expression
Dog's expression
A great couple let me take a photo of this beautiful dog!
@ NW Portland, Oregon - Sony a6000 + Canon FD 50mm 1:1.8 lens - Brad Connolly
#dog #streetphotography #candid #expression #TravelPhotography #Streetphoto #Urbanphotography #oregon #portland #pdx #sony #a6000
Taken During Zurich Fasnacht, 2013
Please don't use this image on websites, blogs or other media without my explicit permission.
All rights reserved to Indro Photography !
I like to make contact when shooting people, specially when I manage to make them smile :)
These pictures were taken on the first day of a four day march called "De Vierdaagse" in Nijmegen.
I think this captures my essence nicely!
Fyi not an angry/anger expression, but could appear that way. Forget what I was going for, I think more like an expressive "Yeaaaah!".
Lyrics: They Hung Him On A Cross
Artist: Nirvana
They hung him on the cross
They hung him on the cross
They hung him on the cross
For me
One day when I was lost
They hung him on the cross
They hung him on the cross for me
They whooped him up the hill
They whooped him up the hill
They whooped him up the hill
For me
One day when I was lost
They hung him on the cross
They whooped him up the hill for me
He never said among them word
They never said among them word
They never said among them word
For me
One day when I was lost
They hung him on the cross
They hung him on the cross
For me
They bit him in the side
They bit him in the side
They bit him in the side
For me
One day when I was lost
They hung him on the cross
They hung him on the cross for me
He hung his head and died
He hung his head and died
He hung his head and died
For me
One day when I was lost
They hung him on the cross
They hung him on the cross
For me
-=-
Self portrait as Jesus on the cross.
This is a composite image. The sky was taken at our home and is unaltered. The cross is made of parts of a big piece of driftwood. Carpentry by me (of course). The chap on the cross is me. The blood is entirely fake and all done in Corel PhotoPaint. All the above by me. Light shining on Jesus eyes by God. The Crown of thorns however is available for about $25 from www.crown-of-thorns.com/ (Really, with a certificate of authenticity! Get in quick as it is nearly Easter).
Done for The Rogue Players for 5th April 2009 when we invaded Picture a Song with the added proviso by NikkiDee that it had to be by Nirvana.
Us followers of Buddha spell it the pali way as Nibanna. I am entirely convinced by a large amount of historical evidence that the Essene's, that Jesus was a member of, were started by an Arahant sent by Ashoka. Also, that their practices were very much the same as what the Buddha taught, including not killing animals for food, having a community of monks spending much time in silence, and keeping good morality very seriously. The description of Jesus time in the desert for 40 days with temptation by the devil is very similar to the Buddha's final meditation with temptation by mara.
Story and Style Card available on my blog, Three Twisted Knots, at threetwistedknots.com/2018/08/19/the-appearance-of-fitness/
Markha valley, Ladakh, India
Read the full post at www.traveltravailsandheck.com/2023/09/23/kang-yatse-1/
Good photowalk.. too good people... too good expressions...too good memories...
HWS ... TOO GOOD!!! :):)
(c ya after 2 weeks... keep rocking guys)
pretty 宇婷 got good figure, she dressed sexy cloth and held a gun , her expression was so cool , very her motion and pose was nature and real feeling , thank 宇婷, she did her best to pretend the role of gunner
Pirates at a picnic, does exactly what it says on the packet
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©2014 Jason Swain, All Rights Reserved
This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
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Links to facebook and twitter can be found on my flickr profile
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The Dalí Theatre and Museum Figueres Catalonia Spain
(Catalan: Teatre-Museu Dalí, IPA: [teˈatɾə muˈzɛw ðəˈɫi], Spanish: Teatro Museo Dalí), is a museum of the artist Salvador Dalí in his home town of Figueres, in Catalonia, Spain.
Building
The heart of the museum is the building that housed the town's theater when Dalí was a child, where one of the first public exhibitions of young Dalí's art was shown. The old theater was burned during the Spanish Civil War and remained in a state of ruin for decades. In 1960, Dalí and the mayor of Figueres decided to rebuild it as a museum dedicated to the town's most famous son.
In 1968, the city council approved the plan, and construction began the following year. The architects were Joaquim de Ros i Ramis and Alexandre Bonaterra. The museum opened on September 28, 1974,with continuing expansion through the mid-1980s. The museum now includes buildings and courtyards adjacent to the old theater building.
The museum displays the single largest and most diverse collection of works by Salvador Dalí, the core of which was from the artist's personal collection. In addition to Dalí paintings from all decades of his career, there are Dalí sculptures, 3-dimensional collages, mechanical devices, and other curiosities from Dalí's imagination. A highlight is a 3-dimensional anamorphic living-room installation with custom furniture that looks like the face of Mae West when viewed from a certain spot.
The museum also houses a small selection of works by other artists collected by Dalí, ranging from El Greco and Bougereau to Marcel Duchamp and John de Andrea, In accordance with Dalí's specific request, a second-floor gallery is devoted to the work of his friend and fellow Catalan artist Antoni Pitxot, who also became director of the museum after Dalí's death.
A glass geodesic dome cupola crowns the stage of the old theater, and Dalí himself is buried in a crypt below the stage floor. The space formerly occupied by the audience has been transformed into a courtyard open to the sky, with Dionysian nude figurines standing in the old balcony windows.
A Dalí installation inside a full-sized automobile, inspired by Rainy Taxi (1938), is parked near the center of the space.
Art collection
The Dalí Theatre and Museum holds the largest collection of major works by Dalí in a single location. Some of the most important exhibited works are Port Alguer (1924), The Spectre of Sex-appeal (1932), Soft self-portrait with grilled bacon (1941), Poetry of America—the Cosmic Athletes (1943), Galarina (1944–45), Basket of Bread (1945), Leda Atomica (1949), Galatea of the Spheres (1952) and Crist de la Tramuntana (1968).
There is also a set of works created by the artist expressly for the Theater-Museum, including the Mae West room, the Palace of the Windroom, the Monument to Francesc Pujols, and the Cadillac plujós.
A collection of holographic art by Dalí, and a collection of jewelry he designed are on display. Another room contains a bathtub and a side table with an open drawer and a lamp, all of which Dalí had installed upside-down on the ceiling.
An extension to the museum building contains a room dedicated to optical illusions, stereographs, and anamorphic art created by Dalí. The artist's final works, including his last oil painting, The Swallow's Tail (1983), are on display here.
THE DALINIAN SYMBOLS
A study of the work of Dalí, reveals some systematically present symbols in all his work. It's fetish objects that apparently have little in common: crutches, sea urchins, ants, bread...
Dalí uses these symbols so as to make it more meaningful to the message of his painting. The contrast of a hard shell and a soft interior is at the heart of his thinking and his art. This contrast outside-(hard/soft) is consistent with psychological design whereby individuals produce (hard) defenses around the vulnerable psyche (flexible). Dalí knew very well the work of Freud and his followers, even if its iconography derives absolutely no psychoanalytic thought.
ANGELS
They have the power to enter the celestial vault, communicating with God and thus achieve mystical union that concerns both the painter. Figures of angels painted by Dalí often borrow traits of Gala, incarnation, for Dali, purity and nobility.
CRUTCHES
It may be the only support of a figure or the necessary support of a form unable to stand alone. Dalí the view child, in the attic of his father's House. It should take and will never part. This subject gave him an assurance and an arrogance which he had never yet been able. In the short dictionary of Surrealism (1938), Dalí gives the following definition: "wooden Support deriving from the Cartesian philosophy. Generally used to serve as a support to the tenderness of the soft structures."
ELEPHANTS
The dalinian elephants are usually represented with the long legs of desire invisible to many bearings, bearing on their Obelisk back symbol of power and domination. The weight supported by the frail legs of the animal evokes weightlessness.
SNAILS
The snail is related to an important milestone in the life of Dalí: his encounter with Sigmund Freud. Dalí believed that nothing happens just by accident, he was captivated by the vision of a snail on a bicycle outside the home of Freud. The link is then made him between a human head and the snail, he associated specifically with the head of Freud. As for the egg, the outer part of the (hard) shell and the inner (soft) body of the snail site and the geometry of its curves it enchantèrent.
ANTS
Symbol of decay and decomposition. Dalí ants first met in his childhood, observing the remains decomposed small animals devoured by them. He observed with fascination and repulsion, and continued to use them in his work, as a symbol of decadence and ephemeral.
SOFT WATCHES
Dalí has often said, "the materialization of the flexibility of time and the indivisibility of space... It is a fluid." The unexpected softness of the watch also represents the psychological aspect by which the speed of time, although accurate in its scientific definition, can greatly vary in its human perception. The idea came to him after a meal while he contemplated the remains of a runny camembert. He decided to paint over the landscape that served as backdrop for two soft watches which one hung miserably to an olive branch.
EGG
Christian symbol of the resurrection of Christ and the emblem of purity and perfection. The egg evokes by its appearance and its minerality dear symbolism to Dali, earlier, intrauterine life and re-birth.
SEA URCHIN
His "exoskeleton" (the shell sits outside), Harris of thorns, can make you very unpleasant a first contact with the animal. The shell on the other hand contains soft body (one of the favorite dishes of Dali, who was known to eat a dozen at each meal). The Sea Urchin shell, stripped of its spines, appears in many of his paintings.
BREAD
Is it fear of Miss, Dalí represents it in his paintings and also begins to make surrealist objects with bread. In his paintings, loaves more often have something 'hard' and phallic, opposed to the "soft" watches. Dali has always been a great admirer of the bread. It tapissera of Catalan round loaves Figueras Museum walls.
LANDSCAPES
Traditional space (based on the perspective and the paintings of the Renaissance). Realistic landscape strewn with strange and unreal objects located in a natural environment. The background and how to use landscapes are one of the strengths of the art of Dali. They contribute to create the atmosphere of unreality of his paintings (landscape of his native Catalonia and vast plain of Ampurdan surrounding Figueras).
DRAWERS
Human bodies that open by drawers are found repeatedly in paintings and objects from Dali. They symbolize the memory and the unconscious and refer to "thought to be drawers", a concept inherited from the reading of Freud. They express the mystery of hidden secrets. Most of the children explore each drawer, cabinet and wardrobe of their home.
VENUS OF MILO
It is part long's personal mythology of the painter. She is the first woman he model child in clay from a reproduction adorning the family dining room. It is also that he discovered on a box of crayons in New York. He finds stupid expression on his face that he nevertheless considered own to perfect but inadequate female beauty in an elegant woman whose gaze should be or seem intelligent. Dalí made several transformations of Venus: the space Venus, Venus with drawers...
I love her far away expression - and the angle and perspective of this shot. I don't think I could pull this off with many models but she has such classic chiseled features that her beauty shines through even at this angle. You can see more in my set "DJ". The colors here will just pop in lightbox.
This is almost complete collection of my close portrait project. All of them are taken in the streets with 100mm. It gave me lots of learning. Did lots of mistakes. Learned from that. Met lots of people. Different faces, different expressions and experiences. Most of them are taken in CWC walk. Big thanks to the group.
Now, thinking about some new project. Waiting for new learning.