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Detective Inspector Dave Sinclair speaks to the media.
Police have arrested a man following an explosion at a house in Blackley.
Shortly after 12.25pm on Monday 16 January 2017, officers were called to reports of an explosion at an address on Cecil Road.
Serious damage was caused to two properties, with some minor damage to surrounding premises.
Residents of surrounding homes were evacuated for a short time.
Following the incident, two men remain in hospital. One is in a critical condition and the other is in a stable condition.
One of whom, a 33-year-old man, has been arrested on suspicion of causing an explosion to endanger life. He is the man in a stable condition.
The scene is still being investigated and enquiries are ongoing.
Detective Inspector Dave Sinclair, of GMP’s City of Manchester Team, said: “This was a devastating incident which has left two people in hospital with serious injuries and destroyed part of a terraced street.
“Good progress is being made as we continue to investigate the cause of the explosion, but we still need to hear from anyone who believes they have any information about what happened.
“The house is now being treated as a crime scene. Given the problematic working conditions, it may be several days before we will be able to return the street to normality.
“I would like to thank the community for their continued co-operation as police, the local authority and other emergency services remain at the scene to carry on with the investigation.
“My officers will be on hand in the local area and will be updating members of the public with information as we progress this investigation.
“If you have any concerns, please do not hesitate to approach and speak to my officers at the scene or contact the local neighbourhood officers.”
Anyone with information is asked to contact police on 0161 856 3101 and quote the reference number 880 of 16/01/17, or the independent charity Crimestoppers, anonymously, on 0800 555 111.
Explosión y derrumbe de edificio en calle Salta al 2100 de la ciudad de Rosario, Argentina, acontecido el 06/08/2013 /// Explosion and building collapse in Rosario, Argentine, on August 6, 2013
Display of ship's guns with builder's model of HMS Canada in the display case.
Explosion! Museum of Naval Firepower, Gosport, 6/6/21.
Neil F.
40th birthday 'explosion rip' cake. Customer provided me with a photo and asked me to create something similar - not sure where she sourced it from sorry.
4 layers of banana cake filled with white chocolate ganache and covered with smooth fondant icing.
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
Explosión y derrumbe de edificio en calle Salta al 2100 de la ciudad de Rosario, Argentina, acontecido el 06/08/2013 /// Explosion and building collapse in Rosario, Argentine, on August 6, 2013
Bud Spencer Blues Explosion
Viper, Firenze, 25 aprile 2014
www.eleonorabirardi.com - Facebook - twitter - Tumblr
Non usate il mio materiale senza prima aver avuto un consenso scritto // Do not use my material without first having a written consent
Pyrotechnics at the Light's, Motor's, Action Extreme Stunt Show, Disney's Hollywood Studio, Orlando.
Explosión y derrumbe de edificio en calle Salta al 2100 de la ciudad de Rosario, Argentina, acontecido el 06/08/2013 /// Explosion and building collapse in Rosario, Argentine, on August 6, 2013
EXPLOTA el potencial de tu cámara fotográfica. Nosotros te decimos CÓMO. www.clubfotomexico.org.mx/formacion/
Well I finally went back to try explosions again now that my system is more dialed in. the net result is that the system has better resolution but isn't as colorful. I am using the CameraAxe and as I kind of suspected, it isn't fast enough to really catch the first stages of the explosion. Microprocessors have their clock speed to deal with.
The set-up is much more usable though. I bought a sound sensor from Adafruit industries that works really well with the CameraAxe. Setting the trigger level with this set-up is wonderful easy.
Now I have to try and figure out a simple analog solution to get earlier in the event. I's like to make at least a few pictures of interacting shock waves.
This picture used a linear cut-off that has 1D sensitivity. Also check out the repeatability between the two events. Better than it should be.
I'm also using a sacrificial glass to protect the (already damaged by me) mirror.
Cheers.
Port Fairy/Belfast.
Like nearby Portland Port Fairy was settled by whites before New South Wales created a settlement district in that region near the SA border. Sealers and whalers had visited this bay from the early 1800s with voyages from Van Diemen’s Land or from America. Captain Wishart of the whaling ship called the Fairy named the bay Port Fairy in 1828 after he had sheltered here during a raging storm. Temporary whaling and sealing camps were set up here from around 1830, including camps by the Mills brothers of Launceston who began as sealers and then progressed to being whalers. The bay is situated at the mouth of the Moyne River adjacent to Griffiths Island, now a sanctuary for Shearwater or Muttonbirds or Puffinus tenuirostiris as they are officially known. John Griffiths had established a whaling station on the island in 1835. Permanent white settlement began at Port Fairy from 1843 when James Atkinson had a Special Survey undertaken by the NSW government. At £1 per acre he purchased 5,120 acres. Further inland near Koroit and Tower Hill William Rutledge also purchased 5,120 acres through a Special Survey. A condition of the Special Survey was the establishment of a town and encouragement of settlers. Atkinson, who was born in Ireland, named his town Belfast to attract poor Irish settlers. William Rutledge of Koroit was also an Irishman and he sponsored Irish immigrants to lease his lands. Rutledge established a wool and trading company in Port Fairy with his business partners. Atkinson also leased land to Irish immigrants to grow potatoes as they had back in Ireland.
Once Portland became an official settlement area of NSW in 1840 similar conditions had to apply to the Port Fairy district. Governor Gipps in Sydney declared the Portland Bay District open for pastoral leases in 1839 and Commissioner LaTrobe was put in charge of the Portland and Port Phillip Bay districts as pastoralists flooded in to take up lands. But it took three more years before Port Fairy became official with Atkinson’s Special Survey in 1843. Atkinson’s town was Belfast but the government port and jetty here was known as Port Fairy from around 1843. In fact the town of Belfast was only changed to Port Fairy by Act of Parliament in 1887. Once Atkinson purchased his land he leased some sections to Charles Mills of Launceston who became the first permanent white farmer and he also leased all town blocks in Belfast. It was not until 1887 that the Atkinson estate allowed the leased town blocks to be sold as freehold. Atkinson was not liked by the townspeople and it is for that reason that they petitioned the government to eradicate his town name of Belfast in 1887! (Despite the leasehold on all town blocks the town grew very quickly and by 1857 it had a population of 2,190.)
Charles Mills took up around 400 acres for £52 a year rent along the lagoon near the mouth of the Moyne River which he called Picanini Ponds. This occurred in 1844. He soon changed the name of his property to Woodbine. His fine two-storey residence called Woodbine was erected in 1847 once he had obtained a 31-year lease of the farm from Atkinson. He subleased some of his land to his brother-in-law, a ticket of leave man from Van Diemen’s Land, named James Glare. Charles Mill’s brother John Mills lived in Belfast at 40 Gipps Street. He captained whaling and later trading ships along the coast. Whaling finished in Port Fairy in 1848 the last year that a whale was caught near the town. Atkinson also leased the rest of his rural land to tenant farmers who only obtained freehold from the late 1870s onwards. But there was plenty more fertile land near Port Fairy. In 1852 the new Victorian government (Victoria was created as a new colony in 1851) resumed pastoral leases around Port Fairy and subdivided and sold 8,000 acres mainly in 100 or 200-acre farms. Most of those who took up the land were dairy farmers, wheat farmers or potato growers. The town of Belfast continued to grow and today it has over 50 heritage-listed buildings with many dating from the 1840s and 1850s. Although Atkinson only gave leasehold in Belfast he donated land for the Anglican and Catholic churches, the first school at the rear of the Anglican Church, the library and the meeting hall.
Buildings to look for in Port Fairy:
•Walk begins if you choose at 44 James St. Site of former Wesleyan Methodist Church (1855) in a distinctive Greek/Georgian style melange. Next door is the wooden parsonage 1899. The bluestone Sunday School was built 1870 and also used as a town school. This land donated by James Atkinson from his special survey.
•Walk back to the next intersection on the corner James/Bank Streets where you will see the Caledonian Inn (1844)- oldest licensed hotel in Victoria but now a motel; continue down Bank Street towards the sea.
•At the next corner of your left is Barkley St. Walk down here if you want and see the Anglican Church with its fine encircling stonewall. It opened 1856 replacing an earlier wattle and daub church built 1847.
•Next you will see the former Council Chambers with the clock in the pediment. Once also used as a Post Office. Almost next door is the Star of the West Hotel (1856) built for a black West Indian.
•Then turn right into Sackville St. Immediately on your left are the classical style old Lecture Hall (1889) and the Library (former Mechanics Institute 1865.) There are many fine buildings in this the main shopping strip.
•At the intersection with Cox St. are three old fine looking bank style buildings on each corner. The bank on the right in bluestone was the Australasian Bank erected in 1857, one of the earliest banks in Port Fairy. Seacombe House (1847) was built as the Stag Hotel. On the nearest corner is the former Post Office, 1881.
• Then turn left into Cox St and beyond the first street on your left is a former bank built in 1870. Now the Municipal offices. Next door is Emoh Cottage 1840, added to 1885, the former home of William Rutledge the owner of the Koroit Special Survey. The façade is grand but narrow. It is now a Youth Hostel.
•Continue towards the sea and turn right in Gipps St. First on your left is Captain John Mills’s cottage from 1850s at the rear of the later home from 1880s. Whilst here walk down to the waterfront to enjoy the Moyne River wharfs. Almost on the next corner is the Court House in bluestone from 1860.
•Now turn right into Campbell St but glance left and on the other corner is the former Merrijig Inn (1841), once the social and political centre of early Belfast.
•At the second street on your right up Campbell is Sackville St. Turn into Sackville St. and on your right is Motts Cottage built 1845, 1860 and 1890. Once home to two early sailors. The single storey front part is clearly the 1845 cottage. The two-storey part added to the rear was erected in 1860.
•On the next corner of Sackville/Cox Streets the walk ends. If you want to see the grand Presbyterian Church and manse go to 29-33 Albert St.( the main highway). It was built in 1854 to replace the 1843 Scots church. Romantic Talara (1855) is on Princes Highway which we saw earlier and the Catholic Church (1859).
Tower Hill.
The road into Koroit will allow us to look down in the crater of Tower Hill yet another of the volcanic features of Australia Felix. The crater is a maar crater believed to have been formed about 30,000 years ago. Maars are formed when hot lava comes into contact with cold ground water resulting in many explosions hurling rock, scoria and volcanic ash into the air. Most of the material falls around the rim of the crater creating layers of volcanic tuff - rock, scoria and stones – which create a broad, relatively flat volcanic crater. They are not associated with lava flows. Maar caters like Tower Hill are broad with an almost level crater floor as the magna or lava would have cooled as soon as it came into contact with cool ground water. Later activity in the maar crater led to several smaller volcanic cones (scoria cones) appearing in the crater floor. The soils are fertile and there was thick vegetation on Tower Hill but this was cleared by early settlers. The crater edges were denuded. But in 1892 this scenic area was declared as Victoria’s first National Park. It is now home to many emus, kangaroos, echidnas etc. Replanting of the crater slopes began in 1981 using a detailed painting by Eugene von Guerard in 1855 to determine which species were originally growing here! The crater itself is 4 kms long and 80 metres high. The Koroitgundidj people ran an information centre.
Well I finally went back to try explosions again now that my system is more dialed in. the net result is that the system has better resolution but isn't as colorful. I am using the CameraAxe and as I kind of suspected, it isn't fast enough to really catch the first stages of the explosion. Microprocessors have their clock speed to deal with.
The set-up is much more usable though. I bought a sound sensor from Adafruit industries that works really well with the CameraAxe. Setting the trigger level with this set-up is wonderful easy.
Now I have to try and figure out a simple analog solution to get earlier in the event. I's like to make at least a few pictures of interacting shock waves.
This picture used a circular cut-off that has 2D sensitivity. Also check out the repeatability between the two events. Better than it should be.
Cheers.
View from the Liberty Memorial from south of downtown Kansas City, MO
Explosion occurred at 2:15PM on 2/7/07.
Had another crack at the fireworks they've had in Docklands on Friday nights in July. After the epic timing fail that was the previous attempt, I was a little better prepared, although the fireworks still launched further out than expected.
So I ended up shooting a bit wider than planned - 18mm (with the 18-55mm kit lens that all the Real Photographers in the DSLR groups will tell you is incapable of taking a decent photo). Got some pretty strong keystoning, which I normally love as a compositional tool, but in this case the severe lean on the buildings at left of frame was a distraction rather than a feature.
So I figured out some Gimp tricks with layers and the perspective tool to straighten out the buildings. Had never been able to get that sort of thing right until now. The posts near the rear boat could probably use some straightening out too, but I don't think I can be stuffed doing any more piss-fartery on this photo.
Explosión y derrumbe de edificio en calle Salta al 2100 de la ciudad de Rosario, Argentina, acontecido el 06/08/2013 /// Explosion and building collapse in Rosario, Argentine, on August 6, 2013
House Gas Explosion
This once beautiful house suffered a gas explosion tonight at around 9:50pm. There was a young couple and their baby inside at the time. They escaped and were taken to the hospital.
Random splatters using shapes from Hollywood action film sequences: fist fights, explosions, gunfire and car chases.
From the Action Painting series.
Make sure to view the large version of this image or checkout the closeup.
Explosion No. 3. Culebra Cut possibly? 1911.
Name of Expedition: Panama Canal Zone
Participants: Seth E. Meek, Samuel F. Hildebrand
Expedition Start Date: 1911
Expedition End Date: 1912
Purpose or Aims: Zoology (Fishes)
Location: Central America, Panama, Culebra, Canal Zone
Original material: Hand-colored Lantern Slide
Digital Identifier: Z94349_11c
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