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The colorization comes from a polarization technique of layering two polarizers above the light source. This photo has not been post-processed: the colors on my hands are coming from the flashlight under the stacked polarizer filters.
My ‘Fragility’ project was a big breakthrough for me as it led to me realising that I like working with the body and human emotions/nature.
This was part of a project which had the brief ‘Found, Scavenged, Upcycled.’ As I progressed I was led to looking at experimental drawing and mark making using found objects such as jars and leaves. I also experimented with different surfaces and textures which was the beginning of these images, the idea of using the body as a canvas.For these pictures I used corrugated cardboard and black acrylic paint.These did begin as colour images but after doing some editing in Photoshop I felt they looked better in black and white.
As I have attended university interviews more and more is being seen in these images - submission, scratch marks, feminism - which I feel shows there is much more to be done with these images.
EBR-1 Experimental Breeder Reactor Atomic Museum
This is the reflector repair room. A reflector made of uranium-238 “bricks” surrounded the reactor core. When penetrated by neutrons, the atoms of uranium-238 converted to plutonium-239, the new fuel bred at EBR-I. Using the machinery around you, an operator looking through the window could remove and replace the bricks one by one.
Christmas Eve night just screwing around with the camera. The blurs weren't intentional but I thought they were cool and left them.
Professor Golan Levin and (TA) Claire Hentschker presented an exhibition of student projects from “Experimental Capture”, an interdisciplinary course in which students come to understand and build representations of the world using devices that sense beyond the limits of human perception.
Featuring projects by:
Alicia Iott, Aman Tiwari, Anna Henson, Bo Kim, Cameron Burgess, Caroline Hermans, Chloe Desaulles, David Gordon, Evi Bernitsas, Faith Kim, Geep Warhaftig, Hizal Çelik, Jason Ma, Kaitlin Schaer, Kristin Yin, Lingdong Huang, Pierre Amelot, Smokey Dyar, Soonho Kwon, Sydney Ayers.
Experimental Duotone of an image I took of a flower girl at Tricia and Stuart's wedding. Taken at night with flash then edited as a duotone
Professor Golan Levin and (TA) Claire Hentschker presented an exhibition of student projects from “Experimental Capture”, an interdisciplinary course in which students come to understand and build representations of the world using devices that sense beyond the limits of human perception.
Featuring projects by:
Alicia Iott, Aman Tiwari, Anna Henson, Bo Kim, Cameron Burgess, Caroline Hermans, Chloe Desaulles, David Gordon, Evi Bernitsas, Faith Kim, Geep Warhaftig, Hizal Çelik, Jason Ma, Kaitlin Schaer, Kristin Yin, Lingdong Huang, Pierre Amelot, Smokey Dyar, Soonho Kwon, Sydney Ayers.
Professor Golan Levin and (TA) Claire Hentschker presented an exhibition of student projects from “Experimental Capture”, an interdisciplinary course in which students come to understand and build representations of the world using devices that sense beyond the limits of human perception.
Featuring projects by:
Alicia Iott, Aman Tiwari, Anna Henson, Bo Kim, Cameron Burgess, Caroline Hermans, Chloe Desaulles, David Gordon, Evi Bernitsas, Faith Kim, Geep Warhaftig, Hizal Çelik, Jason Ma, Kaitlin Schaer, Kristin Yin, Lingdong Huang, Pierre Amelot, Smokey Dyar, Soonho Kwon, Sydney Ayers.
www.1001pallets.com/2013/04/experimental-pallet-chair/
Established in 2010 in Kwun Tong industrial district, The Cave is a new upcoming team of design and creatives in Hong Kong. The team is formed by seven young local design professions, ranging from graphic design, interior design and fashion design. The team has been courageous since the start and is known for their handmade experimental reclaimed wood furniture by using abandon pallet wood and many were later exhibited in numbers of exhibitions.
++ More information at the cave creative workshop website !
Idea sent by Eqqus Lee !
EBR-1 Experimental Breeder Reactor Atomic Museum
Some radioactive liquid metal remained on the fuel rods when they were removed from the reactor core. Liquid metal was washed off in the hole covered by the bright metal plate in the floor to your left. Rods were then stored in the individually numbered holes, known collectively as the rod farm. The chalkboard was used to keep track of the spent rod inventory.
EBR-1 Experimental Breeder Reactor Atomic Museum
A Safe Space to Store Spent Fuel
This is the Rod Farm. Here, spent fuel elements from the reactor core were stored in slots in the floor until their radiation levels had dropped through the decay process and they could be more safely handled.
Workers used this simple chalkboard grid to keep track of where each element was stored
www.1001pallets.com/2013/04/experimental-pallet-chair/
Established in 2010 in Kwun Tong industrial district, The Cave is a new upcoming team of design and creatives in Hong Kong. The team is formed by seven young local design professions, ranging from graphic design, interior design and fashion design. The team has been courageous since the start and is known for their handmade experimental reclaimed wood furniture by using abandon pallet wood and many were later exhibited in numbers of exhibitions.
++ More information at the cave creative workshop website !
Idea sent by Eqqus Lee !
Tom Forbes supporting Midnight Bonfires.
For more on Tom Forbes please check out the following links...
Website / YouTube / Soundcloud / Reverbnation / Facebook / Twitter
Live recording of track Train Home / SLEEPING WITH THE STARS EP AND LIVE REVIEW
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Photo taken for www.counteract-magazine.com
Read the review here... counteract-magazine.com/2013/02/05/midnight-bonfires-symf...
EBR-1 Experimental Breeder Reactor Atomic Museum
Some radioactive liquid metal remained on the fuel rods when they were removed from the reactor core. Liquid metal was washed off in the hole covered by the bright metal plate in the floor to your left. Rods were then stored in the individually numbered holes, known collectively as the rod farm. The chalkboard was used to keep track of the spent rod inventory.