View allAll Photos Tagged experimental
Experimental multiple exposure of one of the gardens at Lions Park in Bowral, taken with Hoya Pop Color filters.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 10 35mm C41 film.
Not a real space photo. Light art.
OK...I got impatient. Tried this effect several times, but having too much difficulty lining up the somewhat hard to control Waterworld derived emission gases with galactic centers. So, I digressed and created the emission gas/dust using Waterworld technique in one exposure, then after viewing the resulting geometries designed and implemented the locations of galaxies/stars in a separate exposure. No other Photoshop manipulations, except resize. Two exposures composited: emission gas clouds/nebula created using Waterworld technique (100mm lens); stars created with LEDs, Galaxies created using light painted plastic stuff, 16-35mm lens at 25 and 35mm.
Experimental format by Sam’s Club that focuses almost entirely on food. There are no cashiers or check out area - customers use Scan & Go technology within the Sam’s Club app to scan and pay for purchases as they shop.
More information: techcrunch.com/2018/10/28/walmarts-test-store-for-new-tec...
On Greenville Avenue in Dallas, Texas.
For ODC: Energy
And Sliders Sunday of course!
I've pretty slavishly followed Joel Robison's tutorial to make this, and because time is tight today (it's his 8th birthday party today) I've rushed pretty much every stage, so this is experimental in more ways than one. I know how I want to use this idea next and I'll spend more time getting it right next time, but this is ok for a first go I think. HSS!
This is experimental work, with those grids in gradient mesh in Illustrator, imported into Photoshop...
Bringing unspoken reality to life. To the make-up artist, the face was an asexual canvas. The photographer played with light and shadow to give it ‘life’.
In Frame : Ariful Iislam Arnab
Concept & Makeup : Bapon Rahman
Coordinator : Imam Hassan
Content editor : Mukti Maitree
Capture : Ali Emad Sarker
Quando a ausência de luz chega ao meu ser, penso se realmente estou só e se isso irá me levar ainda mais a obscuridade.
O desvaneio chega a me deixar ainda mais sem luz, sem brilho, sem saída... Mas, o que ainda me conforta é que uma hora irá amanhecer, com a luz a inspiração de estar vivo retornará.
Foto: Ediago Quincó
AEC Routemaster with Park Royal bodywork at Golders Green bus station London February 1981, on a special celebratory road run. One of the first four experimental prototype Routemasters. Now preserved.
Don't use this image on websites, blogs or other media without my explicit permission.
Please respect the artists copyright - All rights reserved.
The Rodman guns were what were known as columbiads and are pictured above in Fort McHenry's Outer Battery. Columbiads were large-calibre, smoothbore, muzzle-loading cannon able to fire heavy projectiles at both high and low trajectories. This feature enabled the columbiad to fire solid shot or shell to long ranges, making it an excellent coastal defence weapon for its day. Invented by Colonel George Bomford, US Army, in 1811, columbiads were used in US coastal defence from the War of 1812 until the early years of the 20th century. Very few columbiads were used outside of the US and Confederate Armies.
Designed by Frenchman Jean Foncin in 1798 and named after James McHenry, a Scots-Irish immigrant and surgeon-soldier who became Secretary of War under President Washington, Fort McHenry was built after America won its independence to defend the important Port of Baltimore from future enemy attacks. It was positioned on Locust Point peninsula which juts into the opening of Baltimore Harbor, and was constructed in the form of a five-pointed star surrounded by a dry moat. The moat would serve as a shelter from which musketmen might defend the fort from a land attack. In case of such an attack on this first line of defence, each point, or bastion, was fortified, so that the invading army would be caught in a crossfire of cannon and musket fire.
Of course, the fort is best known for its role in the War of 1812, when it successfully defended Baltimore Harbor from a half-hearted attack by the Royal Navy on 13-14 September 1814. It was during the bombardment of the fort that Francis Scott Key was inspired to write "The Star-Spangled Banner," the poem that would eventually be set to the tune of "To Anacreon in Heaven" and become the national anthem of the United States.
On 11 August 1939, the fort was designated a "National Monument and Historic Shrine," the only such doubly designated place in the United States. It was placed on the National Register of Historic Places on 15 October 1966.
Cut-out of a Volkswagen single cab layered upon a graffiti wall photo.
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Website | www.ericarnoldphotography.com
The orange tone of the photo is because the shot was taken through a coloured glass.
No post processing undertaken.
Guess I'm going to start off a mission to use the photoshop to the least. Tough task :|
Technique : Heating film slide with candle light.
Low candle heat and quickly stretched several times, separating the emulsion, creates
the cyan separation, This is flat scanned with my crappy old scanner.
The wonders of burning your film!
I find that using 120mm film compare to 35mm film gives a bigger surface area and more room in experimenting different burning techniques on the film
HDR conversion and some photoshop. I took the picture at an old-timer meeting specially for citroëns with a fujifilm x100.
YN 460 II with shoot through umbrella @ 12h
Post-processed with Lightroom 4
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What do you think of the post-processing?
drawing with graphite, colour pencil and pigment from pencil sharpener
Zeichnung mit Graphit, Buntstift und Pigment aus dem Spitzer
Not a real space photo. Light art.
Testing new light painting/plastic combo for dense, small starfield and elliptical galaxies.
Single exposure. Nebula pattern created using new Waterworld technique - 100mm lens. Galaxies using light painted plastic, and star field using LED's and laser, some with 0.003-inch (8X) flyfishing line on lens to create cross-shaped diffraction patterns - 16-35mm lens at 20mm-35mm. No other significant Photoshop manipulations, except image resize.