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Gran expectativa tuvo la presentación del Plan Estratégico Nacional elaborado por el CEPLAN. En una ceremonia especial presidida por el titular del Parlamento, Luis Alva Castro, la obra fue comentada por destacados especialistas, entre ellos Raúl Ferrero Costa y Pedro Pablo Kuczynski.
FESTIVAL DO RIO 2014 - 04 DE OUTUBRO DE 2014 - ESTAÇÃO NET RIO - EXPECTATIVA - FILME: NA QUEBRADA - FOTO: ROGÉRIO RESENDE
This overhead view shows the target area at White Sands Missile Range, with “soft” targets shredded by the bomblets dispersed by ATACMS. The crater at the center of the target set was where the ATACMS rocket motor body impacted, precisely where it was supposed to. (Photo courtesy of the author)
Really wasn't expecting to see this in Hythe!
And be sure to check by my other acount: www.flickr.com/photos_user.gne?path=&nsid=77145939%40..., to see what else I saw last week!!
Yes I'm back again.
However due to my main computer on which I edit my work being struck down with a big bad virus, this picture and all the others I am uploading, were Unedited but have now been replaced with Edited versions. So enjoy and Thanks for your patience and understanding.
I do still hate everything about this shit that is new Flickr and always will, but an inability to find another outlet for my work that is as easy for me to use as the Old BETTER Flickr was, has forced me back to Flickr, even though it goes against everything I believe in.
I don't generally have an opinion on my own work, I prefer to leave that to other people and so based on the positive responses to my work from the various friends I had made on Flickr prior to the changes I have decided to upload some more of my work as an experiment and to see what happens.
So make the most of me before they delete my acount: www.flickr.com/photos/69558134@N05/?details=1, to stop me complaining!!
After Christmas break and an expected 3 day weekend that turned into an unexpected 4 day weekend, I thought I would be at the "adding the buttons and buttonholes to the jackets" stage. I'm not. Big surprise. lol The jackets were set aside to make some much need body mods to Kate to free up the limited-in-some-areas articulation. She's on a Kumik body which is the perfect size and shape, but had limited articulation in the elbow and hips. Her elbows could only bend to a 90 degree angle, her arms couldn't fully hang at her sides, and the rubber torso came so low over the hips when sitting that she couldn't sit properly. During jacket fittings the lack of articulation in the arms became a big issue that needed to be corrected. I don't have other regular 1/6th female bodies for size comparison so I had to do the best I could choosing a new body, using comparisons others had done. Ultimately, I chose Very Cool, because it had the arm articulation and looked (from the photo) like the Kumik. Oh, it wasn't though. Way smaller and shorter, even with the ankle extensions. Weirdly, enough the arms were slightly longer and the hands larger. I posed the question of an arm swap here and learned it could be done. It was a simple swap, thankfully. Only one little problem: the rubber torso. I painted the entire torso so the skin tone would match Kate's face. The paint held up well until I had to stretch the rubber to get it off and then back on the armature of the body. I ended up repainting the torso and sealing it again which took awhile. Then I ended up painting all the Very Cool hands as well. Prior to getting the new body, I was already planning to get Kate new hands as a lot of the Kumik hands weren't formed all that well and were on the small side. The Very Cool hands look really nice and the relaxed hands are so much better than the Kumik ones. As for the articulation in the new arms-perfect. She can now hold a phone correctly. Before, the closest she could get the phone to her face made it look like she was trying to pass the call off to George!
The hip fix was simple, too. Because the torso is painted, the paint has been wrinkled from trying to force her to sit in a natural pose. All I had to do was trim the rubber away from the joint, following the wrinkled paint. Now she sits well and can cross her legs better.
Had a little photoshoot with my pregnant fiancee. We are expecting a baby girl any day now and wanted this to be the first picture of here.
Copyright © 2005-2011 All rights reserved Thomas A Ørbeck Photo.
expected overlaps
Choreografie: Mario Heinemann Jaillet
Tänzerin: Gaëlle Morello
Darsteller: Nicolas Menze
Puppenspieler: Werner Ries
Licht: Norbert Mohr
Koordination: Sophie Jaillet Heinemann
© All rights reserved
Photos: Günter Krämmer
I was expecting some nice weather prior to the shoot early in the morning near Gardens By The Bay. However, I was proven wrong as the weather turned out to be much worse than expected.
There was a strong gust of wind and the grey clouds in the sky already hovered above me as I set up my equipment before it began drizzling away.
The morning light was not exactly favorable but its faint light still somehow managed to bring out the nice structure of Cloud Forest dome.
Look closely at the sign. You'll the opening date has been filled in with black marker pen ("until 01 May 2020").
Much-loved Kandy personality served his country as lawyer and diplomat
Nissanka Wijesundera
“If I were asked to give what I consider the single most useful bit of advice for all humanity, it would be this: Expect troubles as an inevitable part of life, and when trouble comes, hold your head high, look it squarely in the eye, and say: ‘I will be bigger than you, you cannot defeat me’.”
The above is taken from the book “Chicken Soup for the Surviving Souls of Cancer” by Jack Canfield. The book was read daily to Nissanka Wijesundera during the last months of his life.
Mr. Wijesundera was born on April 12, 1926 to a respectable Kandyan family in Meewatura, Peradeniya. His father, a strict and honest man, was a Registrar of Land in Kandy. His mother was B. M. Angunawela, whom he adored. He often recalled the difficulties the family experienced to come up in life. He was very proud that all of his family members were well educated and had excelled in their own fields. There were eight in the family. His older brother, the late Professor Stanley Wijesundera, gave him the courage and motivation to become an attorney. He spoke often about his sister, the late Soma Perusinghe, and his younger brother, the late Ashley Wijesundera.
He had his education at Dharmaraja College, Kandy, and was a fluent speaker in the debating team and a brilliant student in Latin and English. He was also a member of the cadet platoon.
In 1966, he married Padmini Dahanayaka Yapa of Waralla. They lived in a beautiful house with a large garden at Meewatura. He was a homely person who enjoyed getting involved in domestic work. He was proud of his garden and enjoyed getting into a banian and sarong to work in the garden. Clients coming to see him for a consultation would mistakenly take him for the gardener and ask to meet his “master”! He would then ask the clients to take a seat, go into the house through the back door, get dressed and come out to meet them. After completing his apprenticeship, he started his own practice in Kandy as a young lawyer.
His honesty, punctuality, hard work and dedication made him a highly successful lawyer. He once said: “I have immense confidence when conducting cases because my colleagues and clients trust me.” He helped junior lawyers rise in the competitive world of the legal profession. He was happy to see his juniors doing well. This was duly recognised, and he was appointed President of the Kandy Bar Association in 1995. He was proud to have worked at the Kandy Bar for 49 years.
Mr. Wijesundera left for work very early in the morning, taking not only his children to school but also the children of friends. His small car was packed with children, whom he entertained by humming golden oldies as he drove them to school.
He was appointed an all-island Justice of the Peace in 1971. He held the post of unofficial magistrate for 36 years. He was a council member of the Senate at the University of Peradeniya, and served as a member of the development committee at the Kandy General Hospital.
He was an active member of the Parent-Teacher Association of Girls’ High School, Kandy for many years, when Mrs. T. K. Ekanayake was principal. He reached the pinnacle of his career when he was appointed Sri Lanka High Commissioner in Australia in 1993.
He was not a politician but a warm-hearted social worker. He felt for the villagers and helped them whenever the need arose. He initiated the construction of roads, wells and housing schemes in Meewatura. He was actively involved in religious activities in the Udunuwara area, building temples and libraries and forming many associations in his area.
He was in good health until the age of 81, when he was diagnosed with colonic cancer. Despite his ill health, he wanted to fight back. He continued to work even after surgery and chemotherapy. He would tell us: “You gain strength, courage and confidence with each experience of looking fear in the face. I have lived through the horror. I can take the next thing that comes along.”
He was very fond of the doctors who treated him, and gave them merit until he ended his journey. Consultant surgeon Dr. Gamini Buthpitiya and consultant oncologists Dr. Kanthi Perera and Dr. Hilmi, consultant urologist Dr. Udaya Pethiyagoda looked after him throughout his illness. He was happy to see Dr. Manil and Dr. (Mrs.) Sakunthala Pieris and Dr. Indika Bandara, who comforted him at home. They were not just professionals in medicine but people with humanity, who encouraged him to be himself.
His honesty and dedication gave us strength, for Nissanka Wijesundera was our loving father. We thank him for what we are today. We remember him on his first death anniversary, which fell on September 23. May he attain the supreme bliss of Nibbana.
By Sanjika, Shalika and Thilanjika
(Sunday Times 28/09/2008)
expected overlaps
Choreografie: Mario Heinemann Jaillet
Tänzerin: Gaëlle Morello
Darsteller: Nicolas Menze
Puppenspieler: Werner Ries
Licht: Norbert Mohr
Koordination: Sophie Jaillet Heinemann
© All rights reserved
Photos: Günter Krämmer
expected overlaps
Choreografie: Mario Heinemann Jaillet
Tänzerin: Gaëlle Morello
Darsteller: Nicolas Menze
Puppenspieler: Werner Ries
Licht: Norbert Mohr
Koordination: Sophie Jaillet Heinemann
© All rights reserved
Photos: Günter Krämmer
Children are expected to pay extra for their classroom tests and materials.
For the story that accompanies these pictures, please visit my PhotoBlog:
www.ursulasweeklywanders.com/every-day-life/a-morning-in-...
sharing.
and not getting the right response.
but is there any right response at all?
you told me to talk to someone about it, but it’s not easy. it was not easy to tell you and I did not expect you to do anything, because there’s nothing you can do or say to make it better. but I didn’t think you would want me to talk to someone else. because I don’t want anyone to feel sorry for me, I don’t want to sound like I am complaining, I don’t want to put my struggles on anyone but Him. I don’t even know why I told you everything, but you asked and it felt right in that moment. I am sorry for making you worry about me with it, if I did. just forget it, friend.
do i just choose the wrong people to talk to all the time?
still english camp pictures.
this is beautiful, lovely woman of God and friend of mine, Annie.
I expect yours are all there too today (check out Scout at bighugelabs.com/flickr/).
The first page, arranged by 'interestingness'.
1. Rising mist, 2. La Digue, 3. First autumn sunrise, 4. Approaching rain, 5. Golden morning, 6. Boats in the harbour, 7. Primary colours, 8. Silver-studded Blue,
9. No horizon, 10. Sheep pasture, 11. Early morning light, 12. Sheffield sunset # 2, 13. Beams on the estuary mouth, 14. Dawn of a New Year #2, 15. Blue, 16. Devon countryside,
17. 'Obscured by clouds', 18. Above the clouds, 19. One good tern... deserves another, 20. Lulworth Cove, 21. Pink, 22. Passing dinghy, 23. The lull before the storm #2, 24. Evening on the river,
25. Vermillion # 2, 26. Durdle Door beach, 27. Patchwork, 28. Nant Ffrancon, 29. Saltmarsh creek, 30. Orange river, 31. Parkland oaks, 32. Tern sunset,
33. Exe Estuary sunrise, 34. Still pond, 35. 'Red sky at night', 36. Dawn of a New Year, 37. Lights reflected # 2, 38. Along the wall, 39. Still evening on the river, 40. In the shade,
41. Dawn of a New Year #3, 42. Caged?, 43. Spring on the heath, 44. Heading for the fell, 45. Red, white and blue, 46. Boxing Day sunrise, 47. Orange, 48. Another view to the fells,
49. Rowing boat, 50. Rainbow reflected, 51. Sun on the river # 2, 52. The Black Mountains, 53. Windfarm, 54. Rising mist #2, 55. Back home, 56. Estuary sunrise,
57. Evening roost flight, 58. Estuary dawn, 59. Exe Estuary dawn, 60. Dawn reflections, 61. Bright, 62. 'Fairy Gloves', 63. Daybreak, 64. Golden dawn,
65. Daybreak #2, 66. Exeter Cathedral, 67. Sunrise over the River Exe... gold, 68. Distant trees, 69. Last light, 70. Moorings, 71. Still dawn, 72. Looking west #2
Created with fd's Flickr Toys.
There is one respect in which beasts show real wisdom… their quiet,
placid enjoyment of the present moment.
- Schopenhauer
p.s. I will try and get a photo of the baby when is born... :-)
Razia Gershon, a veteran Israeli sculptress debutes online gallery. Sculptures are presented in figurative classic style , based on and inspired by the human body, its movements and ballet steps. The sculptures are cast in bronze, and despite the hardness and rigidity of the material the statues are made of, the viewer can easily see and feel the movement, the elegance and the gentleness expressed in the statues. One of the better known series Razia created includes a bronze garden sculpture series of various animals and in particular sheep. The comic bronze figures are unique and have become the artists’ trademark in Israel.
My 2nd maternity shoot. Tried a few without the backdrop this time as the colours looked pretty good. Also, there wasn't loads of room to set up the backdrop due to the shape of the room.
For the shots without the backdrop I used both my Sony F42 flashguns with white shoot-through umbrellas.
For the backdrop shots I had a bare flash behind the backdrop and one camera right with a reflector on the floor aiming back up into Matt & Kiley.
Nelly Ben Hayoun (b. 1985) - Disaster Playground (2015). Part of the temporary exhibition Eco-visionaries: Art and Architecture after the Antropocene at MAAT, Lisbon, summer 2018.
This is a photograph from the East of Ireland Marathon Series Marathon held at Stapelstown, Donadea, Naas, Co. Kildare, Ireland at 09:00 on Saturday 21st of September 2013. This is the first East of Ireland Marathon Series race outside of Dublin and also the first to have been run on rural roads and is race 5 of the East of Ireland Marathon Series 2013.
There was beautiful but warm weather in Stapelstown for the marathon which made conditions tougher than expected. The course brought runners on a loop from the village over towards Prosperous, Co. Kildare, and then back to the finish/refreshment area. The event was very well organised and whilst these races operate with a degree of self sufficiency for runners there was adequate marshalling, course marking, and refreshments available. Well done to all.
The East Of Ireland Marathon Series aims to make marathons affordable and convienient for the runners of Ireland. The serires organisers aim to promote marathon running and to make the process as stress free and enjoyable as possible. All courses are measured to full AAI standards and have a minimum of 10 Entrants. The marathons are self sufficent to a degree although there are limited supplies of water available on the day of the race. There will be no extra frills like chip timing and finish gantrys. However all finishing times are accurately and officially recorded. This is to keep the price down and keep the races as affordable as possible. The East of Ireland Marathon series is all inclusive and welcomes runners who are new to marathon running as well as experienced veterans.
This photograph is part of a Flickr set of photographs we took at this event. The Flickr set is available here [http://www.flickr.com/photos/peterm7/sets/72157635665725976/]. This set includes photographs from the start, in-race, and finish of the race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: The East of Ireland marathon series stricly limits the number of participants. There were about 50 participants in the race today.
Weather: There was warm sunny weather for the race with competitors finding the humid conditions very tough as the race progress on around mid day. There was no real wind but a breeze which did help keep runners cool.
Course: The race started at St. Kevin's GAA and proceeded west into Stapelstown Village and reached a turnaround point which brought runners back to the starting point. This meant that runners then had to complete four complete loops of the 6.09 mile loop outlined below. This loop then proceeded directly southwards towards Prosperous but makes a sharp right turn before Properous village. This brings runners onto the Ballynafagh road and northwards back towards Stapelstown village. Runners then run down through the village (passing the finish and refreshment area) to complete the loop. The course is on traffic open country roads.
Location Map: This is the start finish area at Stapelstown National School goo.gl/maps/LbynY
Some Useful Links
A GARMIN GPS Trace of the 6.09 mile loop being used as part of the marathon: connect.garmin.com/activity/326724349
East of Ireland Marathons Facebook Group Page: www.facebook.com/groups/130592073780072/ (you will need a Facebook account to view this)
East of Ireland Marathons Web Homepage: www.eastofirelandmarathons.com/index.php
Professional Photographer Hannah Levy has galleries for several previous East of Ireland Marathons in 2013: www.hannahlevy.com/index/EOI_Marathons/EOI_Marathons.html
Google Streetview Imagery of St. Kevin's GAA Club where parking facilities were provided for the race: goo.gl/maps/FMsl5
Google Streetview Imagery of the Finish Area beside Stapelstown National School: goo.gl/maps/LbynY
Can I use these photographs directly from Flickr on my social media account?
Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.
How can I get full resolution copies of these photographs?
All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Holy Name 76, Whitinsville Christian 70..Tuesday, December 20, 2011, at Worcester..Senior guard Anthony Hodges scored a game-high 26 points to lead the second-ranked Naps to a come-from-behind win over No. 3 Whitinsville Christian. "Anthony is a senior and we are really expecting big things out of our seniors," Holy Name coach Jason Chavoor said. "I think they want to win moreso than anything else." Holy Name improved to 4-0 while handing Whitinsville Christian (1-1) its first loss. Hodges had 20 second-half points as the Naps came back from a 31-29 halftime deficit. He also played defense on WC's leading scorer, Colin Richey. "He really pestered Colin, who is very, very good," Chavoor said. "He was really good and he's going to score and he's going to make plays and you just try to limit him, and I thought Anthony did a really good job limiting him." Richey led the Crusaders with 25 points, 18 in the second half.. ..WHITINSVILLE CHRISTIAN.Name.FGM.3PM.FTM.Pts..Tim Dufficy.3.1.3.10.Placido Santos.0.0.0.0.Eric Monroe.0.0.0.0.Connor Dolan.1.0.0.2.Scott Ebbeling.0.0.0.0.Jesse Dykstra.1.0.0.2.Antonio Estrella.5.0.0.10.Colin Richey.9.3.4.25.Grant Brown.2.1.2.7.Tyler VandenAkker.7.0.0.14.Totals.28.5.9.70..HOLY NAME.Name.FGM.3PM.FTM.Pts..Jacek Louisville.4.1.4.13.Anthony Hodges.7.0.12.26.Mike Woll.2.0.0.4.Tyler Delorey.3.2.3.11.Daniel Kegbeh.8.0.0.16.Isaiah Tatum.0.0.0.0.Brian Johnson.0.0.0.0.Jimmy Flynn.0.0.0.0.Riley Barron.0.0.0.0.Robert Baker.1.0.0.2.Seamus O'Sullivan.2.0.0.4.Totals.27.8.19.76.
Shot at ISO 2500, Aperture of 2.8, Shutter speed of 1/500 and Focal Length of 50.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Tuesday December-20-2011 20:20 EST PM
This Steam Fair which has been held every year since 1968, when it was established. The venue is enormous and takes a great deal of energy to walk round the whole site, be warned. There are people carriers ( a tractor and trailer ) that can transport you around the show ground if you don’t feel like walking everywhere. I have covered this event in 2013 / 2014 and again in 2016.. The 2013 visit was a hard work for me after having open heart surgery that year. Having taken the decision to visit the 50th year show in 2018, I set off at 08.30 am from home. It was a bit of a gridlock around Blandford I had never seen it so bad this year. I think it was caused by the stewards not doing there jobs first thing as the traffic moved very little in one hour around Pimperne. I guess it was inevitable being the 50th Anniversary show. The new Day Car Park was a long walk from the show ground, around 30 minutes and therefore 30 minutes back to the car.
There was no way in at 10.00 am unless you walked along the main road, only to be told we could not proceed by Security. I told them to get their act together as we were told what to do by the car park attendants. On the way home a gate had finally ben undone to allow a safer return to the car park. No Zone Signs had been laid out so many people returning to their cars were searching a long time to find out where their car was parked. The people queuing to get in was a bit disorganised you had to go to the front of the queue to find out which line you had to be in, it would have been better to have the same signs at the start of the queue. It was a bit of a shambles with the organisation at first. But so many people had turned up for the first day event. Inside a new layout caused some wandering about but they had many maps about the place to double check where you were. It was the final showing of the World One layout and display and they had made it much better this year. For me personally it was a tiring day out but that’s only due to getting on in years and the sun coming out and vastness of this show. The actual show was good value there was so much to see and so many different food stalls that must have satisfied everyone. The only thing that spoilt it for me was the lack of knowledge of many of the stewards and Security people but I guess that was to be expected on a first day of this vast show ground.
Steam engine exhibits, vintage vehicles, heavy shire horses and rural crafts are on dsplay here each year. Working rural displays on a 600-acre site including old time steam funfair. Widely recognised as the leading event of its type in the world with over 2,000 exhibits, 800 trade stalls and over 220 full size steam engines. The show ground is one of Europe's largest outdoor event locations.
For the first 15 years of its existence the steam fair then known as the Stourpaine Steam Fair ~ was held at Stourpaine Bushes, then in 1985 it temporarily moved to nearby Everley Hill.. In 1988, after 3 years at Everley Hill, where access by large crowds was difficult, it moved to its current permanent home at Tarrant Hinton, north of Blandford Forum, where access is vastly improved.
A great attraction at the show is the display of traction engines and steam rollers performing the work for which they were designed. Such displays include heavy haulage, threshing, sawing logs, ploughing and road-making. The main arena of the show is purposely sited on the slope of a hill to allow both steam- and internal combustion-powered machinery to demonstrate their capacity for heavy load hauling. One of the main displays is the ~ Showman's Line up, in the vintage fairground section, which is thought to be the largest collection of showman's engines in the world.
With 1,000 trade stands, 2,000 exhibitors and their families, together with our campers on the public campsites ( 5,000 caravans and tents ) it is estimated that the population living on-site amounts to 25,000 people at any one time. The food sold here is from all over the world and people can sample the delights of culinary delights from sausage rolls to Thai cuisine. The 2018 Steam Show will be its 50th Anniversary