View allAll Photos Tagged expected
2017 World Championship Group Stage at Wuhan Sports Center Gymnasium in Wuhan, Hubei, China on 8 October 2017.
I wasn't expecting the fog to be so thick or last so long when I planned a sunrise photoshoot. Two hours later it was starting to clear a bit, so I decided to fly the quadcopter to see what was visible. The fog bank was thicker than 100 m, but patches were clearing and I was able to grab a panorama of the old Walker Sawmill.
This 360° aerial panorama was stitched from 26 photographs with PTGUI Pro and touched up in Affinity Photo and Aperture.
Original size: 25000 × 12500 (312.5 MP; 642.78 MB).
Location: East Duffins Headwaters, Ontario, Canada
Before March 2 2015, please come here to nominate the entire Chinatown as the historic site to be preserved, don't expect City of Vancouver to save Chinatown when the Council approved more condo to be built in Chinatown at rapid rate to destroy the Chinatown.
www.heritagebc.ca/blog?articleid=162
Chinese Historic Places Recognition Project
THE HERITAGE BATTLE FOR CHINATOWN
Historic Vancouver neighbourhood is being redeveloped, raising fears it will lose its character.
By JOHN MACKIE, VANCOUVER SUN November 15, 2014
The marketing line for the Keefer Block condo development in Chinatown is “Heritage Meets Modern.”
But just how much heritage will be left after a wave of modern developments washes over the historic district is a matter of debate.
A new proposal for the 700-block of Main Street would demolish the last three buildings from Hogan’s Alley, a once-notorious back lane that was the longtime home of Vancouver’s black community.
Another condo development at 231 Pender would replace a funky, Chinese-themed garage that is listed on Canada’s Register of Historic Places. Angelo Tosi’s family has owned their building at 624 Main since 1930. It may date back to 1895, and looks it — the fixtures and shelving are as old as the hills.
But Tosi is 82, and will probably sell when the price is right. He doesn’t expect his store to survive.
“It’ll be gobbled up by the monstrous buildings,” said Tosi. “And then they’ll take it all, and it’s finished. They won’t keep the heritage on the bottom, they’ll put down whatever they want.”
His fatalistic attitude reflects the changes in Chinatown, which is undergoing a development boom after zoning changes by the City of Vancouver.
The protected “historic” area of Chinatown is now Pender Street, while much of Main, Georgia and Keefer can now be redeveloped, with heights of up to 90 feet (nine storeys). A few sites can go even higher.
Two towers are going up at Keefer and Main — the nine-storey, 81-unit Keefer Block, and the 17-storey, 156-unit 188 Keefer. Up the street at 137 Keefer, a development permit application has just gone in for a new nine-storey “multi-family building.”
None of them has stirred up much controversy. But a recent public meeting about a 12-storey, 137-unit condo to be built on an empty lot at Keefer and Columbia got people riled up.
“There was a lot of angry people that night,” said Henry Yu, a UBC history professor who feels a “vision plan” the Chinatown community worked on with the city for several years is being ignored.
“The vision plan gets passed, (but it has) no teeth,” said Yu. “Actually (there is) no policy, it’s a wish list of ‘Oh, we’d like seniors housing, we’d like to do this, we’d like to do that.’
“Almost immediately, the two (highrise) buildings in the 600-, 700-block Main go up, and they’re just basically Yaletown condos. Not even Yaletown — Yaletown has more character.
“These are straight out of the glass tower (model), no (historic) character, obliterating everything in terms of tying it to the kind of streetscape of Chinatown. You’re going to split the historic two or three blocks of Chinatown with a Main Street corridor of these glass towers.”
Yu says Chinatown has historically been small buildings on 25-foot lots, which makes for a jumble of small stores that gives it a unique look and character. But the new developments are much wider, and just don’t look like Chinatown.
“The two 600-, 700-block buildings have a rain shield that’s an awning, a glass awning that runs the whole block,” said Yu. “That’s the design guideline for the city as a whole, but it was nothing to do with Chinatown, (which is) narrow frontages, changing awnings.
“We said that (to the city planners), we raised it and raised it, but the planners just shoved it down our throat.”
Kevin McNaney is Vancouver’s assistant director of planning. He said the city changed the zoning in parts of Chinatown to help revitalize the neighbourhood, which has been struggling.
“We have been taking a look across Chinatown,” said McNaney. “What we’re finding is that rents are dropping, and vacancies are rising. And that’s a big part of the strategy of adding more people to revitalize Chinatown.
“There are only 900 people currently living in Chinatown, many of them seniors. It’s just not the population base needed to support businesses, so a lot of the businesses are going under. Along Pender Street you see a lot of vacancies right now.
“So at the heart of this plan is to bring more people to revitalize Chinatown, and also use that development to support heritage projects, affordable housing projects and cultural projects.”
Henry Yu disagrees. “The idea that you need density in Chinatown itself, that you need your own captive customer base, is moronic,” he said.
“Where else in the city would you make that argument, that nobody can walk more than two blocks, that no one is going to come in here from somewhere else?
“They will. People go to the International Summer Market in Richmond in an empty gravel field. Ten thousand people at night come from everywhere in the Lower Mainland, because there’s something worth going to.
“The problem isn’t that you need a captive audience that has no other choice but to shop in Chinatown — that’s just stupid, there’s plenty of people in Strathcona. The problem is, is there something worth coming to (in Chinatown)? And that has to do with the character, what the mix is, what kind of commercial.”
Ironically, all the new construction comes just as Chinatown seems to be undergoing a bit of a renaissance. Several new businesses have popped up in old buildings, attracted by the area’s character and cheap rents.
The très-hip El Kartel fashion boutique recently moved into a 6,000 sq. ft space at 104 East Pender that used to house Cathay Importers. It’s on the main floor of the four-storey Chinese Benevolent Association Building, which was built in 1909.
Across the street at 147 East Pender is Livestock, a runner and apparel store that is so cool it doesn’t even have a sign. “We were in Gastown at the corner of Cordova and Abbott, (and) just felt a change was needed,” said store manager Chadley Abalos.
“We found the opportunity in Chinatown, so we decided to move here. We feel it’s one of the new spots that are booming. You see a lot of new businesses — restaurants, clothing stores, furniture. We see the potential in it growing.”
Russell Baker owns Bombast, a chic furniture store at 27 East Pender. But he is not new to the neighbourhood — Bombast has been there for 10 years.
“I think (Chinatown is) one of the most interesting parts of the city,” he said.
“It’s still got some variety, some texture, architecturally, socially, economically. A lot of what’s happened to the downtown peninsula (in recent years) constitutes erasure. This is one of the places that still sort of feels like … it feels more urban than some parts of downtown. I would say downtown is a vertical suburb.
“If you like cities, Chinatown feels like one. That’s why we’re here.”
Baker said he expected Chinatown to happen a lot sooner than it did. Retailers that do well there still tend to be destinations, rather than stores that rely on heavy street traffic. “The buzz is that Chinatown is happening, but it’s really strategic, what’s happening,” he said. “Fortune Sound Club, that’s a niche market that’s destination. That’s the kind of thing that works down here. We’re destination, Bao Bei (restaurant) is destination.”
The new businesses make for an interesting mix with the old ones. The 200 block East Georgia Street is hopping with hipster bars (the Pacific Hotel, Mamie Taylor’s) and art galleries (Access Gallery, 221A, Centre A). But it also retains classic Chinatown shops like the Fresh Egg Mart and Hang Loong Herbal Products.
The question is whether the small businesses will be displaced as the area gentrifies. Real estate values have soared — Soltera paid $6.5 million for the northwest corner of Keefer and Main in 2011, Beedie Holdings paid $16.2 million for two parcels of land at Columbia and Keefer in 2013.
That seems like a lot for a site that’s two blocks from the troubled Downtown Eastside, but Houtan Rafii of the Beedie Group said that’s what land costs in Vancouver.
“It is a significant, substantial amount of money, but compared to most every area in Vancouver, it’s not dissimilar, whether you’re in Gastown, downtown, Concord-Pacific, even on the boundaries of Strathcona or on Hastings close to Clark or Commercial,” said Rafii. “It’s not an obscene amount of money, it’s market.”
Rafii said the Beedie Group met with local groups for a year about its development, and was surprised at the reaction it got at the public meeting, which was held because Beedie is looking to rezone the site to add an additional three storeys.
Yu doesn’t have a problem with the Beedie proposal per se, but feels it’s on a key site in Chinatown, and should be developed accordingly.
“It’s not the building’s fault,” said Yu.
“People are going ‘What’s wrong with this glass tower, it’s working everywhere else, and Chinese people love buying this stuff if it’s UBC.’
“That’s not the point. There’s plenty of room around the city to build glass towers (that are) 40 storeys, 50 storeys, whatever. Why do they need to be in this spot?
“This one is right in the heart (of Chinatown). Across the street is the Sun Yat-sen (garden), the Chinese Cultural Centre. On the same street is the (Chinese workers) monument. Next door is the back alley of Pender.”
Yu said a recent study found there will be a need for 3,300 income-assisted senior housing beds in the Lower Mainland over the next 15 years. He said the Columbia and Keefer site would be perfect for a seniors project.
“There’s a particular kind of resonance to the idea this is a traditional place where a lot of Chinese seniors can retire to,” he said.
“There is a five-year waiting list for the Simon K.Y. Lee Success long-term care home, so there’s huge demand, huge need, this is a place where they want to go. (Building a seniors home) would actually would help revitalize (Chinatown), because seniors bring sons, daughters, grandsons and granddaughters into a community.
“That’s the Chinatown vision plan, that’s what’s in there, that’s what those discussions were about. And yet what we’ve got is 137 luxury condo units for hip youngsters. That’s the Beedie proposal, and that’s what the last two towers (on Main) were. It’s not just insulting, it’s the thwarting of the very promise (of the vision plan).”
Wu would like to see a moratorium on new developments in Chinatown “until design guidelines are actually built to create a zone that respects the (area’s special) character.”
Retired city planner Nathan Edelson agrees. Which is significant, because he worked on the Chinatown vision plan for over a decade.
“My suggestion is that there should be a moratorium on the rezonings, for sure, until they can get an assessment of what the current new development is,” said Edelson. “To what degree are they contributing to, or harming Chinatown, the historic character of Chinatown? And it’s not an obvious answer.”
Read more:
www.vancouversun.com/business/Battle+Chinatown/10384991/s...
For 2018, Jeep is expected to continue producing the JK Wrangler and Wrangler Unlimited, which are built at the Toledo Complex, to be sold alongside the new model that is expected to be released in late November 2017. To distinguish between the two models, all Wrangler and Wrangler Unlimited models of the current (JK) generation will receive a 'Wrangler JK' decal on each side. The 2018 models receive minimal changes, though the lower-grade (Sport, Sport S, Willy's Wheeler, Willy's Wheeler W, and Freedom Edition) now offer fewer options. Models remain Sport, Sport S, Willy's Wheeler, Willy's Wheeler W, Freedom Edition, Sahara, Rubicon, and Rubicon Recon. Higher-grade models (Willy's Wheeler W, Freedom Edition, and Sahara) now receive the option of a tan roof, in addition to the previously available black and exterior color-keyed roofs. The Toledo North plant, which produced the Jeep Cherokee (KL) up until early 2017 after its move to the Belvidere Assembly Plant, is currently being retooled for the production of the all-new Jeep Wrangler and Wrangler Unlimited JL
4-door convertible
Vancouver International Auto Show 2018
Convention Centre, Vancouver, British Columbia, Canada.
For a video; youtu.be/y4zHPbjVZMw
The Provinces year-end Public Accounts show B.C. had a strong fiscal result last year, bolstered by a faster-than-expected economic recovery as government made record investments to support British Columbians.
Despite unprecedented spending to support people and businesses, B.C. ended the 2021-22 fiscal year with a $1.3-billion surplus as the provinces economy outperformed both public- and private-sector forecasts.
To access Public Accounts online, visit:
www2.gov.bc.ca/gov/content/governments/finances/public-ac...
The technical PowerPoint presentation is available
Before March 2 2015, please come here to nominate the entire Chinatown as the historic site to be preserved, don't expect City of Vancouver to save Chinatown when the Council approved more condo to be built in Chinatown at rapid rate to destroy the Chinatown.
www.heritagebc.ca/blog?articleid=162
Chinese Historic Places Recognition Project
THE HERITAGE BATTLE FOR CHINATOWN
Historic Vancouver neighbourhood is being redeveloped, raising fears it will lose its character.
By JOHN MACKIE, VANCOUVER SUN November 15, 2014
The marketing line for the Keefer Block condo development in Chinatown is “Heritage Meets Modern.”
But just how much heritage will be left after a wave of modern developments washes over the historic district is a matter of debate.
A new proposal for the 700-block of Main Street would demolish the last three buildings from Hogan’s Alley, a once-notorious back lane that was the longtime home of Vancouver’s black community.
Another condo development at 231 Pender would replace a funky, Chinese-themed garage that is listed on Canada’s Register of Historic Places. Angelo Tosi’s family has owned their building at 624 Main since 1930. It may date back to 1895, and looks it — the fixtures and shelving are as old as the hills.
But Tosi is 82, and will probably sell when the price is right. He doesn’t expect his store to survive.
“It’ll be gobbled up by the monstrous buildings,” said Tosi. “And then they’ll take it all, and it’s finished. They won’t keep the heritage on the bottom, they’ll put down whatever they want.”
His fatalistic attitude reflects the changes in Chinatown, which is undergoing a development boom after zoning changes by the City of Vancouver.
The protected “historic” area of Chinatown is now Pender Street, while much of Main, Georgia and Keefer can now be redeveloped, with heights of up to 90 feet (nine storeys). A few sites can go even higher.
Two towers are going up at Keefer and Main — the nine-storey, 81-unit Keefer Block, and the 17-storey, 156-unit 188 Keefer. Up the street at 137 Keefer, a development permit application has just gone in for a new nine-storey “multi-family building.”
None of them has stirred up much controversy. But a recent public meeting about a 12-storey, 137-unit condo to be built on an empty lot at Keefer and Columbia got people riled up.
“There was a lot of angry people that night,” said Henry Yu, a UBC history professor who feels a “vision plan” the Chinatown community worked on with the city for several years is being ignored.
“The vision plan gets passed, (but it has) no teeth,” said Yu. “Actually (there is) no policy, it’s a wish list of ‘Oh, we’d like seniors housing, we’d like to do this, we’d like to do that.’
“Almost immediately, the two (highrise) buildings in the 600-, 700-block Main go up, and they’re just basically Yaletown condos. Not even Yaletown — Yaletown has more character.
“These are straight out of the glass tower (model), no (historic) character, obliterating everything in terms of tying it to the kind of streetscape of Chinatown. You’re going to split the historic two or three blocks of Chinatown with a Main Street corridor of these glass towers.”
Yu says Chinatown has historically been small buildings on 25-foot lots, which makes for a jumble of small stores that gives it a unique look and character. But the new developments are much wider, and just don’t look like Chinatown.
“The two 600-, 700-block buildings have a rain shield that’s an awning, a glass awning that runs the whole block,” said Yu. “That’s the design guideline for the city as a whole, but it was nothing to do with Chinatown, (which is) narrow frontages, changing awnings.
“We said that (to the city planners), we raised it and raised it, but the planners just shoved it down our throat.”
Kevin McNaney is Vancouver’s assistant director of planning. He said the city changed the zoning in parts of Chinatown to help revitalize the neighbourhood, which has been struggling.
“We have been taking a look across Chinatown,” said McNaney. “What we’re finding is that rents are dropping, and vacancies are rising. And that’s a big part of the strategy of adding more people to revitalize Chinatown.
“There are only 900 people currently living in Chinatown, many of them seniors. It’s just not the population base needed to support businesses, so a lot of the businesses are going under. Along Pender Street you see a lot of vacancies right now.
“So at the heart of this plan is to bring more people to revitalize Chinatown, and also use that development to support heritage projects, affordable housing projects and cultural projects.”
Henry Yu disagrees. “The idea that you need density in Chinatown itself, that you need your own captive customer base, is moronic,” he said.
“Where else in the city would you make that argument, that nobody can walk more than two blocks, that no one is going to come in here from somewhere else?
“They will. People go to the International Summer Market in Richmond in an empty gravel field. Ten thousand people at night come from everywhere in the Lower Mainland, because there’s something worth going to.
“The problem isn’t that you need a captive audience that has no other choice but to shop in Chinatown — that’s just stupid, there’s plenty of people in Strathcona. The problem is, is there something worth coming to (in Chinatown)? And that has to do with the character, what the mix is, what kind of commercial.”
Ironically, all the new construction comes just as Chinatown seems to be undergoing a bit of a renaissance. Several new businesses have popped up in old buildings, attracted by the area’s character and cheap rents.
The très-hip El Kartel fashion boutique recently moved into a 6,000 sq. ft space at 104 East Pender that used to house Cathay Importers. It’s on the main floor of the four-storey Chinese Benevolent Association Building, which was built in 1909.
Across the street at 147 East Pender is Livestock, a runner and apparel store that is so cool it doesn’t even have a sign. “We were in Gastown at the corner of Cordova and Abbott, (and) just felt a change was needed,” said store manager Chadley Abalos.
“We found the opportunity in Chinatown, so we decided to move here. We feel it’s one of the new spots that are booming. You see a lot of new businesses — restaurants, clothing stores, furniture. We see the potential in it growing.”
Russell Baker owns Bombast, a chic furniture store at 27 East Pender. But he is not new to the neighbourhood — Bombast has been there for 10 years.
“I think (Chinatown is) one of the most interesting parts of the city,” he said.
“It’s still got some variety, some texture, architecturally, socially, economically. A lot of what’s happened to the downtown peninsula (in recent years) constitutes erasure. This is one of the places that still sort of feels like … it feels more urban than some parts of downtown. I would say downtown is a vertical suburb.
“If you like cities, Chinatown feels like one. That’s why we’re here.”
Baker said he expected Chinatown to happen a lot sooner than it did. Retailers that do well there still tend to be destinations, rather than stores that rely on heavy street traffic. “The buzz is that Chinatown is happening, but it’s really strategic, what’s happening,” he said. “Fortune Sound Club, that’s a niche market that’s destination. That’s the kind of thing that works down here. We’re destination, Bao Bei (restaurant) is destination.”
The new businesses make for an interesting mix with the old ones. The 200 block East Georgia Street is hopping with hipster bars (the Pacific Hotel, Mamie Taylor’s) and art galleries (Access Gallery, 221A, Centre A). But it also retains classic Chinatown shops like the Fresh Egg Mart and Hang Loong Herbal Products.
The question is whether the small businesses will be displaced as the area gentrifies. Real estate values have soared — Soltera paid $6.5 million for the northwest corner of Keefer and Main in 2011, Beedie Holdings paid $16.2 million for two parcels of land at Columbia and Keefer in 2013.
That seems like a lot for a site that’s two blocks from the troubled Downtown Eastside, but Houtan Rafii of the Beedie Group said that’s what land costs in Vancouver.
“It is a significant, substantial amount of money, but compared to most every area in Vancouver, it’s not dissimilar, whether you’re in Gastown, downtown, Concord-Pacific, even on the boundaries of Strathcona or on Hastings close to Clark or Commercial,” said Rafii. “It’s not an obscene amount of money, it’s market.”
Rafii said the Beedie Group met with local groups for a year about its development, and was surprised at the reaction it got at the public meeting, which was held because Beedie is looking to rezone the site to add an additional three storeys.
Yu doesn’t have a problem with the Beedie proposal per se, but feels it’s on a key site in Chinatown, and should be developed accordingly.
“It’s not the building’s fault,” said Yu.
“People are going ‘What’s wrong with this glass tower, it’s working everywhere else, and Chinese people love buying this stuff if it’s UBC.’
“That’s not the point. There’s plenty of room around the city to build glass towers (that are) 40 storeys, 50 storeys, whatever. Why do they need to be in this spot?
“This one is right in the heart (of Chinatown). Across the street is the Sun Yat-sen (garden), the Chinese Cultural Centre. On the same street is the (Chinese workers) monument. Next door is the back alley of Pender.”
Yu said a recent study found there will be a need for 3,300 income-assisted senior housing beds in the Lower Mainland over the next 15 years. He said the Columbia and Keefer site would be perfect for a seniors project.
“There’s a particular kind of resonance to the idea this is a traditional place where a lot of Chinese seniors can retire to,” he said.
“There is a five-year waiting list for the Simon K.Y. Lee Success long-term care home, so there’s huge demand, huge need, this is a place where they want to go. (Building a seniors home) would actually would help revitalize (Chinatown), because seniors bring sons, daughters, grandsons and granddaughters into a community.
“That’s the Chinatown vision plan, that’s what’s in there, that’s what those discussions were about. And yet what we’ve got is 137 luxury condo units for hip youngsters. That’s the Beedie proposal, and that’s what the last two towers (on Main) were. It’s not just insulting, it’s the thwarting of the very promise (of the vision plan).”
Wu would like to see a moratorium on new developments in Chinatown “until design guidelines are actually built to create a zone that respects the (area’s special) character.”
Retired city planner Nathan Edelson agrees. Which is significant, because he worked on the Chinatown vision plan for over a decade.
“My suggestion is that there should be a moratorium on the rezonings, for sure, until they can get an assessment of what the current new development is,” said Edelson. “To what degree are they contributing to, or harming Chinatown, the historic character of Chinatown? And it’s not an obvious answer.”
Read more:
www.vancouversun.com/business/Battle+Chinatown/10384991/s...
iPhone photo.
I didn't expect to use an iPhone photo in this 365, but I love the composition of this shot, and I find this photo somehow very calming.
Our oldest son's Show Choir season has begun (I'm sure there will be photos of competition to come in this 365). On Saturday he had to be at the school at 6:00am, they drove 75 minutes to the school where they were competing and the Girl's Show Choir competed at 10:00am (my son plays piano in the band for the girls choir). Then, he competed in the Mixed Show Choir at 4:45pm, then they made it to finals (!!!), so they competed AGAIN at 10:00pm. This is an almost 20 minute, high energy, dancing and singing show. I watched and literally didn't know how they were still giving it so much energy. They made it through awards (they got 5th place out of 18) and drove back to the school an unloaded. He got back to the school at 2:20am Sunday morning.
Six more Saturdays like this to come. He's 17, a straight A student. But, he doesn't eat well--how do teens survive on so little nutritionally?-- and he absolutely doesn't sleep enough.
So, hopefully, there will be six more Sundays of rest to come.
This photo is calming to me... a little like the eye of a hurricane, but still truly calming.
We stumbled upon All Saints en route to a different church, and as all those seen thus far on this day had been small and plain, not much was expected. But I saw the tower from along the main street, and looked impressive. and once parked we found it unlocked and welcoming.
Star of the show is the northern chapel, given over to the Culpepper family, with a fabulous tomb in the centre. On the walls, dozens of blank shields show what had been planned to be the family mausoleum for centuries, but things changed, the family moved away and the chapel has just three shields decorated.
------------------------------------------
There was considerable damage caused to this church in an earthquake of 1382. The medieval accounts survive so we know that 48s 2d was spent on the rebuilding. Little can have changed to the structure since that time, except for the construction of a north chapel in 1638. This chapel has a charming pattern of flint flushwork triangles in a horizontal course below the battlements. It contains one of the most interesting seventeenth-century monuments in Kent - to commemorate Lady Elizabeth Culpepper (d. 1638), carved and signed by the Court Sculptor Edward Marshall. The detail is amazing and the cord that connects her ring and wrist is always pointed out to visitors. The rest of the church was restored early in the career of George Gilbert Scott Jr in 1876 (see also Frinsted) and retains its patina of age unimaginable in a restoration by Scott Sr. The pulpit is early seventeenth century and dates from a few years after the much crocketed font cover. There are three signed monuments by Rysbrack and a tall crownpost roof of good construction in the nave.
www.kentchurches.info/church.asp?p=Hollingbourne
------------------------------------------
HOLLINGBORNE.
THE next parish north-westward from Harrietsham is Hollingborne, called in Domesday, Hoilingeborde, and in later records, Holingburnan and Holingeburne. It probably took its name from the spring which rises in the vale underneath the hill, in this parish.
THE PARISH of Hollingborne is situated much the same as that of Harrietsham last described, close to the great ridge of chalk hills, at the foot of which is the village called Hollingborne-street, in which at the south end of it stands the church and vicarage, and near them a well-looking brick mansion, of the time of queen Elizabeth, which by its appearance must have had owners of good condition in former times, but what is remarkable the rector of Hollingborne claims some rooms in this house in right of his rectory at this time. The road through Newnhambottom from Ospringe and Canterbury passes through Hollingborne-street, and thence through Eyhorne, commonly called Iron-street, in this parish, where there are two good houses, one belonging to Robert Salmon, esq. who resides in it, and the other built not many years since by Mr. John Weeks, who died possessed of it in 1785. Hence the road leads on, and joins the Ashford high road through Bersted to Maidstone. The southern part of this parish consists mostly of a deep sand, the whole of it below the hill is well watered by some small streams, which running southward join the Lenham rivulet in its way to Maidstone. Nearer the street the soil becomes a chalk, which continues to the summit of the hill, at the edge of which stands Mr. Duppa's house, whence the remaining part of this parish northward, situated on high ground, and exposed to the cold bleak winds, is but a wild and dreary country, with thick hedgerows, and frequent coppices of wood, mostly of hazel and oak, and small unthriving trees of the latter dispersed among them; the soil a deep tillage land, wet and very poor, being a red cludgy earth, covered with quantities of flint stones. On Eyhorne green, or as it is commonly called Broad-street, in this parish, in October yearly, two constables are chosen, one for the upper, the other for the lower half hundred of Eyhorne, each of which district consists of the twelve adjoining parishes, the borsholders in which, and the several boroughs in them, except such as are chosen at the different court leets, are chosen here likewise.
This parish, with the manor of Elnothington in it, together with the rest of the hundred of Eyhorne, was antiently bound to contribute to the repair of the sixth pier of Rochester bridge.
ÆTHELSTAN ETHELING, son of Ethelred II. gave by his will in 1015, to Christ-church, in Canterbury, his lands at Hollingborne, with their appurtenances, excepting one plough-land, which he had given to Siserth. In the MSS. in Bennet college library, Cambridge, of the evidences of Christ-church, Canterbury, intitled Thorn, printed in Decim. Script. f. 2221, this gift is said to have been made in 980; a very improbable circumstance, the king, his elder brother, at that time being but fourteen years of age.
These lands he had bought of his father, and gave them, with his consent, to Christ-church, L. S. A. that is, free from all secular service, excepting the trinoda necessitas, in like manner as Adisham had been given to it.
The manor of Hollingborne remained part of the possessions of the church of Canterbury at the time of the conquest, when the revenues of it were enjoyed as one common estate by the archbishop and his convent; but archbishop Lanfranc, after the example of foreign churches, separating them, in the partition Hollingborne fell to the share of the monks, and was allotted for their subsistence, (or ad Cibum, as it was usually termed) and it is accordingly thus entered in the book of Domesday, under the general title of Terra Monachorum Archiepi, i. e. the land of the monks of the archbishop.
The archbishop himself holds Hoilingeborde. It was taxed at six sulings. The arable land is twenty-four carucates. In demesne there are two, and sixty-one villeins, with sixteen borderers, having twenty-three carucates. There is a church, twelve servants, and two mills, and eight acres of meadow. Wood for the pannage of forty hogs. In the whole, in the time of king Edward the Confessor, and afterwards, it was worth twenty pounds, and now it is worth thirty pounds. To this manor there adjoins half a suling, which never paid scot, this the bishop of Baieux rents of the archbishop.
At this time, the whole of the above premises seems to have been valued at thirty pounds.
King Henry II. granted to the monks of Christchurch a charter for their lands at Hollingborne upon the Hills. In the 10th year of king Edward II. the prior obtained a charter of free-warren for his manor of Hollingborne, among others; about which time it was, with its appurtenances, valued at 46l. 9s. 8d. King Henry VI. by his letters patent, in his 25th and 26th year, granted to the prior a market, to be held at this place weekly on a Wednesday, and a fair yearly on the feast of St. Anne. (fn. 1)
William Selling, who was elected prior in the next reign of king Edward IV. anno 1472, during the time of his holding that dignity, greatly improved the prior's apartments here. After which, it seems to have undergone no material alteration till the dissolution of the priory, which was surrendered into the hands of king Henry VIII. in the 31st year of his reign.
The manor of Hollingborne did not remain long in the hands of the crown; for the king settled it, by his dotation charter, in his 33d year, on his newerected dean and chapter of Canterbury, part of whose possessions it now remains.
There is a court-leet and court baron regularly held by the dean and chapter for this manor, which extends likewise into the adjoining parishes of Hucking, Bredhurst, and Harrietsham, the quit-rents of it called Beadle-rents, being about forty-two pounds per annum.
¶BUT THE DEMESNE LANDS of this manor have been from time to time leased out by the dean and chapter at a reserved rent of 10l. 9s. The year after the grant of it to them, they demised them by lease to I. Reynolde, as they did anno 19 Elizabeth to William Puresoy, in whose family they remained till the beginning of king James I.'s reign. After which the Fludds held them in lease, and continued so to do, till their interest in them was passed away to W. Alabaster, D. D. After which these premises were held in succession by Bargrave, Boys, Farewell, and Gookin, till the year 1684, when Sir Thomas Culpeper, had a lease of them, in whose family they continued till John Spencer Colepeper, of the Charterhouse, passed away his interest in them to the Hon. Robert Fairfax, who held them in 1758, and then alienated his lease to Francis Child, esq. banker in London, whose brother Robert Child, esq. of London, banker, dying in 1782, the trustees of his will, Robert Dent and John Keysel, esqrs. are now in the possession of his interest in the lease of these demesnes, under the dean and chapter, besides which the dean and chapter have several other lands and woods here leased out by them to different persons.
HOLLINGBORNE is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deaury of Sutton; and is exempt from the jurisdiction of the archdeacon.
The church, which is dedicated to All Saints, is a handsome building, consisting of three large isles, with a chancel at the end of the middle one, and a square tower at the west end. The chancel is much enriched with the monuments of the family of Culpeper, of Greenway-court, and for two of the lords Culpeper, one of them by Rysbrack; on the north side is one for Sir Martin Barnham and his two wives, in 1610, their three figures kneeling at a desk, and underneath their children. At the east end of the north isle there is a small neat chapel, raised up several steps to give room for a vault underneath, in which lie the remains of all this branch of the Culpeper family. The sides of the chapel are filled with black escutcheons, and square tablets of black marble alternately, only two of these among the numbers of them are filled up, and those with younger branches of the family settled elsewhere, a proof of the disappointment of the vain endeavours of the builder to transmit the memory of his descendants to posterity. On the middle of the pavement is a beautiful raised monument of white marble, and the figure of a lady, lying at full length, in the habit of the times, of exceeding good sculpture, in memory of Elizabeth, lady of Sir Thomas Culpeper, daughter of John Cheney, esq. of Sussex, obt. 1638. In the isle a monument for Nich. Chaloner, esq. obt. 1706. Against the north wall of the north isle for two of the family of Duppa, and at the lower end of the church, for the Plummers, Collins's and Dykes. In the middle isle a stone, on which have been the figures of a man and woman in brass, but two shields of arms remain, being quarterly, first and fourth, A chevron, engrailed on a chief, three sleurs de lis; second and third, Three fishes, wavy, sessways, in pale.
There is belonging to this church, a most superb altar-cloth, and a pulpit-cloth and cushion, of purple velvet, ornamented with different figures of fruits of pomegranets and grapes, wrought in gold, the needlework of the daughters of Sir John Colepeper, afterwards created lord Colepeper, who employed themselves for almost the space of twelve years in the working of them, during their father's absence abroad with king Charles II.
The communion plate is very handsome, and an swerable to the above-mentioned furniture, being mostly the gift of the family of Colepeper, and some of it of Baldwin Duppa, esq.
John Eweyn, by his will proved in 1527, gave a table of alabaster, to stand upon the altar of St. John the Baptist in this church; and money to the repair of St. John's chapel in it. John Aleff, parson of Hollingborne, as appears by his will in 1537, was buried in the way beside the porch-door, on the right hand, and that there was set in the wall, nigh his grave, a stone with a plate of sculpture, mentioning where and when he was buried. He had before been vicar of Little Chart, and of St. Laurence Wolton, as he was then of St. John's Sherburne, in Hampshire.
The church of Hollingborne, to which the chapels of Hucking and Bredhurst were antiently annexed, is a sinecure rectory, with a vicarage endowed. The rector of Hollingborne is at this time patron of the perpetual curacy of the chapel of Bredhurst. The archbishop is patron both of the rectory and of the vicarage of Hollingborne, the vicar of which is collated to this vicarage, with the chapel of Hucking annexed.
The vicarage was endowed before the year 1407, in which year Arthur Sentleger, the rector, granted to William Maunby, vicar of this church, a messuage, with its appurtenances in this parish, for the habitation of himself and his successors for ever. (fn. 5) In archbishop Chichele's register, at Lambeth, there is an unauthenticated writing of a composition, made about the year 1441, for it is without date, between William Lyeff, then rector here, and John Fsylde, vicar, upon the assignation of a proper portion for the endowment of this vicarage in future times.
The rectory of Hollingborne is valued in the king's books at 28l. 15s. 5d. and the tenths at 2l. 17s. 6 1/7d. The vicarage is valued in them at 7l. 6s. 8d. and the yearly tenths at 14s. 8d. The vicarage in 1640 was valued at eighty-six pounds, and the communicants were then 271. It is now of the yearly certified value of 70l. 16s. 8d.
The vicarage was augmented twenty pounds per annum, by lease between Ralph Staunton, rector, and Sir Thomas Culpeper, of this parish.
¶The name of Culpeper, or Colepeper, is so variously spelt in different deeds and records, that it is impossible to keep with any rule to either spelling; on all the monuments, and in the parish register, (excepting in two instances in the last) it is spelt Culpeper.
Public School 66 (formerly the Brooklyn Hills School, Later the Oxford School, now the Jacqueline Kennedy Onassis School). Richmond Hill, Queens
Originally constructed in 1898-9, Public School (P.S.) 66 is a remarkable survivor from a time when Richmond Hill, Queens, was transitioning from a rural farming community into a vibrant residential neighborhood. Three identical schools (two now demolished) were constructed in anticipation of an influx of residents, expected as a result of improvements in transportation, the subdivision of farmlands into lots for residential development, and the consolidation of Queens with Greater New York City that same year.
Also known as the Brooklyn Hills School after the suburban development in which it was physically located, P.S. 66 formally opened its doors in 1902. Harry S. Chambers, Superintendent of School Buildings for the Union Free School District No. 7 of the Town of Jamaica, Queens, is credited with the design of the original school building.
C.B.J. Snyder, Superintendent of School Buildings for the New York City Board of Education from 1890 to 1923, is noted as the architect of a 1905-6 addition.
The two-and-a-half and three-story red brick building is Victorian Eclectic in style. Many of its features are characteristic of the Romanesque Revival style and give the building a fortress-like appearance, including prominent round arches highlighting window openings and the main entrance, a flared base, and a distinctive six-story tower (restored in 2001).
Elements of the Queen Anne style are also present in the building’s large entablatures featuring elaborate rinceaux, its gabled dormers, and the steeply pitched roofs of the 1905-6 addition, which was harmoniously designed in the style of the main section. The tower, which originally contained a bell used to call school children from neighboring farms and developments, is distinguished by round arches, brick corbelling, large masonry columns, and foliate details. An ornamental panel above the main entranceway survives and features the name of the school.
Today, P.S. 66 has been renamed the Jacqueline Kennedy Onassis School in honor of the former First Lady’s passion for literacy and for historic preservation and continues to serve in its original function as a grammar school. It remains one of Queens’ most distinctive school structures.
Richmond Hill, Queens
P.S. 66 is geographically located in east central Queens, just south of the verdant Forest Park in the neighborhood of Richmond Hill. The area was originally part of the town of Jamaica, one of the oldest and most historically significant areas of the borough. Jamaica was inhabited by a Native American tribe called the Jameco or Yamecah, a word meaning Beaver in Algonquin, when the first Europeans arrived there in 1655.
They had came from neighboring Hempstead looking for more space to farm and in 1656 applied to Governor Stuyvesant for a patent to “purchase” 10 acres of land from the native tribe.4 When the English took over in 1664, the town’s name was changed to Jamaica. Queens County (then including all of Nassau County) was chartered in 1683 as one of the ten counties of the colony of New York and official town patents were given to Jamaica, Newtown, and Flushing. A 1698 census of Queens County showed a total population of 3,366 white residents and 199 black residents.
While early records do indicate the existence of slaves in Jamaica, the town also had a free black population throughout its history. Through the next century, the community of Jamaica served as the county seat and became a trading post where farmers from outlying areas brought their produce.
Incorporated as a village in 1814, Jamaica became a center of trade on Long Island. Early east-west roads, like King’s Highway, and the arrival of the first railroad, the fledgling Long Island Railroad (LIRR), in 1836, provided crucial links between Eastern Long Island and Manhattan.
Further transportation improvements following the Civil War, including a horse car line in 1866 and electric trolley in 1888, began to open up previously rural, inaccessible portions of the county. The area became ripe for urban development, much of which remained focused around Jamaica.
During the 19th century, Jamaica evolved into a retreat for urban dwellers who patronized its numerous inns and saloons on weekend excursions and built large summer homes on its open land. The permanent population of Jamaica increased steadily throughout the second half of the 19th century, and eventually some of the nearby farms were subdivided for house lots.
While driving from his Wall Street office to his Lawrence, Long Island, summer home, Albon Platt Man, a wealthy lawyer from New York City, is said to have become enamored by a sunny slope in northwest Jamaica which dropped gently southward from Long Island’s terminal moraine ridge.
Man purchased the land in 1869, consisting of five farmsteads belonging to the Lefferts, Bergen, Welling, Robertson, and Hendrickson families, amounting to more than 400 acres.9 He later acquired adjacent parcels to the north and to the east.10 Man and his business partner, Edward Richmond, a landscape architect, envisioned the development of a rural community where workers could escape from the congestion of the industrial city to peaceful homes in picturesque settings.11 They named the project Richmond Hill, most likely after the famed London Borough of Richmond upon Thames.
By the 1870s, 250 acres of Man’s original purchase had been transformed into lots suitable for private residences. Between 1868 and 1874, some 400 shade and ornamental trees were planted, and various streets, avenues, and drives were laid out around the most desirable portions of the property. A passenger depot at Richmond Hill was opened in 1868 by the South Side Railroad of Long Island.
A school and a church were erected, followed shortly by both small-scale cottages and more luxurious houses built by wealthy businessmen from Manhattan. The heart of the village was the main junction of Myrtle, Jamaica, and Lefferts Avenues, near the train depot and a small grocery store / post office.
Richmond Hill continued to grow in the decades that followed, as did the surrounding neighborhoods that were similarly being developed by real estate developers and syndicates. In 1895, the three separate hamlets of Richmond Hill, Morris Park, and Clarenceville were incorporated as the Village of Richmond Hill.
The municipal independence of the village, however, was short-lived – just three years later Queens would become part of Greater New York City. Consolidation was favorably looked upon by developers, as extension of New York City’s water and sewers, rapid transit, and new bridges across the east river undoubtedly meant an increase in the region’s desirability.
Brooklyn Hills
In 1887, the Brooklyn Hills Improvement Company, a real estate syndicate, purchased roughly 160 acres of farmland within Richmond Hills.14 The land was easily accessible at the junction of the Long Island Railroad on Atlantic Avenue, the Rockaway Beach Railroad, the Brooklyn Union Elevated Railroad, and a proposed subway route (later an elevated train, now the J). To help ready the land for residential development, the company graded streets, laid flagging and sidewalks, planted more than 1,000 trees, and connected water pipes to the mains of the Woodhaven Water Supply Company.
By 1895, the company had constructed about 150 houses and 20 stores within the development that had come to be known as Brooklyn Hills.16 While the population of the neighborhood was cited as 200 residents by 1898, much of the land remained undeveloped at the turn of the century. This included “Plat No. 3,” a residential subdivision within Brooklyn Hills that consisted of roughly twelve blocks surrounding the newly constructed P.S. 66, located at Union Place (now 102nd Street) between Walnut Street (now 85th Road) and Tulip Street (now 85th Avenue) (see Figure 18).
A lawsuit brought by the Brooklyn Hills Improvement Company against the New York and Rockaway Railroad Company in 1899 alleged that a contract to establish a station at Brooklyn Hills had been breached, and that failure of the railroad to build the station had damaged and hindered the company’s efforts to sell real estate in the area.18 Ultimately the company was awarded only six cents in damages. The argument that the company had not been able to profit off its land was widely considered specious.
A Brooklyn Hills station of the Rockaway Beach Branch of the Long Island Railroad had operated at Myrtle Avenue and Forest Park from about 1882 to 1911. Moreover, records indicate no problem with sales – as reported in the Brooklyn Daily Eagle, by 1902 the company had sold nearly 600 building lots at prices ranging from $2,500 to $3,000 per acre.19 The company had also profited in 1898 off the condemnation by the city of a hilly portion of the tract located north of Plat No. 3, which was to become part of Forest Park.20 Development delays, specifically within Plat No. 3, more likely resulted from complications with the nearby Waterbury and Napier farms which, until 1905, prohibited the cutting of through streets and which therefore stood as a barrier between the subdivision and the rest of the village.
This impediment, however, was removed by the time of the 1905 auction of the 382 lots of Plat No. 3.22 Real estate boosters prepared for the auction touted the tract’s location, bounded by a “beautiful range of hills” to the north (now part of Forest Park) slated to become “one of the most beautiful of New York City’s public parks.” Physical improvements were also touted, such as the widening of Union Place (now 102nd Street), the plat’s principal avenue, and the presence of the “large modern public school on its property,” referring, of course, to P.S. 66. The auction was apparently a success. The Brooklyn Hills Improvement Company was voluntarily dissolved on October 28, 1907.
Public Education in Jamaica, Queens
The present New York City public school system, fully supported and maintained by public funds, developed slowly from the initial establishment under the Dutch of elementary schools supported and jointly controlled by both the civil authorities and the Dutch Reformed Church. Under English rule, a system of private academies, similar to those in Britain, appeared in lieu of a public system. Through the 18th century, schools in Queens were rarely free and were primarily run by religious institutions.24 It was not until after the American Revolution that New York State undertook the task of creating a public education system. During the period between the first meeting of the state legislature in 1777 and 1851, nearly 1,000 pieces of legislation concerning education were passed. In 1812, New York State adopted a common school system intended to provide free elementary education to all the residents of the state, to be funded through local taxes.
In 1813, the town of Jamaica voted to receive its allotted quota of the state’s school fund to put towards establishing common schools.
“Union free school districts” were established during the 1853 session of legislature as a way for municipalities to combine two or more common schools for the purpose of making education available to children from a broader region. In addition to free admission, pupils within union free school districts were also entitled to free school materials, such as textbooks.26 The Union Free School District No. 7 of the Town of Jamaica was founded in 1888 and encompassed Richmond Hill.27 By 1890, 1,350 school children were enrolled within District No. 7, an increase of more than 30 percent in the two years since the district was established.
Consolidation of the city in 1898 created the need for a unified public education system that would combine the numerous, independently-administered school districts of the borough, each with its own curricula, grade divisions and educational policies. The Borough School Boards and Central Board had been established in 1897 to begin centralized decision making, but in 1901 they were abolished and replaced by a newly reorganized Board of Education consisting of 46 Local School Board Districts and a central Executive Committee. The work of the new organization was affected by several recently implemented state and municipal efforts at reform, including the Compulsory Education Law of 1894 which mandated school attendance for all children until age 14, the School Reform Law of 1896 which mandated state support of secondary schools, and revision of the city charter in 1901.
The laws substantially increased the number of children attending city schools, created new types of schools, and improved school accommodations. A temporary halt in funding for new buildings significantly slowed the construction of school facilities in most parts of the city for a year following consolidation. Although the moratorium led to further overcrowding in existing schools in Jamaica, as throughout the city, in the years that followed, millions of dollars were authorized for the construction of new facilities.
History of P.S. 66
Conditions in District No. 7, as throughout pre-consolidated New York City, were crowded as a result of the changes to state and municipal education laws. In July 1897, a resolution was presented before the local school board calling for $100,000 to be raised via taxes and the sale of bonds, for the construction of additions to existing school structures and the purchase of land for the erection of a new school house within District No. 7.30 Hoping to thwart further shortages in classroom space, and possibly anticipating the post-consolidation freeze in funding for new buildings, the board dramatically increased its proposal just one month later with a call for three additional ten-room school houses. In total, the school board hoped to be able to accommodate 1,750 pupils.
On August 3, 1897, the school board passed a resolution to purchase three sites for the proposed school houses – Site No. 7, referred to in town records as the Broadway site, which would become Public School 64, Site No. 8, referred to as the Union Course site, which would become Public School 65, and Site No. 9, referred to as the Brooklyn Hills site, which would become P.S. 66. The parcel of 200 feet by 175 feet on which P.S. 66 would be constructed was purchased for $7,000 from the widow of Thomas F. Hayes, a real estate agent who may have been associated with the Brooklyn Hills Improvement Company. Three identical plans were submitted for the buildings by Harry S. Chambers, the Superintendent of School Buildings and architect for District No. 7, and were accepted in the fall of 1897. In early December, however, a motion was made to reduce the size of the schools from ten rooms to eight rooms, as a result of contractor bids exceeding approximated building costs.
New plans were summarily submitted and accepted. A carpenter by the name of Thomas J. Clarke was awarded the contract for construction of “Building No. 9” just one week later, with a winning bid of $24,290.31 Construction began in early 1898, and the school was officially designated as “Public School No. 66” on April 15, 1898. The building was completed on July 28, 1899.32
Upon completion, P.S. 66 contained eight classrooms serving the first through sixth grades, a library, and a principal’s office. Four classrooms were located on each of the first and second stories of the building, surrounding an octagonal lobby. The two-and-a-half story Victorian Eclectic-style building, consisting of bearing exterior and interior walls with floors framed with wood joists, was essentially square in plan. The primary entrance to the school, which was picturesquely sited within a verdant, undeveloped area of Brooklyn Hills, was located at the base of a six-story, projecting tower along the building’s west elevation. Many of the original school’s features are characteristic of the Romanesque Revival style and give the building a fortress-like appearance, including prominent round arches highlighting window openings and the main entrance, a flared base, and its distinctive tower.
Elements of the Queen Anne style are also present in the design of the original school building, in its large entablatures featuring elaborate rinceaux, its gabled dormers, and a pair of paneled brick chimneys. The tower, which originally contained a bell used to call school children from neighboring farms and developments, is distinguished by round arches, brick corbelling, large masonry columns, and foliate ornamentation. An ornamental panel above the main entranceway featured foliate decoration and the name of the school.
Despite a very real need for classroom space throughout New York City at the turn of the century, most apparent in the fact that many schools were running classes part-time in order to accommodate demand, P.S. 66, like other schools constructed in Queens just prior to consolidation, did not immediately open. Due to a shortage in municipal funds, the unoccupied school had not been assigned a janitor and consequently began to deteriorate. In December 1899, the windows at
P.S. 66 were reportedly broken by neighborhood children and the plumbing stripped by thieves. To prevent further vandalism, P.S. 66, as well as the still unoccupied P.S. 65, were boarded up. Notwithstanding the continued residential development of the borough, Queens was still largely considered a rural farming community at the turn of the century and the presence of unutilized schools structures did not go unnoticed. As reported in the Brooklyn Daily Eagle in 1900:
…While in Brooklyn and Manhattan there are thousands of children who cannot
go to school because there is no room for them, [here] there is room for nearly
two thousand with which the population of the village has not yet been blessed...
The notion that the schools remained unopened due to a lack of demand, however, was a misconception. For several years, the children of Brooklyn Hills residents were forced to attend Public School 58 in nearby Ozone Park on a half-day schedule as they eagerly awaited transfer to the new school. The New York City Board of Estimate and Apportionment, however, had only allotted $25,000 for janitors’ wages for the entire borough of Queens for the 1900-1901 school year, a full $15,000 less than the sum awarded the borough in the years prior to consolidation.34 Similar reductions in appropriations were made for teachers’ salaries, with reductions of 25% in early 1900 leading to a numerous teacher resignations. While P.S. 65 appears to have opened in time for the 1899-00 school year, relieving some of the crowding experienced by the school district, it is not surprising that under such financial strain, both P.S. 64 and P.S. 66 remained closed.
P.S. 66 finally opened its doors on April 14, 1902 and was referred to locally as the Brooklyn Hills School.35 Neighborhood residents were transferred to the school by start of the new fall term. In early 1902, the school board petitioned the Board of Public Improvements to open nearby Orchard Avenue (now 86th Avenue) “to accommodate school children in getting to this school, as no street opens from the northeast to it.”36 By May of that year, attendance at the school had increased so rapidly that the services of two additional teachers were requested. Records from 1905 indicate that seven teachers and 278 students occupied the building.
Between 1900 and 1910, the city’s population grew by nearly 39 percent, primarily a result of unprecedented levels of immigration. This growth naturally led to further increases in school enrollment and attendance throughout the city. To meet the latest increase in demand for classroom space, a three-story addition to the east of P.S. 66’s original school building was constructed in 1905-6. The addition doubled the number of classrooms and included space for a kindergarten and an auditorium. The addition, which is attributed to C.B.J. Snyder, superintendent of School Buildings for the New York City Board of Education from 1890 to 1923, was harmoniously designed in the style of the main section. Consisting of brick bearing walls with floors supported by steel beams, the addition is roughly rectangular in plan. The addition features a pair of two-and-a-half story gabled wings that project northwards and southwards from a three-story, flat-roofed core.
The addition is distinguished by steeply pitched slate roofs and ornamental brick corbelling at the wings and central core. According to Board of Education records, the addition was occupied on September 9, 1907.
Description
P.S. 66 is situated towards the eastern boundary of a large, rectangular lot bounded by the gently sloped 102nd Street to the west, 85th Avenue to the north, 85th Road to the south, and a service driveway to the east. The site is presently surrounded by a non-original concrete curb that is topped by iron and chain-link fencing. Primary pedestrian entry to the site is located along 102nd Street, while secondary entries can be found along 85th Avenue, 85th Road, and also via the service driveway. The school building is set back from 102nd Street by a verdant lawn featuring large trees and other plantings.
The school structure is composed of various masses that, together, are roughly symmetrical in plan (see Figure 12). The two-and-a half story, original portion of the school building, consisting of approximately the western two-thirds of the present structure, is essentially square in plan. An addition, consisting of a pair of two-and-a-half story gabled wings projecting northwards and southwards from a three-story, flat-roofed core, was joined to the east of the original school building in 1905-6 and is roughly rectangular in plan. The primary entrance to the structure is located at the base of a projecting fortress-like tower along the original school building’s west elevation. Secondary entrances are located along each of the remaining elevations.
All elevations of the Victorian Eclectic-style school feature red-brick laid in a Common bond. Partially-exposed basement stories are visible at all elevations (except where noted) and are flared at the original school building, one of several design elements that gives the school a fortress-like appearance. Rectangular window openings (shorter at partially-exposed basement stories) featuring flush cast-stone lintels and projecting cast-stone sills are typical at each elevation of the structure (except where noted). At the original school building, the sills of the first and second stories, as well as the lintels of the first story, are continuous with flush cast-stone bands at all elevations (except where noted). All first and second-story window openings of the original school building and 1905-6 addition feature six-over-six double-hung wood sashes (except where noted), several of which are original (see Alterations).
Basement window openings typically feature three-over-three double-hung wood sashes (except where noted).
Original School Building
West (102nd Street) elevation: The primary, west elevation of P.S. 66 is composed of three sections. The two-bay wide central section projects forward (except where noted) and is principally defined by a six-story, fortress-like tower at the southern bay. Two round-arched openings featuring concentric brick arches with brick hood molding are located at the ground story of the central section (basement not exposed), consisting of a window opening containing paired typical sashes and a typical sill, topped by a fanlight with ornamental lead dividers, on the left, and the primary entrance, consisting of slightly recessed, wood double-doors (non-original), paneled wood reveals, and a matching fanlight, on the right. The primary entrance is raised slightly on a single granite step. The ground-story arches of the central section spring from a molded cast-stone water table course, continuous on all sides of the projecting central section and beneath which are found recessed rectangular brick panels.
A single, narrow typical window opening, which descends slightly into the water table course, is visible at the north-facing portion of the projecting central section at the first story. A decorative panel featuring foliate details and inscribed with the words “Public School” and “No. 66” is found above the primary entrance. A masonry and cast-stone balustrade tops the first story of the northern bay of the central section (including the north-facing portion). The two-story tall northern bay is recessed above the first story. At the second story, the northern bay features paired window openings topped by blind arches consisting of concentric brick courses, brick hood molding and a herringbone tympanum and featuring elaborate window surrounds with foliate details. An entablature consisting of a molded architrave, rinceau, and molded cornice, is found directly above the second-story window openings of the northern bay (see Alterations).
A hipped section of the structure’s slate roof is visible above the entablature at the northern bay. A drain pipe is affixed to the north-facing portion of the central section.
The southern bay of the central section consists of the six-story tower. Above the primary entrance, the tower consists of two, narrow rectangular window openings featuring four-overfour double-hung wood sashes and flush, continuous cast-stone lintels and sills at the second story, three narrow round-arched window openings featuring two-over-two double-hung sashes with arched upper sashes, brick hood molding springing from molded brick corbels, and slightly projecting cast-stone sills connected by a flush cast-stone band at the third story, three blind rectangular windows with a continuous cast-stone sill supported on stepped brick corbelling above a paneled frieze (continuous on all visible sides of the tower) at the fourth story, three arched masonry openings featuring outsized Corinthian columns (half-columns at outer arches), a continuous rinceau, and a projecting cast-stone sill supported on stepped brick corbelling at the fifth-story and repeated at a shorter height (and without the frieze) at the sixth-story, and a diminutive molded cast-stone cornice at its crown. Similar to the fourth story, the sixth-story sill and corbelling is continuous on all visible sides of the tower. The south elevation of the tower features two, irregularly-sized and irregularly-spaced narrow typical window openings at the first and second stories (left window opening at first story descends slightly into the water table course) and a single window opening at the third story with details similar to that of the third story of the tower’s west elevation. The details of the fourth, fifth and sixth stories of the west elevation of the tower are repeated on the north, south and east elevations (east elevation not visible from street).
The two-and-a-half story north section of the west elevation is four bays wide and features a typical window opening at each bay of the partially-exposed basement, first, and second stories. A wide gable with cast-stone coping that culminates in a finial spans the width of the section. Two shorter typical window openings are set within the gable and feature six-oversix double-hung wood sashes, sills connected by a flush cast-stone band and another flush cast-stone band that serves as a lintel course. The substantial metal tympanum beneath the gable features elaborate foliate, garland and urn details. Paired, cylindrical pinnacles of differing height, featuring cast-stone corbels with foliate details and patterned cast-stone finials, flank the section (the left-most pinnacle is continuous with the north elevation). From a distance, a rectangular brick chimney featuring arched panels, brick banding, and masonry coping, is visible above the roofline (also visible from the north elevation).
Each of the three bays of the two-and-a-half story south section of the west elevation features a typical window opening at the partially-exposed basement, first, and second stories.
An entablature consisting of a molded architrave, rinceau, and molded cornice, is found directly above the second-story window openings, matches that of the northern bay of the central section, and is continuous with the south elevation. A gabled dormer featuring cast-stone coping that culminates in a finial contains two rectangular window openings featuring two-over-two double-hung wood sashes and typical sills. The dormer pierces the cornice of this section and is flanked by cylindrical brick pinnacles with patterned cast-stone finials. A flush cast-stone band serves as a lintel course for the dormer windows. The metal tympanum beneath the gable features elaborate foliate details. A drain pipe that is affixed to the south-facing elevation of the tower at its top pierces the cornice of the section and continues towards the ground affixed to it. From a distance, a cross-hipped section of the structure’s slate roof is visible above the entablature.
One of the structure’s two rectangular brick chimneys featuring arched panels, brick banding, and masonry coping, is visible above the roofline (also visible from the south elevation).
South (85th Road) elevation: The south elevation consists of two sections. The two-bay east section of the south elevation is recessed from the four-bay west section. At the partially-exposed basement, first, and second stories, the west section of the south elevation features single typical window openings at each of the first two bays and two typical window openings at each of the third and fourth bays (a single header course is found beneath the typical sills of the partially-exposed basement windows). A dormer matching that of the south section of the west elevation is centered above the west section. At the partially-exposed basement, first, and second stories, the east section features a single typical window opening at the western bay and three typical window openings at the eastern bay. An additional bay is visible at the east-facing elevation between the two sections and features a single narrow typical window opening containing four-over-four double hung wood sashes at each of the first and second stories and a non-original door opening with typical cast-stone lintel raised on one concrete step at an exposed basement level (door is accessed via non-original, below-grade concrete stairway surrounded by a concrete curb with metal handrail) (see Alterations). An entablature matching that of the west elevation is found above the second-story window openings of the east, west, and east-facing sections of the south elevation, and is continuous from the west elevation. A cross-hipped section of the structure’s slate roof is visible above the entablature, as is one of the structure’s two rectangular brick chimneys featuring arched panels, brick banding, and masonry coping (also visible from the west elevation). A drain pipe that is affixed towards the right side of the east section pierces the cornice as it runs to the ground. Additional drain pipes are affixed towards the left edge of both the east and west sections.
North (85th Avenue) elevation: The north elevation is the same as the south elevation, except where noted. Unlike the south elevation, the west section of the north elevation features two typical window openings at each bay of the partially-exposed basement, first, and second stories, and there is no header course beneath the sills of the partially-exposed basement window openings of the east section. Although there is no opening at the partially-exposed basement story of the west-facing elevation between the sections, there is a non-original door opening at the right side of the third bay of the east section at the basement level (door is accessed via non-original, below-grade concrete stairway surrounded by a concrete curb with metal handrail) (see Alterations). The window openings of the left side of the fourth bay of the east section at the first and second stories have been altered into door openings to accommodate a fire escape (see Alterations). A multi-level, cross-hipped section of the structure’s slate roof is visible above the entablature at this elevation, as is one of the structure’s two rectangular brick chimneys featuring arched brick panels, brick banding, and masonry coping (also visible, at a distance, from the west elevation). In lieu of the smaller dormer present at the south elevation, a large, gabled dormer rises from the roof at the east section, about two-thirds of the way back. The dormer contains a single rectangular window opening with a molded window surround and three-over-three double-hung wood sashes. The metal face of the dormer features radiating sunburst and foliate details. Unlike the south elevation, only one drain pipe is affixed to the north elevation, at the west section.
1905-6 Addition
West elevation: The west elevation consists primarily of the west elevations of a pair of two-and-a-half story wings that project from a central, three-story, flat-roofed core (because the core abuts the slightly shorter original school building to the west, only a small portion of its western elevation is visible). Few details adorn the west elevations of the north and south wings. The west elevation of the south wing does not feature any openings, and although a typical lintel and sill are present at the partially-exposed basement story, any window opening that may have been present here has been seamlessly bricked in. The west elevation of the north wing features a short, wide rectangular window opening with a typical lintel and sill at the partially-exposed basement story that has been filled-in with a non-original metal panel. A portion of the west elevations of both the north and south wings is taken up by a projecting one-story pavilion which features brick corbelling, a large, flush masonry band, and masonry coping, all of which wrap to each pavilion’s south elevation (the pavilions may not be original to the 1905-6 addition, see 1905-6 Addition, South (85th Road) elevation). Brick corbelling caps both the north and south wings and terminates at the outer edge of each wing at a stylized brick buttress featuring a cast-stone corbel and capital (the buttresses are shared with the north and south elevations of the wings). A pitched slate roof is visible above each wing. The visible portion of the west elevation of the central core features a projecting brick band and parapet with brick corbelling and masonry coping, all of which are continuous with the north, south and east elevations of the core. A rectangular brick chimney is partially visible above the roofline of the flat-roofed core. Drain pipes are affixed to the west elevations of both the north and south wings and a pipe vent is visible along the roof of the south wing.
South (85th Road) elevation: The south elevation is principally defined by the gabled, three-bay wide, two-and-a-half story tall, projecting south wing. A single bay of three-story central core, flush with the original school building, is visible to the west of the south wing. Each of the bays of the south wing features a typical window opening at the first and second stories. At the partially-exposed basement story, only the outer bays feature a typical window opening. A single, shorter typical window opening is found within the gable of the south wing. Stylized brick buttresses featuring cast-stone corbels and capitals flank the gable (the buttresses are shared with the east and west elevations of the wing) and are continuous with cast-stone coping which culminates in a finial. The single bay of the central core, to the west of the south wing, features a typical window opening at the second story and a narrow typical window opening at the third story.
The first story is taken up by the projecting one-story pavilion, which overhangs the original school building slightly and which features brick corbelling, a large, flush masonry band, and masonry coping, all of which wrap to the pavilion’s west elevation. The masonry band serves as a lintel course for a wide door opening that pierces the brick corbelling. The door opening is raised on a wide concrete step that extends beyond the opening and contains a deeply recessed non-original metal door and solid metal side panel. The pavilion may not be original to the 1905-6 addition, as it obscures most of what appears to have been a typical window opening at the first story of this bay, presently only partially visible above the pavilion. Portions of the brick band and parapet with brick corbelling and masonry coping of the central core are visible above the gabled roof of the south wing, all of which are continuous with the north, east and west elevations of the core. A brick buttress-like element is located above the west slope of the gabled roof of the south wing at the central core.
North (85thAvenue) elevation: The north elevation is a mirror image of the south elevation, except where noted. Unlike the south elevation, only the west-most bay of the partially-exposed basement story of the north wing features a window opening. At the projecting pavilion, a shorter typical window opening that pierces the brick corbelling, whose lintel is integrated with the masonry band, and which contains two-over-two double-hung wood sashes, is located to the right of the door opening. To the west of the north wing, two bays of the central core are visible, both recessed slightly from the original school building. The eastern bay of the central core is the same as the north elevation, while the western bay features a short, narrow typical window opening containing two-over-two double hung wood sashes, offset in height at each of the first, second and third stories.
East elevation: The east elevation is comprised of three sections consisting, like the west elevation, of two wings projecting from a central core. The east elevations of the north and south wings are the same as the west elevations of the wings, except where noted. Unlike at the west elevation, the north and south wings are flush with the central core. Additionally, at the south wing, the window opening of the partially-exposed basement story is not filled in and, in lieu of a sill, abuts a raised concrete planting bed (see Related Landmark Site). The north wing does not feature any window openings, lintels or sills. Neither the north nor the south wing is obscured by a pavilion.
The three-story tall central core features two bays, each containing three typical window openings at the first, second and third stories. At the partially-exposed basement story, a single typical window opening is present at the first bay which, in lieu of a sill, abuts a raised concrete planting bed (see Related Landmark Site). At the second bay of the partially-exposed basement story, an additional three window openings are found and consist of a short typical window opening containing three-over-three double-hung wood sashes to the north, a typical, full-height window opening at center, and a filled-in typical window opening to the south that has been altered to accommodate a basement door opening below and three, square louvered vents above (door is accessed via a below-grade masonry and brick stairway surrounded by masonry curbing and a metal fence with gate).
A one-story pavilion projects from the central core at the first bay of the partially-exposed basement story and may not be original to the 1905-6 addition as it obscures part of the rightmost window opening of the first bay of the central core at the first story. The pavilion features projecting brick banding separated by a large masonry band, and masonry coping, all of which wrap to the pavilion’s north and south elevations. The east elevation of the pavilion features two typical lintels where typical window openings appear to have been bricked in. A square metal panel with a hinged door is set within the south elevation of the pavilion. At the third story of the central core, a projecting brick band runs continuous with the lintels of the third-story fenestration and is also continuous with the north, south and west elevations of the core. The central core also features brick corbelling and masonry coping at the parapet which, too, is continuous with the other elevations of the core. At the partially-exposed basement story, a small length of masonry or concrete base trim stretches from the right side of the central core to the north wing. A large number of drain pipes, pipe vents, and through-wall vents are affixed to all three sections of the east elevation, several of which may be original.
Alterations
While the windows of P.S. 66 are largely non-original, the replacement windows were apparently selected to maintain the integrity of the exterior facade and feature multi-paned, double-hung wood sashes similar to the building’s original windows (several of the non-classroom windows of the west elevation of the original school building are original and have not been replaced; it is not known when the non-original windows were installed). None of the school’s doors are original. The doors of the primary entrance were replaced with new paneled wood double-doors in 2009, while the remaining secondary entrances feature non-original metal doors. The fire escape affixed to the east section of the north elevation of the original school building is not-original.
Although it is unclear when the fire escape was put in place (not present in c. 1939 tax photograph), its installation required the enlargement of the leftmost window openings of the fourth bay of this section at the first and second stories in order to accommodate new door openings and metal doors. Although the original window lintels were retained, the remaining portions of the window openings not occupied by the doors have been filled in with metal panels. The three pavilions that extend from the various elevations of the 1905-6 addition are not thought to be original. Although it is not known when they might have been constructed, the pavilions do appear in the c. 1939 tax photograph of the school. An element that appears to be a large cornice at the central core of the 1905-6 addition looks to be present in the c. 1939 tax photograph, but has since been removed. It is not known when the concrete curb that surrounds the site was installed or when the areas to the north and south of the school were paved with concrete, but both conditions are present in the c. 1939 tax photograph.
Non-original signage is affixed to the central section of the west elevation of the original school building. A number of non-original security lights, school bells, speakers, conduit, and electrical boxes are affixed to the various elevations of both the original school building and the 1905-6 addition. Non-original window guards are present at all windows of the first, second, third, and partially-exposed basement stories at all elevations and at the fanlights of the central section of the west elevation of the original school building, but are not present at dormer or gable windows. The small length of masonry or concrete base trim at the east elevation of the 1905-6 addition is painted red. A concrete platform has been built up along the east elevation of the 1905-6 addition at the central core and north wing, which extends from the projecting pavilion and is continuous with the ramp that runs alongside the north elevation of the north wing.
It is not known whether the through-wall vent beneath the rightmost window of the south section of the west elevation of the original school building is original, nor if any of the through-vents on the east elevation of the 1905-6 addition are original. Similarly, it is not known if the various drain pipes affixed to the east elevation of the 1905-6 addition are original, although the drain pipes affixed to the other elevations are thought to be original.
A major exterior modernization project that took place in 2001 under the leadership of the architectural firm Montoya-Rodriguez Architects, PC returned many original details to the school building that had been removed or altered over the intervening years. The metal entablatures, including the rinceaux, present at the north, south and west elevations of the original school building, had been covered with stucco (see Figure 10), but were replaced as part of this project. The firm also restored much of the bell tower, which had been removed above the second story in 1967 due to wood deterioration. Although the present tower is not an exact replica of the original, a large number of details, including the numerous brick and masonry arches, continuous brick corbelling, and open belfry, are evocative of, and, in fact, very similar to the original design (see Figures 13 & 14).
As part of the scope of work, finials were returned to the pinnacles of the west elevation of the original school building, failing cast-stone details and rusted sections of decorative metal were replaced in kind, several windows of the 1905-6 addition that had been previously enclosed with face brick were filled-in with matching brick, and asphalt shingles that had been introduced to the roof in the 1980s were replaced with more appropriate slate shingles. The project also undertook the stripping of non-original paint layers from all exterior brick, cast-stone, masonry, and metal details, and the repointing of all existing brickwork (including chimneys) and masonry. Window openings at the partially-exposed basement story of the east-facing section of the south elevation of the original school building and at the rightmost opening of the third bay of the east section of the north elevation of the original school building were enlarged into door openings and below-grade access staircases were installed as part of the project.
- From the 2010 NYCLPC Landmark Designation Report
Day 5 of 2017 Mid-Season Invitational Group Stage at Jeunesse Arena in Rio de Janeiro, Rio de Janeiro, Brazil, on 14 May 2017.
September 10, 2021: So… this wasn’t the post I was expecting to post today.
Today was fairly good. I got the grass backyard at Mom’s cut. I got my beard and lower legs waxed in the afternoon @thepxssyshop, as I’m getting a tattoo next week on my lower leg. On my way downtown I did pass a wildflower asking for change on one of the medians and I had one bottle of water left that I gave him, which he appreciated (I need to stick up again, this was an idea I got from @larayia Gaston’s book LOVE WITHOUT REASON, which I’ve mentioned a lot lately on this feed).
I then went to have dinner at one of my favourite Chinese food places, Congee Delight in the International Village Mall. The last time I was here was when I was last waxed. But for the life of me I couldn’t eat my meal. Over the last two years or so when I eat mainly rice or noodles - it’s like I’ve swallowed air and it’s like I have a tight ball wanting to burst out of my stomach. I’ve found a sip of ginger ale or even coke is enough to break it up so I can eat. Slow eating helps too - chewing it and enjoying the flavour. But that didn’t work tonight, and I actually had to run to the washroom a few times where I lost what I had just tried eating. That’s only happened a few times. But it’s concerning.
So I had the food packed up. The waitress was worried and asked if I was ok, and I briefly described what had happened. She wished me well and asked if I made a mistake on my bill, as I gave a twenty dollar tip on a thirty dollar meal. When I came in, I asked how her day had been and she described how the day had been very busy. I could feel how tired she looked and that she was probably looking forward to the end of her shift. I’ve been to the place when it’s been jam packed, and with a line of people wanting take away, so I had no doubts about her authenticity. Waitressing work can be very demanding.
Anyway, I had the food, but to be honest I didn’t want to try eating it again. So I thought I’d do what I did the last time I was here with leftovers - I’d find someone to give it to.
I drove around a bit and found someone that looked like she could use something … She was sitting alone, with what was likely her only belongings. My heart broke for her. I thought she was the one I wanted to give my food too. I had to drive around the block again to get back to where she was. I pulled alongside her, and tried to make eye contact. I said things like “hi there” and “excuse me, are you hungry?” She didn’t respond. Wouldn’t make eye contact. So I decided to get out of the car. This ally I turned into was pretty harsh. The actual smell of shit was strong. There was an overflowing garbage bin. The hardened tar of the ally itself was slimy, with cracks filled of water from recent rain. There was a sharps container randomly strewn in the alleyway in the path of my car. The alley walls were covered in graffiti.
I approached her, she wouldn’t make eye contact. I again said “hello?” No response. Maybe she’s hard of hearing. I asked again, a bit louder, “are you hungry? I have this food here I can’t eat.” More awkward silence. She was older, with a very small frame, and her face looked worn like old leather. She wore a dark navy blue jacket that looked like it provided a nice warmth. My intuition tried warning me, I heard my mind say, “Dude, there‘a a few others around the corner, they’ll want it.” But that would mean leaving my running SUV with its door open alone longer than I expected. I placed the food next to her in front of her stuff, and backed away to get back in my car. She then swiftly grabbed the bag and hurled it along the alleyway, it’s contents spilling out all over the already rotting surface of the street. I froze. The Chinese broccoli looked to me incredibly saddened by their fate… “I’m sorry” were the only words that slipped out of my mouth in a tone that was almost a whisper.
“I don’t care!” She barked.
I felt my chest stiffen. I wanted to say, “but I do,” but didn’t. It was fight or flight and I chose to flee. I heard the crunching of the sharps contsiner under my tire as I headed down the alleyway already regretting not asking her if I could do anything different to help her out. I even had $60 or so in my pocket I could have given her. I had a bottle of ice tea I got at a pharmacy before going for dinner. Might have she preferred that? I felt stupid. Why was I drawn to help her? Why didn’t I pick someone else? What pain must she be feeling to have done what she did? Will she be okay? My hands shook as I kept my eye on the road. I wanted to cry.
So now I’m in the parking lot of a McDonald’s. Pondering what just happened. I was able to hold down a plain cheeseburger and I’m nursing a tea. I remember this wasn’t the first negative response from a wildflower I had gotten. Many years ago, a wildflower was outside a fast food joint, asking for change. When I got my order, I got a second for him. I offered it to him and he grabbed it and also threw it to the ground, proclaiming he didn’t want anyone’s fucking food. In metro Vancouver, there are some wildflowers only want change to help feed their next fix. He was one of them. But the woman today hadn’t been begging. She was just there.
This is post 253/365 in my #subversive #selfie project.
Before March 2 2015, please come here to nominate the entire Chinatown as the historic site to be preserved, don't expect City of Vancouver to save Chinatown when the Council approved more condo to be built in Chinatown at rapid rate to destroy the Chinatown.
www.heritagebc.ca/blog?articleid=162
Chinese Historic Places Recognition Project
THE HERITAGE BATTLE FOR CHINATOWN
Historic Vancouver neighbourhood is being redeveloped, raising fears it will lose its character.
By JOHN MACKIE, VANCOUVER SUN November 15, 2014
The marketing line for the Keefer Block condo development in Chinatown is “Heritage Meets Modern.”
But just how much heritage will be left after a wave of modern developments washes over the historic district is a matter of debate.
A new proposal for the 700-block of Main Street would demolish the last three buildings from Hogan’s Alley, a once-notorious back lane that was the longtime home of Vancouver’s black community.
Another condo development at 231 Pender would replace a funky, Chinese-themed garage that is listed on Canada’s Register of Historic Places. Angelo Tosi’s family has owned their building at 624 Main since 1930. It may date back to 1895, and looks it — the fixtures and shelving are as old as the hills.
But Tosi is 82, and will probably sell when the price is right. He doesn’t expect his store to survive.
“It’ll be gobbled up by the monstrous buildings,” said Tosi. “And then they’ll take it all, and it’s finished. They won’t keep the heritage on the bottom, they’ll put down whatever they want.”
His fatalistic attitude reflects the changes in Chinatown, which is undergoing a development boom after zoning changes by the City of Vancouver.
The protected “historic” area of Chinatown is now Pender Street, while much of Main, Georgia and Keefer can now be redeveloped, with heights of up to 90 feet (nine storeys). A few sites can go even higher.
Two towers are going up at Keefer and Main — the nine-storey, 81-unit Keefer Block, and the 17-storey, 156-unit 188 Keefer. Up the street at 137 Keefer, a development permit application has just gone in for a new nine-storey “multi-family building.”
None of them has stirred up much controversy. But a recent public meeting about a 12-storey, 137-unit condo to be built on an empty lot at Keefer and Columbia got people riled up.
“There was a lot of angry people that night,” said Henry Yu, a UBC history professor who feels a “vision plan” the Chinatown community worked on with the city for several years is being ignored.
“The vision plan gets passed, (but it has) no teeth,” said Yu. “Actually (there is) no policy, it’s a wish list of ‘Oh, we’d like seniors housing, we’d like to do this, we’d like to do that.’
“Almost immediately, the two (highrise) buildings in the 600-, 700-block Main go up, and they’re just basically Yaletown condos. Not even Yaletown — Yaletown has more character.
“These are straight out of the glass tower (model), no (historic) character, obliterating everything in terms of tying it to the kind of streetscape of Chinatown. You’re going to split the historic two or three blocks of Chinatown with a Main Street corridor of these glass towers.”
Yu says Chinatown has historically been small buildings on 25-foot lots, which makes for a jumble of small stores that gives it a unique look and character. But the new developments are much wider, and just don’t look like Chinatown.
“The two 600-, 700-block buildings have a rain shield that’s an awning, a glass awning that runs the whole block,” said Yu. “That’s the design guideline for the city as a whole, but it was nothing to do with Chinatown, (which is) narrow frontages, changing awnings.
“We said that (to the city planners), we raised it and raised it, but the planners just shoved it down our throat.”
Kevin McNaney is Vancouver’s assistant director of planning. He said the city changed the zoning in parts of Chinatown to help revitalize the neighbourhood, which has been struggling.
“We have been taking a look across Chinatown,” said McNaney. “What we’re finding is that rents are dropping, and vacancies are rising. And that’s a big part of the strategy of adding more people to revitalize Chinatown.
“There are only 900 people currently living in Chinatown, many of them seniors. It’s just not the population base needed to support businesses, so a lot of the businesses are going under. Along Pender Street you see a lot of vacancies right now.
“So at the heart of this plan is to bring more people to revitalize Chinatown, and also use that development to support heritage projects, affordable housing projects and cultural projects.”
Henry Yu disagrees. “The idea that you need density in Chinatown itself, that you need your own captive customer base, is moronic,” he said.
“Where else in the city would you make that argument, that nobody can walk more than two blocks, that no one is going to come in here from somewhere else?
“They will. People go to the International Summer Market in Richmond in an empty gravel field. Ten thousand people at night come from everywhere in the Lower Mainland, because there’s something worth going to.
“The problem isn’t that you need a captive audience that has no other choice but to shop in Chinatown — that’s just stupid, there’s plenty of people in Strathcona. The problem is, is there something worth coming to (in Chinatown)? And that has to do with the character, what the mix is, what kind of commercial.”
Ironically, all the new construction comes just as Chinatown seems to be undergoing a bit of a renaissance. Several new businesses have popped up in old buildings, attracted by the area’s character and cheap rents.
The très-hip El Kartel fashion boutique recently moved into a 6,000 sq. ft space at 104 East Pender that used to house Cathay Importers. It’s on the main floor of the four-storey Chinese Benevolent Association Building, which was built in 1909.
Across the street at 147 East Pender is Livestock, a runner and apparel store that is so cool it doesn’t even have a sign. “We were in Gastown at the corner of Cordova and Abbott, (and) just felt a change was needed,” said store manager Chadley Abalos.
“We found the opportunity in Chinatown, so we decided to move here. We feel it’s one of the new spots that are booming. You see a lot of new businesses — restaurants, clothing stores, furniture. We see the potential in it growing.”
Russell Baker owns Bombast, a chic furniture store at 27 East Pender. But he is not new to the neighbourhood — Bombast has been there for 10 years.
“I think (Chinatown is) one of the most interesting parts of the city,” he said.
“It’s still got some variety, some texture, architecturally, socially, economically. A lot of what’s happened to the downtown peninsula (in recent years) constitutes erasure. This is one of the places that still sort of feels like … it feels more urban than some parts of downtown. I would say downtown is a vertical suburb.
“If you like cities, Chinatown feels like one. That’s why we’re here.”
Baker said he expected Chinatown to happen a lot sooner than it did. Retailers that do well there still tend to be destinations, rather than stores that rely on heavy street traffic. “The buzz is that Chinatown is happening, but it’s really strategic, what’s happening,” he said. “Fortune Sound Club, that’s a niche market that’s destination. That’s the kind of thing that works down here. We’re destination, Bao Bei (restaurant) is destination.”
The new businesses make for an interesting mix with the old ones. The 200 block East Georgia Street is hopping with hipster bars (the Pacific Hotel, Mamie Taylor’s) and art galleries (Access Gallery, 221A, Centre A). But it also retains classic Chinatown shops like the Fresh Egg Mart and Hang Loong Herbal Products.
The question is whether the small businesses will be displaced as the area gentrifies. Real estate values have soared — Soltera paid $6.5 million for the northwest corner of Keefer and Main in 2011, Beedie Holdings paid $16.2 million for two parcels of land at Columbia and Keefer in 2013.
That seems like a lot for a site that’s two blocks from the troubled Downtown Eastside, but Houtan Rafii of the Beedie Group said that’s what land costs in Vancouver.
“It is a significant, substantial amount of money, but compared to most every area in Vancouver, it’s not dissimilar, whether you’re in Gastown, downtown, Concord-Pacific, even on the boundaries of Strathcona or on Hastings close to Clark or Commercial,” said Rafii. “It’s not an obscene amount of money, it’s market.”
Rafii said the Beedie Group met with local groups for a year about its development, and was surprised at the reaction it got at the public meeting, which was held because Beedie is looking to rezone the site to add an additional three storeys.
Yu doesn’t have a problem with the Beedie proposal per se, but feels it’s on a key site in Chinatown, and should be developed accordingly.
“It’s not the building’s fault,” said Yu.
“People are going ‘What’s wrong with this glass tower, it’s working everywhere else, and Chinese people love buying this stuff if it’s UBC.’
“That’s not the point. There’s plenty of room around the city to build glass towers (that are) 40 storeys, 50 storeys, whatever. Why do they need to be in this spot?
“This one is right in the heart (of Chinatown). Across the street is the Sun Yat-sen (garden), the Chinese Cultural Centre. On the same street is the (Chinese workers) monument. Next door is the back alley of Pender.”
Yu said a recent study found there will be a need for 3,300 income-assisted senior housing beds in the Lower Mainland over the next 15 years. He said the Columbia and Keefer site would be perfect for a seniors project.
“There’s a particular kind of resonance to the idea this is a traditional place where a lot of Chinese seniors can retire to,” he said.
“There is a five-year waiting list for the Simon K.Y. Lee Success long-term care home, so there’s huge demand, huge need, this is a place where they want to go. (Building a seniors home) would actually would help revitalize (Chinatown), because seniors bring sons, daughters, grandsons and granddaughters into a community.
“That’s the Chinatown vision plan, that’s what’s in there, that’s what those discussions were about. And yet what we’ve got is 137 luxury condo units for hip youngsters. That’s the Beedie proposal, and that’s what the last two towers (on Main) were. It’s not just insulting, it’s the thwarting of the very promise (of the vision plan).”
Wu would like to see a moratorium on new developments in Chinatown “until design guidelines are actually built to create a zone that respects the (area’s special) character.”
Retired city planner Nathan Edelson agrees. Which is significant, because he worked on the Chinatown vision plan for over a decade.
“My suggestion is that there should be a moratorium on the rezonings, for sure, until they can get an assessment of what the current new development is,” said Edelson. “To what degree are they contributing to, or harming Chinatown, the historic character of Chinatown? And it’s not an obvious answer.”
Read more:
www.vancouversun.com/business/Battle+Chinatown/10384991/s...
Built 1909-1910 in Halifax St. Formal opening of destructor 19 Dec 1910 to incinerate refuse from city & nearby suburbs, closed 1954 when Wingfield dump opened.
“The work of erecting the refuse destructor for Adelaide will shortly be put in hand. The machinery is expected to arrive from England at the end of this month. . . The site of this new activity, will be the block now occupied by the old Enterprise shoe factory in Halifax street. . . to abolish the present objectionable and obsolete system of refuse tips in the city. All the tips, with the exception of two, have been closed, and those, which are in the park lands at Hilton road and North Adelaide will be done away with so soon as the machinery is ready to treat the waste material. . . The house refuse of the city comprises chiefly ashes, floor and yard sweepings and dust, vegetable, fruit, and food scraps, and cinders, with smaller quantities of garden refuse, rags, bags, bones, paper, leather scraps, glass and crockery, tins, scrap iron, wood, brickbats, and stones. The, average daily collection amounts to about 30 tons, apart from three tons of paper, and a small but increasing quantity of other inflammable trade refuse. Street sweepings of which about 40 tons are collected daily, may also be incinerated. . . The refuse will be subjected to a heat of something like 2,000 deg. Fahr. Mills and flag making plant will be provided to deal with the clinkers, which will be utilized, among other things, for the manufacture of concrete slabs for paving footpaths.” [Register 18 Jun 1909]
“The old buildings in Halifax street formerly known as the Enterprise Boot and Shoe Factory, which have been standing idle for several years, are now being partially demolished and adapted for the reception of the corporation refuse destructor. The heavy slate roof has been removed . . . and a start has been made to reduce the height of the walls. About 10 ft. of the stonework is to be removed down to the wallplate of the top floor, which will leave a height of 35 ft. As soon as this has been completed a galvanized-iron roof will be fitted, and the installation of the destructor machinery will be begun.” [Register 30 Jul 1909]
“The. Metropolitan Company were supplying the whole of the locally made bricks required for the chimney stack (150,000), and Messrs. Hallett the remainder, but they only guarantee delivery of'6,000.weekly though they promise to supply as many more as possible.” [Express & Telegraph 8 Nov 1909]
“During the municipal visit to the refuse destructor works in Halifax street on Friday afternoon Ald. Wells recalled an interesting incident in the life of the old building, which, over half a century ago, was the mammoth structure of Adelaide, and has in turn served as a fiourmill, vinegar works, and boot factory. 'Fifty-four years ago,' said the Alderman, 'the Government gave a ball to the officers of a visiting fleet. The top floor was arranged as the ballroom, and another floor was fitted up as a banqueting room. It was the largest place obtainable at the time. The edibles were cooked on the premises by steam, and the late John Hughall, of Hindley street, was the caterer.” [Register 19 Mar 1920]
“Adelaide's refuse destructor was primarily obtained to deal with the increasing quantities of household Garbage, which hitherto has been dumped in various parts of the park lands and on other low-lying areas. . . But the provision of this machinery has opened up several avenues of profit. When the refuse is shovelled into the furnaces it is incinerated by a heat of 2,000 deg. Only clinker remains, and that is put into a mill, ground, and converted into concrete paving slabs for footways. . . Even the old tins and wrap iron which are collected with the garbage can be turned to good account, for by putting them in an hydraulic press and baling them they can be shipped to Germany and made to yield a handsome return. . . the solder obtained pays for the cost of the recovery of the tin. It is the tin which is valuable, but there is no waste. The iron is used for leeching purposes in connection with copper mining. Then from the furnaces considerable electrical energy can be generated, and in addition to driving the flagmaking and tinbaling plants and lighting the works there will be surplus power to dispose of, which is calculated to yield £2,000 a year. The destructor will work two shifts, and will employ 10 men in one and five in the other.” [Register 25 Jun 1910]
“The ceremony of formally handing over to the Corporation of Adelaide the refuse destructor installed in Halifax street by Heenan & Froude, Limited, of Manchester, took place in the exchange room of the Town Hall, on Monday afternoon. Mr. F, K. Steanes, on behalf of the contractors, said Adelaide had probably the most up-to-date destructor in the world, certainly in Australasia. By the completion of the work the capital of South Australia was absolutely the most sanitary city in the Commonwealth.” [Register 20 Dec 1910]
“Many residents of Adelaide wanted the Halifax street rubbish destructor removed. . . if the plant was obsolete it should be closed and land obtained in the noxious trades area at Wingfield, not only to dump rubbish and compost it but if necessary in future to erect a destructor.” [Advertiser 24 Jan 1950]
“the Halifax street Incinerator had been removed.” [Advertiser 16 Jul 1954]
THE SITE
Location of William Henry Clark’s brewery from 1844 and mill built 1853. Large rooms of mill were used for public events, church services & a free school. Later smelting works and tobacco manufactory. John Hunter’s boot factory opened 14 Jan 1891 and the refuse destructor 1910-1954. Now housing complex adjacent to chimney.
“Mr. W. H. Clarke is building on the land contiguous to his Brewery in Halifax-street, a massive structure, 40 feet by 80 street, and intended to be five stories in height. The ground-floor space, which is 12 feet high, will contain four large ovens "and steam machinery for the manufacture of ship-biscuit; and it is said there will not only be a steam flour-mill on the premises, but extensive granaries and a malting establishment. The walls are more massive than anything we have seen in the colony, and the excellent masonry exhibits to great advantage the fine building-stone of the Glen Osmond quarries.” Adelaide Observer 26 Nov 1853]
“There was a grand reunion of brothers and friends of the various Lodges of Oddfellows in connection with the Manchester Unity on Tuesday, May 31, in the spacious building known as Clark's Mill, Halifax-street. The first floor of that building was arranged tastefully as a ball-room, and on the second floor the dinner was served. His Excellency Sir Richard MacDonnell presided, supported on his right by Major Freeling and on his left by Police Inspector Hamilton. . . The dinner, which was got up in superior style, commenced about 4 o’clock, that early hour having been selected to admit of the banquet being followed by a ball. When the cloth was removed, there being then about 500 persons present.” [Register 1 Jun 1859]
“The Union Brewery . . . of Mr. J. Primrose, in Rundle street . . . although extensive, have been found not extensive enough. . . The whole of the malting and the chief part of the drying is performed at the building known as Clark's Mills, Halifax-street, where there are floors well adapted for the purpose. There is also a drying floor on the premises.” [Register 1 Jun 1868]
“Free School in South Adelaide.— Another laudable effort to overtake the mass of ignorance prevailing among the children of those whose parents are unable or unwilling to pay for the education of their families has been made this week. A lady member of Flinders-street Baptist Church, who has for many years conducted one of the higher class seminaries in the city, is now assisted by some younger members of the Church devoting four evenings per week to the entirely gratuitous tuition of some of the class referred to. The effort was begun on Monday in a portion of the Halifax-street Mill, when 26 children attended, and by Thursday 41 children were present.” [Register 10 Apr 1869]
“Service is held in Clark's Mill (situated in this street) every week by the Rev. D. J. H. Ibbetson.” [Evening Journal 4 Nov 1870]
“Messrs. Green & Co. sold at their Mart, on Friday, October 13, by auction, Acre 564, Halifax-street, with Clark's mill, brewery, and factory, also cottages, machinery, and all apparatus, for £5,000.” [Register 14 Oct 1871]
“The extensive property known as Clark's Mill and Brewery in Halifax-street is on the point of being transformed into extensive smelting works. The quantity of iron ore of high percentage obtainable within an easy distance of Adelaide is immense, and there is abundant reason for believing that the projected enterprise will be thoroughly successful.” [Register 29 Jul 1872]
“A temperance meeting in connection with the Adelaide Lodge of Good Templars was held in the back room of the Halifax-street Mill.” [Chronicle & Weekly Mail 25 Jan 1873]
“Messrs. Robt. Dixson and Co.’s Manufactory. . . a tobacco manufactory which has within the past fortnight been started in the building hitherto known as Clark's Flour-Mill, Halifax-street.” Register 4 May 1877]
“Halifax-street Sunday-school.— For about 12 years a branch of the Stow Memorial Sunday school has been in existence, carried on at first in the old mill in Halifax-street, and latterly in Mr. Peate's schoolroom in Gilles-street. Its managers have now succeeded in establishing themselves in premises of their own, having erected a neat and substantial room on a corner block in Halifax-street close to the old mill. The building was opened on Sunday afternoon, September 15.” [Register 18 Sep 1878]
“United States Tobacco Works. . . the enterprise of Robert Dixson & Co., who have now fairly settled in their new premises, named as above, on the west side of Light-square. The firm formerly carried on business in what was known as Clark's Old Mill in Halifax-street, but the building was inconvenient in many ways.” [Register 21 Dec 1883]
“With a view of extending their operations in Adelaide Mr. Hunter purchased the business and plant of Mr. J. Florey, of Pulteney-street. . . acting under Mr. Florey's advice Mr. Hunter authorized him to secure the possession of the old mill in Halifax-street, which had been used for various purposes, and to turn it into a modern boot factory. . . The mill, which is five stories high, is eminently well suited for the object which it has been secured for. It is substantially built of stone, slate roofed, and the joists and pillars are of extraordinary thickness, being capable of bearing great weight. Each floor is composed of one large room. . . pillars running through the first three. The fourth room is a fine one, and having no pillars through the floor should prove to be of great utility.” [Evening Journal 4 Dec 1890]
“Enterprise Boot Factory in Halifax street was formally opened. The building which was known as the old mill' has been vacant for many years, and until recently its broken windows and generally dilapidated appearance made anything but a pleasing landmark. Now, however, a transformation has been effected. The interior has been partially reconstructed and the place fitted up for the accommodation of a large number of men, and the music of their tools has replaced the squeaking of rats and the chirruping of birds which formerly haunted the mill.” [Chronicle 17 Jan 1891
“The Enterprise Shoe Factory was started by Mr. J. Florey about eight years ago, the company which now owns the concern being formed at the end of 1892. The whole of the large business of the company was carried on at Halifax-street till March of this year, when a change became necessary. It was decided to apply the moat up-to-date machinery to certain departments, and to do that meant either putting up a new building at Halifax street, or transferring the whole of the office and distributing work to a more central position, and accordingly a warehouse was secured in Grenfell-street.” [Express & Telegraph 5 Dec 1894]
“a brown snake about 4 ft. in length, which was killed on Wednesday morning in Halifax-street. . . had evidently come out of the old deserted mill adjacent to Hunter's boot factory. The reptile was quickly dispatched. We understand that children are in the habit of playing about the old mill.” [Advertiser 11 Jan 1894]
“Enterprise Shoe Company's factory in Halifax-street. The party assembled at the Company's office and sample room, Grenfell Street, and were driven in three wagonettes to the extensive premises in Halifax Street, formerly known as Clark's mill. Under the guidance of Mr. Joseph Florey, the Managing Director of the Company, the visitors inspected the establishment. . . The Enterprise Shoe Factory was started by Mr. Joseph Florey about eight years ago, and the Company that now owns the business was formed at the end of 1892. The whole manufacturing and distributing of the large business of the Company was carried on at Halifax street till March of this year . . . and they secured a warehouse at 55 Grenfell Street.” [Register 5 Dec 1894]
“Mr H. A. Garrett, engineer to Messrs Heenan & Froude, contractors for the refuse destructor, has arrived in Adelaide, and preliminary work has already been begun. The site in Halifax street, where the machinery will be installed is being cleared, and a start has been made to demolish a portion of the old Enterprise Shoe Factory. The machinery is expected to arrive in the course of a few days.” [Register 22 Jun 1909]
When we got off the tube at London Bridge I expected to see the bridge, and Tower Bridge. Finally we made it to the Modern London Bridge!
Seems like as soon as you get to it from Southwark, you are in the City of London.
I only went halfway up the bridge, before returning to Southwark and London Bridge Underground Station to go back to our hotel.
Now to the side of the river with Tower Bridge.
The view of Tower Bridge from London Bridge with HMS Belfast and London Bridge City Pier in front of it.
Tower Bridge is Grade I listed.
Tower Bridge (that Part That Lies Within the Borough of Southwark)
SOUTHWARK
TQ3380 TOWER BRIDGE ROAD
636-1/2/793 Tower Bridge (that part that lies
06/12/49 within the Borough of Southwark)
I
Bridge. 1886-94. By Sir John Wolfe Barry, engineer and Sir
Horace Jones, architect. For the City Corporation.
Low level bascule bridge with wider side spans hung from
curved lattice girders; central narrower opening section.
Steel structure with twin Gothic towers rising from 21.3m
(70ft) broad piers which support the bascules and house their
counter balances.
Towers clad in rock-faced stone with ashlar dressings; high
pitched slate roofs behind stone battlemented parapet. High
level footbridges between the towers, incorporating ties
between the 2 suspended spans and linking whole bridge
together as continuous structure. Tower of 4 stages with
corner turrets surmounted by pinnacles. Some architectural
detailing added after Jones's death.
Above archway, elaborate Gothic-style windows on each level
surmounted by dormer feature in roof; moulded string courses
between floors. Lower approach tower (with twin on north
side), in similar Gothic style and with a large elliptical
archway spanning the road.
Although the bascules were electrified in 1976, some of the
hydraulic machinery by Armstrong Mitchell & Co., and the steam
pumping engines, are preserved under the south approach
viaduct.
Built onto east side of southern approach are accumulator
tower and chimney stack (qv).
See also London Borough of Tower Hamlets.
Tower Bridge (that Part in London Borough of Tower Hamlets), Stepney
1. TOWER BRIDGE EC3 & E1
4431 Tower Bridge
(That part in London Borough
of Tower Hamlets)
TQ 3380 21/722
I GV
2.
Opened 1894. Designed by Sir John Wolfe Barry with architectural features by
Sir Horace Jones.
Bascule bridge with suspended bridge approach and high level footbridges between
twin stone towers. French chateau influence. Massive cast iron balustrades.
Hydraulic machinery still used to open bridge. The rest of the bridge is in Southwark
LB.
Tower Bridge and its approach form a group with the London Hydraulic Power Co
Subways Entrance, 8 Bollards outside the main entrance to The Tower of London,
the Tower itself, the Queens Stairs, Tower Hill.
Listing NGR: TQ3369780338
Canary Wharf in the background.
Dive Site: Onna Point - Toilet Bowl I'll bet you never expected to go diving in a toilet bowl and talk about it, but after one dive here you will be telling your friends with great pride that you have been diving in the Toilet Bowl at Onna Point. So named because of its shape its less than flowery nickname is obvious to you as soon as you arrive at the dive site. This is one dive you 'll be sure to want in your dive log. While there is plenty of diving for those with Advanced levels of certification, even the Novice diver can and will enjoy the Toilet Bowl. Bring the kayak too because I am going to give you pointer where you can put in and enjoy the tourmaline like waters around Okinawa's Manza-Mo area.
What to expect: Very dependable visibility (70+ feet') on most days. A very easy entry. Very deep water. Lots of great coral beds in much shallower water. Crevasses, ledges, and more coral. The Toilet Bowl itself is apparently what's left of a very old volcanic crater. The wall facing north fell into the ocean leaving a full third of the crater open to the sea. An 8 foot wide rim extends around the right side of the crater and guides you to a point of entry into the open ocean. At high tide this rim is just like the edge of a swimming pool and the entry is absolutely effortless. At low tide it can be a giant stride entry and a buddy assisted exit. On most days the crater is very calm. Visibility is always excellent here which makes this a great place for recreational diving for the experienced diver. On your first dive keep and eye focused out to the deep blue open water. Chances are good in the early morning or late afternoon you may see a turtle, or a family of Eagle Rays fly by while you cruise across the unending coral beds beneath the beautiful Manzo-Mo Escarpment.
Recommended 1st Dive Profile: Suit up at the parking area and walk down the painted trail to the waters edge. Just follow the mud trail. BE CAREFUL these are very sharp limestone rock formations that have been sharpened by centuries of exposire to erosion from water and wind. Walk slowly and don't be afraid to hold hands with your buddy. Teamwork saves the wetsuits and ankles. Enter the water any where along the rim to your right. Stay clear of the left side of the rim since the local fisherman are very active on that side. They like to angle for the deep, very deep, bottom dwelling fish.. You will see miles of monofilament fishing line on the left side which serves as a reminder that you have drifted too far left. Once in the water and finned up you can go on SCUBA. Swim out of the crater bearing to the right as you descend into 30' of water. You will have a wall on your right and you will see a large rock and crevasse in front of you that is in 45-60' of water. Swim into the crevasse and descend to 60'. The crevasse turns to the left around the large rock and opens up into 130+. Turn right at 60' and keep the wall to your right. This course will allow you to glide over the coral fingers that descend from the rock escarpments of Manza Mo cliffs. These fingers are completely carpeted with beautiful hard and soft corals. Shells move in and out of their hides within these corals. Octopus like to hunt among the cracks and crevasses beneath the coral formations as they hunt for mollusks and other hard shelled prey. When air or time at depth signal the halfway point simply turn to your right ascending up a finger into 20-30' of water. You can turn right again and you will be heading back toward the opening of the crater mouth and back into the horseshoe. This is a great place for divers that have made the good habit of a 15' safety stop. You can enjoy your stop and swim over wonderful coral arrays. As you reenter the Toilet Bowl you will observe its point coming out into the water so just follow it around to your left and you will be back in the crater. Exits at low-tide can be tricky so watch your tide tables carefully. At low-tide the water can be as much as 4' below the edge of the rim you entered from If this occurs the first diver should remove their weight belt and BCD and exit the water. That diver can then pull the gear up the rim and help their buddy out. It sounds hard but it isn't. It's just good, safe teamwork!
Site Location: On Highway #58 go north of Kadena Circle continuing past the Ramada Renaissance Hotel and crossover the overpass at Nakadomari taking the right fork in continuing on Highway #58 toward Nago. You will pass through the tourist village where McDonald's will be on your right. Continue north on 58 passing the Sun Marina and Rizzan Sea Park Hotels and then through the village of Tanchu until you reach the village of Onna. On entering Onna village you will pass under a pedestrian overpass. You will pass through one traffic light and then travel down hill to a second traffic light where a large Fire Station House is on your left. At this light there is also a large blue traffic information sign pointing left directing you toward Manza Mo. Turn left here. Follow this street up the hill until the houses on your left cease. Continue up the hard surface road and into the tourist attraction area. Be both careful and courteous here. Just beyond the large parking area and tourist kiosks there is a small road on your left. Take that road, it is hard surface but old. The local fisherman use this road to get to their favorite fishing holes which is adjacent to the Toilet Bowl. If a car is coming out of this path you may need to back up or move to the side to let them pass. It's worth the trouble. Follow this path to the left and down to brand new blacktop road. Just about 50 yards on this new blacktop road (there is even a curb here) you will have to park and unload your gear. There is a dirt clay path that leads off to your right. You cannot drive off the hard surface road because of the new curb so just recon the dive site from this parking place. Walk down the clay path road following the same direction the fisherman take and you wind around to your right. The dive site is on your right. and it is obvious. Suit up at your car and be sure to lock it! DO NOT LEAVE VALUABLES IN YOUR CAR. My advice is to not take valuables to any dive site. You can expect them to be missing if you do not secure your car well. Welcome to Toilet Bowl.
Other activities: This is a great place for your first Night Dive on Okinawa. After a couple of good dives that have familiarized you with the hydrography, you will find a Night Dive to be something special and memorable. Underwater Photography is also terrific both day and night. You will find numerous nestings of Colonial Anemone and at night the Cup Coral bloom in profusion. These make for great MACRO photos. Kayakers can put in just across the street from the Fire Station that you passed when you drove up to Manza-Mo. Use the the small creek there or bring your watercraft up to the dive site and put in right in the Toilet Bowl if you do not mind walking your boat across the jagged limestone rocks. Please watch your step though. Aquatic animals found here: Sea :Turtles Occasional Eagle Rays. Moray Eels, especially in the crevasses. Countless Clown fish in their Anemones. A wide array of Tropical Reef fish that will warm up to you if baited in with Vienna sausages or tuna fish. It is best NOT to bait fish with any frozen food product like peas or corn since the fish cannot digest these large chunks of food.
Best time of year to dive: All year long. Best on an incoming tide
Promise Fulfilled, Accomplishment Achieved at WSSU Commencement on May 14
WINSTON-SALEM, NC -- For Jeanette Valentine, earning her bachelor’s degree in business administration will be fulfilling on many levels.
Valentine, 50, is one of the approximately 1,000 undergraduate and graduate students who are expected to participate in WSSU’s Spring Commencement exercises on May 14 at 9:45 a.m. in the Lawrence Joel Veterans Memorial Coliseum. Stephen A. Smith, noted journalist, media personality and motivational speaker, will be the keynote speaker.
Commencement will mark a special satisfaction not just because Valentine, a travel audit officer in WSSU’s accounting department, will be graduating with her 24-year-old son William R. Valentine. It’s because of a long-time promise fulfilled. Valentine made the promise to her mother back in 1978. Her mother and father never graduated from high school. When Valentine’s mother, who was battling cancer, asked her to promise she would graduate college, Valentine did. Valentine’s mother died two weeks before she graduated high school. Valentine was devastated over losing her mother.
“I started school at WSSU that year, but it lasted only one semester. I didn’t have the drive. I was still too distressed and overcome by my mother’s death. I couldn’t focus on school,” Valentine said.
Instead, Valentine got married, had two children and eventually went to work at a few jobs before coming to work at WSSU in 2006. In 2007, she decided to return to school since her children were adults. At the same time, her son who graduated high school in 2004 was thinking about returning to college after quitting previously. By fall 2007, both with full-time jobs returned to school at WSSU. He was an exercise science major and she was in the School of Business and Economics.
“He was so career focused on his job and he was doing well. But I kept pushing him and telling him he had to get a degree. I was thrilled he came back to school and that we were in school at the same time. It was exciting,” said Valentine.
Eventually Valentine saw her son was distracted by work. They talked and it was he who asked they agree to push each other so they could graduate at the same time.
That time is now. Valentine is thrilled they are graduating together. She says it feels like she has kept the promise made to her mother times two.
“In addition to the accomplishment, it may be quite an emotional day,” Valentine said.
Valentine is a member of Beta Gamma Sigma, the international honor society for collegiate schools of business as well as Alpha Sigma Lambda, a national honor society for Adult Learners in Continuing Higher Education. She plans to pursue her master’s degree at Liberty University.
Extraordinary Journey
It will be a festive ending to an extraordinary journey for Jerrica Scott, 24, of Winston-Salem. For Scott, commencement will symbolize the end of a passage marked by limitations, fear and uncertainty. It will be a celebration of a personal renaissance, driven by a theme that anything is possible with faith, passion and purpose.
“No matter how bad things may look, you can make a difference in your own life and the lives of others if you work really hard and know things can change. Soon things may look different, then not so bad, better, even good.”
Scott’s journey is verification of her belief. She entered WSSU to earn a four-year bachelor’s degree in elementary education six years ago as a single teen-aged mom. During that time as a full-time student, living on her own with her young daughter, she worked full-time, changed majors multiple times, quit school, got married, had another child, returned to school, made up a semester of credits lost when she quit and found her way back to the major that gave her the purpose.
“Just before I started my freshman year, I could hear people saying now that I had a baby as a teenager, my life was over or I wouldn’t get very far,” noted Scott. “Because I got pregnant in high school and had a baby in my first year of college, it didn’t mean I would be a failure. I did not want to be the stereotype of a young single mom who would work only at fast food restaurants or be on welfare the rest of her life.”
Although Scott was determined, she became distracted during her second year.
“I was failing classes miserably. I was living on my own and I was 18 years old. I felt lost and beaten, so I quit school,” Scott said who worked as a waitress. “Then one day, my manager told me the biggest thing he regretted was not finishing school. So if you don’t want to be waiting tables for the rest of your life, you need to go back to school. “
That was the turning point for Scott. She also thought about her mother, a cosmetologist, who always stressed the importance of education and often expressed interest in wanting her children to be greater than she. Scott soon quit her job and returned to school. Her best friend and others helped her find her way back to the major that aligned with where her talents and passions had always been -- elementary education.
“My best friend told me this is what I suppose to be doing. She told me we are going over there right now and you are going to get enrolled back into school. I just thank her,” said Scott.
Then she met a good man who cared about her and her daughter. It was like an unattainable dream. They soon married. Her second daughter was born in 2010. Now in school and completely focused on her education, Scott delivered the baby on a Friday and returned class on Monday.
Scott is currently working as a substitute teacher and searching for a fulltime permanent teaching job. She is also going to be the “first in my family to graduate college.”
Multiple Job Offers Early in Her Senior Year
Information technology major Kristen Dunlap, 21, of Charlotte, has accomplished a standout achievement, even before she completed her last year of college. In this challenging economy, she had two job offers from Fortune 500 companies one before her senior year, the other early in her senior year. She selected one position which she will begin this summer.
Dunlap attributes her success to internships, which she began participating in back in her freshman year. That first one was a summer research experience for undergraduate WSSU computer science students at WSSU, funded by NASA. She used, GIS visualization tools to visualize North Carolina weather patterns. The goal of the summer program was to expose students to researching skills and help to develop their problem solving and critical thinking skills.
For her second year, Dunlap interned at the NASA Langley, Va., facility where she worked as a liaison between the technology and client teams for the database tracking system used to manage NASA’s contractual projects.
For summer 2010, she was an intern at Altria Client Services in Richmond ,Va., where she worked on data archiving to consolidate previous and current information to migrate to a new system.
“You can never underestimate the value of internships. I started utilizing the WSSU Career Services office in my second year. My parents always told me to be aggressive at seeking job opportunities. I didn’t want to be a person to work hard for four years and have no job in the end,” Dunlap said.
She will start her new job at Altria Client Services as an IT assistant analyst.
The Entertainment Mogul
Erikka Rainey, 22, of Philadelphia wants to be a female Sean “P-Diddy” Combs. In fact, she has wanted to be an entertainment mogul from a very young age. As a child, she dabbled in music and even took classes, but by age 14, she knew wholeheartedly that she wanted to be on the business side of the music industry.
“When I first learned about P-Diddy, I knew that was where I wanted my future to be,” said Rainey. “I look up to P- Diddy because I’m working to be the first female to start a record label, then restaurants, clothing lines and television shows.”
When she sees a famous entertainer, she wonders what sort of things they did in their career to get famous. If not famous, she wonders what it would take to make them famous. While at WSSU she jumped at every opportunity to market and promote musical artists and events. She worked with Hidden Beach Recordings to promote events for a new CD. She passed out flyers and did social media and internet marketing for jazz artist Monette Sudler of Philadelphia this past summer.
“If there’s one thing I live by, it’s take advantage of all opportunities. Don’t close yourself off to anything. You never know what you will learn that can be the key to your future,” Rainey said.
An honor student, Rainey will be attending New York University’s (NYU) music business program in the fall. She plans to maintain at least one home in New York City after graduate school when her career kicks off.
I was last here on a cold and grey day at the beginning or March.
Graveney stretches along the road, but All Saints sits on a quiet bend, and felt wonderfully isolated.
And not at all friendly, I have to say. It was locked, as expected, so I took aome outside shots and we moved on eatwards, but somehow I really wanted to see inside here, just to see if it could be warmer than it felt on that March morning.
I parked beside the road, I saw the door of the porch open, and a light filled space beyond.
Looked good....
------------------------------------------
The Victorians did not leave too much of a mark here, for the mellow red tiles, box pews and ledger slabs remain. There is a heavy medieval rood screen and the empty north and south aisles allow us to appreciate the building as it might originally have appeared. In the north aisle is a memorial brass to John Martyn (d. 1436) with cathedral-like proportions, being over 56 in long.
www.kentchurches.info/church.asp?p=Graveney
-------------------------------------------
GRAVENEY
LIES the next parish north-westward from Hernehill. It was called in the time of the Saxons, Graven-ea, and afterwards, by corruption of language, Gravenel, in like manner as Oxney, Pevensey, and Rumency, were corruptly called Oxenel, Pevensel, and Rumenel; (fn. 1) the name of it denoting its low and watery situation, and it is now, by contraction, usually called Grainey.
IT LIES about two miles from the high London road, on the north side of it, at the 48th mile-stone, the parish of Goodnestone intervening, in a low country adjoining the marshes, of which there is a large quantity, both fresh and salt within it, Faversham creek and the Swale being the western and northern boundaries of it. The soil of it various, there being in the level part some rich tillage land, and on the rises or small hills in it, a light soil of both sand and gravel. The church stands in the eastern part of the parish, having Graveneycourt, with an antient gateway, and numerous offices, singularly built round it, well worth observation, as denoting its former respectable state. In the western part is Nagdon, adjoining to Faversham creck, having a decoy for wild fowl, and a large quantity of marsh land belonging to it. There is but little thoroughfare here, and no village, the houses being interspersed straggling throughout it. Upon the whole though unhealthy, it has not an unpleasant aspect, being well cloathed with trees, especially elm, which are very thriving here, and in great plenty; the roads are remarkably well taken care of, as are the poor, and the whole parish seems to thrive well under the care of the inhabitants of Graveney-court. There are some parts of this parish separated from the rest by those of Faversham and Goodneston intervening.
There are several scarce plants observed by Mr. Jacob in this parish, and enumerated in this Plantæ Favershamienses.
THE ARCHBISHOP'S paramount manor of Boughton claims over the whole of this parish, as being within that hundred, subordinate to which is the manor of Graveney.
In the year 811, Wlfred, archbishop of Canterbury, purchased this place of Cenulph, king of Mercia, who had made the kingdom of Kent tributary to him, for the use of Christ-church, Canterbury, as appears by the leiger book of that priory, and that it was given L. S. A. that is, Libere Sicut Adisham, with the same liberties, immunities, and privileges that Adisham was. Soon after which, one Werhard, a powerful priest, and kinsman to the archbishop, found means to gain possession of it, and kept it till that prelate's death in 830, when Feogild succeeding to the see of Canterbury, though he sat in it but three months, yet in that time he compelled Werhard to restore Gravene then computed at thirty-two hides of land, to the church; and it was afterwards confirmed to it in anno 941, by king Edmund, Eadred his brother, and Edwyn son of the latter; (fn. 2) and it remained part of the revenues of Christchurch at the coming of archbishop Lanfranc to that see in 1070, when on his division of them, between himself and the monks of his church, this manor fell to his share, of whom it was afterwards held by knight's service. In which state it continued at the time of taking the survey of Domesday, anno 1080, in which it is thus entered, under the general title of Terra Militum Archiepi, that is, land held of the archbishop by knight's service.
In Boltune hundred the same Richard (who owed fealty to the archbishop) held of the archbishop Gravenel. It was taxed for one suling. The arable land is. In demesne there is one carucate, and eight villeins, with ten borderers having two carucates. There are five servants, and ten acres of meadow, and four saltpits of four shillings. In the time of king Edward the Confessor, and afterwards, it was worth one hundred shillings, now six pounds, of these the monks of Canterbury have twenty shillings.
Who this Richard was I do not find, though Somner calls him Ricardus Constabularius; however, it is not improbable, but he might afterwards adopt the surname of Gravene, from his having the possession of this place; certain it is, that it was afterwards held by a family who took their name from it. William de Gravene held it in the reign of king Henry III. of the archbishop, as one knight's fee. John de Gravene died possessed of it in the 56th year of the same reign, after which it became the property of the family of Feversham.
Thomas de Feversham died possessed of it in the beginning of the reign of king Edward III. leaving Joane his wife surviving, and in the window of the north chancel were formerly the arms of Feversham, A fess chequy, or, and gules, between six crosses, bottony, or; and underneath, Thomas Feversham, susticiar, & Johanna Uxor. ejus; on the pavement is a stone with two half-figures in brass for them, with an inscription round it in old French, part of which is gone; probably that which Weever mentions. (fn. 3) She afterwards entitled her second husband Sir Roger de Northwood to this manor, during her life; accordingly he paid aid for it in the 20th year of that reign, as one knight's see, which he held in right of his wife, of the archbishop, which was formerly held by Richard de Gravene. After her death her son Richard de Feversham succeeded to this manor, of which he died possessed in 1381, and was buried in this church, having married the daughter of Robert Dodde. His tomb, of Bethersden marble, remains against the south wall. In the south chancel, on the top, were two figures, and four coats of arms, the brasses gone; round the edge is this inscription, in brass, Ora pro aibs Roberti Dodde & Rici de Feuersham filii sui quonda dni de Gravene obiit, &c. Above the tomb, is a recess in the wall, with an antient carved arch above it. He had a daughter Joane, who became his heir, and married John Botiller, esq. and in her right became entitled to this manor, she died in 1408, and was buried in the south chancel here, her figure in brass on her gravestone is gone, but the inscription still remains. By her he had a son of his own name. Either he or his father was sheriff anno 22 king Richard II. John Botiller, esq the son, was knight of the shire in the 1st year of king Henry V.'s reign. They bore for their arms, Sable, three covered cups, or, within a bordure, argent; and John Botiller, probably the father, was esquire to archbishop Courtney, and mentioned in his will, proved anno 1396, being the 20th of Richard II.
There is a gravestone in the south chancel here, which most probably was for John Botiller the son; on it was his figure in brass, now gone, and four coats of arms; the two first are gone, the third Botiller, the fourth Feversham, a fess chequy, between six crosses, bottony, or. The inscription was remaining in Weever's time. This stone, I am informed, was some years ago removed out of the north chancel hither, and in the window of this chancel is this coat of arms, quarterly, first, Botiller, as above; second and third, a fess chequy, or, and gules, in chief three crosses, bottony, or; the bottom part being broken, the fourth is likewise broken. Underneath are these words remaining, Johes er, & Jonna ux ejs. Joane his wife was daughter and heir of William de Frogenhall, by whom he had a daughter and sole heir Anne, who carried it in marriage to John Martyn, judge of the common pleas, the son of Richard Martyn, of Stonebridge, who built much at his seat of Graveney court, where he partly resided. (fn. 4) He died in 1436, leaving his widow surviving, who then became again possessed of this manor in her own right. She afterwards married Thomas Burgeys, esq. whom she likewise survived, and dying in 1458 was buried beside her first husband in the north chancel of this church. His gravestone is of a very large size, and is most richly inlaid with brass, which is well preserved, having the figures of him and his wife, and other ornaments over the whole of it. There were four coats of arms, only the second of which, that of Boteler, is remaining. He bore for his arms, Argent, on a chevron, gules, three talbot bounds, passant, or. Her second husband Thomas Burgeys died in 1452, and was buried in the same chancel, where his gravestone remained till within these few years. At the upper end of the stone are two coats in brass, first Boteler impaling Frogenhall; second, a fess chequy impaling the like. Another coat, at the bottom, is gone, as is his figure.
In the descendants of Judge Martyn, residents at Graveney-court, this manor continued down to Robert Martyn, who likewise resided here, and died in the first year of Edward VI. (fn. 5) leaving his two daughters, Joane, married to Richard Argall, and Elizabeth to Stephen Reames, of Faversham, his coheirs. From them this manor was passed away by sale to John Pordage, of Rodmersham, in whose name it continued till it was at length sold to Daniel Whyte, esq. of Vinters, in Boxley, whose descendant of the same name, about the beginning of king George II.'s reign, alienated it to Mr. Edward Blaxland, who afterwards resided here, and bore for his arms, on a fess, three falcous volant, jessed and belled. He died in 1739. This occasioned this manor to be separated in several divisions and again afterwards in further subdivisions, among his descendants, in which state it now remains; but those of the male line of the name of Blaxland, still continue to reside at it. From the beginning of the last century to the middle of it, the Napletons, a family of good account in these parts of the county, were lessees of Graveney-court, and resided at it; and from that time to the latter end of it, the Houghhams were occupiers of it, and resided here. Many of both families lie buried in this church, as do all the Blaxlands, since their coming to the possession of this estate.
NAGDEN, formerly spelt Negdon, is a noted estate in the north-west part of this parish, consisting mostly of marsh land, which was once part of the endowment of the abbey of Faversham, and continued amongst the revenues of it till its final dissolution in the 30th year of Henry VIII. at which time it was valued at eight pounds per annum.
This estate thus coming into the hands of the crown, was granted by the king next year to Sir Thomas Cheney, lord warden, to hold in capite, who alienated it, in the 36th year of that reign, to Robert Martyn, of Graveney-court, who died in the first year of king Edward VI. (fn. 6) leaving his two daughters his coheirs, Joane, married to Richard Argall, and Elizabeth to Stephen Reames, who jointly possessed this estate. After which both these moieties seem to have been conveyed to Ciriac Petit, of Colkins, in this neighbourhood, who died possessed of the entire see of it in 1591, and in his descendants it continued down to Mr. William Petit, who in 1709 conveyed it by sale to dame Sarah Barrett, of Lee, widow, who died in 1711, upon which this estate came to her only son by her first husband, Sir Francis Head, bart. who died possessed of it in 1716. (fn. 7) He left four sons, who became entitled to this estate on their father's death, as coheirs in gavelkind. On the death of the eldest Sir Richard Head, bart. in 1721, his share devolved to his three brothers. James Head, esq. died afterwards intestate in 1727, and unmarried, on which Sir Francis Head, bart. and John Head, D. D. became possessed of it in undivided moieties, and the latter that same year conveyed his moiety of it to the former, who in 1745 sold the entire fee of it to John Smith, esq. of Faversham, who has since conveyed it to his son, John Smith, junior, esq. of Ospringe, the present possessor of it. The estate of Nagden pays nine shillings per annum, on Lammas day, to the vicar of Graveney, in lieu of tithes.
Charities.
On a tablet in the church, the benefactions of several pieces of land are recorded, amounting in the whole to upwards of four acres. These are put up as benefactions to the church; but by the information of the clerk, they belonged to the poor, to whom the yearly produce of them was distributed till of late. It is now applied to the repairs of the church.
The poor constantly relieved are about ten, casually 25.
GRAVENEY is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church is dedicated to All Saints, and consists of three isles and a high chancel, and two side ones formerly called chapels, the south one being dedicated to St. John, and the north one to the Virgin Mary. The steeple, which is a tower, stands at the north-west corner. In it are three bells. The antient gravestones in this church have been removed from where they originally laid, to make room for the present ones. Thus that of John Martyn, as I am informed, has been removed out of the north into the south chancel. In this north chancel they have been likewise still further displaced; there are now two rows of gravestones in it, lying three and three. In the west row are now, the first southward, Judge Martyn's; the second, Mr. Edward Blaxland's, who died in 1739; and the third, Thomas Burgeys, esq. For the making room for Mr. E. Blaxland's, Judge Martyn's stone was removed from the middle or second place to the first, where before his son's lay, till removed to the south chancel. This practice, of disturbing the ashes of the dead, as is but too frequent in churches of late, calls loudly for some authority to prevent it in future.
The church of Graveney, with the advowson of the vicarage, was in very early times part of the possessions of the priory of St. Mary Overies, in Southwark, with which it continued till the final dissolution of it in the 31st year of king Henry VIII. when it came into the hands of the crown, together with all the revenues and estates belonging to it.
The parsonage remained in the crown some years longer than the advowson of the vicarage, as will be mentioned hereafter, that is, till the 3d year of queen Elizabeth, when the queen granted this rectory, being then valued at 7l. 6s. 8d. yearly rent, to archbishop Parker and his successors, in exchange for other premises. (fn. 8) Since which it has continued part of the possessions of the see of Canterbury to this time.
This parsonage has been from time to time demised on a beneficial lease, at the above yearly rent. In 1643 Mrs. Elizabeth Robinson, widow, was tenant of it. John Baker, esq. of St. Stephen's, near Canterbury, is the present lessee of it.
But the advowson of the vicarage did not continue so long in the crown, for it was granted, among others, in 1558, to the archbishop and his successors, (fn. 9) with whom it now continues, his grace the archbishop being now patron of it.
This vicarage is valued in the king's books at fifty pounds, and the yearly tenths at 1l. 4s. per annum. In 1578 there were communicants here ninety. In 1640 the communicants were sixty-five, and it was valued at sixty pounds per annum.
In the year 1244 archbishop Boniface, on the presentation of the prior and convent of St. Mary Overies, as appears by an antient book belonging to it, instituted Ralph, the curate of Gravene, to the perpetual vicarage of this parish, so that he should receive and take in the name of it, all fruits and oblations, with all other things belonging to the church, excepting two sheaves of the tithe, and should take the same to his own use.
In the same manuscript, on a dispute between the prior and convent, rectors of this church, and Richard, lord of Gravenel, concerning tithes in this parish, it was decreed in 1283, before the rural dean of Ofpringe, that the vicar should receive, in the name of the religious, as well as in his own right, all tithes arising in future from the feedings and pastures in his own marshes, called North-marsh and Leved-marsh, which should be paid to him without any cavil or exception. (fn. 10)
The vicar has a house and two acres of glebe land.
¶The vicarage is worth about fifty pounds per annum. He is entitled, by the above composition, to all tithes, excepting the two sheaves mentioned in it, and by prescription likewise; which third part of the corn tithes is now usually known by the name of the vicar's third sheaf. But the impropriator's lease being for all the tithes of the parish, without any such exception, has occasioned many quarrels and disputes about this third sheaf, which are now entirely subsided, and the vicar is accustomed to take one shock out of every thirty shocks of corn, in right of his vicarage.
Européean Center for Photography
Exhibition: Contemporary Arab Photography Biennial
Massimo Berruti's Gaza: eau miracle
The exhibition begins with photographs on the viewers right leading around the gallery counter-clockwise. Destroyed buildings. The rail thin bodies of children. A petrified cat. Everything one would expect from the intro label beginning with "GAZA, dying of thirst (GAZA, crève de soif)."
But, as you reach the third, far left, wall the images shift. With twice as many prints mounted on the far wall as the introductory one, it seems this final wall is deemed twice as important.
Filled with playful beach-goers and families, a glimpse as to why people chose to stay in Gaza is given. Less typical, more hopeful, the resiliency and abilities of people to continue their lives despite violence is portrayed. Ending in a print of two women, backs to the camera, hijabs flowing in the wind. The viewer and the female figures look out onto an oceanscape holding hands. The caption tells us they are University students. Are they the hopeful future of Gaza?
Européean Center for Photography
Bruno Barbey's Passages
A collection of photographs of upheaval in the 1960s and 1970s. I particularly liked Belém, Pará, Brazil 1966. The image is strange, whimsical, and foreboding.
Two children float in murky water. Their arms and bodies disappearing into the blackness beneath them, they are laughing. An image of strangely enjoyed dismemberment.
Européean Center for Photography
From the Permanent Collection
I really liked the Melting Point series by André Rouillé,
and the Alger series by Stéphane Couturier.
La Maison Rouge
Exhibitions: After Eden
And a selection from The Walther Collection.
I appreciated Jo Ractliffe's
"1961, Afrique de Sud,"
"View of Boa Vista from Roque Santeiro Market" a diptych, and "Woman on the footpath from Boa Vista to Rowue Santeiro." The images of the market both have stunning displays of tonality and grey scale. Subject matter: slums and garbage collections on a hill over looking more suburban/industrial buildings.
I also enjoyed, Santu Mofokeng's
1956, Afrique de Sud. Particularly the series "Chasing Shadows,"
which featured the photograph "Buddhist Retreat, near Pietermaritzburg 2003."
Mikhael Subotzky and Patrick Waterhouse's
"12 Projections from the series window; Ponte City 2008-2011" was also an interesting multimedia photographic artwork. With
636 total images that rotate display on several projection screens, the viewers get a small chance to experience and appreciate the many lives that occur around windows of the city of Johannesburg. Both inside and outside, the changes animate one's understanding of urban South Africa.
Stevie Nicks And Dave Stewart Perform At Sydney Entertainment Centre
You wouldn't usually expect for Dave Stewart to be support for a Stevie Nicks tour, but that's exactly what's happening this Australian tour, and Sydney fans saw it happen at the iconic Sydney Entertainment Centre tonight.
Casual fans probably didn't know that Stewart produced Nicks' new album, In Your Dreams, and believe us - it's a real treat for both Stewart and Nicks' fans.
Brian McFadden acted as a bit of a third wheel, but there's no doubt McFadden still enjoys a strong fan base in Australia.
Nicks performed Fleetwood Mac's Dreams, the band's prized #1 from years gone by.
We also heard numbers from her new A Vampire's Dream, Soldier's Angel.
The new songs featured Stewart on guitar and resonated with the Sydney audience.
If you were a Nicks, Stewart or even a McFadden fan, this is the place you had to be at tonight.
Promotional information secured by the Australia promoter of the tour reads:
McManus Entertainment is thrilled to announce that Brian McFadden will be joining the legendary Stevie Nicks and Dave Stewart as a special guest for the 2011 Australian tour. McFadden will join the bill for the entire tour.
Celebrated musician and songwriter Dave Stewart from the Eurythmics will also be touring Australia for this very special show.
Joining Stevie for these special shows will be celebrated musician and songwriter Dave Stewart from Eurythmics, who co-produced Stevie's new solo album, "In Your Dreams". Fans of both Fleetwood Mac and Eurythmics will be thrilled to know that Stevie Nicks and Dave Stewart will be performing their greatest hits from their respective bands as well as highlights form their solo careers.
"I'm so excited to bring Stevie back to Australia and give her the opportunity to play to her many fans across the country," said promoter Andrew McManus. "Stevie has one of the most unique and recognisable voices in the history of popular music and is also one of the greatest songwriters of all time. And I think there will be a whole new generation of fans due to the recent episode of 'Glee' based on the legendary Fleetwood Mac album, "Rumours."
Apart from Stevie's incredible work with Fleetwood Mac, she has also had an extensive solo career, collectively having more than 40 top 50 hits and selling more than 140 million albums worldwide. Just a few of her many solo hits include Edge of Seventeen, Leather and Lace, Stand Back, Bella Donna, Rooms On Fire and Stop Draggin' My Heart Around. Stevie will also be playing songs from Fleetwood Mac's extensive back catalogue. Some of their most loved songs include Rhiannon, Gypsy, Sara, Landslide, Dreams and Seven Wonders.
Joining Stevie on her Australian tour is Grammy and BRIT Award winning musician, songwriter and producer, Dave Stewart. Dave is best known for his work with Eurythmics and recently co-produced and co-wrote many of the songs on Stevie's latest album, "In Your Dreams". The album closes with the Stevie and Dave duet Cheaper Than Free. And Stevie sang a track with Dave on his 2010 solo album, "The Blackbird Diaries". His music career spans three decades and more than 100 million album sales. Some of Dave's biggest hits include I Only Want To Be With You (The Tourists) and Eurythmics hits Sweet Dreams (Are Made Of This), Missionary Man, Sisters Are Doin' It For Themselves, Would I Lie To You? and Thorn In My Side.
It's was a wonderful night for music fans in Sydney and a concert that anyone who attended will remember fondly for many years to come.
Websites
Stevie Nicks official website - The Nicks Fix
Dave Stewart official website
Brian McFadden
Sydney Entertainment Centre
McManus Entertainment
Flourish PR
Eva Rinaldi Photography Flickr
www.flickr.com/evarinaldiphotography
Eva Rinaldi Photography
Music News Australia
I arrived at St Mary, a journey from Wortham, following a slow moving delivery driver, looking for some obscure house looking onto the common.
Across fields,, mostly flat but with barely without a straight bit of road.
THe church is on a slight rise above the road, and to my dismay there were two cars parked in the churchyard, thus spoiling my exterior shots.
Inside I saw two chaps of a certain age dismantling a stage under the chancel arch.
I take a couple of shots, then one of them somes to speak to me. I was expecting to be told to keep away, or better still, leave as it was clearly unsafe for me to be there. But no, I was warmly greeted and given my own personal tour by the two wardens with whom we shared two mutual friends, John and Simon, or at least they knew them too.
There had been a celo concert the night before, but I was welcome to clamber of the stage to get shots of the fixtures and fittings, including a fine table tomb, though am wondering how Simon got a shot from above, maybe he grew wings and flew?
Lots of good memorials, interesting glass and lots of hatchments.
Under the care of the CCT, St mary is open every day, and you should visit it.
-----------------------------------------
It was May 2001, and I was cycling out across the gently rolling acres of north Suffolk. Redgrave is one of those large and relatively self-sufficient villages that you get more in the north and west of Suffolk than around Ipswich. However, this was not apparent to me, as I approached it from the direction of Wortham Common. I had cycled through the Long Green, a strange, otherworldly place. The Commons and Greens around here were still, until half a century ago, intensively grazed. Now, they have been let go back to nature, and are in many places covered in gorse and furze, with outcroppings of angular trees. Occasionally, as at Wortham, there are settlements which seem carved out of the common land. There’s nowhere else in Suffolk quite like it.
I left this behind, and a deep cutting of a lane led me up and out into open fields. The sun came out, and the tower of St Mary was ahead of me. It is a curious sight. Suffolk has a handful of towers rebuilt in the 18th century. Mostly, they are red brick, as at Layham, and rather less successfully Grundisburgh. However, Redgrave’s tower is white brick, and would be quite at home in the City of London, if a little more austere than most there.
Attached to it is a huge church. St Mary is big; it is a little-known church, but has more to offer than most. Simon Jenkins ignored it in England’s Thousand Best Churches; most probably, he didn’t know about it. It would fit quite comfortably into his three star category along with the likes of Westhall which he also missed. Incidentally, when I met him and pointed out his omission of Redgrave and Westhall, he looked at me as if I was some kind of sad lunatic. I suppose that he’s approached by someone with a similar complaint at least twice a day.
I stepped inside to a vast space. This church is full of light. The clerestory and aisle windows are huge, and although the east window is full of coloured glass, it too is vast, one of the widest I've seen. It would take hundreds and hundreds of people to fill this place, more than a thousand perhaps; but it was a gentle reminder to me that our medieval parish churches were not built for congregational Anglican worship.
St Mary has one of Suffolk's three best brasses, the 1609 memorial to Anne Butts. It has been reset in the sanctuary floor. She was related to the Bacons, that mighty Suffolk family, and her inscription reads:
The weaker sexes strongest precedent
Lies here belowe; seaven fayer years she spent
In wedlock sage; and since that merry age
Sixty one years she lived a widowe sage
Humble as great as full of Grace as elde,
A second Anna had she but beheld
Christ in His flesh who now she glorious sees
Below that first in time, not in degrees.
Mortlock thought it the finest post-Reformation brass in England.
To get to it, you will have to pass an awesome table tomb in the north aisle. On it lie, life-size, Sir Nicholas and Lady Anne Bacon. Lady Anne was the daughter of Anne Butts (and Sir Nicholas her son-in-law) so we may assume that they are responsible for the quality of her memorial. But the grandeur of theirs quite outshines her, and everybody else. It is by Nicholas Stone, famous for the Coke memorial at Bramfield; she died in 1616, he in 1624. There is an excellent modern window behind it.
The Bacons are responsible for most of the thirteen hatchments here - more than in any other church in Suffolk. Others are for the Holt and Wilson families (who later intermarried). The latest is dated 1929.
One of the Holts can also be found up in the sanctuary. He's life-size, as you might expect here. He was Lord Chief Justice of England in the first decade of the 18th century, and he sits in his judge's robes. He's flanked by two voluptuous figures who are Justice and Mercy, and the whole piece is by Thomas Green of Camberwell. I know this, because he signed it in very large letters. Perhaps he was particularly proud of it.
In this great palace of slightly absurd grandeur, mention should also be made of the vast wooden decalogue hanging in the north aisle. I've never seen Moses and Aaron look so important. It once stood at the east end of the chancel, has ridiculously large scrolls, and would certainly have concentrated the mind. All of this is overseen by that lovely glass in the huge east window. Mortlock tells us it is by a local firm, Farrow and son of Diss. I thought it splendid, quite in keeping with this mighty place. Also in keeping is the white stone pulpit, which is rather camp, although one assumes this was not the intended effect.
In 2004, three years after my first visit to Redgrave church, the parish walked away from it. The cost and effort of maintaining this vast barn full of priceless treasures had become too great a burden for the small congregation, so they locked the doors and decamped to the village hall, declaring that St Mary was now no longer their responsibility. As you may imagine, this caused a certain amount of consternation. While Redgrave church is a building of national significance, there is a certain protocol required if you want to declare a building redundant and have it conveyed into the stewardship of the Churches Conservation Trust. Not being able to pay the repair bills is not considered a good enough reason to declare redundancy. Even so, the parish persisted, which rather placed the Diocese in a quandary. While their first responsibility was to the parishioners, they clearly did not have the resources needed to look after St Mary, and yet the church commissioners would have looked with some doubt on any attempt to declare the building redundant.
It was, in modern political parlance, uncharted territory. Nevertheless, it was obvious that the ultimate destination must be to ensure the future security and upkeep of the building, and so after eighteen months or so of what one imagines must have been fairly tense meetings, the church was conveyed into the care of the Churches Conservation Trust.
And in the meantime, something else had happened. The shock of the incident had galvanised some local people, including a few of the former congregation, to get together and form a group to look after St Mary. With the support of the Churches Conservation Trust this has become one of the most successful support groups in the county, putting on exhibitions and concerts for which the church is eminently suitable. Before the end of the decade, the Daily Telegraph newspaper awarded Redgrave church the prize of English Village Church of the Year. On that occasion I was asked by BBC Radio Suffolk to do an interview about the church while standing in the nave, and as I looked around I thought it seemed a happy ending.
In fact, within a few months I was back at Redgrave church for a quite exciting reason. The Eastern Daily Press of 13th July 2010 takes up the story: It had remained hidden for centuries. But the entrance to a 500-year-old vault beneath a medieval Suffolk church has been discovered after a woman accidentally stamped her foot through one of the floor tiles. While rehearsing a scene from an upcoming performance of the musical Quasimodo at St Mary's Church, in Redgrave, near Diss, actor Kathy Mills dislodged a marble flagstone near the altar and her foot disappeared into a dark void below. Mrs Mills, who is in her 60s, suffered a swollen ankle, but the pain soon subsided when she was later told she had uncovered a tomb never seen in living memory with coffins inside suspected to contain the remains of the village's past aristocracy.
Just weeks before a geophysicist had used an advanced radar to map out where the long-forgotten vault was, but if it was not for Mrs Mills' freak accident they would never have been certain of where its boarded-up entrance was or what hid inside. The church is now hosting an open weekend to give the public a chance to glimpse through the hole and see exactly what they've been walking above all these years. St Mary's Church will be open to the public this Saturday and Sunday, between 10am and 4pm, where a video camera will beam images from inside the vault onto a projector screen.
“I was just doing a rehearsal for the production and I walked onto the flagstone, whether it was already loose I'm not sure, but my foot went down,” said Mrs Mills. “They lifted it up (the flagstone) and you could just see some mud and sand underneath. It's possible my foot went down eight inches. I wondered where I was going. It was quite a shock. I was thrilled when they told me I had discovered this vault they did not know was there. One or two people call me the Tomb Raider.”
Rumours had circulated for decades that under the ancient slabs of the 14th century church, now owned by The Churches Conservation Trust, laid a labyrinth of passages and tombs. Bob Hayward, chairman of the Redgrave Church Heritage Trust, said stories had passed through the generations of how people walked through the tunnels as recently as the 1920s, but records of their existence cannot be found. In a bid to establish fact from fiction, the group employed Malcolm Weale, of Geofizz Ltd, from East Harling, near Thetford, about two months ago to analyse what lied below. Using a ground penetrating radar, Mr Weale identified a large void, about 6ft deep, spreading under the altar and into the adjacent vestry. The Trust was prepared to leave its investigations at that until the day of Mrs Mills' fateful accident just over a week ago.
When the damaged flagstones were lifted and a light was lowered down, a tunnel was discovered with a set of steps descending into the ground visible in one direction and a cluster of about six coffins tucked inside a dark chamber in the other. It appears timbers holding up the floor tiles had rotted. Mr Hayward said: “It's exciting. You think you know these places but you don't until something like this happens.”
It is thought the coffins belong to descendents of the Holt family. Sir John Holt became lord of the manor in 1703 and a large memorial to his life sits above the newly uncovered vault. However it is believed to have been built in the late 1500s by the Bacon family, but their remains are located in another tomb beneath the church's font. Archaeologists will be descending into the vault at the end of the year to assess whether any of the other supporting timbers are rotten and to record what's inside, but the coffins will remain as they are found.
Now, this was something I had to see. The hole was about 20cm by 40cm. Bob Hayward very kindly opened it up the hole for me and allowed me to lower my camera into it - it wasn't safe to go down there, because of the high concentration of carbon monoxide.
How exciting! My photograph showed the high-vaulted tunnel of 18th Century brick, and in a room beyond there were five lead coffins, almost directly under the magnificent Holt memorial.
This was a fascinating experience, and all in all St Mary is a fascinating church, one of the best in East Anglia, despite what that Jenkins book says. It is not understated, it never attempts to be tasteful or refined. After the thrill of exploring the tunnel, I sat for a moment on the steps leading up to the organ at the west end, surveying the wonderful brick floors, the expanses of light beneath the arcades, the awesome seriousness of the chancel. If, at that moment, a group of 18th century ladies and gentlemen had stepped out of a Samuel Richardson novel and into this church, I should not have been the least bit surprised.
And curiously, Redgrave village is not the largest population centre in the parish. That honour goes to Botesdale, down on the main road, and part of the extended village of the Rickinghalls. Botesdale has its own church, but strictly speaking it is a chapel of ease to this one. The most famous residents of the parish these days are not Bacons, Holts or Wilsons, but the extremely rare great raft spiders which live in Lopham fen, to the north of the village. It is one of only two places they are found in the British Isles.
Simon Knott, September 2001, updated July 2015
I got it into my head that I failed to finish my shots, so had long planned a return. So, with the weather expected to be grim on Monday, I switched from orchids to churches.
I think this is right, the dedication is after two Roman gladiators, and is one shared with Challock, although Blean has Cosmas spelt differently, just add some confusion.
Blean is on the main road north out of Canterbury, but set back, in what was the site of a Roman villa.
It was hooping it down when I arrived, so I scampered as fast as my fat little legs could carry me to the south side of the church and saw the fine "church open" sign, welcoming me.
Again, I could not find the light switches, so the building remained in semi-darkness.
-------------------------------------------
How wonderful to find an unlocked isolated church in an area where many are kept closed! This charming flint building stands on a well-used public footpath (the former Roman Salt Road) that runs across a dry valley outside Canterbury. Its tree-shaded churchyard contains venerable yews and the church itself, dedicated to Ss Cosmas and Damian (see also Challock) is welcoming indeed. The nave and chancel are thirteenth century - see the typical lancet windows - but the huge north aisle, doubling the church in size, dates from the 1860s. Its arcade, however, is a good copy of thirteenth century work with huge cylindrical piers and an easternmost arch that stops short of the floor as if to allow space for a Rood Screen. The interior is light and spacious with much emphasis on the rustic medieval roof timbers. The twin-lancet east window contains some good mid-Victorian glass by Henry Holiday. The altar rails are seventeenth century whilst tucked behind the main door is a huge early eighteenth century memorial. As part of their millennium celebrations the locals reordered the church to great effect, moving the clumsy organ to the back and replacing it by the pulpit. These works have improved the interior no end.
www.kentchurches.info/church.asp?p=Blean
-------------------------------------------
BLEANE,
OR Cosmus Bleane, stiled in all judicial proceedings St. Cosmus and Damian in the Blean, is the next parish southward from Swaycliffe, which latter name it took from the two saints, to whom the church of it is dedicated, and from its having been situated within the district which was once the king's antient forest of Bleane.
IT IS situated in a wild country, enveloped with woods, having much rough and poor land in it, and the inhabitants are in general like the soil, equally poor and rough. The turnpike road from Canterbury to Whitstaple, runs along the western side of it. It reaches as far as the half-way house on that road; and from Denstroud common, the houses of which only are within it, as far as the brook next to St. Stephen's parish eastward, in breadth about three miles. The soil in general consists of an unsertile stiff clay, and a cold loam, both very wet and miry. There is no village in it, but there are about forty houses dispersed throughout the whole of it. There are three commons or small heaths in it; two, over which the Whitstaple road runs, called Hoad common, and Bleane common; on the eastern side of the former is Hoad-court, great part of which has been pulled down within these few years, and the remainder has been converted into a farm-house; the third, in the eastern part of it, is called Tyler-hill common. On the east side of Bleane common, on the knoll of the hill, is a good brick house, formerly of better note, though now only a farm-house, called Amery-court. It was antiently called Le Ambry, alias Le Amery-court, being a corruption for the almonry court, from its being given in alms to St. Sepulchere's nunnery. It was lately the property of the Rev. Mr. Boucherie, who died in 1789, and now of his widow. The northern part of this parish is all coppice wood, among which is a considerable part of the great tract called Clowes wood, belonging jointly to Sir Edward Dering and Sir Rowland Wynne, barts. It was antiently called Cluse, and was formerly a manor, and was, in Edward III.'s reign, in the possession of a family of its own name. It afterwards passed to the Ropers, of St. Dunstan's, and thence in like manner as that of Boteler's-court before-described, to the present possessors of it. On the west side of the parish is the manor of Goodmans, which formerly belonged to Sir John Rough, of Brenley, and afterwards to the Farewells, of Boughton, of whom it was purchased in 1741, by the Rev. Julius Deedes, whose grandson William Deedes, esq. of St. Stephen's sold it in 1796, to Mr. William Cantis, of Canterbury, the present owner of it.
There are within the bounds of this parish, four several districts of land, which are reputed to be within the liberty and ville of Christ-church, in Canterbury, and have been so time out of mind, and their christenings are entered as such in this parish register. The inheritance of them belongs to the dean and chapter of Canterbury.
THE MANOR OF BLEANE, called in Domesday, Blehem, was at the time of taking that survey, part of the possessions of Hamo de Crevequer, usually stiled in the records of that time, Hamo Vicecomes, which name he acquired from his having been appointed Vicecomes, or sheriff of this county, soon after his coming over hither with the Conqueror, and holding the office till his death, which was not till Henry I.'s reign. According it is thus entered in the above survey, under the general title of Terra Hamonis Vicecomitis:
In the lath of Borowart, in Witestaple hundred, Haimo himself holds Blehem. Norman held it of king Ed ward, and then, and now, it was taxed at one suling. The arable land is four carucates, and twelve villeins having three carucates. In demesne there is one carucate. There is a church, and two acres of meadow, and pannage for sixty hogs. There is one fishery. In the time of king Edward the Confessor, it was worth eight pounds, and afterwards, and now, it was and is worth six pounds.
Hamo de Crevequer, a descendant of Hamo abovementioned, possessed this manor in king Richard I.'s reign, from whence he is stiled in some antient deeds relating to it, Sir Hamo del Blen. (fn. 1) He died anno 47 king Henry III. Leaving Robert his grandson his heir, who held it by knight's service; but taking part with the discontented barons, this manor was most probably seized among the rest of his estates, which remained in the crown till it was granted to one of the family of Badlesmere, and Bartholomew de Badlesmere, usually stiled the rich lord Badlesmere of Ledes, possessed it in king Edward II.'s reign, in the 9th year of which, he obtained a special charter of freewarren in all his demesne lands within it. He afterwards associated himself with the rebellious barons, but being taken prisoner, he was converyed to Canterbury, and executed in the 16th year of that reign, at the gallows of Blean, within this manor, to make the ignominy of his death the more conspicuous. By the inquisition, which was not taken till anno 2 king Edward III. at which time the process and judgment against him was reversed, it was sound that he died possessed of the manor of Blean, among others, which were then restored to his son Giles de Badlesmere, who died s. p. in the 12th year of king Edward III. anno 1337, (fn. 2) so that his four sisters became his coheirs, and upon a partition of their inheritance, it sell to the share of Margerie, wife of William, lord Roos, of Hamlake. She survived her husband, and afterwards possessed this manor for her life, and in the 32d year of the above reign, granted her interest in it to Thomas de Wolton and Robert de Denton; which was confirmed by her only surviving son Thomas, lord Roos, of Hamlake, who the next year granted the inheritance of it to the same Thos. de Wolton, master of the hospital of St. Thomas the Martyr, of Eastbridge, in Canterbury, and his successors, in Support of the charities and alms made in it, at which time the hospital was possessed of much other land in this parish by the gift of several other persons. (fn. 3) After which this manor, with the other premises abovementioned, remained with the hospital, which escaped the suppression of such foundations in the reigns of king Henry VIII. and king Edward VI. and it remains with the other lands given to it at different times, now part of the possessions of the above-mentioned hospital.
A court leet and court baron is held for this manor of Bleane and Hothe-court, at which a borshoulders is chosen for the borough of Bleane.
If there ever was a court-lodge or manston to the manor of Blean, it has been demolished time out of mind; for that of Hoad-court hereafter described, has deyond memory been the only one belonging to both these manors, which indeed seem to have been long since united, if ever they were two, and now are but one and the same manor, and should be more properly stiled the manor of Bleane, alias Hothe-court.
HOTHE, or HOADE COURT, so called from its situation, close to the hothe, or common here, is a manor, lying in the south east part of this parish, which was once the estate of Sir John de la Lee, who in the year 1360, anno 35 king Edward III. gave it, to Thomas de Wolton and his successors, masters of the hospital of Eastbregge, towards certain acts of piety in it. (fn. 4) After which it remained in the possession of the hospital till the latter and of queen Elizabeth's reign, when Dr. Lause, prebendary of Canterbury, and the archbishop's commissary, then master of it, with the privity of archbishop Whitgift, (fn. 5) made a benesicial lease of this manor, at which it seems he then resided, with divers other lands, at the reserved rent of forty-eight pounds, for his own use and benefit, to his brother Fermyn Lause, for threre lives. He died in 1594, and by his will devised his interest in the above lease to John Boys, esq. and Robert Grove, of Eastry. In consequence of which, Fermyn Lause, above-mentioned, then of Aylsham, in Norfolk, conveyed the lease to them, the sole interest in which became vested in John Boys, esq. above-mentioned, afterwards knighted, and of St. Gregory's priory, in Canterbury, a man of much note in his profession of the law. He was steward to five archbishops, recorder of Canterbury, and then of Sandwich, judge of the chancery court of the five ports, and M. P. for Sandwich, and for Canterbury, and founder of Jesus or Boys's hospital, in Northgate, Canterbury. He was fifth and youngest son of William Boys, esq. of Nonington, by his wife Mary, sister and heir of Sir Edward Ringsley, and bore for his arms, Or, a griffin, segreant, sable, within a bordure, gules, being those borne by his ancestors. He resided at times here at Hoadcourt, which he died possessed of in 1612, without surviving issue, though he had been twice married, and was buried in the north isle of Canterbury cathedral, where his monument, with his effigies on it, still remains, having by his will devised his interest in the lease of this manor to his nephew Thomas Boys, of Canterbury, with remainder to John his son. (fn. 6)
Thomas Boys, esq. above mentioned, was afterwards of Hoad court, as was John Boys, his eldest son, who succeeded him here, by the limitation in Sir John Boys's will, and resided at Hoad-court, as did his descendants down to colonel John Boys, who died here in 1748, and was buried with his ancestors in this church, leaving by his wife Elizabeth, daughter of Thomas Dalyson, esq. two daughters his coheirs, Elizabeth, married to the Rev. Charles Wake, and Anne to the Rev. Osmund Beauvoir, who respectively, in right of their wives, became jointly entitled to the lease of this manor, with the seat and lands belonging to it; but after some years intervening, on a partition made, it was wholly allotted to the former, who held it for three lives, from the master of the hospital of Eastbridge; since whose death in 1796, his interest in it is become vested in the Rev. John Honywood, his son-in-law, the present possessor of it.
The Rev. C. Wake above-mentioned, LL. D. was prebendary of Westminster, and rector of East Knoyle and Fonthill, in Wiltshire. He was first married to Eliz. Boys, by whom he had Charles, vicar of Shoreham, and Elizabeth, who married the Rev. J. Honywood above-mentioned. He married 2dly the daughter of Mr. Beckford, by whom he had several children. Dr. Beauvoir was formerly head master of the king's school, in Canterbury, and married Anne Boys, as above-mentioned, who died in 1762, and was buried in Bleane church, by whom he had three sons, Osmund, William, and Cholmondeley, who survived to maturity, but all died unmarried; and two daughters, Elizabeth, married to William Hammond, esq. of St. Albans, in this county, and Isabella, married to the Rev. Richard Blackett Dechair, vicar of Shebbertswell, and of Postling, in this county. Dr. Beauvoir married secondly Mary, only daughter and heir of Fane William Sharpe, esq. (Since re-married to Dr. Douglas) but by whom he had no issue; he died in 1789, and was buried in the nave of the cathedral at Bath. He bore for his arms, Argent, a chevron between three cinquefoils, gules, quartered with those of Compton, of Guernsey.
In the rentals of the manor of Blean, there is mention made of the payment of gate silver (a custom not often met with). It seems to be a payment made by the tenants of the manor, for the repair of the gates leading to and from the Blean, to prevent their cattle from straying and being lost.
WELL-COURT, now usually called Wild-court, is a manor, situated near the northern bounds of this parish, the house of it being partly in it and partly in that of St. Stephen's. It is stiled in antient records, Ebolestone, alias Well-court, and was once part of the possessions of the family of At-Lese, one of whom, Sir Richard At-Lese, died s. p. possessed of it in 1394. Upon which it descended to his two nieces, daughters and coheirs likewise of his brother Marcellus At-Lese, of whom Lucy the eldest, married first to John Norton, esq. and secondly to William Langley, esq. of Knolton, (fn. 7) had this manor as part of her inheritance, and accordingly entitled both her husbands in succession to it. She had issue by both of them, who after their deaths shared this manor between them. In which state it continued for many years, till Thomas Langley, son of John, alienated his part of it, in the IIth year of king Henry VIII. to his relation Sir John Norton, the possessor of the other moiety, who then became owner of the whole of it, of which he died possessed in the 34th year of that reign, and was Succeeded in it by his natural son Thomas Green, usually stiled Norton, alias Green, whose two grandsons Thomas and George Green, in the 7th year of James I. alienated it to John Best, in which name the fee of it continued till the latter end of the last century, though in king Charles II.'s reign, it had come by means of mortgage, or some other such assignment, into the possession of Lovelace, then of Wild, and afterwards of William Rooke, esq. of St. Laurence, afterwards knighted, when it was passed away to Thomas Fleet, yeoman, who then lived in it. He died in the possession of it in 1712, s. p. and by his will devised it to his cousin Thomas Fleet, son of John Fleet, of Bleane, since which, by the limitations in the above will, it is now come to Mr. Thomas Fleet, who is the present owner, and resides in it.
BOTELERS,alias Botelers court, is a manor, nearly in the centre of this parish, which, in the 20th year of king Edward III. was, with the manors of Chesfield and Cluse, now called Clowes, held by knight's service by the same owners. Soon after which, it became the property and residence of the family of Boteler, whence it gained the name of Botelers-court, and continued in it till it was at length sold to one of the Ropers, of St. Dunstans, near Canterbury; in whose posterity it continued down to Edward Roper, esq. of Eltham, who died possessed of it in 1723, s. p. since which it has passed in like manner as that of Chestfield, in Swaycliffe, heretofore described, down to Sir Edward Dering and Sir Rowland Wynne, barts. and they are at this time the joint proprietors of it.
There are no parochial charities.
THIS PARISH is within the ECCLESTICAL JURISDICTION of the diocese of Canterbury, and deanry of Westbere.
The church, which is dedicated to St. Cosmus and Damianus, is but small and mean. It consists of only one isle and a chancel, having a low pointed turret at the west end, in which hangs one bell. In the chancel is a memorial for John Boys, esq. of Hoad-court, eldest son of John Boys, esq. of that place, obt. 1660; and a mural monument for John Boys, esq. of Hode, who married Jane, daughter of Sir Richard Head, bart. obt. 1710; arms, quarterly, Boys, Phalop, Alday, and Ringsley, impaling Head. Besides which, there are several other memorials of less account.
The church was antiently an appendage to the manor, and remained so till Hamo de Crevequer, called in the charter, Hamo de Blen, son of Etardus de Crevequer, the lord of it, gave this church, with all its appurtenances, to the master and brethren of the hospital of Eastbridge; and by another deed he granted to them, that is to the rector of this church, and the brethren of that hospital, the parsonage-house, with its appurtenances, late belonging to the rectory of it, and one acre of ground, and certain annual rent in this parish, to hold in free, pure and perpetual alms; all which was confirmed by archbishop Langton, by which means the rectory and parsonage of it became appropriated, and confirmed to the hospital, and the master or keeper became parson of it; but archbishop Sudbury afterwards, in 1375, converted the rectory or parsonage so appropriated, into a perpetual vicarage, which he then founded and endowed; but on account of the inconveniences arising to the parishioners, especially those who were infirm, from the distance they were at from the priest who had the cure of souls, who usually lived at the hospital, which was a mile or more distant from them, whom they were obliged with much trouble to seek after there; by which means the duties of this church, as well as the parishioners, were either neglected or wholly omitted. Therefore, weighing these inconveniences, and being desirous to remedy them as far as was in his power, he decreed, that there should be in this church in future, a perpetual vicar, having within the parish of the same, the mansion which the master of the hospital had erected for the same; and that the vicar should have likewise the tithes and oblations under-mentioned, amounting, as was supposed, to 10l. and upwards, for the supporting of himself in food, and the under-mentioned burthens; and that the presentation of the vicar on each vacancy, should belong to the keeper of the hospital for ever. Moreover, that the vicar should have, in part of the said sum, for his endowment, all predial tithes at Natynden, due to the hospital of old time, which were worth five marcs or thereabout yearly, and also all predial tithes through this whole parish; excepting of the demesne lands and estates of the hospital within the parish, whilst in tillage; and excepting all manner of predial tithes, and others whatsoever, arising from the lands, and beasts feeding on them, and their young folded on them, lying on the south part of the course of water running in this parish, called Vischmannysbourne, between the church and the court of the hospital at le Hothe, of which tithes he should not claim any thing, in any shape whatever. Moreover, that the vicar should have, towards the making up the sum of the aforesaid 10l. all tithes of calves, lambs, geese, flax, wool, milk, milkmeats, cheese, hay, herbage, silva cedua, and all titheable things within the parish, except only as before excepted. The vicar, therefore, should have all oblations in the church, and parish without the court of the hospital at la Hoth; and as the vicar himself, as if rector of the place, would possess such emoluments within it, he should support the undermentioned burthens from them, that is, he should amend and repair the chancel of the church at his own cost, and should support the mansion already built for him, and should find wine and bread and lights in the church, necessary for the celebrations, at his own expence, and should undergo all other burthens to be imposed in future on the church, which were not then taxed to the payment of the tenths, and should acknowledge them duly, and pay them; that he should be obliged to make a continual residence within the parish, as the other vicars of churches were obliged by law to do; and that he should obey the keeper of the hospital in all lawful and honest matters, the archbishop reserving to himself and his successors, the power of correcting, augmenting, and diminishing this his decree, as often as it should be expeding to him and them so to do.
According to which endowment, the vicarage of this church still continues, the vicar, as if rector of the parish, receiving all the tithes, both great and small, within it, except as is therein excepted, and of the portion of lands in Nackington; and from the time before-mentioned, the keeper, or master, as he is now called, of Eastbridge hospital, has continued, and is, the present patron of it.
¶The vicarage is valued in the king's books at 10l. and the yearly tenths at one pound. In 1537 here were thirty families, and ninety-four communicants. In 1588 it was valued at 40l. communicants 129. In 1640 it was valued at 65l. the like number of communicants. It was lately certified to be of the clear yearly value of 73l. 14s. 6d. but it is now worth near double that sum. The portion of tithes, in the parish of Nackington, &c. consists of those arising from 116 acres of land, or thereabout, lying in various detached pieces, belonging to different owners, and is worth about 44l. annual value.
There are near two acres of glebe land belonging to it.
When we got off the tube at London Bridge I expected to see the bridge, and Tower Bridge. Finally we made it to the Modern London Bridge!
Seems like as soon as you get to it from Southwark, you are in the City of London.
I only went halfway up the bridge, before returning to Southwark and London Bridge Underground Station to go back to our hotel.
Now to the side of the river with Tower Bridge.
The view of Tower Bridge from London Bridge with HMS Belfast and London Bridge City Pier in front of it.
Tower Bridge is Grade I listed.
Tower Bridge (that Part That Lies Within the Borough of Southwark)
SOUTHWARK
TQ3380 TOWER BRIDGE ROAD
636-1/2/793 Tower Bridge (that part that lies
06/12/49 within the Borough of Southwark)
I
Bridge. 1886-94. By Sir John Wolfe Barry, engineer and Sir
Horace Jones, architect. For the City Corporation.
Low level bascule bridge with wider side spans hung from
curved lattice girders; central narrower opening section.
Steel structure with twin Gothic towers rising from 21.3m
(70ft) broad piers which support the bascules and house their
counter balances.
Towers clad in rock-faced stone with ashlar dressings; high
pitched slate roofs behind stone battlemented parapet. High
level footbridges between the towers, incorporating ties
between the 2 suspended spans and linking whole bridge
together as continuous structure. Tower of 4 stages with
corner turrets surmounted by pinnacles. Some architectural
detailing added after Jones's death.
Above archway, elaborate Gothic-style windows on each level
surmounted by dormer feature in roof; moulded string courses
between floors. Lower approach tower (with twin on north
side), in similar Gothic style and with a large elliptical
archway spanning the road.
Although the bascules were electrified in 1976, some of the
hydraulic machinery by Armstrong Mitchell & Co., and the steam
pumping engines, are preserved under the south approach
viaduct.
Built onto east side of southern approach are accumulator
tower and chimney stack (qv).
See also London Borough of Tower Hamlets.
Tower Bridge (that Part in London Borough of Tower Hamlets), Stepney
1. TOWER BRIDGE EC3 & E1
4431 Tower Bridge
(That part in London Borough
of Tower Hamlets)
TQ 3380 21/722
I GV
2.
Opened 1894. Designed by Sir John Wolfe Barry with architectural features by
Sir Horace Jones.
Bascule bridge with suspended bridge approach and high level footbridges between
twin stone towers. French chateau influence. Massive cast iron balustrades.
Hydraulic machinery still used to open bridge. The rest of the bridge is in Southwark
LB.
Tower Bridge and its approach form a group with the London Hydraulic Power Co
Subways Entrance, 8 Bollards outside the main entrance to The Tower of London,
the Tower itself, the Queens Stairs, Tower Hill.
Listing NGR: TQ3369780338
Nearly 1,000 Students to Participate in WSSU Commencement on May 15
WINSTON-SALEM, NC -- Christina Wareâs story is one of the many inspiring testimonials of the nearly 1,000 undergraduate and graduate students from near and afar who are expected to participate in Winston-Salem State Universityâs commencement ceremony on Friday, May 15, at 9:45 a.m., at Bowman Gray Stadium, 1250 South Martin Luther King, Jr. Drive.
Academy Award-winning recording artist, activist and actor Common will be the keynote speaker. There are no guest limits or ticket requirements for the ceremony.
It is conceivable that Wareâs story of work ethic, undeniable spirit and enthusiasm encapsulates the sentiment of her graduating 2015 classmates.
Ware, 43, of Winston-Salem, is quite active on and off campus as a mentor to other students, a member of the non-traditional student organization, the first president of Epsilon Chapter 130 of Tau Sigma National Honor Society at WSSU, a wife and proud mother of two. She is also legally blind. She wants to blaze trails, set examples and raise the bar for others with disabilities.
âIn 2007, I lost my eyesight. After a six-month pity party, I decided to continue my education and make a difference for others. Since 2008, I have spent every day of my life proving to society that having a disability does not mean we are weak. I am now an advocate for persons with disabilities,â Ware, a business major, said, "We are not handicapped, we are handy capable!"
Ware, who can be described as always pleasant and having an unlimited enthusiasm for life, says every day alive is like Christmas. She demands to be treated like everyone else and has been noted to say, âI may physically fall, but mentally I can get back up and pull a 4.0 semester.â After graduation she wants to start a Kosher/Halal foods business and become active on community boards.
The China Connection
From the City of Harbin, the capital and largest city of the Heilongjiang province of the People's Republic of China, WSSU Master of Arts in the Teaching of English as a Second Language and Applied Linguistics students Yaowen Xing and Chunling Zhang have found a second home at WSSU and in Winston-Salem. They perhaps have come the farthest distance attend the university.
With a population of more than five million people, Harbin is situated in the northeast region of China so close to Russia that only the Songhua River separates the two countries. Nicknamed the Ice City, the average winter temperature is -3.5 °F with annual lows hitting -31.0 °F. Itâs no wonder the students say the warmer weather here in the Piedmont Triad has not been lost in translation with them and itâs one of the things they enjoy.
âWe really love the weather in North Carolina, especially the long summer time, since our hometown is so cold with snow for almost 6 months of the year,â Xing, 30, noted. âWe also love the people at WSSU and the faculty who all are nice and it has been a really good experience.â
Xing and Zhang, 35, are in America as part of a Chinese education immersion program to help exchange the cultures between China and America. They enjoy working as cultural ambassadors to students in both the cultures. The two came to the U.S. in 2013 and have been teaching at Konnoak Elementary school during the early hours and studying and researching later in the day. âComing to America was a dream for me after learning about it through books, movies and music, and my time here it has been amazing,â Xing said.
Zhang, said she didnât know much about WSSU or Historically Black Colleges or Universities (HBCUâs), but after a short time here she knew WSSU would be was special part of life. âI have met many African- Americans who have been friendly and helpful. I now can say I truly have many black friends,â Zhang said. She and Xing have taken advantage of the HBCU experience. They have been often seen attending evening lectures and presentations, sports events, musical and visual arts events. With their WSSU master degrees they will return to China one day in the future to make an impact on teaching and the quality of education there.
The All-In Approach
Olivia N. Sedwick, 21, a political science major from Indianapolis, has taken âthe all-in approach" to her WSSU experience. The current WSSU student government president (SGA), honorâs student and champion athlete, chose WSSU over other schools she could have attended.
Featured in a USA Today article highlighting the HBCU experience released last June, Sedwick is quoted as saying about WSSU, âI fell in love with the school.â She says, âWe talked about things that I had never had the chance to before coming from a predominantly white high school.â
Liking the intellectual and social environment, she was comfortable becoming involved around campus. In her first year, a walk-on athlete for the womenâs track and field team, she was a 2013 CIAA Indoor Womenâs Track and Field All-Conference competitor and the WSSU womenâs shot put record holder until earlier this year, although she never competed in the throws until coming to college. In her second year she served as the sophomore class vice president while also being appointed to serve on many committees throughout the university. In that same year, she was a delegate to the UNC Association of Student Governments (UNCASG), representing WSSU students on a state-wide level. At the end of that year, she became the first African-American female elected senior vice president of UNCASG and served in that capacity for the entirety of her third year while being active as the chief of staff for the WSSU student government association that year also. Toward the end of her term in UNCASG, she decided to run for student body president and has served as the voice of the students for the duration of her last year. With all of her activities, she has maintained a 3.95 GPA throughout her time in college.
Sedwick has been selected as a UNC General Administration Presidential Intern, which begins in July. Upon completion of the prestigious one-year appointment, Sedwick plans to attend Howard University School of Law.
A Drum Major who will March for a Noble Cause
Willie Davis, 22, a social work major from Fayetteville, N.C., who has led WSSUâs Red Sea of Sound Marching Band as a drum major for his senior year, will now march to lead the charge for helping veterans and their families cope with typical and unique challenges of serving in military. Davis will be one of four Cadets with the distinct honor of being commissioned as a 2nd Lieutenant U.S. in the U.S. Army during this yearâs commencement ceremony. Despite that professionally Davis will help vets, military and families with things like dealing with emotions, he said, âI donât think I will be ready for the commissioning part (of commencement) emotionally.â
Readiness for Davis is an understatement. The youngest of three siblings, who was age 10 when his father died, Davis has been an A average student throughout life. He was in the top ten of his high school class and the first generation in his family to attend college. At WSSU, besides maintaining high academic achievement and serving in the U.S. Army ROTC, Davis has been active with the WSSU Band, the University Choir, a Campus Ambassador, a mentor to freshmen students, vice president of the WSSU chapter of Kappa Kappa Psi National Honorary Band Fraternity, a Veterans Helping Veterans Heal intern and a member of Galilee Missionary Baptist Church in Winston-Salem.
After graduation, Davis is going to graduate school at the University of South Carolina. He plans to complete that program in one year and begin his military duties. As a clinical social worker, his responsibilities may range from clinical counseling, crisis intervention, disaster relief, critical event debriefing, teaching and training, supervision, research, administration, consultation and policy development in various military settings. He wants to specialize in helping military veterans who suffer from different traumas such as Post Traumatic Stress Disorder (PTSD), paranoid schizophrenia and other conditions.
I had no idea what to expect at Yalding, either the town or church. Jools realised it was near to West Farleigh, so we went to investigate.
Across what looked like a canal and then the river via an old pack bridge, with the tower of the church on the far bank.
The town, or this part of it, stretched either side of the High Street, and once parked, we approach the church down an alleyway and I see the porch doors open; a good sign.
-----------------------------------------
The little cupola on the west tower is topped by a weathervane dated 1734, and summons us to a large church, heavily restored in the 1860s, but worth travelling a long way to see. The nave roof has two interesting features - one is a form of celure or canopy of honour over the third bay from the west. It must have served some long-forgotten purpose. At the east end of the nave there is a real Canopy of Honour in its more usual position over the chancel arch. The south transept contains many interesting features - niches in the walls, bare stonework walls and a good arcaded tomb chest recessed into the south wall. There is a telling string course that suggests a thirteenth-century date, although the two windows in its east wall are Decorated in style. The most recent feature in the church - and by far the most important - is the engraved glass window in the chancel. It was engraved by Laurence Whistler in 1979 and commemorates Edmund Blunden, the First World War poet. It depicts a trench, barbed wire, a shell-burst and verses from Blunden's poems. This feature apart it is the nineteenth-century work that dominates Yalding - especially the awful encaustic tiles with arrow-like designs, the crude pulpit with symbols of the evangelists and the poor quality pews. The glass isn't much better, the Light of the World in the south chancel window being especially poor, but the south window of the south transept (1877) showing scenes from the Life of Christ redeems the state of the art.
www.kentchurches.info/church.asp?p=Yalding
-------------------------------------------
YALDING.
NORTH-WESTWARD from Hunton lies Yalding, antiently written Ealding, which signifies the antient meadow or low ground.
Most of this parish is in the hundred of Twyford, and the rest of it, viz. the borough of Rugmerhill, is in the antient demesne of Aylesford. That part of this parish, which holds of the manor of West Farleigh, is in the borough of West Farleigh, and the borsholder thereof ought to be chosen at the court leet there, and so much thereof as is held of the manor of Hunton, is in the borough of Hunton, and the borsholder thereof is chosen at the court leet there; and the inhabitants of neither of these boroughs owe service to the court holden for the hundred of Twyford, within which hundred they both are; but at that court a constable for that hundred may be chosen out of either of these boroughs.
THIS PARISH lying southward of the quarry hills, is within the district of the Weald. It is but narrow, but extends full four miles in length from north to south, the upper or northern part reaches up to the quarry hill adjoining to West Farleigh, near which is Yalding down, on which is a large kiln for the purpose of burning pit coal into coke, which is effected by laying the coal under earth, and when set on fire quenching the cinders; the method is used in making charcoal from wood, the former particularly is much used in the oasts for the drying of hops, so profitably encouraged in this neighbourhood. Below it, near the river Medway, its western boundary in this part, opposite to Nettlested, stands the seat of Sir John Gregory Shaw, bart. a retired, but not an ill chosen situation. It was for several generations the residence of the family of Kinward, which from the reign of king Henry VIII. was possessed of good estates in this parish and its neighbourhood, and bore for their arms, Azure, on a bend or, three roses gules, between three cross-croslets, fitchee argent. Robert Kenward, esq. of Yalding, resided here, and dying in 1720, was buried with the rest of his family in this church; he left a son John, and several daughters, of whom the third, Martha, married the late Sir Gregory Page, bart. and died S. P. John Kenward, esq. the son, died in 1749, leaving by Alicia his wife, youngest daughter of Francis Brooke, esq. of Rochester, one daughter and heir Alicia, who carried this seat and a considerable estate in this neighbourhood to Sir John Shaw, bart. late of Eltham, whose eldest son, Sir John Gregory Shaw, bart. is the present owner of it, and resides here. (fn. 1). In this part of the parish the land is kindly both for corn and hops, of which there are several plantations, and round the down there are some rich grass lands, but further southward where the parish extends to Brenchley, Horsemonden, and Mar den, it is rather a sorlorn country, the land lying very low, and the soil is exceeding wet and miry, and much of it very poor, and greatly subject to rushes, being a stiff unfertile clay; the hedge rows are broad and interspersed with quantities of large spreading oak trees.
The river Medway flows from Tunbridge along the west side of the upper part of this parish as mentioned before, there are across it here two bridges, Twyford and Brandt bridge, leading hither from Watringbury, Nettlested and East Peckham; a small stream, which comes from Marden, and is here called the Twist, flows through the lower part of this parish towards the west side of it, and joins the main river at Twyford bridge, which extends over both of them; another larger stream being a principal head of the Medway flowing from Style-bridge by Hunton clappers, separating these two parishes, joins the main river, about a quarter of a mile below Twyford bridge; on the conflux of these two larger streams the town of Yalding is situated, having a long narrow stone bridge of communication from one part of the town to the other, on the opposite bank of the Hunton stream. Leland who lived in king Henry the VIIIth.'s reign, calls it a a praty townelet, to which however at present it has no pretensions. The church and court-lodge stand at the north end of the town. A fair is held in it on WhitMonday, and on October 15, yearly. The high road over Teston bridge, and through West Farleigh, leads through the town, and thence southward along the hamlets of Denover and Collens-street to Marden; at a small distance from the former is the borough of Rugmarhill, esteemed to be within the antient demesne of Aylesford, belonging to Mrs. Milner.
Adjoining the town southward is Yalding lees, over which there is another high road, which leads from Twyford bridge, parallel with the other before-mentioned, along the hamlet of Lodingford, and thence through the lower part of this parish towards Brenchley, near the boundaries of which in this parish is an estate still called Oldlands, which appears in king Edward II's reign to have been part of the demesne lands of the manor of Yalding, for he then confirmed to the priory of Tunbridge a rent charge to be received out of the asserts of the old and new lands of the late Richard de Clare, in Dennemannesbrooke, which he had given to it on its foundation; lower down, close to the stream of the Twist, is the manor house of Bockingsold, the lands of which extend across the river into Brenchley and Horsemonden and other parishes.
A third high road over Brandt bridge passes along the western bounds of this parish, over Betsurn-green towards Lamberhurst and Sussex.
A new commission of sewers under the great seal, was not many years ago obtained to scour and cleanse that branch of the river Medway, or if I may so call it, the Yalding river from Goldwell in Great Chart, through Smarden, Hunton, and other intermediate parishes to its junction with the Rain river, at a place called Stickmouth, a little below the town of Yalding.
The commissioners for the navigation of the river Medway, about twenty years ago, made a navigable cut or canal, from a place in the river called Hampsted, where they judiciously constructed a lock to a place in the river near Twyford bridge, where they erected a tumbling bay for the water, when at a certain height, to pass over. The contrivance of this cut from one bend or angle of the river to the other, is of the greatest utility to the navigation, by not only shortening the passage, but by baying up a convenient depth of water, which they could not have had along the lees, and other adjoining low lands on each side of that part of the river, which is avoided by it, or at least not without a very great expence.
At the river here the barges are loaded with timber, great guns, bullets, &c. for Chatham and Sheerness docks, London, and other parts, and bring back coals, and other commodities for the supply of the neighbouring country.
In 1757 a large eel was caught in the river here, which measured five feet nine inches in length, and eighteen inches in girt, and weighed upwards of forty pounds.
THE MANOR OF YALDING, or Ealding, as it was usually written, was, after the conquest, part of the possessions of the eminent family of Clare, who became afterwards earls of Gloucester and Hertford, (fn. 2) the ancestor of whom, Richard Fitz Gilbert, came into England with William the Conqueror, and gave him great assistance in the memorable battle of Hastings, and in respect of his near alliance in blood to the king, he was advanced to great honor, and had large possessions bestowed upon him, both in Normandy and England; among the latter was this estate of Yalding, as appears from the survey of Domesday, taken in the 15th year of the Conqueror's reign, in which it is thus entered, under the title of Terra Richardi F. Gislebti:
Richard de Tonebridge holds Ealdinges, and Aldret held it of king Edward, and then and now it was taxed at two sulings. The arable land is sixteen carucates. There are two churches (viz. Yalding and Brenchley) and fifteen servants, and two mills of twenty-five shillings, and four fisheries of one thousand and seven hundred eels, all but twenty. There are five acres of pasture, and wood for the pannage of one hundred and fifty hogs.
In the time of king Edward the Consessor, and afterwards, it was worth thirty pounds, now twenty pounds, on account of the lands lying waste to that amount.
The above-mentioned Richard Fitz Gilbert, at the latter end of the Conqueror's reign, was usually called Richard de Tonebridge, from his possessions and residence there, and his descendants took the name of Clare, for the like reason of their possessing that honor. His descendant, Gilbert, son of Richard de Clare, earl of Gloucester and Hertford, owned it in the reign of king Henry III. and in the 21st year of Edward I. he claimed before the justices itinerant, and was allowed all the privileges of a manor.
¶Gilbert de Clare, earl of Gloucester and Hertford, his son, by Joane, of Acres, king Edward I.'s daughter, succeeded to it, and dying in the 7th year of king Edward II. without surviving issue, his three sisters became his coheirs, and on the partition of their inheritance, this manor, among others in this county, was allotted to Margaret, the second sister, then wife of Hugh de Audley, junior, who in the 12th year of Edward II. obtained for his manor of Ealding, a market to be held here weekly, and a fair to continue three days yearly, viz. the vigil, the day of the feast of St. Peter and St. Paul, and the day subsequent to it. He died in the 21st year of it, holding this manor, which he held for his life, by the law of England, of the king in capite. He left an only daughter and heir Margaret, then the wife of Ralph Stafford, who in her right became possessed of the manor of Yalding, and was a man greatly esteemed by king Edward III. who among other marks of his favor, in his 24th year, advanced him to the title of earl of Stafford.
After which it continued in his descendants down to his great grandson, Humphry Stafford, who was created duke of Buckingham anno 23 Henry VI. whose grandson Henry, duke of Buckingham, having put himself in arms against king Richard, in favor of Henry, earl of Richmond, and being deserted by his army, had concealed himself in the house of one Ralph Banister, who had been his servant, who on the king's proclamation of a reward of 1000l. or 100l. per annum, for the discovering of the duke, betrayed him, and he was without either arraignment or judgment, beheaded at Salisbury.
YALDING is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester and deanry of Malling.
The church, which is a large handsome building, consists of three isles and a large chancel, with a square tower at the west end. Against the south wall in it is a very antient altar tomb, which has been much desaced, on which is remaining, Ermine, a bend gules. There was formerly a brass plate on it. On a large stone in the middle isle, is a memorial for Robert Penhurst, descended from Sir Robert Penhurst, of Penhurst, in Suffex, who died in 1610. The arms, on a shield, a mullet. In the chancel there is a handsome monument for the family of Warde, who bore for their arms, Azure, a cross flory or, and one for the family of Kenward, in this parish. In the pavement of the church are several large broad stones, a kind of petrifaction of the testaceous kind, dug up in the moors or low lands in this parish.
Richard de Clare, earl of Hertford, gave the church of Aldinges, with the chapel of Brenchesley, and all their appurtenances, in pure and perpetual alms, to the priory of Tunbridge, lately founded by him.
Gilbert de Glanvill, bishop of Rochester, who came to that fee in the 31st year of king Henry II. confirmed this gift, and granted, that the prior and canons should possess the appropriation of this church in pure and perpetual alms; saving a perpetual vicarage in it, granted by his authority, with the assent and presentation of the prior and canons as follows:
That the vicar should have the altarage, and all obventions, and small tithes belonging to this church, and all houses, which were within the court, and the land belonging to the church, together with the tenants and homages, and the alder-bed, and the tithes of sheaves of Wenesmannesbroke, and the tithes of Longesbroke, of the new assart, and the moiety of meadow belonging to the church; all which were granted to him, to hold under the yearly pension of two shillings, duly to be paid to the prior and canons; and that the vicar should sustain all episcopal burthens and customs, as well for the prior and canons as for himself. And he granted to the prior and canons as part of the appropriation, the tithes of sheaves of this church, excepting the said tithes of Wenesmannesbroke, and of Longebroke; and that they should have the moiety of the meadow belonging to the church, with the fisheries, and the place in which the two greater barns stood, with the barns themselves, and the whole outer court in which the stable stood, with the garden which was towards the east, and the small piece of land which lay by the garden, and the rent of four-pence, which ought to be paid yearly to the court of Eyles forde; reserving to himself the power of altering the endowment of this vicarage, if at any time it should seem expedient; saving, nevertheless, all episcopal rights to the bishop of Rochester, &c. (fn. 16)
The church of Yalding, together with the advowson of the vicarage, remained with the priory of Tunbridge, till the suppression of it, in the 17th year of king Henry VIII. when being one of those smaller monasteries which cardinal Wolsey had obtained for the endowment of his colleges, it was surrendered into his hands, with all the possessions belonging to it.
After which the king granted his licence to him, in his 18th year, to appropriate and annex this church, among others of the cardinal's patronage, to the dean and canons of the college founded by him in the university of Oxford. But here it staid only four years, when this great prelate being cast in a præmunire in 1529, the estates of that college were forfeited to the king, and became part of the royal revenue.
¶Queen Elizabeth, in her 10th year, granted the rectory or parsonage of Yalding, and the advowson of the vicarage, for thirty years, to Mr. John Warde, at the yearly rent of thirty pounds, in whose possession they continued till king James I. in his 5th year, granted the see of them to Richard Lyddale and Edward Bostock, at the like yearly rent, (fn. 17) and they soon afterwards alienated them to Ambrose Warde, gent. of this parish, son of John above-mentioned, in whose descendants they continued down till they came into the possession of three brothers, Thomas, of Littlebrook, in Stone; George and Ambrose, among whose descendants they came afterwards to be divided, and again sub-divided in different shares, one third part to captain Thomas Amhurst, of Rochester; one third of a third part, and a third of a sixth part to Mr. Holmes, of Derby; Mr. Ambrose Ward, of Littlebrook, and the Rev. Mr. Richard Warde, late of Oxford, each alike, and the remaining sixth part by the Rev. Mr. John Warde, the present vicar of this parish, who some years ago rebuilt the vicarage-house in a very handsome manner.
This rectory now pays a yearly fee-farm rent of thirty pounds to the crown.
It is valued in the king's books, at 20l. 18s. 9d. and the yearly tenths at 2l. 1s. 10½d.
There are two separate manors, one belonging to the rectory or parsonage, and the other to the vicarage of this church.
© copyrighted image; all rights reserved.
With just a two weeks left (well you never know), we finally had a chance to take some pregnancy / maternity photos of our friends Maria & Patrik.
---
This is my favorite of the bunch!
Strobist info:
Main light is a 540EZ in a white shoot through camera left. A 430EX is bounced camera right via the ceiling and back wall and a second 430EX is bounced via a white wall camera right. Trying the whole "drowning in light" method :) Initial metering was done with the Sekonic L-358. Strobes triggered with Elinchrom Skyports.
[c=#949494]gabriela *; vocevemcomigoaondequerqueeuvoe.[/c] diz:
irmãã ;D
Gabi . diz:
gêêmeaa
Gabi . diz:
te enchi de pergunta, héin?
Gabi . diz:
HAHA
Gabi . diz:
brigadinha
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahauaohaaiaoai e eu adorei responder =}
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
meeu voce é muito linda *-* e aquela calça xadrez, o que é aquilo? :OOO
tô babando até agora/
Gabi . diz:
aiai, queria ter tempo pra desenhaar, só fds e agora FÉRIAS! UHULL
Gabi . diz:
Brigada!
Gabi . diz:
como é o nome do programa mesmo?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
uhuul mesmo o/\o mais voce nao tem muito tempo, é isso?
Gabi . diz:
photo ?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] deseja uma Conversa com Vídeo.
Responder (Alt+C) Recusar (Alt+Z)
Você perdeu uma Conversa com Vídeo de [c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c].
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ah eu uso photofiltre e photoshop cs2
Gabi . diz:
photofiltre vc baixou?
Gabi . diz:
ou já veio no seu comptador?
Gabi . diz:
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
aham. adobe tambem.
Gabi . diz:
eu não uso NADA.
Gabi . diz:
q pobreza.
Gabi . diz:
vc tem orkut?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahauaoehieoei meninaaaaaaaaa MANDA SUAS fotos pra mim! a coisa que eu mais amo no mundo: editar fotos <3
Gabi . diz:
sim, siim ...
Gabi . diz:
HAHA
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
tenho sim:
www.orkut.com/Profile.aspx?uid=3729965192779047357
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahauHAIAOEHI ;x
Gabi . diz:
ahh, eu nem tenho ;/
Gabi . diz:
não gosto muito não
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
aah serio? :\
Gabi . diz:
sério!
Gabi . diz:
qdo acabam suas aulas?
Gabi . diz:
gentzi, que SAIA é aquela? q vc fez pra sua irma
Gabi . diz:
de tule rosa
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
daqui cinco semanas.
Gabi . diz:
caaara, eu quero
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahauaoahUAOAHAIAOAI faciinho :9
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
nem eu :T deve ter em brechó, mais eu odeio³ brechó. eu amo comprar =D
Gabi . diz:
AMO³³³³³³³³³³³³³³³³³³³³ comprar.
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
coom certeza photoshop ;]
Gabi . diz:
eu já vi todas as fts dela até 2004.;
Gabi . diz:
até 2005!
Gabi . diz:
só falta 2006
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
assim, eu amo costurar, eu faço saias vestidos e tal pra mim.. o duro é comprar cara, esse é o problema da minha vida! nao dá pra ficar comprando pano pra fazer as coisas que eu uso..
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
meu SONHO é ter estilo vintage&retro, assim ó:
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
www.fotolog.com/vintageandretro
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
vê se nao é de babar..
Gabi . diz:
é :/
Gabi . diz:
eu quero: um suspensorio, bottons, um colete azul marinho, peças de uma loja aí equivalentes a 188 reais, um coturno
Gabi . diz:
e por aí vaaaai
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
*----* a gente é irma meesmo.. a gente pensa igual cara *-* tá bom, vamos confirmar mais algumas coisas. que dia e mes voce nasceu, e que musica se ouuve, seus idolos? ;]
Gabi . diz:
no meu flickr tem as musikas q eu ouço. vc tá logada?
Gabi . diz:
25/07/94 - taubaté
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ah entao a gente nao é do mesmo signo..
Gabi . diz:
leão e vc?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
sagitario :x
Gabi . diz:
;x q diz vc faz?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
9
Gabi . diz:
vc já pintou o cabelo?
Gabi . diz:
mes?
Gabi . diz:
dezxembro?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
dezembro aham :]
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
eu nuunca
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
mais minha mae deixou eu fazer umas mexinhas rosa
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
nao fiz até agora :T
Gabi . diz:
eu já pintei a ponta de vermelho.
Gabi . diz:
ficou bom, mas eu tinha cabelo comprido e coreti
Gabi . diz:
quero pintar de novooo!
Gabi . diz:
há qto tempo vc toca violão?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahaoaheioia seu cabelo é taao fofo *-*
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
mais ou menos um ano.
Gabi . diz:
huun .. pretende montar uma banda?
[...]
CARACA, EU PENSO IDENTICAMENTE IGUAL A VOCE
Gabi . diz:
fiquei assustada agora!
Gabi . diz:
meo deos
Gabi . diz:
mostro!
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
OH MY GOD, a gente FOI separada!
Gabi . diz:
mas tipo, eu queria saber mais sobre a lingua portuguesa .. pra escrever melhor!
Gabi . diz:
ano passado eu cantei beatles e elvis na frente da escola inteira.
Gabi . diz:
tá, eu não canto muito bem.
[...]
mais espera só eu crescer... eu quero fazer uma tatoo que nem da minha amiga, MUITO linda *-*
Gabi . diz:
vou fazer uma tattoo!
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
me mostra alguma musica sua!
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
aah eu quero muuitas tattos, eu aaaaaaaaamo³ tattos. mais nao gosto muito de piercing.
Gabi . diz:
eu ñ quero piercing, só tatttoo!
Gabi . diz:
*morri* q
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
eeu tbm *------* meu se um dia a gente se encontrar eu nao vou conseguir parar de falar
Gabi . diz:
TATTOO perfeeeeeeeita!
Gabi . diz:
eu tbm não .
Gabi . diz:
aiushiauhsiauhsiuasha
Gabi . diz:
um dia a gente vai fazer compras juntas!
Gabi . diz:
HAHA
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
faz ANOOOOS que eu guardo essa foto, e vou guardar até eu tiver 18!
Gabi . diz:
sério.
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ooooooooba ;9
Gabi . diz:
sou apaixinada por: meias, chapéus e carros conversiveis
Gabi . diz:
o pior de tudo é q minhas amigas são totalmente diferentes de mim. elas não gostam dessas roupas, e não escutam as mesmas musicas q eu. não sonham *
Gabi . diz:
sou sozinha :/
Gabi . diz:
BUAA
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
eu tenho uma idolatraçao imensa pela marilyn monroe *-*
e sou viciada em livros, meias coloridas, fotografia, buttons, tecidos, guarda chuvas, fones de ouvido e cachecóis!
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
EU TAMBEM ;O
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ultimamente eu ando tao sem amigas pra me entender :\ a gente daria boas melhores amigas o/\o
Gabi . diz:
eu faço coleção de buttons, mas é dificil de acher :/
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
aah :\
Gabi . diz:
daria mesmo! afee :/
Gabi . diz:
eu me sinto igual a você.
Gabi . diz:
onde q vc mora mesmo?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
santa barbara d'oeste
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ai ai :\
Gabi . diz:
minha mãe sempre fala que queria morar em são paulo, eu nunca quis. agora q eu quero não dá mais :/
Gabi . diz:
minha mae tem duas tattoos
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
aaah que pena, sampa deve ser bem legal. tanto pra vida...
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
é disso que eu quero viver ;D
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
sério?
Gabi . diz:
eu também.
Gabi . diz:
sério.
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
meus pais tem um ódio mortal por rock piercings e tattos.
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
e namorados.
Gabi . diz:
meus pais são novos.
Gabi . diz:
minha mae engravidou com 15.
Gabi . diz:
gostam de rock e me deixam namorar [eu acho]
Gabi . diz:
HAHA
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
sério?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
UI que pais legais
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahaiaoeheioai
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
meu pai fala que vai grampear minha boca e só vai deixar eu namorar com 18
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
:BBB
Gabi . diz:
eu sempre escolho a roupa da minha mãe. é divertido
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
mais se ja namorou ou ficou, sério?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahauaoahaaioaiahaia *-*
Gabi . diz:
não
Gabi . diz:
HAHA
Gabi . diz:
e vc?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
tambem nao :D
Gabi . diz:
minhas amigas gostam de funk [eu tbm, mas SÓ pra dançar sabe?] e se vestem como pessoas normais.
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
eu tambem, pra dançar sooomente.
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
mais cara elas sao muito diferentes. nao sei em que mundo elas vivem. vao de jeans pra escola, nao tem estilo, nao se arrumar, nao usam maquiagem (é obrigatorio, lapis e blush todo dia!) :D
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
meniiiiiina tive uma idéia ;O voce tem 13, ta na sétima né? pensou se a gente cai na mesma faculdade, na mesma classe? =DDDDD
Gabi . diz:
genteeeeeee! q liiindo.
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahaiaoaahiao tomara que a gente nao perca o contato até lá!
Gabi . diz:
eu vou de jeans pra escola, mas não todo dia. tipo, as vezes eu vou de shorts com polaina, uma calças meio malucas, coloridas. . HAHA
Gabi . diz:
to nem aí
Gabi . diz:
e vc?
Gabi . diz:
éé
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahauaoaheueoia eu aperto todos meus jeans pra ficar beeeeeeem skinny
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
e vou de blusa mais as vezes eu faço umas sobreposiçoes (amo!)
Gabi . diz:
[amo!] també,*
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
tipo uma regata da escola com uma outra por baixo..
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
e tooodo dia, all star.
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ai uns acessórios e pá *-*
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ai eu queria polaina :~~ é caro?
Gabi . diz:
15 reais em média. eu só tenho uma :/
Gabi . diz:
tenho 4 all stars, quero mais 3!
Gabi . diz:
HAHA
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
aah :\
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ahauaoaheie
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
tenho só dois
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
vermelho e branco. mais eu queria um mooonte!
Gabi . diz:
meu preto tá acabdo sabe? daí eu quer mais um preto, um ROXO, e um vermelho ou branco de couro.
Gabi . diz:
isuhasihuaushaiu
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
*-*
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
oolha esse cara, eu QUERO *--------*
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
com desenhos atras *-*
Gabi . diz:
gentzii
Gabi . diz:
meu all star branco tem cadarço vermelho e é tooooodo quadriculado de azul .
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
*-*
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
ajsaosjaosjoa :x
Gabi . diz:
seeeeeei
Gabi . diz:
eu tbm penso assim .
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
eu ja me imagino vestindo estrelas..
Gabi . diz:
a gente vai montar uma banda qdo estiver na faculdadde
Gabi . diz:
eu tambéém.
Gabi . diz:
oww, vamo fazer intercambio?
Gabi . diz:
HAHA
Gabi . diz:
NY é o PARAISO DAS ROUPAS.
Gabi . diz:
spo ropa legal
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
É MESMO *-*
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
eu vou fazer quando eu tiver 16
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
sempre quis ir pro canadá mais voce me deu uma idéia de mudar de destino ;999
Gabi . diz:
vamos pra NY!
Gabi . diz:
iasuhaishiashasuh
Gabi . diz:
:B
Gabi . diz:
tem menino gato tb!
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
isso é o maaaaaaais³ importante
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
mais tipo..
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
te paqueram muuito na escola e tal?
Gabi . diz:
aham .. e vc?
Gabi . diz:
paoskaoskaposkpaosk
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
oô ahaiahaiaoahaiaoai da vergonha demais ;x
Gabi . diz:
vergonha?
Gabi . diz:
ahh, sei lá, eu nem tenho não
Gabi . diz:
só q o pessoal da minha cidade [roça] me olha estranho por causa das minhas roupas e tal.
Gabi . diz:
sabe o q eu amo? meia-calça com shorts por cima, q nem as VJ's da MTV usam.
Gabi . diz:
a roupa delas sempre é legal
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
demais demais demais eu tbm.
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
é, aqui é interior e estranham tbm, mais eu so timida demais..
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
nossa acabei de abrir o site da capricho
Gabi . diz:
qq tem?
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
olha só: moda e musica andam juntas, os melhores clipes que misturam fashion e musica!
*----*
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
capricho.abril.com.br/atelie/conteudo_258635.shtml
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
aham.
Gabi . diz:
belê.
Gabi . diz:
vou passar minhas férias INTEIRAAAAAS: desenhando [IUPI] assitindo filme e arrumando meu flickr [em dois dias eu faço!]
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
*-------*
[c=#949494]gabriela *; querotedaramãomaisvocênemmeolha:~ [/c] diz:
eu tbm
Gabi . diz:
aeww!
Gabi . diz:
jáá seeeeeeeeeeeeeeeei manoo.
Gabi . diz:
tipo em julho e em janeirto eu vou pra um acampamento.. se der, vc pode ir!
This World Class attraction was everything we expected and more. Construction has just begun on a major expansion, but that has been managed in such a way that it does not in any way detract from the experience now.
This album focuses on the artwork inside the buildings and on the other interior spaces including the Eleven Restaurant and the Gift Shop. A separate album posted a few days ago is devoted to the two April mornings that we spent exploring just some of the trails that crisscross the 120 acres of Arkansas forest around the museum.
Alice Walton and her co-creative team can be proud of the vision and execution of everything on this 120 acre site.
_____________________________________________
"Crystal Bridges Museum of American Art is a museum of American art in Bentonville, Arkansas. The museum, founded by Alice Walton and designed by Moshe Safdie, officially opened on 11 November 2011. It offers free public admission.
Alice Walton, the daughter of Walmart founder Sam Walton, spearheaded the Walton Family Foundation's involvement in developing Crystal Bridges. The museum's glass-and-wood design by architect Moshe Safdie and engineer Buro Happold features a series of pavilions nestled around two creek-fed ponds and forest trails. The 217,000 square feet complex includes galleries, several meeting and classroom spaces, a library, a sculpture garden, a museum store designed by architect Marlon Blackwell, a restaurant and coffee bar, named Eleven after the day the museum opened, "11/11/11". Crystal Bridges also features a gathering space that can accommodate up to 300 people. Additionally, there are outdoor areas for concerts and public events, as well as extensive nature trails. It employs approximately 300 people, and is within walking distance of downtown Bentonville."
en.wikipedia.org/wiki/Crystal_Bridges_Museum_of_American_Art
crystalbridges.org/nature-trails/
...
It is three months since Flintsiration 2017 in Norwich, and I see I forgot to write a description about my visit to St John, and what with over 16 other churches visited that day, my recollections are a bit jumbled.
St John is a city centre church, and unusually, one of the narrow lanes passes right under the tower linking Charing Cross and Pottergate.
I had not seen this open before, and I don't think I was expecting it to be so, as it was not on my list of churches.
-------------------------------------------------
This square church is a familiar sight to shoppers, where the pedestrianised identikit shops of London Street give way to earthier Pottergate. There used to be a wonderful vegetarian restaurant on this corner, and I mourn its passing. St John the Baptist became redundant as a result of the Brooke Report, which is also sad, but understandable given the proximity of St Andrew and St Peter Mancroft. For a while, it was used by the Greek Orthodox community, which unfortunately made it inaccessible to other people, but since they moved on to the Mother of God, the building has come into the care of the Churches Conservation Trust, making it accessible again. George Plunkett's 1938 photographs show it at once familar and different, the exposed graveyard rather startling.
St John the Baptist is well-known for its processional way beneath the elegant but hemmed-in tower; at one time, there was another one at the east end, through which Maddermarket Street ran; but the chancel was demolished in the late 16th century, making Maddermarket Street clear for traffic, and giving the church its square shape today. The extraordinarily high clerestory, faced in stone, accentuates the strangeness of the shape. This is a typical 15th century Perpendicular church, but the tracery of the east windows is earlier; considering that the main one is now in the place of the chancel arch, there is reason to think that they may be 19th century additions, perhaps of medieval tracery from elsewhere.
The north porch, now no longer used, has a funny little turret on it. There isn't really a south porch; you step straight down in to the south aisle. Stepping inside to the dark, smoky, devotional inside, you would be forgiven for thinking that the Greeks were still in possession. In fact, this Baroque interior is almost wholly the work of William Busby, arch-Anglo-Catholic Rector in the early years of the 20th century, much of it collected from other churches, the rest made to his orders.
The outstandingly ugly font shows us something of his tastes, but altogether it is certainly effective, and the chancel has a quite different 18th century feel to it compared with the rationalism of St George Colegate. The lovely Arts and Crafts Annunciation scene by the King workshop is not overpowered by all this, but would be better known and thought of in a plainer setting.
This church is most famous for the enormous number of memorials, both in brass and stone. They are too many to list here, but do not miss the brass of John Tuddenham, who died in 1450. He has a complete prayer clause inscription in English. From the other side of the religious divide are the two astonishing Sotherton memorials, one of 1540 and the other of 1606, the couple in each case facing each other across a prayerdesk. The Sothertons were exactly the kind of family that powered the English Reformation, mayors and merchants who had benefited from the Black Death's freeing of capital and land to rise to prominence. Here they are, in all their glory.
Simon Knott, December 2005
www.norfolkchurches.co.uk/norwichjohnmaddermarket/norwich...
--------------------------------------------------
The Church of St John the Baptist, Maddermarket, is a redundant Anglican church in the city of Norwich, Norfolk, England. It is recorded in the National Heritage List for England as a designated Grade I listed building,[1] and is in the care of the Churches Conservation Trust
There may have been a church on the site in the 11th century, but the earliest fabric in the present church dates from the 14th century. Most of the church dates from a major rebuilding between about 1445 to 1510. At some time the east end of the church was shortened.[3] There has been a tradition that this took place in 1578 when the street was widened for a visit by Elizabeth I,[2][3] but this is considered to be untrue.[4] Following this, the major changes were to the interior of the church. At some time a medieval chancel screen was removed. In 1849 a gallery was installed at the west end. Restorations took place in the 19th century; these included rebuilding the tower in 1822, and refurbishing the interior of the roof and rebuilding the walls in 1863.[3] Also in 1863 the interior was reordered.[4] There was a gas explosion in 1876, in which much of the stained glass was damaged.[3] At the beginning of the 20th century the vicar, Rev William Busby, installed items of furniture collected from other churches.[2] In 1914–15 work was done on the Lady chapel. The church was closed for Anglican worship in 1982, and used by a community from the Greek Orthodox Church until 1990, when it was vested in the Churches Conservation Trust,
The church is constructed mainly in flint with stone and brick dressings. The clerestory is faced with ashlar. The aisles are roofed with lead, and the rest of the church is slated. Its plan consists of a four-bay nave and chancel in one unit, north and south aisles extending the full length of the church, north and south porches, a north vestry, and a west tower.[1] The east ends of the aisles have been converted into chapels, the south chapel being the Lady Chapel and on the north side the Jesus Chapel.[3] The church is almost as wide as it is long.[2] The tower is in four stages with diagonal buttresses. The bottom stage is open to the north and south, providing a passage for processions; the west arch is blocked.[1] Above this is a rib vault decorated with twelve carved bosses.[4] Over the west arch is a three-light Perpendicular window. In the top stage are three-light louvred bell openings on each side. The parapet is crenellated, with corner pinnacles and statues. Along the south wall of the south aisle are five buttresses, with three three-light windows in the eastern bays. The western bay incorporates a two-storey porch. Under the easternmost window is a priest's door.[1] Also on the south wall is a sundial dating from the 17th or 18th century.[3] Along the clerestory are eight three-light Perpendicular windows. At the east end of the chancel is a large five-light window with Decorated tracery, and at the east end of each aisle is a three-light window. The north porch also has two storeys. The arch over its doorway is decorated with a band of shields, and over the arch is a niche for a statue and a three-light square-headed window.
At the east end of the church the altar is surrounded by a massive wooden surround, known as a baldachin. It is thought that this had been made for the church of St Miles Coslany in 1741 and moved into St John's in 1917.[4] Behind the altar is a painting of the Last Supper attributed to the Renaissance painter Livio Agresti. There is another altar in the north aisle. The font dates from 1864, and is decorated with inlaid pieces of coloured marble. The pulpit dates from the same year. Above it is a sounding board from the 17th century.[3] The revolving lectern dates from the 18th century, and is probably Italian. Around the church are memorials to local historical personages, including Thomas Rawlins, Joseph Stannard a Norwich School painter of marine-scenes, Walter Nugent Monck founder of the Maddermarket Theatre and Margaret Howard, Duchess of Norfolk, who died in 1564.[4][5]
The church also houses commemorations of several mayors of the City throughout the centuries including the Southerton's, Bubbin and Ralph Segram (died 1472). Segram was a merchant who became a member of parliament and Mayor of Norwich. He commissioned a rood screen for the church, from which two panels of painted oak are now in the Victoria and Albert Museum in London. One panel depicts both William of Norwich, holding a hammer and with three nails in his head, and Agatha of Sicily, holding pincers and her severed breast.[6] The other panel depicts Leonard of Noblac (holding manicles) and Catherine of Alexandria, holding a sword and a book.[7]
The Layer Monument Marble polychrome mural monument circa 1600. South aisle of the west wall of the church.
Located semi-obscured on the south aisle of the church's west wall is The Layer Monument, a marble polychrome mural monument installed circa 1600 to commemorate the merchant, lawyer and mayor Christopher Layer. Its four figurines housed in its pilasters, Pax, Gloria, Vanitas and Labor are sculpted in the art-style of Northern Mannerism. Collectively the Layer Quaternity use polarised and esoteric symbolism. The church also has identifiable associations with early British Freemasonry including a 19th-century headstone in its graveyard which depicts Masonic compasses along with the ancient Greek gnostic symbol of the Ouroboros.
The church houses one of the largest collections of brasses in England, the oldest dating from the middle of the 15th century.[3] Most of the stained glass dates from the 19th and 20th centuries, although there are fragments of 15th-century glass in the centre window of the north aisle. The east window dates from 1870 and depicts the healing of the Centurion's servant. In the north chapel is a depiction of the Annunciation made by James Powell and Sons, and in the south chapel is a Tree of Jesse from 1916, probably by King of Norwich.[4]
The two-manual organ was made in 1888 by Norman and Beard for St Peter's Church, Lowestoft.[8] It was moved to Norwich in 1904 and in 1913 it was rebuilt by Norman and Beard, and moved to the west gallery.
en.wikipedia.org/wiki/Saint_John_the_Baptist,_Maddermarke...
Wasn't expecting to get a cathedral in Southwark when we got off the tube at London Bridge.
Near the Borough Market is Southwark Cathedral.
It is the oldest Gothic church in London. Rebuilt in 1212 after fire damaged the Norman church.
In 1539 after the dissolution of the monastery it went from a Priory Church to a Parish Church.
Southwark Cathedral or The Cathedral and Collegiate Church of St Saviour and St Mary Overie, Southwark, London, lies on the south bank of the River Thames close to London Bridge.
It is the mother church of the Anglican Diocese of Southwark. It has been a place of Christian worship for over 1,000 years, but a cathedral only since 1905. The present building is mainly Gothic, from 1220 to 1420, although the nave is a nineteenth-century reconstruction in a thirteenth-century style.
Remarkably the main railway viaduct connecting London Bridge station to Blackfriars, Cannon Street and Charing Cross stations passes only 18 metres from the south-east corner of the cathedral, blocking the view from the south side. This was a compromise when the railway was extended along this viaduct in 1852; the alternative was to demolish the building completely to allow a more direct passage for the line. Borough Market is immediately to its south and the Hall of the Worshipful Company of Glaziers and Painters of Glass is on the riverside part of Montague Close on its north.
It is Grade I listed.
Cathedral Church of St Saviour and St Mary Overie (southwark Cathedral), Bermondsey
SOUTHWARK
TQ3280SE CATHEDRAL STREET
636-1/17/188 (East side)
02/03/50 Cathedral Church of St Saviour and
St Mary Overie (Southwark Cathedral)
I
Medieval Augustinian priory of St Mary Overie; Anglican
cathedral since 1905. C12 church damaged by fire 1212 and
rebuilt from 1220. East front, choir and retrochoir 1214-1260.
Choir ceiling and tower pinnacles by George Gwilt Jnr.
1818-27; transepts altered 1830 by Robert Wallace. Nave
replaced in 1839-40 by Henry Rose and again in 1890-97 by Sir
Arthur Blomfield in C13 style.
MATERIALS: knapped flint with stone dressing; tower and
transepts of ashlar.
PLAN: cruciform with central crossing (north and south
transepts with central tower); 7-bay nave, 5-bay presbytery,
3-bay ambulatory at east end.
EXTERIOR: lower stage of tower C14 (attributed to Henry
Yvele); 2 upper stages of the tower, C14-C15, each with
2-light transomed windows on each face. Early C19 pinnacles by
Gwilt. 5-bay E arm with clerestory, E window and flying
buttresses to E arm, Gwilt rebuilding of C14 additions.
Remains of C12 church in north wall of N transept. Main
entrance is the south-west door.
As expected, after hearing about the deaths of Kelsey and Stone, the US Army decided to retaliate: Maj Gen Persifor Smith ordered Lt George Stoneman to lead a military expedition to punish Chief Augustine for the deaths of Kelsey and Stone. Unable to locate the Augustine band, the US troops instead found the Pomo village of Badonnapoti in Upper Lake. As far as can be determind, the village Pomo had no relation to the Pomo of Kelseyville. Regardless, Stoneman decided to attack. Finding that his rifle range could not reach the village, he instructed Lt Nathaniel Lyon to move reinforcements up by whaling boats. On April 15, while Stoneman fired his cannons to distract the villagers from the South, Lyon stormed the island on one of his whaling boats from the North. It was a horrific slaughter. Most sources state about 5 Pomo fought back against the attack, using slings and arrows. Most fled into the tule surrounding the island, only to run into the second party on the second whaling boat from the South. Women and children were shot and stabbed, and one source records observing children picked up by bayonets and thrown into the water. One six-year old survived by hiding in the water and breathing through a tule reed. The exact death toll varies widely, but is generally accepted to be around 75 to 150. Losses in the US Army and settlers was 0. Stoneman then led his forces on a wide sweep through the Russian River valley, attacking several villages and killing perhaps an equal number in those communities.
Nataniel Lyon later became famed in the American Civil War as the first attacking Union hero, only to be killed soon after at Wilson's Creek. In the same conflict, George Stoneman gained a mixed legacy, failing in raids in 1863 and 1864, only to succeed at the very end of the war (as sung in the Band's "The Night They Drove Old Dixie Down"). Kelsey and Stone were found and buried, the last time under historical markers in 1950 after repeated acts of vandalism. The other Kelseys continued their rein of terror, against the indigenous Natives and otherwise. Chief Augustine survived and years later was a primary source on the whole incident.
After the slaughter at Bloody Island the Pomo were divided into Rancherias. The communities that survived have lately prospered, opening up casinos throughout the Clear Lake Region. Bloody Island is still near Pomo land, and a sore point between them and the State of California concerned the recognition of the massacre location. Previous monuments (usually describing some sort of battle) have been repeatedly vandalized or destroyed.
Bloody Island is the hill located here. Reclamation projects have made what was once part of the lake farmland. An old monument from the 1940s reads:
BLOODY ISLAND
SCENE OF A BATTLE BETWEEN U.S. SOLDIERS
UNDER COMMAND OF CAPTAIN LYONS AND
INDIANS UNDER CHIEF AUGUSTINE,
APRIL 14TH, 1850.
DEDICATED AS AN HISTORICAL MONUMENT BY
THE NATIVE SONS OF THE GOLDEN WEST
MAY 20, 1942
Almost everything on the plaque is in fact incorrect. The splash of red suggests that someone has taken exception to the monument. Nevertheless it is the only marker at the actual spot of Bloody Island. Someone else apparently placed a Pomo basket near the marker.
Upper Lake, California.
What To Expect When You're Expecting premiere photos and review mark boardman and the team at markmeets
The festival celebrates the finest in both gardening and food. Visitors can expect stunning show gardens and nursery displays alongside a bounty of food producers, shopping and top tips from garden experts and celebrity chefs.
Set against the picturesque Malvern Hills, show gardens are always a number one destination, with five designers being awarded with RHS Gold Medals in 2016.
The Floral Marquee is bursting with examples of the finest nurseries in the UK and abroad, with many old favourites and new varieties on sale.
The foodie hotspot, Festival Food and Drink Pavilion, is a lively market of food producers offering a variety of artisan produce. At the heart is a Kitchen Theatre where celebrity guests and local producers showcase their skills and produce.
Other festival favourites include the School Gardens, Get Going Get Growing pavilion and Family Day (Sunday).
RHS Malvern Spring Festival is a joint partnership with the Royal Horticultural Society and Three Counties Agricultural Society.
An entirely new vision brings RHS Malvern Spring Festival into full bloom for 2017, taking inspiration from the event’s Spa town heritage. The landmark four-day spectacle, taking place from Thursday 11 – Sunday 14 May at the Three Counties Showground, welcomes all new features and exhibits and a vibrant line up of the finest in gardening, food and lifestyle.
Jane Furze, Head of RHS Malvern Spring Festival, said: “We are so excited to share the glorious plans that are afoot for RHS Malvern Spring Festival 2017. It really is going to be a sensational year for our leading event with plenty for everyone. Whether you’re a newcomer to gardening, a veteran horticulturalist or simply looking for a family day out, RHS Malvern Spring Festival has it all. We look forward to welcoming visitors to our stunning showcase of spring in May.”
The new vision for RHS Malvern Spring Festival takes inspiration from Malvern Spa’s Victorian heyday as a fashionable health resort – a place where day-trippers descended to take advantage of the clean air and to enjoy the health giving waters amongst the romantic beauty of the hills and into a town of pleasure gardens, assembly rooms and numerous eating-places.
Promising a bountiful day out for everyone, visitors can expect:
NEW FOR 2017
FLORAL MARQUEE
RHS Malvern Spring Festival boasts the UK’s longest Floral Marquee at over 195 metres – the equivalent length of four Olympic swimming pools. The Floral Marquee welcomes more than 65 leading UK and international nurseries, setting the horticultural standards with impressive displays of prized blooms and new varieties. Exhibitors in the Floral Marquee represent the very best in plants and advice available. Here visitors can browse and buy from the very best.
JOE SWIFT’S PLANT HUNTER PARLOUR
BBC Gardeners’ World presenter and acclaimed garden expert, Joe Swift brings to life a new centerpiece of the Floral Marquee – Joe’s Plant Hunter Parlour. This immersive experience like no other features daily talks from award winning nurseries and welcomes budding gardeners big and small to discover, learn and indulge their inner plant hunter.
LIVE WELL
Newly introduced for the very first time, this dedicated zone interprets and explores the theme of health and wellbeing in the 21st century.
JEKKA MCVICAR’S HEALTH & WELLBEING GARDEN
The centrepiece of the Live Well zone, British Queen of Herbs, Jekka McVicar designs and builds a specially commissioned permanent garden, bringing to life the role gardens continue to play in our health and sense of wellbeing. Jekka’s garden is a living working space for mind, body and senses.
The garden is both a tranquil seating space where visitors can spend time amongst the aromatic herb beds, and a place to learn and explore what living well meant in yesteryear and what it means today. Visitors are invited to join daily ‘herbal conversations’ with Jekka herself and explore the awe-inspiring world of alternative therapies. The garden is in support of Pathways, a day service for adults with learning disabilities and difficulties.
GROW
A horticultural experience by Jon Wheatley, RHS Gold Medal winning gardener and Chairman of RHS South West in Bloom, Grow takes inspiration from interactive Country gardens and wildflower borders, showcasing a variety of edible beds and bountiful Grow To Show competitions.
SPA GARDENS
A brand new category introduced for the very first time to RHS Malvern Spring Festival, offering a unique platform for emerging gardening talent. Glorious gardens from up and coming designers bring to life the new vision and reflect the thirst for knowledge, new horizons and innovative technology at the heart of Malvern’s Victorian heritage. Gold Medal winning Chelsea garden designer, Jo Thompson is mentoring the new talent as they embark on this exciting new challenge. The Spa Gardens category also features one garden from an international designer supported by the esteemed Moscow Flower Show. This is part of a newly introduced exchange programme, which in return offers one selected British Spa Garden designer the once in a lifetime chance to showcase at Moscow Flower Show in July.
INDOOR SHOPPING ARCADES
A premium quality shopping experience, it is here that visitors can pick up unique pieces in fashion, furniture, homewares, horticulture, gifts and more from independent designers, craftsmen, artisans and artists.
PLANT ARCADES
An exciting open-air shopping experience with over 35 nurseries, each showcasing a wonderful array of plants. Plant steals aplenty can be found here, especially during the famous sell-off on Sunday.
MAKING A WELCOME RETURN
FESTIVAL GREEN
The heart of RHS Malvern Spring Festival featuring a colourful array of pleasure gardens, a bandstand of live music, an impressive collection of classic cars, an array of global flavours from the International Street Food Market, and plenty of places to picnic. It is here visitors rediscover the Victorian love of amusement, surprise and delight, alongside enjoying unique show gardens unlike any other.
FESTIVAL THEATRE
Hosted by RHS Malvern Spring Festival favourite and award winning writer and broadcaster, James Alexander-Sinclair, the Festival Theatre plays host to a lively line up of leading experts and familiar faces. Visitors may take a seat and enjoy demonstrations, talks and exciting features as personalities share their knowledge and passion for all things gardening and food. Confirmed experts include Carol Klein, Joe Swift, Jekka McVicar and Jon Wheatley with plenty more to be announced soon.
SHOW GARDENS
The highest standard of garden design is showcased in the Show Gardens of RHS Malvern Spring Festival 2017. Leading designers create awe-inspiring gardens as they compete for prestigious RHS accolades including Gold medals and the coveted Best In Show. RHS Malvern Spring Festival is famed as the show that raises the bar for design and horticultural talent with numerous RHS Gold medals awarded in 2016. This year is tipped to be no exception.
FOOD & DRINK PAVILION
A foodie hotspot, the Food & Drink Pavilion is a magnificent celebration of British tastes with bountiful offerings from the country’s best-loved artisan producers. Expect the freshest field produce, big cheeses, bread of heaven, specialty gins, decadent bakes and more.
KITCHEN GARDEN THEATRE
This animated live kitchen, hosted by Mark Diacono, showcases a line up of delicious cookery demonstrations from culinary experts and the country’s top chefs. Mark shares advice from his home farm cookery school, Otter Farm and experience as head gardener at River Cottage.
YOUNG GARDENER
A hive of activity tailored to inspire the next generation of gardeners and horticulturalists with fun hands-on activities to help children learn and explore the wonderful world of plants and gardens.
FAMILY DAY
Budding gardeners great and small are invited to get green fingered with a dedicated Family Day on the Sunday of RHS Malvern Spring Festival. This exciting and educational day with plenty of hands on activities is the ideal opportunity to engage children in the fun of gardening and the great outdoors. Expect Kids Cookery demonstrations, make and take crafts, Kids Plant and Grow workshops with BBC Blue Peter Gardener, Chris Collins and more.
SCHOOL GARDENS
RHS Malvern Spring Festival is one of the only RHS Shows in the UK to have a collection of Show Gardens designed and built entirely by young people. This year sees over 12 schools and educational groups from across the three counties taking part, led by BBC Blue Peter Gardener, Chris Collins.
RHS Malvern Spring Festival 2017 will take place from Thursday 11 May until Sunday 14 May. For more information, please call 01684 584900 or visit
British Queen of Herbs, Jekka McVicar will unveil the first ever specially commissioned permanent garden at RHS Malvern Spring Festival 2017. A magnificent centrepiece of the celebrated event’s all-new Live Well zone, Jekka’s garden will bring to life the contribution horticulture continues to make to our health and wellbeing in today’s bustling modern world. The Health & Wellbeing Garden will be launched when the show opens its gates on Thursday 11 May at the Three Counties Showground.#
RHS Ambassador for Health through Horticulture, Jekka McVicar said: “I am delighted to have been asked to create a lasting garden for RHS Malvern Spring Festival. I want the Health & Wellbeing Garden to be a usable and beautiful space that is embraced by people of all ages – a space for growth, education and reflection. With the Malvern Hills as a dramatic backdrop, RHS Malvern Spring Festival is such a beautiful place and because it’s at the start of the summer, it’s always a time of such optimism. It is a real privilege to bring this garden to life as part of such a dynamic and exciting show.”
Jekka’s Health & Wellbeing garden, as the focus for the new Live Well Zone, is inspired by the increasing need for reflection and escape from the stresses of modern life. It also seeks to preserve and share the vital knowledge of how horticulture and its associated therapies can help the mind, body and soul. The garden will be a living, working space with a tranquil seating area, where visitors can immerse themselves amongst the aromatic herb beds, and also educate themselves on the place that herbs and horticulture play in today’s society.
Head of RHS Malvern Spring Festival, Jane Furze said: “It is a real pleasure to be working with Jekka to build a garden not only for this year’s event, but also for the future. Jekka’s designs look spectacular and we cannot wait to see these brought to life and shared with our many visitors. The Health & Wellbeing Garden will no doubt be a real highlight of RHS Malvern Spring Festival 2017 and for many years to come.”
Throughout the 4-days of RHS Malvern Spring Festival, Jekka will host daily ‘herb conversations’ in the garden, unearthing hidden gems from the world of alternative therapies, food and gardening. Jekka will also provide insights into herbs as the foundation of modern medicine, seeking to preserve the knowledge that over time is danger of being lost.
The Health & Wellbeing Garden is in support of Pathways, a work-focused day service for adults with learning disabilities and difficulties. Pathways use gardening and the environment as an educational tool to introduce young adults to the working world. Clients of Pathways benefit from gaining vital skills for entering the working world, these include trust, communication, interaction with peers, taking direction and responsibility for themselves and others.
Leaving a legacy, Jekka’s garden will provide Pathways with a nurturing space to continue their works in encouraging clients to grow. Throughout the show times, Pathways will sell plants and refreshments from the garden. Funds raised from these sales go towards covering the costs of the residential trip taken twice each year for clients of Pathways, a vital retreat for clients that contributes to their sense of wellbeing. Outside of show days, Pathways and local schools will host sessions in the garden. The garden aims to inspire visitors of all ages and abilities with engaging elements tailored for all.
Jekka’s design will incorporate the unique and flexible WoodBlocX system, specially selected to provide permanent raised bed structures to house the garden’s vast selection of herbs and edibles. The centrepiece of the garden contains four large planted sections featuring smooth curves constructed from the unique WoodBlocX system. WoodBlocX use sustainable, long-lasting, organic and FSC accredited wooden bricks, which can be used to create any shape such as the naturally fluid curves seen in Jekka’s elegant design.
Considered an unmatched expert by the UK’s top chefs and horticulturalists, Jekka McVicar is an enterprising British herb grower, organic gardening expert, author and broadcaster. Jekka’s Herb Farm, in nearby South Gloucestershire, boasts the largest collection of culinary herbs in the UK with more than 500 different varieties.
Alongside her RHS Ambassadorship for Health through Horticulture, Jekka’s accolades include 62 RHS Gold Medals, Garden Media Guild Lifetime Achievement Award and the RHS Lawrence Medal for the best exhibit shown at any RHS show in 2009. Jekka is also a Vice President of the RHS, Vice President of the Herb Society, is a founder member of the RHS Herb advisory group, and a member of the RHS Three Counties Agricultural Society Joint Committee. Jekka has herself exhibited at RHS Malvern Spring Festival since 1993 and has been a vital contributor to the team at Three Counties for over a decade.
RHS Malvern Spring Festival 2017 will take place from Thursday 11 May until Sunday 14 May. Tickets are now on sale. For more information and to book tickets, please call
The festival celebrates the finest in both gardening and food. Visitors can expect stunning show gardens and nursery displays alongside a bounty of food producers, shopping and top tips from garden experts and celebrity chefs.
Set against the picturesque Malvern Hills, show gardens are always a number one destination, with five designers being awarded with RHS Gold Medals in 2016.
The Floral Marquee is bursting with examples of the finest nurseries in the UK and abroad, with many old favourites and new varieties on sale.
The foodie hotspot, Festival Food and Drink Pavilion, is a lively market of food producers offering a variety of artisan produce. At the heart is a Kitchen Theatre where celebrity guests and local producers showcase their skills and produce.
Other festival favourites include the School Gardens, Get Going Get Growing pavilion and Family Day (Sunday).
RHS Malvern Spring Festival is a joint partnership with the Royal Horticultural Society and Three Counties Agricultural Society.
An entirely new vision brings RHS Malvern Spring Festival into full bloom for 2017, taking inspiration from the event’s Spa town heritage. The landmark four-day spectacle, taking place from Thursday 11 – Sunday 14 May at the Three Counties Showground, welcomes all new features and exhibits and a vibrant line up of the finest in gardening, food and lifestyle.
Jane Furze, Head of RHS Malvern Spring Festival, said: “We are so excited to share the glorious plans that are afoot for RHS Malvern Spring Festival 2017. It really is going to be a sensational year for our leading event with plenty for everyone. Whether you’re a newcomer to gardening, a veteran horticulturalist or simply looking for a family day out, RHS Malvern Spring Festival has it all. We look forward to welcoming visitors to our stunning showcase of spring in May.”
The new vision for RHS Malvern Spring Festival takes inspiration from Malvern Spa’s Victorian heyday as a fashionable health resort – a place where day-trippers descended to take advantage of the clean air and to enjoy the health giving waters amongst the romantic beauty of the hills and into a town of pleasure gardens, assembly rooms and numerous eating-places.
Promising a bountiful day out for everyone, visitors can expect:
NEW FOR 2017
FLORAL MARQUEE
RHS Malvern Spring Festival boasts the UK’s longest Floral Marquee at over 195 metres – the equivalent length of four Olympic swimming pools. The Floral Marquee welcomes more than 65 leading UK and international nurseries, setting the horticultural standards with impressive displays of prized blooms and new varieties. Exhibitors in the Floral Marquee represent the very best in plants and advice available. Here visitors can browse and buy from the very best.
JOE SWIFT’S PLANT HUNTER PARLOUR
BBC Gardeners’ World presenter and acclaimed garden expert, Joe Swift brings to life a new centerpiece of the Floral Marquee – Joe’s Plant Hunter Parlour. This immersive experience like no other features daily talks from award winning nurseries and welcomes budding gardeners big and small to discover, learn and indulge their inner plant hunter.
LIVE WELL
Newly introduced for the very first time, this dedicated zone interprets and explores the theme of health and wellbeing in the 21st century.
JEKKA MCVICAR’S HEALTH & WELLBEING GARDEN
The centrepiece of the Live Well zone, British Queen of Herbs, Jekka McVicar designs and builds a specially commissioned permanent garden, bringing to life the role gardens continue to play in our health and sense of wellbeing. Jekka’s garden is a living working space for mind, body and senses.
The garden is both a tranquil seating space where visitors can spend time amongst the aromatic herb beds, and a place to learn and explore what living well meant in yesteryear and what it means today. Visitors are invited to join daily ‘herbal conversations’ with Jekka herself and explore the awe-inspiring world of alternative therapies. The garden is in support of Pathways, a day service for adults with learning disabilities and difficulties.
GROW
A horticultural experience by Jon Wheatley, RHS Gold Medal winning gardener and Chairman of RHS South West in Bloom, Grow takes inspiration from interactive Country gardens and wildflower borders, showcasing a variety of edible beds and bountiful Grow To Show competitions.
SPA GARDENS
A brand new category introduced for the very first time to RHS Malvern Spring Festival, offering a unique platform for emerging gardening talent. Glorious gardens from up and coming designers bring to life the new vision and reflect the thirst for knowledge, new horizons and innovative technology at the heart of Malvern’s Victorian heritage. Gold Medal winning Chelsea garden designer, Jo Thompson is mentoring the new talent as they embark on this exciting new challenge. The Spa Gardens category also features one garden from an international designer supported by the esteemed Moscow Flower Show. This is part of a newly introduced exchange programme, which in return offers one selected British Spa Garden designer the once in a lifetime chance to showcase at Moscow Flower Show in July.
INDOOR SHOPPING ARCADES
A premium quality shopping experience, it is here that visitors can pick up unique pieces in fashion, furniture, homewares, horticulture, gifts and more from independent designers, craftsmen, artisans and artists.
PLANT ARCADES
An exciting open-air shopping experience with over 35 nurseries, each showcasing a wonderful array of plants. Plant steals aplenty can be found here, especially during the famous sell-off on Sunday.
MAKING A WELCOME RETURN
FESTIVAL GREEN
The heart of RHS Malvern Spring Festival featuring a colourful array of pleasure gardens, a bandstand of live music, an impressive collection of classic cars, an array of global flavours from the International Street Food Market, and plenty of places to picnic. It is here visitors rediscover the Victorian love of amusement, surprise and delight, alongside enjoying unique show gardens unlike any other.
FESTIVAL THEATRE
Hosted by RHS Malvern Spring Festival favourite and award winning writer and broadcaster, James Alexander-Sinclair, the Festival Theatre plays host to a lively line up of leading experts and familiar faces. Visitors may take a seat and enjoy demonstrations, talks and exciting features as personalities share their knowledge and passion for all things gardening and food. Confirmed experts include Carol Klein, Joe Swift, Jekka McVicar and Jon Wheatley with plenty more to be announced soon.
SHOW GARDENS
The highest standard of garden design is showcased in the Show Gardens of RHS Malvern Spring Festival 2017. Leading designers create awe-inspiring gardens as they compete for prestigious RHS accolades including Gold medals and the coveted Best In Show. RHS Malvern Spring Festival is famed as the show that raises the bar for design and horticultural talent with numerous RHS Gold medals awarded in 2016. This year is tipped to be no exception.
FOOD & DRINK PAVILION
A foodie hotspot, the Food & Drink Pavilion is a magnificent celebration of British tastes with bountiful offerings from the country’s best-loved artisan producers. Expect the freshest field produce, big cheeses, bread of heaven, specialty gins, decadent bakes and more.
KITCHEN GARDEN THEATRE
This animated live kitchen, hosted by Mark Diacono, showcases a line up of delicious cookery demonstrations from culinary experts and the country’s top chefs. Mark shares advice from his home farm cookery school, Otter Farm and experience as head gardener at River Cottage.
YOUNG GARDENER
A hive of activity tailored to inspire the next generation of gardeners and horticulturalists with fun hands-on activities to help children learn and explore the wonderful world of plants and gardens.
FAMILY DAY
Budding gardeners great and small are invited to get green fingered with a dedicated Family Day on the Sunday of RHS Malvern Spring Festival. This exciting and educational day with plenty of hands on activities is the ideal opportunity to engage children in the fun of gardening and the great outdoors. Expect Kids Cookery demonstrations, make and take crafts, Kids Plant and Grow workshops with BBC Blue Peter Gardener, Chris Collins and more.
SCHOOL GARDENS
RHS Malvern Spring Festival is one of the only RHS Shows in the UK to have a collection of Show Gardens designed and built entirely by young people. This year sees over 12 schools and educational groups from across the three counties taking part, led by BBC Blue Peter Gardener, Chris Collins.
RHS Malvern Spring Festival 2017 will take place from Thursday 11 May until Sunday 14 May. For more information, please call 01684 584900 or visit
British Queen of Herbs, Jekka McVicar will unveil the first ever specially commissioned permanent garden at RHS Malvern Spring Festival 2017. A magnificent centrepiece of the celebrated event’s all-new Live Well zone, Jekka’s garden will bring to life the contribution horticulture continues to make to our health and wellbeing in today’s bustling modern world. The Health & Wellbeing Garden will be launched when the show opens its gates on Thursday 11 May at the Three Counties Showground.#
RHS Ambassador for Health through Horticulture, Jekka McVicar said: “I am delighted to have been asked to create a lasting garden for RHS Malvern Spring Festival. I want the Health & Wellbeing Garden to be a usable and beautiful space that is embraced by people of all ages – a space for growth, education and reflection. With the Malvern Hills as a dramatic backdrop, RHS Malvern Spring Festival is such a beautiful place and because it’s at the start of the summer, it’s always a time of such optimism. It is a real privilege to bring this garden to life as part of such a dynamic and exciting show.”
Jekka’s Health & Wellbeing garden, as the focus for the new Live Well Zone, is inspired by the increasing need for reflection and escape from the stresses of modern life. It also seeks to preserve and share the vital knowledge of how horticulture and its associated therapies can help the mind, body and soul. The garden will be a living, working space with a tranquil seating area, where visitors can immerse themselves amongst the aromatic herb beds, and also educate themselves on the place that herbs and horticulture play in today’s society.
Head of RHS Malvern Spring Festival, Jane Furze said: “It is a real pleasure to be working with Jekka to build a garden not only for this year’s event, but also for the future. Jekka’s designs look spectacular and we cannot wait to see these brought to life and shared with our many visitors. The Health & Wellbeing Garden will no doubt be a real highlight of RHS Malvern Spring Festival 2017 and for many years to come.”
Throughout the 4-days of RHS Malvern Spring Festival, Jekka will host daily ‘herb conversations’ in the garden, unearthing hidden gems from the world of alternative therapies, food and gardening. Jekka will also provide insights into herbs as the foundation of modern medicine, seeking to preserve the knowledge that over time is danger of being lost.
The Health & Wellbeing Garden is in support of Pathways, a work-focused day service for adults with learning disabilities and difficulties. Pathways use gardening and the environment as an educational tool to introduce young adults to the working world. Clients of Pathways benefit from gaining vital skills for entering the working world, these include trust, communication, interaction with peers, taking direction and responsibility for themselves and others.
Leaving a legacy, Jekka’s garden will provide Pathways with a nurturing space to continue their works in encouraging clients to grow. Throughout the show times, Pathways will sell plants and refreshments from the garden. Funds raised from these sales go towards covering the costs of the residential trip taken twice each year for clients of Pathways, a vital retreat for clients that contributes to their sense of wellbeing. Outside of show days, Pathways and local schools will host sessions in the garden. The garden aims to inspire visitors of all ages and abilities with engaging elements tailored for all.
Jekka’s design will incorporate the unique and flexible WoodBlocX system, specially selected to provide permanent raised bed structures to house the garden’s vast selection of herbs and edibles. The centrepiece of the garden contains four large planted sections featuring smooth curves constructed from the unique WoodBlocX system. WoodBlocX use sustainable, long-lasting, organic and FSC accredited wooden bricks, which can be used to create any shape such as the naturally fluid curves seen in Jekka’s elegant design.
Considered an unmatched expert by the UK’s top chefs and horticulturalists, Jekka McVicar is an enterprising British herb grower, organic gardening expert, author and broadcaster. Jekka’s Herb Farm, in nearby South Gloucestershire, boasts the largest collection of culinary herbs in the UK with more than 500 different varieties.
Alongside her RHS Ambassadorship for Health through Horticulture, Jekka’s accolades include 62 RHS Gold Medals, Garden Media Guild Lifetime Achievement Award and the RHS Lawrence Medal for the best exhibit shown at any RHS show in 2009. Jekka is also a Vice President of the RHS, Vice President of the Herb Society, is a founder member of the RHS Herb advisory group, and a member of the RHS Three Counties Agricultural Society Joint Committee. Jekka has herself exhibited at RHS Malvern Spring Festival since 1993 and has been a vital contributor to the team at Three Counties for over a decade.
RHS Malvern Spring Festival 2017 will take place from Thursday 11 May until Sunday 14 May. Tickets are now on sale. For more information and to book tickets, please call
Vaslav Nijinsky was expected to create choreography for and assume the leading role in "The Legend of Joseph," but he was fired in 1913. Diaghilev then turned to Michel Fokine to create the choreography. Leonide Massine was Diaghilev's new protege and Nijinsky's successor, but he didn't hold a candle to Nijinsky as a dancer. So, Massine let his stage presence and acting ability make up for the lack of dancing technique.
Famed opera singer Maria Kuznetsova participated in, and helped to finance, Sergei Diaghilev’s Ballets Russes in London and Paris on the eve of World War I. With the help of her friend, the artist and designer Léon Bakst, Kuznetsova won the role of Potiphar's wife in Richard Strauss's ballet “La Légende de Joseph” in 1914. It was produced by Diaghilev, composed and conducted by Strauss, choreographed by Michel Fokine, and designed by Leon Bakst, Alexandre Benois and José Maria Sert, while the lead was danced by Léonide Massine.
It was an important role, and Kuznetsova was certainly in good company, but they were held to a punishing schedule with little time to rehearse. To make matters worse, Strauss was in a foul mood because his lover, Ida Rubinstein, who was to have danced Lydia Sokolova's role, had abruptly abandoned the project. Furthermore, Strauss abhorred working with French musicians, and was constantly at daggers drawn with the orchestra. Diaghilev, meanwhile, had not yet recovered from Vaslav Nijinsky's departure the previous year from the Ballets Russes. Nijinsky had choreographed and created the title role – replaced after his marriage and fall from grace by Fokine and Massine.
Despite the problems backstage and an outraged British press, who found the work obscene, the ballet successfully debuted in both London and Paris that spring. The initial run lasted seven performances. This was shortly followed by a further seven in London conducted by Sir Thomas Beecham, who had loaned the money for the commission to Diaghilev. With the looming war, Strauss never received his fee of 6,000 francs. In 1947 Strauss prepared a Symphonic Fragment from The Legend of Joseph, for reduced orchestra. This was premiered in March 1949 in Cincinnati under Fritz Reiner.
The ballet is based on the biblical story of Joseph who was sold into slavery by his brothers. Of all the brothers, Joseph was loved the most and given a long coat of many colors by his father. Jealousy led the brothers to sell Joseph to serve Potiphar, the captain of Pharaoh’s guard. Joseph found favor with Potiphar and prospered in everything he did, eventually becoming overseer of Potiphar’s entire household. Potiphar’s wife began to desire Joseph and sought to have an affair with him. He refused but she persisted and, after some days of begging for him, she made a false claim against him by charging that he tried to rape her. This resulted in Joseph’s imprisonment. [Based on Information in Wikipedia]
Different ballet companies offer portions of Strauss’ “Legend of Joseph” in the following Youtube videos:
www.youtube.com/watch?v=M6Axre3KPP8
We stumbled upon All Saints en route to a different church, and as all those seen thus far on this day had been small and plain, not much was expected. But I saw the tower from along the main street, and looked impressive. and once parked we found it unlocked and welcoming.
Star of the show is the northern chapel, given over to the Culpepper family, with a fabulous tomb in the centre. On the walls, dozens of blank shields show what had been planned to be the family mausoleum for centuries, but things changed, the family moved away and the chapel has just three shields decorated.
------------------------------------------
There was considerable damage caused to this church in an earthquake of 1382. The medieval accounts survive so we know that 48s 2d was spent on the rebuilding. Little can have changed to the structure since that time, except for the construction of a north chapel in 1638. This chapel has a charming pattern of flint flushwork triangles in a horizontal course below the battlements. It contains one of the most interesting seventeenth-century monuments in Kent - to commemorate Lady Elizabeth Culpepper (d. 1638), carved and signed by the Court Sculptor Edward Marshall. The detail is amazing and the cord that connects her ring and wrist is always pointed out to visitors. The rest of the church was restored early in the career of George Gilbert Scott Jr in 1876 (see also Frinsted) and retains its patina of age unimaginable in a restoration by Scott Sr. The pulpit is early seventeenth century and dates from a few years after the much crocketed font cover. There are three signed monuments by Rysbrack and a tall crownpost roof of good construction in the nave.
www.kentchurches.info/church.asp?p=Hollingbourne
------------------------------------------
HOLLINGBORNE.
THE next parish north-westward from Harrietsham is Hollingborne, called in Domesday, Hoilingeborde, and in later records, Holingburnan and Holingeburne. It probably took its name from the spring which rises in the vale underneath the hill, in this parish.
THE PARISH of Hollingborne is situated much the same as that of Harrietsham last described, close to the great ridge of chalk hills, at the foot of which is the village called Hollingborne-street, in which at the south end of it stands the church and vicarage, and near them a well-looking brick mansion, of the time of queen Elizabeth, which by its appearance must have had owners of good condition in former times, but what is remarkable the rector of Hollingborne claims some rooms in this house in right of his rectory at this time. The road through Newnhambottom from Ospringe and Canterbury passes through Hollingborne-street, and thence through Eyhorne, commonly called Iron-street, in this parish, where there are two good houses, one belonging to Robert Salmon, esq. who resides in it, and the other built not many years since by Mr. John Weeks, who died possessed of it in 1785. Hence the road leads on, and joins the Ashford high road through Bersted to Maidstone. The southern part of this parish consists mostly of a deep sand, the whole of it below the hill is well watered by some small streams, which running southward join the Lenham rivulet in its way to Maidstone. Nearer the street the soil becomes a chalk, which continues to the summit of the hill, at the edge of which stands Mr. Duppa's house, whence the remaining part of this parish northward, situated on high ground, and exposed to the cold bleak winds, is but a wild and dreary country, with thick hedgerows, and frequent coppices of wood, mostly of hazel and oak, and small unthriving trees of the latter dispersed among them; the soil a deep tillage land, wet and very poor, being a red cludgy earth, covered with quantities of flint stones. On Eyhorne green, or as it is commonly called Broad-street, in this parish, in October yearly, two constables are chosen, one for the upper, the other for the lower half hundred of Eyhorne, each of which district consists of the twelve adjoining parishes, the borsholders in which, and the several boroughs in them, except such as are chosen at the different court leets, are chosen here likewise.
This parish, with the manor of Elnothington in it, together with the rest of the hundred of Eyhorne, was antiently bound to contribute to the repair of the sixth pier of Rochester bridge.
ÆTHELSTAN ETHELING, son of Ethelred II. gave by his will in 1015, to Christ-church, in Canterbury, his lands at Hollingborne, with their appurtenances, excepting one plough-land, which he had given to Siserth. In the MSS. in Bennet college library, Cambridge, of the evidences of Christ-church, Canterbury, intitled Thorn, printed in Decim. Script. f. 2221, this gift is said to have been made in 980; a very improbable circumstance, the king, his elder brother, at that time being but fourteen years of age.
These lands he had bought of his father, and gave them, with his consent, to Christ-church, L. S. A. that is, free from all secular service, excepting the trinoda necessitas, in like manner as Adisham had been given to it.
The manor of Hollingborne remained part of the possessions of the church of Canterbury at the time of the conquest, when the revenues of it were enjoyed as one common estate by the archbishop and his convent; but archbishop Lanfranc, after the example of foreign churches, separating them, in the partition Hollingborne fell to the share of the monks, and was allotted for their subsistence, (or ad Cibum, as it was usually termed) and it is accordingly thus entered in the book of Domesday, under the general title of Terra Monachorum Archiepi, i. e. the land of the monks of the archbishop.
The archbishop himself holds Hoilingeborde. It was taxed at six sulings. The arable land is twenty-four carucates. In demesne there are two, and sixty-one villeins, with sixteen borderers, having twenty-three carucates. There is a church, twelve servants, and two mills, and eight acres of meadow. Wood for the pannage of forty hogs. In the whole, in the time of king Edward the Confessor, and afterwards, it was worth twenty pounds, and now it is worth thirty pounds. To this manor there adjoins half a suling, which never paid scot, this the bishop of Baieux rents of the archbishop.
At this time, the whole of the above premises seems to have been valued at thirty pounds.
King Henry II. granted to the monks of Christchurch a charter for their lands at Hollingborne upon the Hills. In the 10th year of king Edward II. the prior obtained a charter of free-warren for his manor of Hollingborne, among others; about which time it was, with its appurtenances, valued at 46l. 9s. 8d. King Henry VI. by his letters patent, in his 25th and 26th year, granted to the prior a market, to be held at this place weekly on a Wednesday, and a fair yearly on the feast of St. Anne. (fn. 1)
William Selling, who was elected prior in the next reign of king Edward IV. anno 1472, during the time of his holding that dignity, greatly improved the prior's apartments here. After which, it seems to have undergone no material alteration till the dissolution of the priory, which was surrendered into the hands of king Henry VIII. in the 31st year of his reign.
The manor of Hollingborne did not remain long in the hands of the crown; for the king settled it, by his dotation charter, in his 33d year, on his newerected dean and chapter of Canterbury, part of whose possessions it now remains.
There is a court-leet and court baron regularly held by the dean and chapter for this manor, which extends likewise into the adjoining parishes of Hucking, Bredhurst, and Harrietsham, the quit-rents of it called Beadle-rents, being about forty-two pounds per annum.
¶BUT THE DEMESNE LANDS of this manor have been from time to time leased out by the dean and chapter at a reserved rent of 10l. 9s. The year after the grant of it to them, they demised them by lease to I. Reynolde, as they did anno 19 Elizabeth to William Puresoy, in whose family they remained till the beginning of king James I.'s reign. After which the Fludds held them in lease, and continued so to do, till their interest in them was passed away to W. Alabaster, D. D. After which these premises were held in succession by Bargrave, Boys, Farewell, and Gookin, till the year 1684, when Sir Thomas Culpeper, had a lease of them, in whose family they continued till John Spencer Colepeper, of the Charterhouse, passed away his interest in them to the Hon. Robert Fairfax, who held them in 1758, and then alienated his lease to Francis Child, esq. banker in London, whose brother Robert Child, esq. of London, banker, dying in 1782, the trustees of his will, Robert Dent and John Keysel, esqrs. are now in the possession of his interest in the lease of these demesnes, under the dean and chapter, besides which the dean and chapter have several other lands and woods here leased out by them to different persons.
HOLLINGBORNE is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deaury of Sutton; and is exempt from the jurisdiction of the archdeacon.
The church, which is dedicated to All Saints, is a handsome building, consisting of three large isles, with a chancel at the end of the middle one, and a square tower at the west end. The chancel is much enriched with the monuments of the family of Culpeper, of Greenway-court, and for two of the lords Culpeper, one of them by Rysbrack; on the north side is one for Sir Martin Barnham and his two wives, in 1610, their three figures kneeling at a desk, and underneath their children. At the east end of the north isle there is a small neat chapel, raised up several steps to give room for a vault underneath, in which lie the remains of all this branch of the Culpeper family. The sides of the chapel are filled with black escutcheons, and square tablets of black marble alternately, only two of these among the numbers of them are filled up, and those with younger branches of the family settled elsewhere, a proof of the disappointment of the vain endeavours of the builder to transmit the memory of his descendants to posterity. On the middle of the pavement is a beautiful raised monument of white marble, and the figure of a lady, lying at full length, in the habit of the times, of exceeding good sculpture, in memory of Elizabeth, lady of Sir Thomas Culpeper, daughter of John Cheney, esq. of Sussex, obt. 1638. In the isle a monument for Nich. Chaloner, esq. obt. 1706. Against the north wall of the north isle for two of the family of Duppa, and at the lower end of the church, for the Plummers, Collins's and Dykes. In the middle isle a stone, on which have been the figures of a man and woman in brass, but two shields of arms remain, being quarterly, first and fourth, A chevron, engrailed on a chief, three sleurs de lis; second and third, Three fishes, wavy, sessways, in pale.
There is belonging to this church, a most superb altar-cloth, and a pulpit-cloth and cushion, of purple velvet, ornamented with different figures of fruits of pomegranets and grapes, wrought in gold, the needlework of the daughters of Sir John Colepeper, afterwards created lord Colepeper, who employed themselves for almost the space of twelve years in the working of them, during their father's absence abroad with king Charles II.
The communion plate is very handsome, and an swerable to the above-mentioned furniture, being mostly the gift of the family of Colepeper, and some of it of Baldwin Duppa, esq.
John Eweyn, by his will proved in 1527, gave a table of alabaster, to stand upon the altar of St. John the Baptist in this church; and money to the repair of St. John's chapel in it. John Aleff, parson of Hollingborne, as appears by his will in 1537, was buried in the way beside the porch-door, on the right hand, and that there was set in the wall, nigh his grave, a stone with a plate of sculpture, mentioning where and when he was buried. He had before been vicar of Little Chart, and of St. Laurence Wolton, as he was then of St. John's Sherburne, in Hampshire.
The church of Hollingborne, to which the chapels of Hucking and Bredhurst were antiently annexed, is a sinecure rectory, with a vicarage endowed. The rector of Hollingborne is at this time patron of the perpetual curacy of the chapel of Bredhurst. The archbishop is patron both of the rectory and of the vicarage of Hollingborne, the vicar of which is collated to this vicarage, with the chapel of Hucking annexed.
The vicarage was endowed before the year 1407, in which year Arthur Sentleger, the rector, granted to William Maunby, vicar of this church, a messuage, with its appurtenances in this parish, for the habitation of himself and his successors for ever. (fn. 5) In archbishop Chichele's register, at Lambeth, there is an unauthenticated writing of a composition, made about the year 1441, for it is without date, between William Lyeff, then rector here, and John Fsylde, vicar, upon the assignation of a proper portion for the endowment of this vicarage in future times.
The rectory of Hollingborne is valued in the king's books at 28l. 15s. 5d. and the tenths at 2l. 17s. 6 1/7d. The vicarage is valued in them at 7l. 6s. 8d. and the yearly tenths at 14s. 8d. The vicarage in 1640 was valued at eighty-six pounds, and the communicants were then 271. It is now of the yearly certified value of 70l. 16s. 8d.
The vicarage was augmented twenty pounds per annum, by lease between Ralph Staunton, rector, and Sir Thomas Culpeper, of this parish.
¶The name of Culpeper, or Colepeper, is so variously spelt in different deeds and records, that it is impossible to keep with any rule to either spelling; on all the monuments, and in the parish register, (excepting in two instances in the last) it is spelt Culpeper.
Companies deciding where to locate their manufacturing activities, or whether to source their products in the United States or from overseas, should carefully consider the total costs of shipping. Shipping costs include both the direct and indirect costs of transporting products from their point of origin to their destination market. Expected gains from offshoring can often be erased by long shipping times, rising or fluctuating shipping costs, regulatory fees, and unexpected delays.
Shipping costs occur in both directions. They are a cost to U.S. firms that import, and they also are a cost to firms that purchase exported U.S. products. As this website emphasizes, firms worldwide must take into account numerous costs, including and in addition to shipping, when assessing where to produce or make their purchases. The resurgence in U.S. exports over the past several years provides strong evidence that many foreign customers recognize the value of products with the "Made in the U.S.A." label.
Freight Costs and Shipping Time
Most goods imported into the United States travel by land or sea – less than one percent of the total imports by weight arrive by air. This is due in large part to the substantial cost of air freight, which the World Bank estimates is 12 to 16 times more expensive than ocean freight. Whatever the mode of transportation shipping involves multiple costs, including container fees, packaging, terminal handling, and broker fees. In order to get a complete picture of shipping costs, each of these factors should be taken into account.
In addition to financial costs, shipping goods internationally takes time. For example, goods shipped from China, on average, take around 14 days to reach the West Coast or 30 days to reach the East Coast. If there are any problems with the final goods delivered to the United States, or if a fast resupply becomes necessary, it can be difficult or impossible to receive a new shipment in time.
In order to save on fuel costs, many ocean shipping lines use slow steaming on many of their routes. Pioneered by Maersk Line, slow steaming involves ships sailing at low speeds to reduce the amount of fuel consumed. This reduces costs for the shipping companies, but it increases the amount of time it takes to move goods from one place to another.
Slow steaming has quickly become the preferred method used by ocean shipping lines, both for economic and environmental reasons. A recent study published in the Journal of Maritime Economics and Logistics estimates that “extra slow steaming” is the most beneficial vessel speed, reducing costs for the transport company by 20 percent (which can pass those savings on to the manufacturers whose goods they carry) and reducing carbon dioxide emissions by 43 percent. However, extra slow steaming reduces speed by 25 to 40 percent from normal speeds. Slow steaming adds as many as ten extra days in shipping from China to the United States. While reduced shipping costs might be attractive, they come with a price—even longer shipping times.
Long shipping times also play a role in product returns. Any items that must be returned to the factory or point of origin must again travel the two to four weeks required to get there or be shipped by air, which is considerably more expensive than shipping by sea. If a customer requires a new or replacement item right away, this will almost always require costly air freight.
Infrastructure
Before being loaded on a freighter or airplane, goods must be secured in shipping boxes and traveled from the factory to the port. The overall quality of the foreign transportation infrastructure, which includes roads, railroads, ports, and air transportation networks, varies across countries and has a direct bearing on the total time and cost of shipping. To help gauge the relative differences in individual countries' infrastructure it is worthwhile to consult the World Economic Forum's latest Global Competitiveness Report. The report provides data on 144 countries.
I was in the area, checking up on the Heath Spotted Orchids, and the church was a five minute drive away, in the grounds of a former country house.
I park at the church and find it locked, as expected, but there were directions to a keyholder nearby, walking into the cobbled squares and converted estate buildings now executive housing.
I ring the bell: nothing
I ring again: nothing
I use the knocker: dog barks. Dog attacks the door.
There is angry voices. Or voice. There was the sound of the dog being put into a side room, and the struggle to close the door.
The front door opened: yes?
Can I have the church key, please?
Not sure if I still have it.
Why'd you want it?
To photograph the interior.
Who're with?
I'm with no one, I am photographing all parish churches in the county, and would like to do this one. I showed him my driving licence which should say under job title: obsessive and church crawler.
He seemed satisfied, and let me have the key.
Phew.
------------------------------------------------
Substantially rebuilt after a fire of 1598. The welcoming interior displays no chancel arch, although the doorways in the arcade show where the medieval rood screen ran the width of the church. The striking east window was designed by Wallace Wood in 1954. There is a good aumbry and piscina nearby. To the north of the chancel stands the excellent tomb chest of Sir John Tufton (d. 1624). The arcade into which it is built was lowered to allow a semi-circular alabaster ceiling to be inserted to set the composition off. Because it is completely free-standing it is one of the easiest tomb chests in Kent to study, with five sons kneeling on the south side and four daughters on the north . In addition there are complicated coats of arms and an inscription which records the rebuilding of the church by Tufton after the fire. On top of the chest lie Sir John and his wife, with their son Nicholas kneeling between their heads. Much of the monument is still covered with its original paint. The organ, which stands in the south aisle, may be the instrument on which Sir Arthur Sullivan composed 'The Lost Chord'. It originally stood in Hothfield Place where Sullivan was a frequent guest.
www.kentchurches.info/church.asp?p=Hothfield
--------------------------------------------
HOTHFIELD
IS the next parish northward from Great Chart, and is so called from the bothe, or heath within it. The greatest part of this parish lies within the hundred of Chart and Longbridge, and the remainder in that of Calehill. It is in the division of East Kent.
THE PARISH of Hothfield lies a little more than two miles from Ashford north-westward, the high road from which towards Lenham and Maidstone goes through it over Hothfield heath. It contains about 1250 acres, and fifty houses, the rents of it are about 1300l. per annum. It is not a pleasant, nor is it accounted a healthy situation, owing probably to the many low and watry lands in and about it. The river Stour, which rises at Lenham, runs along the southern side of the parish, which is watered likewise by several small streams, which rise about Charing and Westwell, from under the chalk hills, and join the Stour here. The heath, which contains near one half of the parish, consists mostly of a deep sand, and has much peat on it, which is continually dug by the poor for firing. On the east and west sides of the heath, the latter being called West-street, are two hamlets of houses, which form the scattered village of Hothfield. The Place-house stands on a hill, at a small distance from the corner of the heath southward, with some small plantations of trees about it, forming a principal object to the country round it. It is a square mansion, built of Portland stone, by the late earl of Thanet, on the scite of the antient mansion, close to the church; it has a good prospect round it. The adjoining grass grounds are extensive, and well laid out for the view over them; the water, which rises at no great distance from the house, becomes very soon a tolerable sized stream, and running on in sight of it, joins the Stour a little above Worting mill; these grass lands are fertile and good fatting land, like those mentioned before, near Godington, in Great Chart. The parsonage house, which is a neat dwelling of white stucco, stands at the southern corner of the heath, at the foot of the hill, adjoining the Place grounds, near West-street. Between the heath and Potter's corner, towards Ashford, the soil begins to approach much of the quarry stone.
Though the land in the parish is naturally poor, it is rendered productive by the chalk and lime procured from the down hills. The inhabitants have an unlimited right of commoning with those of the adjoining parish of Westwell, to upwards of five hundred acres of common, which affords them the means of keeping a cow and their poultry, which, with the liberty of digging peat, draws a number of certificated poor to reside here. There is not one dissenter in the parish.
Jack Cade, the noted rebel, in Henry the VI.th's reign, though generally supposed to be taken by Alexander Iden, esq. the sheriff, in a field belonging to Ripple manor, in the adjoining parish of Westwell, was discovered, as some say, in a field in this parish, still named from him, Jack Cade's field, now laid open with the rest of the grounds adjoining to Hothfieldplace.
The plant caryophyllata montena, or water avens, which is a very uncommon one, grows in a wood near Barber's hill, in this parish.
THE MANOR OF HOTHFIELD seems, in very early times, to have had the same owners as the barony of Chilham, and to have continued so, for a considerable length of time after the descendants of Fulbert de Dover were become extinct here. Bartholomew de Badlesmere, who in the 5th year of king Edward II. had a grant of this manor as well as of Chilham in see, appears to have held this manor of Hothfield by grand sergeantry of the archbishop, and accordingly, in the 8th year of it, at the enthroning of archbishop Walter Reynolds, he made his claim, and was allowed to perform the office of chamberlain for that day, and to serve up the water, for the archbishop to wash his hands; for which his fees were, the furniture of his bedchamber, and the bason and towel made use of for that purpose; (fn. 1) and in the next year he obtained of the king, a charter of free-warren for his demesne lands within this manor among others. After this the manor of Hothfield continued to be held by the like service, and continued in the same owners as that of Chilham, (fn. 2) down to Thomas lord Roos, who became entitled to the see of it, who for his attachment to the house of Lancaster, was, with others, attainted, in the 1st year of king Edward IV.'s reign, and his lands confiscated to the crown. But Margaret his mother, being possessed of it for her life, afterwards married Roger Wentworth, esq. whom she survived, and died possessed of it in the 18th year of that reign; upon which, by reason of the above attaint, the crown became entitled to it, the inquisition for which was found in the 4th year of that reign; immediately after which, the king granted it to Sir John Fogge, of Repton, who was comptroller of his household and one of his privy council, for his life. On king Richard III.'s accession to the crown, he took shelter in the abbey of Westminster, from whence he was invited by the king, who in the presence of a numerous assembly gave him his hand, and bid him be confident that from thenceforward he was sure to him in affection. This is rather mentioned, as divers chronicles have erroneously mentioned that he was an attorney, whom this prince had pardoned for forgery. He died possessed of it in the 17th year of Henry VII. where it remained till Henry VIII. granted it, at the very latter end of his reign, to John Tufton, esq. of Northiam, in Sussex, whose lands were disgavelled by the acts of 2 and 3 Edward VI. who afterwards resided at Hothfield, where he kept his shrievalty in the 3d year of queen Elizabeth. He was descended from ancestors who were originally written Toketon, and held lands in Rainham, in this county, as early as king John's reign; (fn. 3) one of whom was seated at Northiam, in Sussex, in king Richard the IId.'s reign, at which time they were written as at present, Tufton, and they continued there till John Tufton, esq. of Northiam, before-mentioned, removed hither. He died in 1567, and was buried in this church, leaving one son John Tufton, who resided at Hothfield-place, and in July, in the 16th year of queen Elizabeth, anno 1573, entertained the queen here, in her progress through this county. In the 17th year of that reign he was sheriff, and being a person of eminent repure and abilities, he was knighted by king James, in his 1st year, and created a baronet at the first institution of that order, on June 19, 1611. He married Olimpia, daughter and heir of Christopher Blower, esq. of Sileham, in Rainham, by whom he had three daughters; and secondly Christian, daughter and coheir of Sir Humphry Brown, a justice of the common pleas. He died in 1624, and was buried in this church, having had by her several sons and daughters. Of the former, Nicholas the eldest, succeeded him in title and estates. Sir Humphry was of Bobbing and the Mote, in Maidstone, and Sir William was of Vinters, in Boxley, both baronets, of whom further mention has already been made in the former parts of this history.
Sir Nicholas Tufton, the eldest son, was by letters patent, dated Nov. 1, anno 2 Charles I. created lord Tufton, baron of Tufton, in Sussex; and on August 5, in the 4th year of that reign, earl of the Isle of Thanet, in this county. He had four sons and nine daughters; of the former, John succeeded him in honors, and Cecil, was father of Sir Charles Tufton, of Twickenham, in Middlesex. John, the eldest son, second earl of Thanet, married in 1629 Margaret, eldest daughter and coheir of Richard, earl of Dorset, by his wife the lady Anne Clifford, sole daughter and heir of George, earl of Cumberland, and baroness of Clifford, Westmoreland, and Vescy, by which marriage these tithes descended afterwards to their issue. In the time of the commonwealth, after king Charles the 1st.'s death, he was, in 1654, appointed sheriff, and however inconsistent it might be to his rank, yet he served the office. He left six sons and six daughters, and was succeeded by Nicholas his eldest son, third earl of Thanet, who by the deaths of his mother in 1676, and of his cousin-german Alethea, then wife of Edward Hungerford, esq. who died s. p. in 1678, he became heir to her, and sole heir to his grandmother Anne, lady Clifford, and consequently to the baronies of Clifford, Westmoreland, and Vescy; dying s. p. he was succeeded as earl of Thanet and lord Clifford, &c. by his next brother John, who, on his mother's death, succeeded likewise by her will to her large estates in Yorkshire and Westmoreland, and to the hereditary in sheriffdoms of the latter and of Cumberland likewise, for it frequently happened in these hereditary sheriffdoms that female heirs became possessed of them, and consequently were sheriffs of those districts; but this was not at all an unusual thing, there being many frequent instances of women bearing that office, as may be seen in most of the books in which any mention is made of it, some instances of which the reader may see in the differtation on the office of sheriff, in vol. i. of this history. That part of their office which was incompatible for a woman to exercise, was always executed by a deputy, or shyre-clerk, in their name. But among the Harleian MSS. is a very remarkable note taken from Mr. Attorney-general Noys reading in Lincoln's inn, in 1632, in which, upon a point, whether the office of a justice of a forest might be executed by a woman; it was said, that Margaret, countess of Richmond, mother to king Henry VII. was a justice of peace; that the lady Bartlet, perhaps meant for Berkley, was also made a justice of the peace by queen Mary, in Gloucestershire; and that in Suffolk one ..... Rowse, a woman, did usually fit upon the bench at assizes and sessions among other justices, gladio cincta. John, earl of Thanet, died unmarried, as did his next brother earl Richard, so that the titles devolved to Thomas Tufton, who became the sixth earl of Thanet, and lord Clifford, which latter title was decreed to him by the house of peers in 1691. He left surviving issue five daughters and coheirs, the eldest of whom, Catherine, married Ed. Watson, viscount Sondes, son and heir of Lewis, earl of Rockingham; and the four others married likewise into noble families. He died at Hothfield in 1729, having by his will bequeathed several legacies to charitable purposes, especially towards the augmentation of small vicarages and curacies. He died without male issue, so that the titles of earl of Thanet and baron Tufton, and of baronet, descended to his nephew Sackville Tufton, eldest surviving son of his brother Sackville Tufton, fifth son of John, second earl of Thanet. But the title of baroness Clifford, which included those of Westmoreland and Vescy, upon the death of Thomas, earl of Thanet, without male issue, became in abeyance between his daughters and coheirs above-mentioned, and in 1734, king George II. confirmed that barony to Margaret, his third surviving daughter and coheir, married to Thomas Coke, lord Lovel, afterwards created earl of Leicester, which title is now again in abeyance by his death s. p. Which Sackville Tufton died in 1721, leaving Sackville the seventh earl of Thanet, whose eldest son of the same name succeeded him as eighth earl of Thanet, and rebuilt the present mansion of Hothfield-place, in which he afterwards resided, but being obliged to travel to Italy for his health, he died there at Nice in 1786, and was brought to England, and buried in the family vault at Rainham, in this county, where his several ancestors, earls of Thanet, with their countesses, and other branches of the family, lie deposited, from the time of their first accession to that title. He married Mary, daughter of lord John Philip Sackville, sister of the present duke of Dorset, by whom he had five sons and two daughters, Elizabeth; and Caroline married to Joseph Foster Barham, esq. Of the former, Sackville, born in 1769, succeeded him in honors; Charles died unmarried; John is M. P. for Appleby; Henry is M. P. for Rochester, and William. He was succeeded by his eldest son, the present right hon. Sackville Tufton, earl of Thanet, baron Tufton, lord of the honor of Skipton, in Craven, and baronet, and hereditary sheriff of the counties of Westmoreland and Cumberland, who is the present possessor of this manor and seat, and resides here, and is at present unmarried. (fn. 4)
The antient arms of Tufton were, Argent, on a pale, sable, an eagle displayed of the field; which coat they continued to bear till Nicholas Tufton, the first earl of Thanet, on his obtaining that earldom, altered it to that of Sable, an eagle displayed, ermine, within a bordure, argent; which coat was confirmed by Sir William Segar, garter, in 1628, and has been borne by his descendants to the present time. The present earl of Thanet bears for his coat of arms that last-mentioned; for his crest, On a wreath, a sea lion, seiant, proper; and for his supporters, Two eagles, their wings expanded, ermine.
SWINFORT, or Swinford, which is its more proper name, is a manor in this parish, lying in the southern part of it, near the river Stour, and probably took its name from some ford in former times over it here. However that be, it had formerly proprietors, who took their name from it; but they were never of any eminence, nor can I discover when they became extinct here; only that in king Henry V.'s reign it was in the possession of Bridges, descended from John atte Bregg, one of those eminent persons, whose effigies, kneeling and habited in armour, was painted in the window often mentioned before, in Great Chart church; and in this family the manor of Swinford continued till the latter end of king James I.'s reign, when it passed by sale from one of them to Sir Nicholas Tufton, afterwards created earl of Thanet, whose son John, earl of Thanet, before the 20th year of that reign, exchanged it for other lands, which lay more convenient to him, with his near neighbour Nicholas Toke, esq. of Godinton, in which family and name it has continued down, in like manner as that feat, to Nicholas Roundell Toke, esq. now of Godinton, the present possessor of it. A court baron is held for this manor.
FAUSLEY, or FOUSLEY, as it is now usually called, is the last manor to be described in this parish; its more antient name was Foughleslee, or, as it was usually pronounced, Faulesley; which name it gave to owners who in early times possessed and resided at it. John de Foughleslee, of Hothfield, was owner of it in the second year of king Richard II. and in his descendants this manor seems to have continued till about the beginning of queen Elizabeth's reign, when it passed by sale to Drury; from which name, at the latter end of it, this manor was conveyed to Paris, who immediately afterwards alienated it to Bull, who soon afterwards reconveyed it back again to the same family, whence, in the next reign of king James I. it was sold to Sir Nicholas Tufton, afterwards created earl of Thanet, in whose successors, earls of Thanet, it has continued down to the right hon. Sackville, earl of Thanet, the present owner of it.
Charities.
RICHARD PARIS, by deed in 1577, gave for the use of the poor, a rent charge of 16s. per annum, out of land called Hanvilles, in this parish; the trustees of which have been long ago deceased, and no new ones appointed since.
THOMAS KIPPS, gent. of Canterbury, by will in 1680, gave for the use of the same, an annual rent charge of 1l. out of lards in Great Chart.
RICHARD MADOCKE, clothier, of this parish, by will in 1596, ordered that the 11l. which he had lent to the parishioners of Hothfield, towards the rebuilding of their church, should, when repaid, be as a stock to the poor of this parish for ever.
SIR JOHN TUFTON, knight and baronet, and Nicholas his son, first earl of Thanet, by their wills in 1620 and in 1630, gave certain sums of money, with which were purchased eight acres of land in the parish of Kingsnoth, of the annual produce of 10l.
DR. JOHN GRANDORGE, by deed in 1713, gave a house and land in Newington, near Hythe, of the annual produce of 7l. which premises are vested in the earl of Thanet.
THOMAS, EARL OF THANET, and SACKVILLE TUFTON. Esq. grandfather of the present earl, by their deeds in 1720 and 1726, gave for a school mistress to teach 24 poor children, a rent charge and a house and two gardens, in Hothfield, the produce in money 20l. The premises were vested in Sir Penyston Lambe and Dr. John Grandorge, long since deceased; since which the trust has not been renewed; and the original writings are in the earl of Thanet's possession.
Such of the above benefactions as have been contributed by the Tufton family, have been ordered by their descendants to be distributed annually by the steward of Hothfield-place for the time being, without the interference of the parish officers, to such as received no relief from this parish; the family looking upon these rather as a private munisicence intended to continue under their direction.
The poor annually relieved are about twenty-five, casually as many.
HOTHFIELD is situated within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Charing.
¶The church, which is small, is dedicated to St. Mary, and consists of three isles and a chancel, having a low spire steeple, covered with shingles at the west end, in which are five bells, and though it stands on a hill, is yet very damp. There is not any painted glass in the windows of it. On the north side in it, is a monument of curious workmanship, having the figures of a man and woman, in full proportion, lying at length on it; at three corners of it are those of two sons and one daughter, kneeling, weeping, all in white marble; round the edges is an inscription, for Sir John Tufton, knight and baronet, and Olympia his wife, daughter and heir of Christopher Blower, esq. On the monument are the arms of Tufton, with quarterings and impalements; on the sides are two inscriptions, one, that he re-edified this church after it was burnt, at his own charge, and under it made a vault for himself and his posterity, and after that he had lived eighty years, departed this life; the other enumerating his good qualities, and saying that by his will he gave perpetual legacies to this parish and that of Rainham. This monument is parted off from the north isle by a strong partition of wooden balustrades, seven feet high. The vault underneath is at most times several feet deep with water, and the few coffins which were remaining in it were some years since removed to the vaults at Rainham, where this family have been deposited ever since. On the north side of the chancel is a smaller one, formerly called St. Margaret's chapel, now shut up, and made no use of. In the south isle is a memorial for Rebecca, wife of William Henman, esq. obt. 1739, and Anna-Rebecca, their daughter, obt. 1752; arms, A lion, between three mascles, impaling a bend, cotized, engrailed. This church, which is a rectory, was always esteemed an appendage to the manor, and has passed accordingly, in like manner with it, down to the right hon. Sackville, earl of Thanet, lord of the manor of Hothfield, the present patron of it.
This rectory is valued in the king's books at 17l. 5s. and the yearly tenths at 1l. 14s. 6d.
There was a pension of ten shillings paid from it to the college of Wye. In 1588 here were communicants one hundred and ninety-three, and it was valued at eighty pounds. In 1640, communicants one hundred and ninety, and valued at only sixty pounds per annum. There is a modus of two pence an acre of the pasture lands in the parish. There are twelve acres of glebe. It is now worth about one hundred and twenty pounds per annum.
Richard Hall, of this parish, by will in 1524, ordered that his feoffees should enfeoffe certain honest persons in his house and garden here, set beside the pelery, to the intent that the yearly serme of them should go to the maintenance of the rode-light within the church.
This church was burnt down in the reign of king James I. and was rebuilt at the sole expence of Sir John Tufton, knight and baronet, who died in 1624. His descendant Thomas, earl of Thanet, who died in 1729, gave the present altar-piece, some of the pewing, and the pulpit.
The snow line dipped south of the Poconos unexpectedly and we got between three and four inches.
It's early in the year for us.
We won't be posting for a few days, Happy Thanksgiving!
They flapped but dared not fly. Not just yet.
Impersonating church steeples, three young great blue herons appeared close to taking their inaugural flights. Canada Day, Roberts Bay, Sidney BC.
The Managing Director of the International Monetary Fund, Christine Lagarde, will today begin her three day visit to Rwanda, her first since she came to the helm of the institution in 2011. In an e-mail correspondence with The New Times’ Kenneth Agutamba, Lagarde sheds light on her institution’s current relationship with Rwanda and commends the country’s transformative and inclusive policies that have seen a significant decline in poverty levels.
You come here 20 years after the 1994 Genocide against the Tutsi. In your view, what has been the trigger for Rwanda’s rapid economic renaissance?
My main message to Rwanda is that “Good policies pay off.” Let me set this in a broader context by saying that I am very happy to have the opportunity to visit Rwanda at such a pivotal moment in its history. The horrific events that occurred 20 years ago tore the social and economic fabric of the country, and it is uplifting to see the progress in rebuilding, in peace efforts, and in improving the welfare of all Rwandans.
This truly is an example in terms of social and economic transformation. It proves that effective policies and inclusive growth can be transformational.
The economic performance has been remarkable, with strong annual growth for the past 15 years. This has helped Rwanda make progress towards achieving the Millennium Development Goals. The poorest have benefited from a focus on inclusive growth, with the poverty rate falling to 45 per cent of the population in 2011 from 60 per cent in 2000.
Of course, this rate is still high, but it is definite progress and we see the trend continuing. So, while there has not been a magic bullet or a single trigger, a holistic approach, that also included a focus on the agricultural sector, employment, and gender equality, has been instrumental in sharing the fruits of high growth more widely.
What is the status of IMF relations in Rwanda at present?
We have a very close economic policy dialogue and the IMF is currently supporting the government with a Policy Support Instrument (PSI) – designed for low-income countries that have graduated from financial support but still seek to maintain a close policy dialogue.
The PSI signals the strength of a country’s policies to donors, multilateral development banks, and markets. We also provide technical assistance as part of the Fund’s efforts to increase local capacity and know-how. We have an office in Kigali, where a resident representative, currently Mitra Farahbaksh, ensures our presence in the field.
Rwanda’s PSI, which is in its second year, supports Rwanda’s own policy priorities for strong and inclusive growth, with an emphasis on domestic resource mobilization, private sector development, export diversification, regional integration, and financial sector development.
We recently reviewed this programme and welcomed the country’s continued strong performance. We also agreed with the government that more work needs to be done to further reduce Rwanda’s reliance on aid and increase its resilience to external shocks.
What is your economic outlook for the country between now and 2020?
Our outlook for Rwanda is positive. The economy is recovering from a weak performance in agriculture and delays in related project implementation in recent years. Growth rebounded last year and inflation remains well contained. We expect GDP growth rates to rise gradually towards 7-7.5 per cent in the medium term, while inflation remains within the medium-term target of 5 per cent.
I am particularly impressed with the government’s continued commitment to poverty reduction.
As part of my stay here, I will be visiting the Agaseke Handicraft Cooperative and the ICT hub (knowledge Lab) in Kigali to see firsthand how the government has managed to improve the welfare of vulnerable and disadvantaged groups such as women and youth.
As your readers are aware, the Economic Development and Poverty Reduction Strategy for 2013–18 focuses on economic transformation, rural development, and youth employment. The strategy is rightly aimed at further reducing poverty.
I think that the continued rollout of planned measures and the successful inclusion of the private sector in leading economic development will help make sizeable inroads in making growth even more inclusive and in reducing inequality.
In a recent advisory by the IMF Board, they encouraged Rwanda to widen its tax base and put emphasis on domestic revenue sourcing. What is your advice on this?
We are devoting a significant portion of our technical assistance to support Rwanda’s efforts to reduce its dependence on foreign aid. The focus is appropriately on widening the tax base – not higher taxes, but all paying a fair share.
The government has already made significant progress in the areas of revenue administration.
The push to increase the number of registered VAT payers through the introduction of electronic billing machines, and the switch in the collection of local taxes and fees from the local governments to the revenue authority, should be useful in bringing more businesses under the tax system.
The introduction of tax regimes for agriculture and mining, and improvements in property taxation, should also help achieve the goal of providing budgetary resources for key expenditures, particularly those aimed at scaling up social spending and infrastructure in a context where donor resources are likely to be limited.
Lately, Rwanda has taken to raising money through bonds, do you think this is viable?
Rwanda’s successful Euro-bond issuance in 2013 demonstrated that market financing can play a complementary role in financing investment plans. Several other African countries have followed suit over the past year.
The key is to ensure that Rwanda’s debt remains sustainable. I welcome the government’s commitment to fully explore concessional financing options and private sector participation before considering the use of non-concessional resources.
At the same time, the government’s decision to begin issuing domestic currency bonds in 2014 was an important step in the process of developing and deepening local capital markets.
www.newtimes.co.rw/section/article/2015-01-26/185319/
Creating jobs remains a high priority for this country, but as you know the private sector is also still young. What should Rwanda do to address these two issues?
On private sector development, Rwanda’s potential depends critically on full implementation of ongoing reforms to attract foreign investment and boost exports. These include reducing the cost of doing business; improving infrastructure; supporting skills development; and tapping into regional markets.
The increased provision of lower-cost electricity and improved transportation should help facilitate diversification and business development.
On creating jobs, the government has identified three key priorities: skills development, the fostering of entrepreneurship for small- and medium-sized enterprises, and supporting household enterprises. We at the Fund share this emphasis on building the capacity of Africa’s greatest resource–its people. Increased investment in infrastructure can help put people to work.
The IMF’s latest Regional Economic Outlook for Sub-Saharan Africa projects regional GDP growth to pick up from about 5 per cent in 2013/14 to 5.75 per cent in 2015. That isn’t a big leap, is it? Can you elaborate on this?
Sub-Saharan Africa has made impressive progress over the past two decades, with growth averaging around 5 per cent. We expect that to continue in 2015, despite the impact of lower oil prices on some of Africa’s major oil exporting economies.
So there has been real progress, as growth has allowed for reducing poverty and improving living conditions.
For example, the number of people living on less than $1.25 a day in Africa has fallen significantly since 1990. But extreme poverty remains unacceptably high and not all countries are making progress. Some countries are still facing internal conflict and/or fragility.
Looking ahead, there are a number of longer-term demographic, technological and environmental challenges that need to be addressed in order to realise the ‘big leap’ that you refer to.
For instance, how can we tap into the productive capacity of Africa’s youth? How can Africa take advantage of technological innovation?
And how can we address the implications of climate change? Three broad policy priorities are crucial: building infrastructure, building institutions, and building people. Africa must also strengthen its institutional and governance frameworks to better manage its vast resources.
But the focus must be on people—with programmes aimed at boosting health and education and other essential social services. In fact, Rwanda is one of the countries that are effectively implementing policies in many of these areas.
The Ebola outbreak in West Africa has dealt a major blow to several African economies in the region. Can the effects of this blow spread to other parts of the continent?
The Ebola outbreak is a severe human, social and economic crisis that requires a resolute response. And the focus must be on isolating the virus, not the countries.
Strong efforts are underway in Guinea, Liberia and Sierra Leone, but it is unlikely to be brought under control before the second half of 2015.
The economic outlook for these countries has already worsened since September, when the IMF disbursed $130 million to the (three) countries to boost their response to the outbreak.
If the outbreak remains limited to the three countries, the economic outlook for the rest of sub-Saharan Africa remains favourable. Some neighbouring countries like The Gambia have seen an impact on tourism.
We are working with the governments of the three affected countries to provide additional interest-free financing of about $160 million, and expect our Board to make a decision in the next few days.
Following the endorsement by the G-20 leaders in Australia, we are also looking at further options to provide additional support to the Ebola-hit countries, including through the provision of donor-supported debt relief.
International oil prices have been tumbling, is this good for Rwanda and the other members of the EAC?
Indeed, oil prices have fallen recently, affecting both oil producers and consumers. Overall, we see the price decline as positive for the global economy. As an oil importer, Rwanda and indeed the East Africa region should benefit given that lower prices will most likely have a positive impact on growth whilst also easing inflation.
Countries can make use of this window of opportunity to reduce universal energy subsidies and use the savings toward more targeted transfers that benefit the poor.
Recently, the East African Community, a regional bloc to which Rwanda subscribes, reached a landmark Economic Partnership agreement (Epa) with Europe. Do you think that these countries need such agreements?
The EPA is designed to enhance commercial and economic relations, supporting a new trading dynamic in the region and deepening cooperation in trade and investment. It can serve as an important instrument of development in many respects.
It can promote sustained growth, increase the productive capacity of EAC economies, foster diversification and competitiveness, and, of course, boost trade, investment and employment. Rwanda is a key member of the EAC that has worked hard to create a conducive and transparent business environment. So it should benefit from this agreement.
**************************
About Lagarde
Christine Lagarde assumed the mantle of the International Monetary Fund in July 2011. A Frenchwoman, she was previously French finance minister from June 2007, and had also served for two years as France’s minister for foreign trade.
Lagarde also has had an extensive and noteworthy career as an anti-trust and labour lawyer, serving as a partner with the international law firm of Baker & McKenzie, where the partnership elected her as chairman in October 1999.
The IMF is an organisation of 188 countries, working to foster global monetary cooperation, secure financial stability, facilitate international trade, promote high employment and sustainable economic growth, and reduce poverty around the world.
Photos : Jack Yakubu (Jack Nkinzingabo)