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We woke at half five, I mean we had gone to bed at eight the day before, so that amount to quite some sleep. All we wanted was a shower, breakfast and a huge city to explore. Just as well, as that is what the day had on offer.
At seven in the morning, the city had yet to wake up, the streets were oddly quiet, and lined with piles of trash bags waiting to be collected.
Nowhere seemed to be open, but we walked south along a cobbled street until we saw the bright lights of a 24 hour day café/restaurant.
We went in and ordered lots of food; a smoothie, a huge coffee and an everything bagel with cream cheese. Service was great and swift, and soon we were eating and drinking, the coffee putting lots of energy into our legs.
We cut across the main streets of Lower Manhattan, including Broadway, past City Hall until we came to the approach roads to the Brooklyn Bridge. Could we find the way to the footway as half the roads around it seemed to be closed?
Yes we could, up some steps and onto the footway that runs between the two carriageways of traffic, up walking on concrete until the bridge for real starts, at which point the walkway is of wood.
At first it wasn’t too busy, but there were groups of folks following a guide holding an umbrella or something, and they blocked the views, or were talking selfies with their I pads. I mean, everyone’s a photographer these days.
I get shots, then we carry on over the bridge into Brooklyn to visit an area called DUMBO, Down Under Brooklyn something Underpass.
It was here I hoped to find the shot of what I thought was the Brooklyn Bridge, but turned out to be the Manhattan Bridge, and I wasn’t the only one with the idea of snapping the scene, as two photographers had set up tripods on the crossing.
I got my shots handheld, then we set about looking for a place to have coffee as we had already done 8,000 steps that day.
We ended up having a coffee and a slice of cake, having our cake and eating it, in a corner store in DUMBO, we ate and drunk that, then I went out to take a clearer shot of the bridge, but found half of New York were there trying to get the same shot.
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The Brooklyn Bridge is a hybrid cable-stayed/suspension bridge in New York City and is one of the oldest roadway bridges in the United States. Started in 1869 and completed fourteen years later in 1883, it connects the boroughs of Manhattan and Brooklyn, spanning the East River. It has a main span of 1,595.5 feet (486.3 m) and was the first steel-wire suspension bridge constructed. It was originally called the New York and Brooklyn Bridge and the East River Bridge, but it was later dubbed the Brooklyn Bridge, a name coming from an earlier January 25, 1867 letter to the editor of the Brooklyn Daily Eagle[8] and formally so named by the city government in 1915. Since opening, it has become an icon of New York City and was designated a National Historic Landmark in 1964[7][9][10] and a National Historic Civil Engineering Landmark in 1972.
Although the Brooklyn Bridge is technically a suspension bridge,[12] it uses a hybrid cable-stayed/suspension bridge design. The towers are built of limestone, granite, and Rosendale cement. The limestone was quarried at the Clark Quarry in Essex County, New York.[13] The granite blocks were quarried and shaped on Vinalhaven Island, Maine, under a contract with the Bodwell Granite Company, and delivered from Maine to New York by schooner.[14]
The bridge was built with numerous passageways and compartments in its anchorages. New York City rented out the large vaults under the bridge's Manhattan anchorage in order to fund the bridge. Opened in 1876, the vaults were used to store wine, as they were always at 60 °F (16 °C).[15] This was called the "Blue Grotto" because of a shrine to the Virgin Mary next to an opening at the entrance. When New York magazine visited one of the cellars in 1978, it discovered on the wall a "fading inscription" reading: "Who loveth not wine, women and song, he remaineth a fool his whole life long.
The bridge was conceived by German immigrant John Augustus Roebling in 1852,[17] who spent part of the next 15 years working to sell the idea.[citation needed] He had previously designed and constructed shorter suspension bridges, such as Roebling's Delaware Aqueduct in Lackawaxen, Pennsylvania, and the John A. Roebling Suspension Bridge between Cincinnati, Ohio, and Covington, Kentucky. While conducting surveys for the bridge project, Roebling sustained a crush injury to his foot when a ferry pinned it against a piling. After amputation of his crushed toes, he developed a tetanus infection that left him incapacitated and soon resulted in his death in 1869, not long after he had placed his 32-year-old son, Washington Roebling, in charge of the project.[18]
In February 1867, the New York State Senate passed a bill that allowed the construction of a suspension bridge from Brooklyn to Manhattan.[19] Two months later, the New York and Brooklyn Bridge Company was incorporated. The company was tasked with constructing what was then known as the New York and Brooklyn Bridge.[20][21]
Construction of the Brooklyn Bridge began in 1869.[12] The bridge's two towers were built by floating two caissons, giant upside-down boxes made of southern yellow pine, in the span of the East River, and then beginning to build the stone towers on top of them until they sank to the bottom of the river. Compressed air was pumped into the caissons, and workers entered the space to dig the sediment, until the caissons sank to the bedrock. The whole weight of the bridge still sits upon 15-foot-thick southern yellow-pine wood under the sediment.[22]
Many workers became sick with the bends during this work.[23] This condition was unknown at the time and was first called "caisson disease" by the project physician, Andrew Smith.[24][25] Washington Roebling suffered a paralyzing injury as a result of "caisson disease" shortly after ground was broken for the Brooklyn tower foundation on January 3, 1870.[26] Roebling's debilitating condition left him unable to physically supervise the construction firsthand.
As chief engineer, Roebling supervised the entire project from his apartment with a view of the work, designing and redesigning caissons and other equipment. He was aided by his wife, Emily Warren Roebling, who provided the critical written link between her husband and the engineers on site.[27] Warren Roebling studied higher mathematics, calculations of catenary curves, strengths of materials, bridge specifications, and intricacies of cable construction.[28][27][29] She spent the next 11 years helping to supervise the bridge's construction.
When iron probes underneath the caisson for the Manhattan tower found the bedrock to be even deeper than expected, Roebling halted construction due to the increased risk of decompression sickness. He later deemed the sandy subsoil overlying the bedrock 30 feet (9.1 m) below it to be firm enough to support the tower base, and construction
Brockdish is one of three parish churches within about a mile that can be seen from the A143, but only the top of the tower is visible when heading north, and only fleetingly. THe only other clue is the truncated Church Lane which cuts across the main road, the name of which indicates the nearby church.
I came here at about eleven in the morning, having visited Oulton in Suffolk earlier, and wasn't expecting to find it open to be honest. But I heard the bells being rung, or at least pealing in intermittent intervals, the reason being some people were being given lessons.
Three cars were parked in the lane beside the church, which you reach by traveling up a green lane north out of the village before taking the track to the church.
The door to the tower, where the bellringers were being taught was ajar, and I could have gone up, but instead I go to the porch to try the door, and finding it open, I go inside lest someone comes and closes it.
Soon I am joined inside by the warden who is surprised, but pleased, to find a visitor: she is there to make teas for the ringers, and would I like one?
My breath had already been taken away by the tiles in the chancel, which are of exceptional quality. Tiles are something easily overlooked, and indeed many were clearly bought from catalogues, and so many are similar, but when more attention to detail was given, when extra quality was installed, it shines through.
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When I first visited this church in 2005, it was with something of a sinking heart to arrive at the third church in a row that was locked without a keyholder notice. Today, nothing could be further from the truth. In the south porch there is a large notice now which reads Come in and enjoy your church! Fabulous stuff.
The trim graveyard includes some substantial memorials to the Kay family, including one massive structure with an angel under a spire which would not look out of place opposite the Royal Albert Hall. No expense was spared by the Victorians here at Brockdish. The rebuilding was paid for by the Rector, George France, who also advised architect Frederick Marable on exactly what form this vision of the medieval should take. The tower above is curiously un-East Anglian, looking rather unusual surrounded by Norfolk fields. All around the building headstops are splendid, and fine details like faux-consecration crosses on the porch show that France was generally a man who knew what a medieval church should look like.
It will not surprise you to learn that St Peter and St Paul is similarly grand on the inside, if a touch severe. France actually devised a church much more Anglo-catholic than we find it today; it was toned down by the militantly low church Kay family later in the century. They took down the rood and replaced it with a simple cross, painting out the figures on the rood screen as well. When I first visited, the very helpful churchwarden who'd opened up for me observed that Brockdish is the only church in Norfolk that has stained glass in every window, which isn't strictly true (Harleston, three miles away, has as well) but we can be thankful that, thanks to the Reverend France's fortunes, it is of a very good quality. The glass seems to have been an ongoing project, because some of it dates from the 1920s. In keeping with low church tradition, the glass depicts mainly Biblical scenes and sayings of Christ rather than Saints, apart from the church's two patron Saints in the east window of the chancel. There are also some roundels in the east window of the south aisle, which appear to be of continental glass. They depict the Adoration of the Magi, the deposition of Christ, what appears to be Paharoah's daughter with the infant Moses, and the heads of St Matthias, St John the Evangelist, and Christ with a Crown of Thorns. However, I suspect that at least some of them are the work of the King workshop of Norwich, and that only the Deposition and the Old Testament scene are genuinely old.
If this is rather a gloomy church on a dark day, it is because of the glass in the south clerestory, a surprisingly un-medieval detail - the whole point of a clerestory was to let light reach the rood. The glass here is partly heraldic, partly symbolic. The stalls in the chancel are another faux-medieval detail - there was never a college of Priests here - but they looked suspiciously as if they might contain old bench ends within the woodwork. Not all is false, because the chancel also contains an unusual survival from the earlier church, a tombchest which may have been intended as an Easter Sepulchre.
Above all, the atmosphere is at once homely and devotional, not least because of the exceptional quality of the tiled sanctuary, an increasingly rare beast because they were so often removed in the 1960s and 1970s, when Victorian interiors were unfashionable. Brockdish's is spectacular, a splendid example that has caught the attention of 19th century tile enthusiasts and experts nationally.
Also tiled is the area beneath the tower, which France had reordered as a baptistery. The font has recently been moved back into the body of the church; presumably, whoever supplies the church's liability insurance had doubts about godparents standing with their backs to the steps down into the nave.
I liked Brockdish church a lot; I don't suppose it gets a lot of visitors, but it is a fine example of what the Victorians did right.
Simon Knott, June 2005, revisited and updated July 2010
www.norfolkchurches.co.uk/brockdish/brockdish.htm
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Is the next adjoining town eastward, through which the great road passes to Yarmouth; on the left hand of which, stands the church, on a hill by itself, there being no house near it but the parsonage, which joins to the east side of the churchyard. The advowson always belonged to the Earl's manor here, with which it now continues.
In Norwich Domesday we read, that the rector had a house and 30 acres of land, that it was then valued at 15 marks, and paid as it now doth for synodals 1s. 9d. procurations 6s. 8d. and 12d. Peter-pence. It stands in the King's Books thus:
10l. Brokedish rectory. 1l. yearly tenths.
And consequently pays first-fruits, and is incapable of augmentation. The church stands included in the glebe, which is much the same in quantity as it was when the aforesaid survey was taken. It is in Norfolk archdeaconry, Redenhall deanery, and Duke of Norfolk's liberty, though he hath no lete, warren, paramountship, or superiour jurisdiction at all in this town, the whole being sold by the family along with the manors of the town.
In 1603, there were 103 communicants here, and now there are 50 families, and about 300 inhabitants; it was laid to the ancient tenths at 4l. but had a constant deduction of 14s. on account of lands belonging to the religious, so that the certain payment to each tenth, was 3l. 6s.
The Prior of St. Faith at Horsham owned lands here, which were taxed at 2s. 6d. in 1428.
The Prior of Thetford monks had lands here of the gift of Richard de Cadomo or Caam, (fn. 1) who gave them his land in Brokedis, and a wood sufficient to maintain 20 swine, in the time of King Henry I. when William Bigot, sewer to that King, gave to this priory all the land of Sileham, which from those monks is now called Monks-hall manor, and the water-mill there; all which Herbert Bishop of Norwich conveyed to his father, in exchange for other lands, he being to hold it in as ample a manner as ever Herbert the chaplain did; and in Ric. the Second's time, the monks bought a piece of marsh ground in Brokedis, to make a way to their mill, which being not contained in the grant of Monks-hall manor from Hen. VIII. to the Duke of Norfolk, William Grice, Esq. and Charles Newcomen, who had a grant of such lands as they could find concealed from the Crown, seized on this as such; and upon their so doing, the owner of the mill was obliged to purchase it of them, by the name of Thetford-Mill-Way, and it hath ever since belonged to, and is constantly repaired by the owner thereof.
Rectors of Brockidish.
12 - - Robert
12 - - Sir Ralf de Creping, rector.
1313, Sir Stephen Bygod. The King, for this turn.
1324, Nic. le Mareschal. Tho. Earl of Norfolk and Marshal.
1326, Mathew Paumer, or Palmer. Ditto. He changed for Canefield-Parva in London diocese with
Master Robert de Hales. Ditto.
1333, John de Melburn. Ditto.
1355, Roger de Wombwell. Lady Eleanor and Thomas de Wingfield, attorneys to Sir John Wingfield, Knt.
1356, John Knyght of Exeter. Mary Countess-Marshal, widow of Tho. de Brotherton, who recovered the advowson by the King's writ, against Sir J. Wingfield, Knt. and Thomas his brother, William de Lampet and Alice his wife, and Catherine her sister, and so Wombwell was ejected.
1357, John de Esterford. Mary Countess-Marshal. He resigned in
1367, to John son of Catherine de Frenge, and he in
1368, to John Syward. Sir Walter Lord Manney.
1382, John de Balsham, who changed for Stowe St. Michael in Exeter diocese, with
Bartholomew Porter. Margaret Marshal, Countess of Norfolk.
1405, Sir John Dalyngho of Redcnhall. Eliz. Dutchess of Norf. in right of her dower.
1417, he exchanged with Thomes Barry, priest, for the vicarage of Berkyng church in London. John Lancaster, Ric. Sterisacre, and Rob. Southwell, attorneys to John Duke of Norfolk, EarlMarshal and Notyngham, who was beyond the seas. Barry resigned in
1422, to Sir Thomas Briggs, priest, who died rector. Ditto.
1454, Sir Hen. White, priest. John Duke of Norf. Earl-Marshal and Notingham, Marshal of England, Lord Mowbray, Segrave, and Gower. He resigned in
1455, to Sir Thomas Holm, priest. Ditto. And he in
1478, to John Nun. The King, as guardian to Richard Duke of York and Norfolk, and Lady Ann his wife, daughter and heir of John late Duke of Norfolk.
1491, John Mene; he had a union to hold another benefice.
1497, John Rogers, A. M. Eliz. Dutchess of Norfolk. He resigned in
1498, to Sir John Fisk, priest, chaplain to the Dutchess. Ditto. At whose death in
1511, Sir Robert Gyrlyng, chaplain to Thomas Earl of Surrey, had it of that Earl's gift: he was succeeded by
Sir William Flatberry, chaplain to Thomas Duke of Norfolk, who presented him; he resigned in
1540, to Sir Nic. Stanton, chaplain to his patron, Tho. Duke of Norf. Lord Treasurer and Earl-Marshal, and was succeeded by
William Hide, priest. Ditto. He resigned, and the Duke presented it in
1561, to Sir John Inman, priest, who was buried here Aug. 1, 1586.
1586, Aug. 4, Master Richard Gibson was instituted, who was buried Oct. 1, 1625; he was presented by Robert Nichols of Cambridge, by purchase of the turn from William le Grice, Gent. and Hester le Grice, wife of Charles le Grice, Gent. true patrons.
1625, William Owles, who held it united to Billingford. John Knapp of Brockdish, by grant of this turn. He was succeeded in
1645, by Brian Witherel, and he by
Mr. James Aldrich, who died rector Nov. 10, 1657, from which time somebody held it without institution, till the Restoration, and then receded, for in
1663, May 14, Sir Augustine Palgrave, patron of this turn, in right of Catherine his wife, presented George Fish, on the cession of the last incumbent; he was buried here Oct. 29, 1686.
1686, Thomas Palgrave, A.M. buried here March 24, 1724. Fran. Laurence, Gent.
1724, Abel Hodges, A.B. he held it united to Tharston, and died in 1729. Richard Meen, apothecary, for this turn.
1729, Richard Clark, LL. B. was instituted Dec. 3, and died about six weeks after. Mrs. Ellen Laurence of Castleacre, widow.
1730, Alan Fisher. Ditto. He resigned in
1738, and was succeeded by Robert Laurence, A. B. of Caius college, who lies buried at the south-east corner of the chancel, and was succeeded in
1739, by Francis Blomefield, clerk, the present rector, who holds it united to Fresfield rectory, being presented by Mrs. Ellen Laurence aforesaid.
The church is dedicated to the honour of the apostles St. Peter and Paul, and hath a square tower about 16 yards high, part of which was rebuilt with brick in 1714; there are five bells; the third, which is said to have been brought from Pulham in exchange, hath this on it;
Sancta Maria ora pro nobis.
and on the fourth is this,
Uirgo Coronata duc nos ad Regna beata.
The nave, chancel, and south isle are leaded, the south porch tiled, and the north porch is ruinated. The roof of this chancel is remarkable for its principals, which are whole trees without any joint, from side to side, and bent in such a rising manner, as to be agreeable to the roof. The chancel is 30 feet long and 20 broad, the nave is 54 feet long and 32 broad, and the south isle is of the same length, and 10 feet broad.
At the west end of the nave is a black marble thus inscribed,
Here lyeth buried the Body of Richard Wythe Gent. who departed this Life the 6 of Sept. 1671, who lived 64 Years and 4 Months and 9 Days.
This family have resided here till lately, ever since Edw. the Third's time, and had a considerable estate here, and the adjacent villages. See their arms, vol. iv. p. 135.
Another marble near the desk hath this,
Near this Place lays Elizabeth Wife of John Moulton Gent. who died Oct. 31, 1716, aged 32 Years. And here lieth Mary the late Wife of John Moulton, who died March 20, 1717, aged 27 Years. And also here lyeth the Body of John Moulton Gent. who died June 12, 1718, aged 38 Years.
Moulton's arms and crest as at vol. iv. p. 501.
In a north window are the arms of De la Pole quartering Wingfield.
In 1465, Jeffry Wurliche of Brockdish was buried here, and in 1469 John Wurliche was interred in the nave, and left a legacy to pave the bottom of the steeple. In 1518, Henry Bokenham of Brockdish was buried in the church, as were many of the Spaldings, (fn. 2) Withes, Howards, Grices, Tendrings, and Laurences; who were all considerable owners and families of distinction in this town.
The chapel at the east end of the south isle was made by Sir Ralf Tendring of Brockdish, Knt. whose arms remain in its east window at this day, once with, and once without, a crescent az. on the fess, viz. az. a fess between two chevrons arg.
His altar monument stands against the east wall, north and south, and hath a sort of cupola over it, with a holy-water stope by it, and a pedestal for the image of the saint to which it was dedicated, to stand on, so that it served both for a tomb and an altar; the brass plates of arms and circumscription are lost.
On the north side, between the chapel and nave, stands another altar tomb, covered with a most curious marble disrobed of many brass plates of arms and its circumscription, as are several other stones in the nave, isle, and chancel. This is the tomb of John Tendring of Brockdish-hall, Esq. who lived there in 1403, and died in 1436, leaving five daughters his heirs, so that he was the last male of this branch of the Tendrings. Cecily his wife is buried by him.
On the east chancel wall, on the south side of the altar, is a white marble monument with this,
Obdormit hìc in Domino, lætam in Christo expectans Resurrectionem, Robertus, Roberti Laurence, ac Annæ Uxoris ejus, Filius, hujusce Ecclesiæ de Brockdish in Comitatû Norfolciensi Rector, ejusdem Villæ Dominus, ac Ecclesiæ Patronus, jure hereditario (si vixîsset) Futurus; Sed ah! Fato nimium immaturo abreptus; Cœlestia per Salvatoris merita sperans, Terrestria omnia, Juvenis reliquit. Dec. 31°. Anno æræ Christianæ mdccxxxixo. Ætatis xxvo. Maria, unica Soror et Hæres, Roberti Frankling Generosi Uxor, Fraterni Amoris hoc Testimonium animo grato, Memoriæ Sacrum posuit.
1. Laurence, arg. a cross raguled gul. on a chief gul. a lion passant guardant or.
2. Aslack, sab. a chevron erm. between three catherine-wheels arg.
3. Lany, arg. on a bend between two de-lises gul. a mullet of the field for difference.
4. Cooke, or, on a chevron ingrailed gul. a crescent of the field for difference, between three cinquefoils az. on a chief of the second, a lion passant guardant of the first.
5. Bohun, gul. a crescent erm. in an orle of martlets or.
6. Bardolf, az. three cinquefoils or.
7. Ramsey, gul. a chevron between three rams heads caboshed arg.
8. as 1.
Crest, a griffin seiant proper.
Motto, Floreat ut Laurus.
On a flat stone under this monument, is a brass plate thus inscribed,
Sacrum hoc Memoriæ Roberti Laurence Armigeri, qui obijt xxviijo die Julij 1637, Elizabeth Uxor ejus, Filia Aslak Lany Armigeri posuit.
Arms on a brass plate are,
Lawrence impaling Lany and his quarterings, viz. 1, Lany. 2, Aslack. 3, Cooke. 4, Bohun. 5, nine de-lises, 3, 3, and 3. 6, Bardolf. 7, Charles. 8, on a chevron three de-lises. 9, Ramsey. 10, Tendring. 11, on a fess two coronets. 12, Wachesam, arg. a fess, in chief two crescents gul. 13, a lion rampant. 14, Lany.
There is a picture of this Robert drawn in 1629, æt. 36. He built the hall in 1634; it stands near half a mile north-east of the church, and was placed near the old site of Brockdishe's-hall; the seat of the Tendrings, whose arms, taken out of the old hall when this was built, were fixed in the windows. The arms of this man and his wife, and several of their quarterings, are carved on the wainscot in the rooms.
On the south side of the churchyard is an altar tomb covered with a black marble, with the crest and arms of
Sayer, or Sawyer, gul. a chief erm. and a chevron between three seamews proper.
Crest, a hand holding a dragon's head erased proper.
To the Memory of Frances late the wife of Richard Tubby Esq. who departed this Life Dec. 22, 1728, in the 60th Year of her Age.
And adjoining is another altar tomb,
In Memory of Richard Tubby Esq. (fn. 3) who died Dec. 10th. 1741, in the 80th Year of his Age.
There are two other altar tombs in the churchyard, one for Mr. Rich. Chatton, and another for Eliz. daughter of Robert and Eliz. Harper, who died in 1719, aged 8 years.
The town takes its name from its situation on the Waveney or Wagheneye, which divides this county from that of Suffolk; the channel of which is now deep and broad, though nothing to what it was at that time, as is evident from the names of places upon this river, as the opposite vill, now called Sileham, (oftentimes wrote Sayl-holm, even to Edw. the Third's time) shows; for I make no doubt, but it was then navigable for large boats and barges to sail up hither, and continued so, till the sea by retiring at Yarmouth, and its course being stopt near Lowestoft, had not that influence on the river so far up, as it had before; which occasioned the water to retire, and leave much land dry on either side of the channel; though it is so good a stream, that it might with ease, even now, be made navigable hither; and it would be a good work, and very advantageous to all the adjacent country. That [Brod-dic] signifies no more than the broad-ditch, is very plain, and that the termination of ò, eau, or water, added to it, makes it the broad ditch of water, is as evident.
Before the Confessor's time, this town was in two parts; Bishop Stigand owned one, and the Abbot of Bury the other; the former afterwards was called the Earl's Manor, from the Earls of Norfolk; and the other Brockdishe's-hall, from its ancient lords, who were sirnamed from the town.
The superiour jurisdiction, lete, and all royalties, belonged to the Earl's manor, which was always held of the hundred of Earsham, except that part of it which belonged to Bury abbey, and that belonged to the lords of Brockdishe's-hall; but when the Earl's manor was sold by the Duke of Norfolk, with all royalties of gaming, fishing, &c. together with the letes, view of frankpledge, &c. free and exempt from his hundred of Earsham, and the two manors became joined as they now are, the whole centered in the lord of the town, who hath now the sole jurisdiction with the lete, belonging to it; and the whole parish being freehold, on every death or alienation, the new tenant pays a relief of a year's freehold rent, added to the current year: The annual free-rent, without such reliefs, amounting to above 3l. per annum. At the Conqueror's survey the town was seven furlongs long, and five furlongs and four perches broad, and paid 6d. to the geld or tax. At the Confessor's survey, there were 28 freemen here, six of which held half a carucate of land of Bishop Stigand, and the others held 143 acres under the Abbot of Bury, and the Abbot held the whole of Stigand, without whose consent the freemen could neither give away, nor sell their land, but were obliged to pay him 40s. a year free-rent; (fn. 4) and if they omitted paying at the year's end, they forfeited their lands, or paid their rent double; but in the Conqueror's time they paid 16l. per annum by tale. There were two socmen with a carucate of land, two villeins and two bordars here, which were given to Bury abbey along with the adjacent manor of Thorp-Abbots, but were after severed from that manor, and infeoffed by the Abbot of Bury in the lord of Brockdishe's-hall manor, with which it passed ever after. (fn. 5)
Brockdish-Earl's Manor, or Brockdish Comitis.
This manor always attended the manor of Forncet after it was granted from the Crown to the Bygods, along with the half hundred of Earsham, for which reason I shall refer you to my account of that manor at p. 223, 4. It was mostly part of the dower of the ladies of the several noble families that it passed through, and the living was generally given to their domestick chaplains. In 3 Edward I. the Abbot of Bury tried an action with Roger Bigod, then lord and patron, for the patronage; (fn. 6) pleading that a part of the town belonged to his house, and though they had infeoffed their manor here in the family of the Brockdishes, yet the right in the advowson remained in him; but it appearing that the advowson never belonged to the Abbot's manor, before the feofment was made, but that it wholly was appendant ever since the Confessor's time, to the Earl's manor, the Abbot was cast: notwithstanding which in 1335, Sir John Wingfield, Knt. and Thomas his brother, William de Lampet and Alice his wife, and Catherine her sister, owners of Brockdishe's manor, revived the claim to the advowson; and Thomas de Wingfield, and lady Eleanor wife of Sir John Wingfield, presented here, and put up their arms in the church windows, as patrons, which still remain; but Mary Countess Marshal, who then held this manor in dower, brought her quare impedit, and ejected their clerk; since which time, it constantly attended this manor, being always appendant thereto. In 15 Edw. I. Roger Bigot, then lord, had free-warren in all this town, as belonging to this manor, having not only all the royalties of the town, but also the assise of bread and ale, and amerciaments of all the tenants of his own manor, and of the tenants of Reginald de Brockdish, who were all obliged to do suit once a year at the Earl's view of frankpledge and lete in Brockdish; and it continued in the Norfolk family till 1570, and then Thomas Howard Duke of Norfolk, obtained license from Queen Elizabeth to sell it; it being held in capite or in chief of the Crown, as part of the barony and honour of the said Duke, who accordingly sold the manor, advowson, free-fishery, and all the place or manor-house, and demean lands; together with the lete, view of frankpledge, liberty of free warren, and all other royalties whatsoever, free and exempt from any jurisdiction or payment to his half hundred of Earsham, to
Charles le Grice, Esq. of Brockdish, and his heirs, who was descended from Sir Rorert le Grys of Langley in Norfolk, Knt. equerry to Ric. I. and Oliva his wife, whose son, Sir Simon le Grys, Knt. of Thurveton, was alive in 1238, and married Agnes daughter and coheir to Augustine son of Richard de Waxtenesham or Waxham, of Waxham in Norfolk, by whom he had Roger le Grys of Thurton, Esq. who lived in the time of Edward I. whose son Thomas le Grice of Thurton, had Roger le Grice of Brockdish, who lived here in 1392; whose son Thomas left John le Grice his eldest son and heir, who married a Bateman, and lies buried in St. John Baptist's church in Norwich; (see vol. iv. p. 127;) but having no male issue, William le Grice of Brockdish, Esq. son of Robert le Grice of Brockdish, his uncle, inherited; he married Sibill, daughter and sole heir of Edmund Singleton of Wingfield in Suffolk, and had
Anthony le Grice of Brockdish, Esq. (fn. 7) who married Margaret, daughter of John Wingfield, Esq. of Dunham, who lived in the place, and died there in 1553, and lies buried in the church, by whom his wife also was interred in 1562. His brother Gilbert Grice of Yarmouth, Gent. (fn. 8) first agreed with the Duke for Brockdish, but died before it was completed; so that Anthony, who was bound with him for performance of the covenants, went on with the purchase for his son,
Charles le Grice aforesaid, (fn. 9) to whom it was conveyed: he married two wives; the first was Susan, daughter and heir of Andrew Manfield, Gent. and Jane his wife, who was buried here in 1564; the second was Hester, daughter of Sir George Blagge, Knt. who held the manor for life; and from these two wives descended the numerous branches of the Grices of Brockdish, Norwich, Wakefield in Yorkshire, &c. He was buried in this church April 12, 1575, and was found to hold his manor of the hundred of Earsham, in free soccage, without any rent or service, and not in capite; and Brockdishe's-hall manor of the King, as of his barony of Bury St. Edmund in Suffolk, which lately belonged to the abbey there, in free soccage, without any rent or service, and not in capite, and
William le Grice, Esq. was his eldest son and heir, who at the death of his mother-in-law, was possessed of the whole estate; for in 1585, William Howard, then lord of Brockdishe's-hall manor, agreed and sold it to this William, and Henry le Grice his brother, and their heirs; but Howard dying the next year, the purchase was not completed till 1598, when Edw. Coppledick, Gent. and other trustees, brought a writ of entry against John son of the said William Howard, Gent. and had it settled absolutely in the Grices, from which time the two manors have continued joined as they are at this day; by Alice, daughter and heiress of Mr. Eyre of Yarmouth; he left
Francis le Grice, Esq. his son and heir, who sold the whole estate, manors, and advowson, to
Robert Laurence of Brockdish, Esq. (fn. 10) who married Elizabeth, daughter of Richard, son of Edmund Anguish of Great-Melton, by whom he had
Robert Laurence, Esq. his son and heir, who married Elizabeth, daughter of Aslack Lany, who survived him, and remarried in 1640, to Richard Smith, Gent. by whom she had one child, Eliz. buried here in 1641: he died July 24, 1637, and lies buried by the altar as aforesaid: he built the present hall, and had divers children, as Aslak Laurence, Robert, born in 1633, buried in 1635, Samuel Laurence, born in 1635, Ellen, born in 1635, Elizabeth, who married William Reynolds of Great-Massingham, Gent. and
Francis Laurence of Brockdish, Esq. his eldest son and heir, who married Ellen, daughter of Thomas Patrick of Castle-acre, Gent. widow of Mathew Halcote of Litcham, Gent. who survived him, and held Brockdish in jointure to her death, which happened Jan. 6, 1741, when she was buried in the nave of Litcham church: they had Frances, and Elizabeth, who died infants; Mary, who died single about 1736, and was buried in the vestry belonging to Castleacre church; Jane, married to Mr. Thomas Shin of Great Dunham, by whom a Thomas, a son, &c. she being dead; Ellen, now widow of Thomas Young of Oxboro, Gent. who died Oct. 1743, leaving issue, the Rev. Mr. Thomas-Patrick Young of Caius college in Cambridge, Benjamin and Mary, and
Samuel Lawrence, Gent. their second son, is now alive and single; and
Robert Lawrence, Esq. their eldest son and heir, is long since dead, but by Anne daughter of John Meriton, late rector of Oxburgh, his wife, he left one son,
Robert Laurence, late rector of Brockdish, who died single, and
Mrs. Mary Laurence, his only sister, who is now living, and married to Robert Frankling, Gent. of Lynn in Norfolk, is the present lord in her right, but they have no issue.
Brockdishe's-Hall Manor,
Belonged to Bury abbey as aforesaid, till the time of Henry I. and then the Abbot infeoffed
Sir Stephen de Brockdish in it, from whom it took its present name; he was to hold it at the 4th part of a knight's fee of that abbey: it contained a capital messuage or manor-house, called now Brockdishe's-hall; 105 acres of land in demean, 12 acres of wood, 8 of meadow, and 4l. 13s. 10d. rents of assise; he left it to
Jeffery de Brockdish his son, and he to
William, his son and heir, who in 1267, by the name of William de Hallehe de Brokedis, or Will. of Brockdish-hall, was found to owe suit and service once in a year with all his tenants, to the lete of the Earl of Norfolk, held here. He left this manor, and the greatest part of his estate in Norwich-Carleton (which he had with Alice Curson his wife) to
Thomas, his son and heir, and the rest of it to Nigel de Brockdish, his younger son; (see p. 102;) Thomas left it to
Reginald, his eldest son and heir, and he to
Sir Stephen de Brockdish, Knt. his son and heir, who was capital bailiff of all the Earl of Norfolk's manors in this county; he was lord about 1329, being succeeded by his son,
Stephen, who by Mary Wingfield his wife, had
Reginald de Brockdish, his son and heir, (fn. 11) to whom he gave Brockdish-hall manor in Burston, (see vol. i. p. 127, vol. ii. p. 506,) but he dying before his father, was never lord here; his two daughters and heiresses inheriting at his father's death, viz.
Alice, married to William de Lampet about 1355, and Catherine some time after, to William son of John de Herdeshull, lord of North Kellesey and Saleby in Lincolnshire, who inherited each a moiety, according to the settlement made by their grandfather, who infeoffed Sir John de Wingfield, Knt. and Eleanor his wife, and Thomas his brother, in trust for them; (fn. 12) soon after, one moiety was settled on Robert Mortimer and Catherine his wife, by John Hemenhale, clerk, and John de Lantony, their trustees; and not long after the whole was united, and belonged to
Sir William Tendring of Stokeneyland, Knt. and Margaret his wife, daughter and coheir of Sir Will. Kerdeston of Claxton in Norfolk, Knt. who were succeeded by their son and heir
Sir John Tendring of Stokeneyland, Knt. who jointly with Agnes his wife, settled it on
Sir Ralf Tendring of Brockdish, Knt. one of their younger sons, who built the old hall (which was pulled down by Robert Lawrence, Esq. when he erected the present house) and the south isle chapel, in which he and Alice his wife are interred; his son,
John Tendring of Brockdish, Esq. who was lord here and of Westhall in Colney, (see p. 5,) and was buried in the said chapel, with Cecily his wife, died in 1436, and left five daughrers, coheiresses, viz.
Cecily, married to Robert Ashfield of Stowlangetot in Suffolk, Esq.
Elizabeth, to Simeon Fincham of Fincham in Norfolk, Esq.
Alice, to Robert Morton.
Joan, to Henry Hall of Helwinton.
Anne, to John Braham of Colney.
Who joined and levied a fine and sold it to
Thomas Fastolff, Esq. and his heirs; and the year following, they conveyed all their lands, &c. in Wigenhall, Tilney, and Islington, to
Sir John Howard, Knt. and his heirs; and vested them in his trustees, who, the year following, purchased the manor of Fastolff to himself and heirs; this Sir John left Brockdish to a younger son,
Robert Howard, Esq. who settled here, and by Isabel his wife had
William Howard of Brockdish, Esq. who was lord in 1469; he had two wives, Alice and Margaret, from whom came a very numerous issue, but
Robert, his son and heir, had this manor, who by Joan his wife had
William Howard, his eldest son and heir, who died in 1566, seized of many lands in Cratfield, Huntingfield, Ubbeston, and Bradfield in Suffolk; and of many lands and tenements here, and in Sileham, &c. having sold this manor the year before his death, to the Grices as aforesaid; but upon the sale, he reserved, all other his estate in Brockdish, in which he dwelt, called Howard's Place, situate on the south side of the entrance of Brockdish-street; which house and farm went to
John Howard, his son and heir, the issue of whose three daughters, Grace, Margaret, and Elizabeth, failing, it reverted to
Mathew, son of William Howard, second brother to the said John Howard their father, whose second son,
Mathew Howard, afterwards owned it; and in 1711, it was owned by a Mathew Howard, and now by
Mr. Bucknall Howard of London, his kinsman (as I am informed.)
The site and demeans of the Earl's manor, now called the place, was sold from the manor by the Grices some time since, and after belonged to Sir Isaac Pennington, alderman of London, (see vol. i. p. 159,) and one of those who sat in judgment on the royal martyr, for which his estate was forfeited at the Restoration, and was given by Car. II. to the Duke of Grafton; and his Grace the present Duke of Grafton, now owns it.
the benefactions to this parish are,
One close called Algorshegge, containing three acres, (fn. 13) and a grove and dove-house formerly built thereon containing about one acre, at the east end thereof; the whole abutting on the King's highway north, and the glebe of Brockdish rectory west: and one tenement abutting on Brockdish-street south, called Seriches, (fn. 14) with a yard on the north side thereof, were given by John Bakon the younger, of Brockdish, son of John Bakon the elder, of Thorp-Abbots; the clear profits to go yearly to pay the tenths and fifteenths for the parish of Brockdish when laid, and when they are not laid, to repair and adorn the parish church there for ever: his will is proved in 1433. There are always to be 12 feoffees, of such as dwell, or are owners in the parish, and when the majority of them are dead, the survivors are to fill up the vacancies.
In 1590, 1 Jan. John Howard, Gent. John Wythe, Gent. William Crickmere and Daniel Spalding, yeomen, officers of Brockdish, with a legacy left to their parish in 1572, by John Sherwood, late of Brokdish, deceased, purchased of John Thruston of Hoxne, Gent. John Thruston his nephew, Thomas Barker, and the inhabitants of Hoxne in Suffolk, one annuity or clear yearly rent-charge of 6s. 8d. issuing out of six acres of land and pasture in Hoxne, in a close called Calston's-close, one head abutting on a way leading from Heckfield-Green to Moles-Cross, towards the east; to the only use and behoof of the poor of Brockdish, to be paid on the first of November in Hoxne church-porch, between 12 and 4 in the afternoon of the same day, with power to distrain and enter immediately for non-payment; the said six acres are warranted to be freehold, and clear of all incumbrances, except another rentcharge of 13s. 4d. granted to Hoxne poor, to be paid at the same day and place
In 1592, John Howard of Brockdish sold to the inhabitants there, a cottage called Laune's, lying between the glebes on all parts; this hath been dilapidated many years, but the site still belongs to the parish.
From the old Town Book.
1553, 1st Queen Mary, paid for a book called a manuel 2s. 6d.; for two days making the altar and the holy-water stope, and for a lock for the font. 1554, paid for the rood 9d. 1555, paid for painting the rood-loft 14d. At the visitation of my Lord Legate 16d. To the organs maker 4d. and for the chalice 26s. 1557, paid for carriage of the Bible to Bocnam 12d. for deliverance of the small books at Harlstone 15d.; the English Bibles and all religious Protestant tracts usually at this time left in the churches for the information and instruction of the common people, being now called in by the Papist Queen. Paid for two images making 5s.; for painting them 16d. for irons for them 8d. But in 1558, as soon as Queen Elizabeth ascended the throne, all these Popish, images, &c. were removed out of the church. Paid for sinking the altar 4d.; carrying out the altar 5d.; mending the communion table 3d.; 1561, paid for the X. Commandments 18d.; for pulling down the rood-loft 14d.; paid Roger Colby repairing the crosse in the street 26s. 8d.; for a lock to the crosse-house, &c.; 1565, for digging the ground and levelling the low altar, (viz. in the south chapel,) and mending the pavement. For makyng the communion cup at Harlston 5s. 4d. besides 6s. 2d. worth of silver more than the old chalice weyed. 1569, paid to Belward the Dean for certifying there is no cover to the cup, 8d. 1657, layd out 19s. 4d. for the relief of Attleburgh, visited with the plague. Laid out 17s. for the repair of the Brockdish part of Sileham bridge, leading over the river to Sileham church. This bridge is now down, through the negligence of both the parishes, though it was of equal service to both, and half of it repaired by each of them. In 1618, the church was wholly new paved and repaired; and in 1619, the pulpit and desk new made, new books, pulpit-cloth, altar-cloth, &c. bought.
From the Register:
1593, Daniel son of Robert Pennington, Gent. bapt. 13 July. 1626, John Brame, Gent. and Anne Shardelowe, widow, married Sept. 2. 1631, John Blomefield and Elizabeth Briges married May 30. 1666, Roger Rosier, Gent. buried. 1735, Henry Blomefield of Fersfield, Gent. single man, and Elizabeth Bateman of Mendham, single woman, married Feb. 27.
www.british-history.ac.uk/topographical-hist-norfolk/vol5...
R.W.Bro. Mark Stoiko D.D.G.M. Toronto West addressing V.W.Bro. Richard T. Morell Grand Steward in the Grand Lodge of Canada in the Province of Ontario regarding his Masonic Regalia and the work which will be expected of him.
The Beginning:
In the year 1920, immediately after the first World War, there was a great influx into Masonry and a group of Masons from the Willys Overland plant (a pioneer and manufacturer of the Jeep 4 wheel drive vehicle) situated in West Toronto, feeling there was a need for a new Lodge in this area, formed themselves into a committee for that purpose.
This group was headed up by W. Bro. W.L. Abernathy of Stanley Lodge # 426, Toronto and ably assisted by W. Bro. W.L. Clark and Bro. J.G. Bruce, both of Victoria Lodge, Toronto.
Having fulfilled all the necessary requirements, the Institutional Meeting of King Hiram Lodge, U.D., G.R.C., was held in the Annette Street Temple on April 29th, 1920.
After the dispensation, the Most Worshipful,The Grand Master, M.W. Bro. F.W. Harcourt authorized W. Bro. W.L. Abernathy and Charter Members to meet as a Lodge to be known as “King Hiram”.
On the 15th day of November, 1920, the Lodge was duly instituted and consecrated. W. Bro. W.L. Abernathy was installed in the Chair of King Solomon and the Officers were invested to their several stations in King Hiram Lodge #566, on the register of Grand Lodge.
The name “King Hiram” was selected as being the most suitable to fulfill the hopes of the petitioners which was to build a strong Lodge appropriately named after King Hiram Abif the chief architect and overseer of the building of King Solomon’s Temple.
It was resolved that the Initiation Fee be set at $ 75.00, the Affiliation Fee at $15.00 and the Annual Dues at $6.00. The Tyler’s salary was set at $100.00 per year.
The Worshipful Master appointed a Visiting the Sick Committee, a Musical and an Entertainment Committee. A committee to set up the by-laws, a committee to arrange for a Ladie’s Night and a committee to arrange for and provide Christmas Entertainment.
The first candidate to be initiated was Mr. John Rutherford on June 4th, 1920.
The Work for the year consisted of 42 – E.A. Degrees, 32 – F.C. Degrees and 19 – M.M. Degrees.
The Twenties:
The first King Hiram Ladie’s Night was held in the form of a reception in the banquet room. An honorarium was established to pay the Secretary $150.00 per year for his services. A special emergent meeting was held on Saturday, February 8th, 1922 to conduct 15 Master Mason Degrees which beat the previous record by one Degree. The Worshipful Master and brethren attended at the laying of the foundation stone at the Weston Masonic Temple. On March 19th, 1924, W.M. B.H. Capsey had the pleasure of initiating his son, Vincent Bertram Capsey into the First Degree of Masonry. It was adopted that the Lodge present to each candidate the Volume of the Sacred Law on which his obligation was sealed. An annual picnic was held at High Park. A committee was appointed to request the Temple Board to install a pipe organ in the Lodge Room and a piano in the Banquet Hall. King Hiram visited Niagara River Lodge in Niagara Falls, New York and on a return visit the Worshipful Master of Niagara River Lodge presented our Lodge with a gavel which had been made from a piece of oak from the Old Fort Niagara.
The Thirties:
A new Lodge was instituted in the Annette Street Temple, named Memorial Lodge, in which many of the members of King Hiram were involved. W. Bro. Gordon James is installed as Worshipful Master being the first Master of King Hiram who was initiated into the Lodge, all others being Charter Members. Grand Lodge institutes an “Unemployment Bureau” under the Masonic Board of Relief due to the economic circumstances. In May 1935, we celebrated our 15th Anniversary. The creation of a Members Night was established and the ruling Master and W. Bro. Gately of Memorial Lodge conducted the Ceremony. In 1936, Ladies Night was postponed due to the death of King George V and the Grand Master requested a three month mourning period be observed. In 1938, with deep regret we recorded the death of W. Bro. W.L. Abernathy one of the founders and the first Master of King Hiram Lodge.
The Fourties:
It was resolved that the dues of all members enlisting in the Armed Forces be waived.
To support the war effort, Grand Lodge inaugurated a Fund for War Relief to be contributed to by members at large through the various Lodges. King Hiram purchased 3 $100.00 Victory Bonds and a further purchase in the amount of $350.00. Past Master, W. Bro. Fred Adams was honoured by the King as a Member of the British Empire (MBE) for his work in the supply of munitions. It was decided to send Christmas gifts to our members in the Forces. Bro. S.D. Shaw is installed in the Chair of King Solomon and initiates his son, Duncan Shaw and W.A. Bruce son of Bro. J.G. Bruce, the first Secretary of our Lodge. In 1945, we celebrated our 25th Anniversary. Our Grand Master requests us to hold a Thanksgiving Service for our victory in Germany. Bro. R.F. Wright is installed in the Chair of King Solomon. November 1st, becomes known as “Charlie Tottle” Night due to his reaching his 80th birthday and also for his long service to the Lodge. Bro. C.V. Tottle was elected Secretary in 1926 and served until his death in 1950. Bro. Wm. McBurnie returns to Lodge after serving 7 years overseas in the Armed Forces. W. Bro. Wm. Gow is appointed Grand Steward. Installation Night changes from January to December due to the continual bad weather conditions in January. It was approved that the Tyler’s pay be $2.50 per meeting.
The Fifties:
W. Bro. E.D. Magett appoints Bro. Joe Kemp as Chaplain and Bro. Doug Wright as Ass’t. Secretary. R.W. Bro. Floyd Albertson is honoured for his 23 years of service as Treasurer and his work in the Lodge since its inception. Bro. A.E. (Ed) Dyer is installed in the Chair of King Solomon. Two minutes silence was observed in respect to his late Majesty, King George V1.V.W. Bro. S.D. Shaw was congratulated and presented the Regalia of Grand Steward. Meetings and discussions were held regarding the division of Toronto District A. At Grand Lodge it was decided to split the district into two districts, A1 and A2, to take place in 1955. A donation was presented to River Park Lodge to help in the rebuilding of their Temple due to the damage suffered by Hurricane Hazel. In July, 1955, Grand Lodge celebrated its 100th meeting. An open air service was held at Exhibition Park with over 2,500 in attendance. Mr. R.J. Elrick is initiated into King Hiram Lodge. V.W. Bro. Bill Gow presents V.W. Bro. Archie Wright with his Regalia of Grand Steward. Bro. Joe Kemp is installed in the Chair of King Solomon, his father Bro. J.T. Kemp presents a gift on behalf of the family.
The Sixties:
Bro. Doug Wright is installed in the Chair of King Solomon by his father ,V.W. Bro. Archie Wright. This is the first time in the history of the Lodge that a father has installed his own son. The Metro Police Team confers the E.A. Degree on Mr. Robert N. Wilson. V.W. Bro. Archie Wright presents Grand Steward Regalia to V.W. Bro. Reg Wright. King Hiram members and ladies initiate visitations to William S. Farmer Lodge #1109 in Syracuse, New York. Mr. Lewis Crocker passes a Board of Trial and is accepted as a candidate for Initiation. W. Bro. Sam Wright is Installed in the Chair of King Solomon. Dues increase to $22.00. Father and Son night featured Johnny Bower of the Toronto Maple Leafs. W. Bro. A.E. (Ed) Dyer is elected D.D.G.M. of Toronto District #1. The following year Father and Son night featured Leo Cahill, coach of the Toronto Argonauts. Bro. Robert Elrick presents a D of C wand to the Lodge in memory of his father, Bro. Robert Elrick Sr.
The Seventies:
In 1970 we celebrated our 50th Anniversary. Father, Son and Daughter night featured entertainment and movies. V.W. Bro. Archie Wright passed to the Grand Lodge Above. V.W. Bro. Bill Gow, 41 years a Past Master of King Hiram is the first member to receive a 50 year service pin. Bro. Sam Hough of Danville, California visits and later affiliates with King Hiram after moving to Toronto. Bro.’s Lloyd Lemoine and Ernest Roy Imrie receive 50 year pins. Bro. Arnold Sinclair continues to deliver profound lectures when presenting the Candidates Bible. Father and Son night features Darryl Sittler of the Toronto Maple Leafs. Lodge members enjoy memorable cruises with Bro. Bill Rhyme aboard the “Lomar”. Visitations with King Hiram Lodge #37, Ingersoll are initiated. Visitations continue which result in the creation of the King Hiram Friendship Gavel. The Rt. Hon. Chief Justice James C. McRuer of King Hiram Lodge receives a 50 year pin. Dues increase to $80.00. Bro. James Rushford Sr, is presented a plaque for his service to King Hiram as Chaplain and his 57 years in Masonry. V.W. Bro. Joe Kemp is appointed Grand Steward. Bro. Ron Padgett entertains regularly on the organ with great talent, artistry and his well known humour.
The Eighties
Our 60th Anniversary. V.W. Bro. Doug Wright is appointed Grand Tyler and is presented with his fathers regalia, V.W. Bro. Archie Wright. Bro. Aubrey McGill is presented a plaque for his devotion as Chairman of the Benevolent and Sick Committee. V.W. Bro. Joe Kemp and V.W. Bro. Doug Wright are honoured for their many years of service as Secretary and Treasurer of the Lodge. Members Night tradition continues with Bro. Henry Strackholder being Initiated. King Hiram makes a donation to the Barbara Turnbull Fund. W. Bro. Ernie Morrison is appointed as Assistant Grand Director of Ceremonies. Annual dues increase to $65.00. W. Bro. Robert N. Wilson is honoured and presented his Grand Steward Regalia by W. Bro. George Owttrim. A year later V.W. Bro. Robert N. Wilson is presented a plaque in recognition of his service to Masonry and King Hiram Lodge. The first District Walkathon takes place and proves to be very successful. W. Bro. Alistair Clement initiates his son, Mr. Graham Clement into King Hiram. Bro. Aubrey McGill is awarded the prestigious William Mercer Wilson Award. M.W. Bro. William R. Pellow, Grand Master attends the Installation Ceremony of Bro. Edward Grinko being placed in the Chair of King Solomon. King Hiram hosts the District Education which features St. John’s Lodge #209 from London, Ontario. King Hiram hosts a special Appreciation Night for all Past D.D.G.M.’s of Toronto District #1.
The Nineties
Bro. Tom Thompson visits from Scotland to share the Installation Ceremony with his brother, W. Bro. Hugh Thompson. W. Bro. Sam Wright is honoured and presented with the Regalia of Assistant Grand Secretary. Bro. Rick Morell is Installed in the Chair of King Solomon. King Hiram donates $1000.00 to the Runnymede Chronic Care Hospital Fund. W. Bro. Sam Hough passes to the Grand Lodge above. R.W. Bro. A.E. (Ed) Dyer is presented a 50 year service pin. Bro. John Kikiantonis is awarded the Canada 125 Year Award Medal. W. Bro. Edward Grinko launches the district newsletter, “The Blue Print”. W. Bro. Robert Langzik and Bro. Aubrey McGill pass to the Grand Lodge above. V.W. Bro. Robert Wilson is appointed Grand Lodge Representative to the Grand Lodge of Utah. Memorial Lodge #652 affiliates with King Hiram Lodge. W. Bro. Lew Crocker is appointed Grand Steward. W. Bro. Rick Morell serves a second term as Worshipful Master. Bro. Earl Walsh is Installed in the Chair of King Solomon. In 1995 we celebrate our 75th Anniversary. A full year of celebrations and activities is planned including a Gala Anniversary Dance. Bro. John Kikiantonis is Installed in the Chair of King Solomon by V.W. Bro. Sam Wright who substituted for W. Bro. Edward Grinko due to the death of his wife. 50 year pins are presented to V.W. Bro. Doug J.B. Wright, V.W. Bro. Ed Wilkings, Bro. George Cowie and Bro. John Cholmomdeley. 25 year Past Master pins are presented to W. Bro. Proctor, R.W. Bro. Ed Dyer, V.W. Bro. Joe Kemp, V.W. Bro. Doug Wright, V.W. Bro. Ken McLean, W. Bro. Fred Twitchin, Sr., V.W. Bro. Sam Wright, V.W. Bro. Bill Hunter and W. Bro. Doug Kelman. W. Bro. Earl Walsh is Installed in the Chair of King Solomon for a second time by W. Bro. Lew Crocker. The following year Bro. Bill Wingrove is Installed in the Master’s Chair by W. Bro. Earl Walsh. V.W. Bro. Sam Wright is also Installed as Worshipful Master for his second time, 32 years later and initiated Bro.’s Scott Hoy, Ben MacDonald and Dusty Markle. We were saddened with the passing of V.W. Bro. Doug J.B. Wright to the Grand Lodge Above. W. Bro. Rick Morell is Installed in the Chair of King Solomon by W. Bro. Hugh Thompson.
A New Millennium
2000 – 2005:
Bro. Aaron Williams is Raised to the Sublime Degree of a Master Mason. A special night and reception is held for R.W. Bro. Earl Walsh who was elected D.D.G.M. of Toronto District #1. Bro. Ken Mullings is Installed in the Chair of King Solomon by his friend and mentor, W. Bro. Hugh Thompson. V.W. Bro. Hugh McKnight is made an honourary member of the Lodge. A reception is held to present W. Bro. Robert Elrick with his Grand Lodge Regalia. Mr. Stephen Brode is Initiated into King Hiram Lodge. A special meeting is held at Central Park Lodge to congratulate Bro. Imrie on his 102nd Birthday and his 80 years a Mason. W. Bro. John Kikiantonis is Installed as Master for a second time and also re-accepts the Office the following year. W. Bro. Kikiantonis enjoys the honour and pleasure of Initiating his son, Emmanuel into Masonry. Mr. Andrew Adamyk is Initiated into King Hiram Lodge. A memorial was conducted for V.W. Bro. Robert Elrick and R.W. Bro. Robert Wilson who passed to the Grand Lodge Above. V.W. Bro. Bill Hunter receives his 50 year pin. W. Bro. Hugh Thompson passes to the Grand Lodge Above. W. Bro. Edward Grinko is Installed as master for a second time and enjoys the distinct pleasure of Initiating his son, Christopher. Mr. James Berry is also Initiated into Masonry. The Secretary’s honorarium is raised to $500.00. V.W. Bro. Ed Wilkings is made a life member of King Hiram Lodge. W. Bro. Rick Morell is Installed for the fourth time as Worshipful master. King Hiram Lodge is now in its 85th year. Mr. Daniel Berube and Michael Bonner are Initiated and Bro. Antonio Texeira is Raised to the Sublime Degree of a Master Mason. A special evening was conducted for W. Bro. Ken Mullings to celebrate his retirement and his return to Jamaica.
The intervening years between 1920 and 2005 have been momentous years of change in the History of the World.
Consider the Twenties, an era of building following World War I. The Depression of the Thirties. The conflict and hardship encountered due to World War II. The united efforts of rebuilding throughout the Forties and Fifties. The social changes and struggles throughout the Sixties and Seventies. The boom of the Eighties, the recession of the Nineties and the dreams and expectations of a new Millennium.
The years have also seen many changes in King Hiram Lodge. We have witnessed and shared in the lives of many of the Men who have been instrumental in the creation of and continuation of our Lodge.
Throughout the years the spirit of Masonry has always been kept alive and we have at all times remembered the wishes of our Founders, to uphold the basic principles on which the Lodge was established, “to keep this a friendly Lodge and to show true Brotherhood to All”. Our strength in the past has been in the dedication, loyalty and respect, for our Lodge by the many men who have affixed their signatures to our By-Laws.
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
footprints on the sands of time
– Henry Wadsworth Longfellow
* Reprinted from the King Hiram Lodge #566 “Consecration Night” Booklet, November 15, 1920.
I had no idea what to expect at Yalding, either the town or church. Jools realised it was near to West Farleigh, so we went to investigate.
Across what looked like a canal and then the river via an old pack bridge, with the tower of the church on the far bank.
The town, or this part of it, stretched either side of the High Street, and once parked, we approach the church down an alleyway and I see the porch doors open; a good sign.
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The little cupola on the west tower is topped by a weathervane dated 1734, and summons us to a large church, heavily restored in the 1860s, but worth travelling a long way to see. The nave roof has two interesting features - one is a form of celure or canopy of honour over the third bay from the west. It must have served some long-forgotten purpose. At the east end of the nave there is a real Canopy of Honour in its more usual position over the chancel arch. The south transept contains many interesting features - niches in the walls, bare stonework walls and a good arcaded tomb chest recessed into the south wall. There is a telling string course that suggests a thirteenth-century date, although the two windows in its east wall are Decorated in style. The most recent feature in the church - and by far the most important - is the engraved glass window in the chancel. It was engraved by Laurence Whistler in 1979 and commemorates Edmund Blunden, the First World War poet. It depicts a trench, barbed wire, a shell-burst and verses from Blunden's poems. This feature apart it is the nineteenth-century work that dominates Yalding - especially the awful encaustic tiles with arrow-like designs, the crude pulpit with symbols of the evangelists and the poor quality pews. The glass isn't much better, the Light of the World in the south chancel window being especially poor, but the south window of the south transept (1877) showing scenes from the Life of Christ redeems the state of the art.
www.kentchurches.info/church.asp?p=Yalding
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YALDING.
NORTH-WESTWARD from Hunton lies Yalding, antiently written Ealding, which signifies the antient meadow or low ground.
Most of this parish is in the hundred of Twyford, and the rest of it, viz. the borough of Rugmerhill, is in the antient demesne of Aylesford. That part of this parish, which holds of the manor of West Farleigh, is in the borough of West Farleigh, and the borsholder thereof ought to be chosen at the court leet there, and so much thereof as is held of the manor of Hunton, is in the borough of Hunton, and the borsholder thereof is chosen at the court leet there; and the inhabitants of neither of these boroughs owe service to the court holden for the hundred of Twyford, within which hundred they both are; but at that court a constable for that hundred may be chosen out of either of these boroughs.
THIS PARISH lying southward of the quarry hills, is within the district of the Weald. It is but narrow, but extends full four miles in length from north to south, the upper or northern part reaches up to the quarry hill adjoining to West Farleigh, near which is Yalding down, on which is a large kiln for the purpose of burning pit coal into coke, which is effected by laying the coal under earth, and when set on fire quenching the cinders; the method is used in making charcoal from wood, the former particularly is much used in the oasts for the drying of hops, so profitably encouraged in this neighbourhood. Below it, near the river Medway, its western boundary in this part, opposite to Nettlested, stands the seat of Sir John Gregory Shaw, bart. a retired, but not an ill chosen situation. It was for several generations the residence of the family of Kinward, which from the reign of king Henry VIII. was possessed of good estates in this parish and its neighbourhood, and bore for their arms, Azure, on a bend or, three roses gules, between three cross-croslets, fitchee argent. Robert Kenward, esq. of Yalding, resided here, and dying in 1720, was buried with the rest of his family in this church; he left a son John, and several daughters, of whom the third, Martha, married the late Sir Gregory Page, bart. and died S. P. John Kenward, esq. the son, died in 1749, leaving by Alicia his wife, youngest daughter of Francis Brooke, esq. of Rochester, one daughter and heir Alicia, who carried this seat and a considerable estate in this neighbourhood to Sir John Shaw, bart. late of Eltham, whose eldest son, Sir John Gregory Shaw, bart. is the present owner of it, and resides here. (fn. 1). In this part of the parish the land is kindly both for corn and hops, of which there are several plantations, and round the down there are some rich grass lands, but further southward where the parish extends to Brenchley, Horsemonden, and Mar den, it is rather a sorlorn country, the land lying very low, and the soil is exceeding wet and miry, and much of it very poor, and greatly subject to rushes, being a stiff unfertile clay; the hedge rows are broad and interspersed with quantities of large spreading oak trees.
The river Medway flows from Tunbridge along the west side of the upper part of this parish as mentioned before, there are across it here two bridges, Twyford and Brandt bridge, leading hither from Watringbury, Nettlested and East Peckham; a small stream, which comes from Marden, and is here called the Twist, flows through the lower part of this parish towards the west side of it, and joins the main river at Twyford bridge, which extends over both of them; another larger stream being a principal head of the Medway flowing from Style-bridge by Hunton clappers, separating these two parishes, joins the main river, about a quarter of a mile below Twyford bridge; on the conflux of these two larger streams the town of Yalding is situated, having a long narrow stone bridge of communication from one part of the town to the other, on the opposite bank of the Hunton stream. Leland who lived in king Henry the VIIIth.'s reign, calls it a a praty townelet, to which however at present it has no pretensions. The church and court-lodge stand at the north end of the town. A fair is held in it on WhitMonday, and on October 15, yearly. The high road over Teston bridge, and through West Farleigh, leads through the town, and thence southward along the hamlets of Denover and Collens-street to Marden; at a small distance from the former is the borough of Rugmarhill, esteemed to be within the antient demesne of Aylesford, belonging to Mrs. Milner.
Adjoining the town southward is Yalding lees, over which there is another high road, which leads from Twyford bridge, parallel with the other before-mentioned, along the hamlet of Lodingford, and thence through the lower part of this parish towards Brenchley, near the boundaries of which in this parish is an estate still called Oldlands, which appears in king Edward II's reign to have been part of the demesne lands of the manor of Yalding, for he then confirmed to the priory of Tunbridge a rent charge to be received out of the asserts of the old and new lands of the late Richard de Clare, in Dennemannesbrooke, which he had given to it on its foundation; lower down, close to the stream of the Twist, is the manor house of Bockingsold, the lands of which extend across the river into Brenchley and Horsemonden and other parishes.
A third high road over Brandt bridge passes along the western bounds of this parish, over Betsurn-green towards Lamberhurst and Sussex.
A new commission of sewers under the great seal, was not many years ago obtained to scour and cleanse that branch of the river Medway, or if I may so call it, the Yalding river from Goldwell in Great Chart, through Smarden, Hunton, and other intermediate parishes to its junction with the Rain river, at a place called Stickmouth, a little below the town of Yalding.
The commissioners for the navigation of the river Medway, about twenty years ago, made a navigable cut or canal, from a place in the river called Hampsted, where they judiciously constructed a lock to a place in the river near Twyford bridge, where they erected a tumbling bay for the water, when at a certain height, to pass over. The contrivance of this cut from one bend or angle of the river to the other, is of the greatest utility to the navigation, by not only shortening the passage, but by baying up a convenient depth of water, which they could not have had along the lees, and other adjoining low lands on each side of that part of the river, which is avoided by it, or at least not without a very great expence.
At the river here the barges are loaded with timber, great guns, bullets, &c. for Chatham and Sheerness docks, London, and other parts, and bring back coals, and other commodities for the supply of the neighbouring country.
In 1757 a large eel was caught in the river here, which measured five feet nine inches in length, and eighteen inches in girt, and weighed upwards of forty pounds.
THE MANOR OF YALDING, or Ealding, as it was usually written, was, after the conquest, part of the possessions of the eminent family of Clare, who became afterwards earls of Gloucester and Hertford, (fn. 2) the ancestor of whom, Richard Fitz Gilbert, came into England with William the Conqueror, and gave him great assistance in the memorable battle of Hastings, and in respect of his near alliance in blood to the king, he was advanced to great honor, and had large possessions bestowed upon him, both in Normandy and England; among the latter was this estate of Yalding, as appears from the survey of Domesday, taken in the 15th year of the Conqueror's reign, in which it is thus entered, under the title of Terra Richardi F. Gislebti:
Richard de Tonebridge holds Ealdinges, and Aldret held it of king Edward, and then and now it was taxed at two sulings. The arable land is sixteen carucates. There are two churches (viz. Yalding and Brenchley) and fifteen servants, and two mills of twenty-five shillings, and four fisheries of one thousand and seven hundred eels, all but twenty. There are five acres of pasture, and wood for the pannage of one hundred and fifty hogs.
In the time of king Edward the Consessor, and afterwards, it was worth thirty pounds, now twenty pounds, on account of the lands lying waste to that amount.
The above-mentioned Richard Fitz Gilbert, at the latter end of the Conqueror's reign, was usually called Richard de Tonebridge, from his possessions and residence there, and his descendants took the name of Clare, for the like reason of their possessing that honor. His descendant, Gilbert, son of Richard de Clare, earl of Gloucester and Hertford, owned it in the reign of king Henry III. and in the 21st year of Edward I. he claimed before the justices itinerant, and was allowed all the privileges of a manor.
¶Gilbert de Clare, earl of Gloucester and Hertford, his son, by Joane, of Acres, king Edward I.'s daughter, succeeded to it, and dying in the 7th year of king Edward II. without surviving issue, his three sisters became his coheirs, and on the partition of their inheritance, this manor, among others in this county, was allotted to Margaret, the second sister, then wife of Hugh de Audley, junior, who in the 12th year of Edward II. obtained for his manor of Ealding, a market to be held here weekly, and a fair to continue three days yearly, viz. the vigil, the day of the feast of St. Peter and St. Paul, and the day subsequent to it. He died in the 21st year of it, holding this manor, which he held for his life, by the law of England, of the king in capite. He left an only daughter and heir Margaret, then the wife of Ralph Stafford, who in her right became possessed of the manor of Yalding, and was a man greatly esteemed by king Edward III. who among other marks of his favor, in his 24th year, advanced him to the title of earl of Stafford.
After which it continued in his descendants down to his great grandson, Humphry Stafford, who was created duke of Buckingham anno 23 Henry VI. whose grandson Henry, duke of Buckingham, having put himself in arms against king Richard, in favor of Henry, earl of Richmond, and being deserted by his army, had concealed himself in the house of one Ralph Banister, who had been his servant, who on the king's proclamation of a reward of 1000l. or 100l. per annum, for the discovering of the duke, betrayed him, and he was without either arraignment or judgment, beheaded at Salisbury.
YALDING is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester and deanry of Malling.
The church, which is a large handsome building, consists of three isles and a large chancel, with a square tower at the west end. Against the south wall in it is a very antient altar tomb, which has been much desaced, on which is remaining, Ermine, a bend gules. There was formerly a brass plate on it. On a large stone in the middle isle, is a memorial for Robert Penhurst, descended from Sir Robert Penhurst, of Penhurst, in Suffex, who died in 1610. The arms, on a shield, a mullet. In the chancel there is a handsome monument for the family of Warde, who bore for their arms, Azure, a cross flory or, and one for the family of Kenward, in this parish. In the pavement of the church are several large broad stones, a kind of petrifaction of the testaceous kind, dug up in the moors or low lands in this parish.
Richard de Clare, earl of Hertford, gave the church of Aldinges, with the chapel of Brenchesley, and all their appurtenances, in pure and perpetual alms, to the priory of Tunbridge, lately founded by him.
Gilbert de Glanvill, bishop of Rochester, who came to that fee in the 31st year of king Henry II. confirmed this gift, and granted, that the prior and canons should possess the appropriation of this church in pure and perpetual alms; saving a perpetual vicarage in it, granted by his authority, with the assent and presentation of the prior and canons as follows:
That the vicar should have the altarage, and all obventions, and small tithes belonging to this church, and all houses, which were within the court, and the land belonging to the church, together with the tenants and homages, and the alder-bed, and the tithes of sheaves of Wenesmannesbroke, and the tithes of Longesbroke, of the new assart, and the moiety of meadow belonging to the church; all which were granted to him, to hold under the yearly pension of two shillings, duly to be paid to the prior and canons; and that the vicar should sustain all episcopal burthens and customs, as well for the prior and canons as for himself. And he granted to the prior and canons as part of the appropriation, the tithes of sheaves of this church, excepting the said tithes of Wenesmannesbroke, and of Longebroke; and that they should have the moiety of the meadow belonging to the church, with the fisheries, and the place in which the two greater barns stood, with the barns themselves, and the whole outer court in which the stable stood, with the garden which was towards the east, and the small piece of land which lay by the garden, and the rent of four-pence, which ought to be paid yearly to the court of Eyles forde; reserving to himself the power of altering the endowment of this vicarage, if at any time it should seem expedient; saving, nevertheless, all episcopal rights to the bishop of Rochester, &c. (fn. 16)
The church of Yalding, together with the advowson of the vicarage, remained with the priory of Tunbridge, till the suppression of it, in the 17th year of king Henry VIII. when being one of those smaller monasteries which cardinal Wolsey had obtained for the endowment of his colleges, it was surrendered into his hands, with all the possessions belonging to it.
After which the king granted his licence to him, in his 18th year, to appropriate and annex this church, among others of the cardinal's patronage, to the dean and canons of the college founded by him in the university of Oxford. But here it staid only four years, when this great prelate being cast in a præmunire in 1529, the estates of that college were forfeited to the king, and became part of the royal revenue.
¶Queen Elizabeth, in her 10th year, granted the rectory or parsonage of Yalding, and the advowson of the vicarage, for thirty years, to Mr. John Warde, at the yearly rent of thirty pounds, in whose possession they continued till king James I. in his 5th year, granted the see of them to Richard Lyddale and Edward Bostock, at the like yearly rent, (fn. 17) and they soon afterwards alienated them to Ambrose Warde, gent. of this parish, son of John above-mentioned, in whose descendants they continued down till they came into the possession of three brothers, Thomas, of Littlebrook, in Stone; George and Ambrose, among whose descendants they came afterwards to be divided, and again sub-divided in different shares, one third part to captain Thomas Amhurst, of Rochester; one third of a third part, and a third of a sixth part to Mr. Holmes, of Derby; Mr. Ambrose Ward, of Littlebrook, and the Rev. Mr. Richard Warde, late of Oxford, each alike, and the remaining sixth part by the Rev. Mr. John Warde, the present vicar of this parish, who some years ago rebuilt the vicarage-house in a very handsome manner.
This rectory now pays a yearly fee-farm rent of thirty pounds to the crown.
It is valued in the king's books, at 20l. 18s. 9d. and the yearly tenths at 2l. 1s. 10½d.
There are two separate manors, one belonging to the rectory or parsonage, and the other to the vicarage of this church.
Expecting and nursing mothers require social protection but workers in the informal economy are often not covered. Maternity protection has been a primary concern of the ILO since its creation in 1919. Workplace support for mothers who are breastfeeding has been a basic provision of maternity protection.
The Philippines expanded maternity leave benefits in 2019 to align with international labour standards. The ILO also promoted exclusive breastfeeding in the workplace to advance women’s rights to maternity protection and to improve nutrition security for Filipino children. Know more: www.ilo.org/manila/projects/WCMS_379090/lang--en/index.htm
Photo ©ILO / E. Tuyay
November 2011
Manila, Philippines
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
Herne, Herne Bay, Herne Green, Hernhill: all very confusing. THe frst three are at least near each other, and Hernhill has no "e".
Herne is on the Herne Bay to Canterbury road, which winds its way through the narrow streets of the town, making parking troublesome.
We came here not expecting it to be open, but there was a large friendly sign on the pavement, advertising a coffee morning. So, we drove into a nearby housing estate, parked up, and I rushed down, lest it closed before I got there.
A small group of people were in the north chapel, drinking coffee and eating slices of cake. One lady was interested in the church project, so we talked about the churches I had visited, and ones I have yet to see. And about Herne.
It is a big church, and I had to g round again and again as I spotted more and more details.
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A large, impressive and relatively little-known building of fourteenth-century date. Although nineteenth-century restorations have left us with a church that displays little patina it still contains much of interest. The chancel screen dates from 1872 and provides good comparison with the fourteenth-century screen of the north chapel which, unusually, has two east windows. The sedilia in the chancel take the form of a series of three multi-cusped arches descending to the west - although the Victorian floor level makes a nonsense of their height. The nearby piscina is fifteenth century. The east window and theatrical reredos are nineteenth century and form an impressive ensemble. There are some fine misericords incorporated into the Victorian stalls. On the north chancel wall is a good Easter Sepulchre - the memorial of Sir John Fyneux (d. 1525). The north chapel was a chantry foundation with its own priest and is connected to the chancel by a two-bay arcade and hagioscope. The rood loft stairway to the south of the chancel arch indicates that the screen did not run the full width of the church and that each of the chapel screens formed a separate construction.
www.kentchurches.info/church.asp?p=Herne
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HERNE,
OR Hearne, as it is frequently spelt, lies almost adjoining to Sturry northward, and takes its name from the Saxon word hyrne, or hurne, signifying a nook or corner. (fn. 1) There are five boroughs in it, viz. Stroud, Hawe, Hampton, Beltinge, and Thornden. The borsholders of these boroughs are subordinate to the constable of the upper half hundred of Blengate, who is chosen at the court-leet of Reculver, for two years, from this parish; and the three next succeeding years, one each in turn, from Reculver, Hothe, and Stourmouth.
THIS PARISH is situated about six miles northeastward from Canterbury, in a wild and dreary country; there is a great deal of poor land in it, covered with broom, and several wastes or little commons, with cottages interspersed among them. The soil of it is in general a stiff clay, and in some parts mixed with gravel, the water throughout it is very brackish. The southern part of it is mostly coppice woods, a considerable quantity of which belong to the archbishop. and are in his own occupation. There are thirty-seven teams kept in this parish. There are about seventeen acres of hops in it, and not long ago double that number, and these are continually displanting. It also produces much canary-seed, of which it has sometimes had one hundred acres. The rents, according to the land-tax assessment, amount to 1705l. according to the poor-rates, to 3179l. 10s. Herne-street is situated about the middle of the parish, and contains about sixty houses, among which are Stroud-house and the vicarage; also an elegant new house, built on the common, belonging to Mr. Lyddell. The church stands at the south end of it. Northward from it is Underwood farm, and opposite to it the parsonagehouse, formerly the residence of the Milles's. These are within the hamlet of Eddinton, in which, further on upon the road, is a new-built house, belonging to Mr. Edward Reynolds. Hence the road leads through Sea-street to Herne bay, which is very spacious and commodious for shipping. Several colliers frequent this bay from Newcastle and Sunderland, on which account there are two sworn meters here, and the city of Canterbury and the neighbouring country are partly supplied with coals from hence. There are two hoys, of about sixty tons burthen each, which sail alternately each week to and from London, with corn, hops, flour, and shop goods. A handsome mansion, with doors and windows in the gothic taste, has lately been built, and belongs to Mr. Winter. In 1798 barracks were built by government for the reception of troops, who were thought necessary to guard this part of the coast.
Leland, in his Itinerary, (fn. 2) says, Heron ys iii good myles fro thens (viz. Whitstaple) wher men take good muscles cawled stake muscles. Yt stondeth dim. 2 myle fro the mayne shore & ther ys good pitching of nettes for mullettes." The coast of the channel bounds this parish on the north side. South-westward from Herne bay is the farm of Norwood, formerly belonging to a collateral branch of the Knowlers, of Stroud house; and Sir William Segar, garter, in 1629, granted to George Knowler, of Norwood, in Hearne, kinsman and son-in-law to Robert Knowler, of Stroud, in that parish, descended collaterally from that family, these arms, Ermine, on a bend, between two cotizes, sable, a lion passant-guardant of the first, crowned, or, langued and armed, gules. From them it came by marriage to Tucker, and is now the property of the Rev. John Tucker, rector of Gravesend and Luddenham. Hence towards Swaycliffe, the country is very poor, wet and swampy, and much covered with rushes. On the opposite side of the parish, at a little distance between the street and Herne common, is the manor of Ridgway, formerly belonging to the Monins's and the Norton's, of Fordwich, from the latter it was sold to lady Mabella Finch, baroness of Fordwich, who gave it by will to her nephew Charles Fotherby, from whom it has come to Charles Dering, esq. late of Barham. On the hill, eastward of Herne street, is a wind-mill, built on the spot where once stood a beacon.
Archbishop Islip, in the 25th year of Edward III. obtained the grant of a market, to be held weekly on a Monday, and a fair yearly on the feast of St. Martin and the day afterwards, in this parish of Herne. (fn. 3)
The fair is now held on the Monday in Easter-week, at Herne-street; and there is another at Bromfield in it, on Whit-Monday.
THE MANOR OF RECULVER claims paramount over part of this parish, and the manor of Sturry over the remainder of it; subordinate to which is
THE MANOR OF HAWE, otherwise spelt Haghe, situated within the borough of its own name, which was held in the reign of king Richard II. by Sir William Waleys, whose only daughter and heir Elizabeth carried it in marriage to Peter Halle, esq. of this parish, who had two sons, to the eldest Thomas he gave the manor of Thanington, and to the youngest Peter he gave this manor, from whom it descended to his grandson Matthew Hall, who sold his interest in it to Sir John Fineux, chief justice of the king's bench in king Henry VII. and VIIIth.'s reign, who rebuilt the mansion of it, and afterwards retired to it, on account of its healthy situation. The origin of the family of Fineux may be best given in the words of Leland, who says, that "the name of Finiox thus cam ynto Kent about king Edward the 2 dayes: one Creaulle a man of faire possessions yn Kent, was a prisoner in Boleyne, in Fraunce, and much desiring to be at liberte made his keper to be his frend, promising hym landes yn Kent if he wold help to deliver him. Whereapon they booth toke secrete passage and came to Kent, and Creal performid his promise: so that after his keeper or porter apon the cause was namid Finiox. This name continuid in a certain stey of landes ontylle Finiox chief juge of the kinges bench cam that first had but 40l. land. For he had two bretherne and eche of them had a portion of land and after encresid it into 200 poundes by the yeare. One of the younger brothers of Finiox the juge died and made the other younger brother his heir. So that now be two houses of the Finiox, the heyre of Finiox the juge and the heyre of justice Finiox brother. Olde Finiox buildid his faire house on purchasid ground for the comodite of preserving his helth so that afore the physicians concludid that it was an exceeding helthfull quarter."
The judge's two brothers were, William, who was of Hougham, who died s. p. and Richard of Dover, where his descendants remained for many descents afterwards. They bore for their arms, Vert, a chevron between three spread eagles, or. (fn. 4) Sir John Fineux was a great benefactor to the Augustine friars, in Canterbury, and to the abbey of Faversham, and most probably to the priory of Christ-church, as his arms are carved on the roof of the cloysters there, and he chose the church of it for the burial-place of himself and wife. (fn. 5) By his first wife Elizabeth, daughter and coheir of William Apulderfield, he had two daughters and coheirs, Jane, married to Roper, and Mildred, to Diggs; and he had by his second wife an only son William, on whom he settled this manor, on which he afterwards resided, and died in 1557. He was succeeded in it by his eldest son John Fineux, esqof Herne, on whose death in 1592, Elizabeth, his only daughter and heir, entitled her husband Sir John Smythe, of Westenhanger, to the possession of it, whose great-grandson Philip, viscount Strangford, dying in 1709, Henry Roper, lord Teynham, who had married Catherine his eldest daughter, by his will became entitled to it. After which it passed in like manner as the manor of Sturry above described, to his descendants, till it was at length sold with that manor, in 1765, to the Rev. Francis Hender Foote, of Bishopsborne, whose eldest son John Foote, esq. now of Bishopsborne, is the present possessor of it. A court baron is held for this manor.
LOTTINGE, formerly written Louting, is a small manor in the north-west part of this parish, which was formerly belonging to the family of Greenshield, who lived at a seat in Whitstaple of their own name, now called Grimgill; from this name it was sold to Crispe, of Quekes, (fn. 6) and then again, after some time, to Monger, of Surry, who sold it in king Charles II.'s reign to Robert Knowler, esq. of Stroud-house, in this parish, in whose descendants it has continued down to Gilbert Knowler, esq. now of Canterbury, the present owner of it.
THE MANOR OF UNDERDOWNE, with the mansion of it, situated in Herne-street, within the borough of Stroud, was called, as Philipott writes, in early times Sea's-court, from the family of Atte-Sea, who were the antient possessors of it. John Atte Sea, of Herne, as appears by his will, died possessed of it in the 36th year of Henry VI. in whose descendants, resident here, it continued down to Edw. Sea, esq. who passed away, by sale, his manor, or mansion of Underdowne, to Robert Knowler, gent. of Herne, whose family had been resident in this parish as early as Henry VII.'s reign. He resided at this seat, which seems from thenceforward to have been called STROUD-HOUSE, and died in 1635, bearing for his arms, Argent, on a bend, between two cotizes, sable, a lion passant-guardant, crowned, or; and his descendants continued to reside at it down to Gilbert Knowler, esq. who removed from hence to Canterbury, where he now resides, and is the present owner of it. It is now inhabited by John May, esq. who married the only daughter of James Six, esq. of Canterbury.
THE MANOR OF MAKINBROOKE, the very name of which is almost obliterated, was situated in the northwest part of this parish, and was part of the antient possessions of the see of Canterbury, of which it was held by knight's service, by a family who took their name from it, in which it continued till Edward IIId.'s reign, but in the 30th year of it this manor had passed by purchase into the hands of Adam le Eyre, citizen of London, who that year gave it to Thomas Wolton, master or keeper of Eastbridge hospital, and his successors, towards their support. In the year 1528, Robert Atte Sea, of Herne, held this estate in fee, by the payment of a yearly rent (fn. 7) to the hospital. After his death it descended, partly in the male line and partly by two coheirs, to the family of Crayford. After which it came into that of Oxenden, in which it continued down, with the farm called Underdowne farm, situated in the hamlet of Eddington, to Sir George Oxenden, bart. who rebuilt the house, and his son Sir H. Oxenden, bart. now of Brome, is the present owner of this manor, and the farm of Underdowne before-mentioned.
Charities.
SIR WILLIAM SELBY, bart. in 1618, gave by will, for the use of the poor, a sum of money, which was laid out in land, vested in trustees, the rent of which has always been received by the parish officers, and is of the annual produce of 10l.
A PERSON UNKNOWN gave certain land for the use of the poor, the produce of which is received by the parish officers, and is of the annual produce of 10l. 5s. 8d.
THOMAS KNOWLER, gent. by will in 1658, besides other benefactions both to the church and the poor, gave land for the use of the poor, vested in trustees, the survivor unknown, and is of the annual produce of 1l. 10s. 5d. and likewise other land, vested in like manner, for the cloathing of the poor, the annual produce of which is 5l.
A PERSON UNKNOWN gave lands, for the use of the poor, vested in trustees, and is of the annual produce of 7s.
THOMAS HOALLES gave an annuity, out of land, vested in trustees, which is of the annual produce of 13s. 4d.
CHRISTOPHER MILLES, esq. of Herne, by will in 1638, gave to the poor the yearly sum of 3l. to be paid on the last day of August, being his birth-day, and to continue so long as the archbishop and his successors should continue the lease of the parsonage to any of his surname.
GEORGE HAWLET, by will in 1624, gave for the use of the poor, an annuity, charged on land, of the annual produce of 3l.
The poor constantly maintained are about ninety-five, casually thirty-five.
THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry or Westbere.
The church, which is exempt from the jurisdiction of the archdeacon, and dedicated to St. Martin, is a large handsome building, consisting of three isles and three chancels, having a well-built square tower at the west end, in which are six bells. The whole roof of this church is covered with lead, and embattled. The pillars between the isles are light and beautifully proportioned. The stone font is an octagon, very antient; on each compartment is a shield of arms, first, the see of Canterbury, impaling Arundel; second, obliterated; third, France and England; fourth, three crescents, within a bordure; fifth, three wings, two and one; sixth, three pelicans; seventh, on a chevron, three —; eighth, barry, three escutcheons. At the west end of the middle isle is a new-erected gallery, very neat. In the upper end of it are memorials of the Terreys, and of the Knowlers, of Canterbury, collaterally descended from those of Stroud-house, and of the Legrands, of Canterbury, descended from them. In the high chancel are three stalls, joined together and moveable. On the pavement a memorial, with the figure of a priest in brass, for John Darley, S. T. B. once vicar, and monuments and memorials for several of the families of Milles and Fineux. (fn. 8) A monument, having the effigies of a knight in a praying posture, for Sir William Thornhurst, son and heir of Sir Stephen Thornhurst, of Forde, obt. 1606. Within the altar-rails are memorials for the Fineuxs. A memorial for William Rogers, A. B. vicar, obt. August 28, 1773. Under the north window is an antient tomb, without inscription, having three shields of arms, first, Paston, six fleurs de lis, a chief indented; second, Fineux, a chevron, between three eagles; third, Apulderfield, a cross voided. A monument for Charles Milles, A. M. rector of Harbledowne, &c. obt. 1749, buried in the family vault underneath. A hatchment and inscription for Edward Ewell, gent. who married Elizabeth, sister of bishop Gauden, obt. 1686; arms, Ewell, argent, a rook proper. In the north chancel, which now belongs to the parish, a memorial and figures of a man and woman, with their hands joined, in brass, for Peter Hall, esq. and Elizabeth his wife, daughter of Sir William Waleys. A memorial and figure in brass, for Christian, wife of Matthew Phelp, goldsmith, and once mayor of London, obt. 1740; arms, An orle of cross-croslets, fitchee, a lion rampant, impaling a bend, fusilly. A me morial in brass for Anthony Loverick and Constantia his wife. He died in 1511. A memorial in brass for John Sea, esq. of Underdowne, obt. 1604; for William Foche, gent. of Christ-church, Canterbury, obt. 1713; and for Robert Sethe, obt. 1572. Memorials for Bysmere, Ewell, and others, long since obliterated. In the south chancel, belonging to the Knowlers, of Stroud-house, are several monuments and memorials for that family. Underneath is a vault, in which they lie buried.
The church of Herne was antiently accounted as one of the chapels belonging to the church of Reculver, which was parcel of the antient possessions of the see of Canterbury. But the inconveniences arising from the distance of those chapels from the mother church, among many other reasons, induced archbishop Winchelsea, in the year 1296, to institute perpetual vicarages in them. After which he endowed three vicarages; one in the mother church of Reculver, with the adjoining chapel of Hothe; another in the church of St. Nicholas, in Thanet; and a third in this church of Herne. By his instrument for which, dated in 1310, he decreed, that out of the profits of the church of Reculver, and the chapels belonging to it, the said vicars should have competent portions; and in particular, that the vicar of this chapel of Herne, belonging to that church, should have and take in the said chapel all oblations, the tithes of hay, flax, wool, and milk, lambs, gardens, and all other small tithes, which are said to belong to the altarage, with the tenths of sheaves growing in gardens inclosed, and dug with the foot, and in meadows belonging to the church and chapel, in the name of his vicarage; but out of those profits, in token of his perpetual subjection, he should pay yearly, as a perpetual pension, forty shillings, which he the archbishop imposed on him, to the vicar of Reculver for ever. Moreover, that the vicars of the aforesaid churches should have each one fit priest associated with themselves, at their own costs, for the better governing of their cure, and should make canonical obedience to the rector of Reculver, who was in quasi possession as to his parishioners, and exercising ordinary jurisdiction in his parish, and should be obedient to him canonically, as was of right accustomed, in reverence of the mother church, of which he was vicar, and should come to the same once a year, on the morrow of Pentecost, to the pentecostal processions, with their priests, ministers, parishioners, and vicars themselves, to the mass, on the day of the nativity of the virgin. Moreover, to the tenth, the vicar of the chapel of Herne should contribute 9s. 11d. for his portion of it. decreed, that to the aforesaid perpetual vicarages, whenever the same should happen to be vacant, the And further, that the burthens of ministers, books, ornaments, repairing of chancels or building of them anew, and of other ordinary burthens in the chapel of Herne, should belong to the said vicarage. And he decreed, that to the aforesaid perpetual vicarages, whenever the same should happen to be vacant, the rector of Reculver should for ever present to him and his successors, fit persons within the time limited by the canon, with a non obstante to any decrees of his predecessors relating to the same. (fn. 9)
Notwithstanding the above decree, it seems the parishioners of these chapelries continued as liable and subject to the repair of the mother church of Reculver, as the peculiar and proper inhabitants of the place, a matter controverted between those of Herne and Reculver; and the contest and dispute on this account, continued between them, until by a decree of archbishop Warham, in king Henry VIII.'s reign, it was settled, by the consent of all parties, that the people of each chapel, viz. Herne and St. Nicholas, should redeem the burthen of repairs with a certain moderate annual stipend or pension in money, payable on a certain set day in the year, but with this proviso, that if they kept not their day of payment, they should then be exposed to the law, and should fall under as full an obligation to the repairs of the mother church, as if the decree had never been. In which state it remains at this time, the churchwardens of Herne paying annually five shillings on this account to those of Reculver. (fn. 10)
¶Although the vicarages of Reculver and its chapels, were thus separated and made distinct, yet the rectories or parsonages of them remained in the same state as before, viz. one parsonage of Reculver, extending over that parish and those of Hothe and Herne, and another of St. Nicholas and All Saints, in Thanet, both remaining parcel of the possessions of the see of Canterbury to the present time. Richard Milles, esq. of Nackington, is the present lessee of the former parsonage, in which this of Herne is included. The house of the rectory stands in the hamlet of Eddington, opposite to Underdowne farm. It was once much larger, and consisted of a quadrangle, of which only one side remains. The family of Milles resided at it for several generations; the last of them who resided here was Samuel Milles, esq. whose son Christopher was of Nackington, and father of the present lessee of it.
His grace the archbishop continues the patron of this vicarage, which is valued in the king's books at 20l. 16s. 3d. and the yearly tenths at 2l. 1s. 7½d. In 1588 it was valued at eighty pounds, communicants four hundred and ninety. In 1640 it was valued at only sixty pounds, the like number of communicants.
There was a chantry founded in this church, in honour of the Virgin Mary, by Thomas Newe, clerk, sometime vicar of Reculver, which was suppressed, among other such foundations, in the 2d year of king Edward VI. the revenues of it being at that time of the clear yearly value of 6l. 5s. 1d. (fn. 11)
This sunday will mark the 13th week of pregnancy and the beginning of the 2nd trimester. The baby is due sometime between Christmas and New Years. Keeping a secret like this week after week is extremely difficult... but somehow we managed :-D
Media Information on the WMOF2018 Closing Mass in Phoenix Park
3.00pm Sunday 26 August 2018
The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.
A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.
Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.
Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.
The Mass
Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.
The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.
Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.
Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.
Also involved in the offertory procession will be:
•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;
•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;
•The family of one of those killed in the Omagh bombing 20 years ago;
•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.
•LITURGICAL MUSIC
The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.
The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.
Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.
The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.
As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.
The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.
And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.
•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY
Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.
At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.
Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.
The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.
•PENAL CROSS AND PROCESSIONAL CROSS
A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.
The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.
•CHALICES AND CIBORIA
To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.
ENDS
NOTES TO EDITORS
· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.
Biographies of Liturgical Music Team:
· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.
· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.
· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.
· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.
· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.
· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.
First impressions
It's much thinner than I expected, and feels smooth and expensive (no kidding) and gorgeous to hold. This is something I want to pick up and bring everywhere. The touch-screen works beautifully - not least because of visual and audio feedback for every single action. Zooming in on maps, thumbing (literally) through photo albums.. Yes, the user-interface is the best on any device, ever.
The "fake physics" used in every control (when you scroll a page by flicking it, it bounces when it gets to the end) is amazing. So fast and smooth. Subtle, obvious, immersive: damn those guys are good.
Typing will take a little more practice. I would not want to type this much text for example.
The built-in applications work great. Typically Apple, they appear limited until you discover new features. An age-old problem for mobile phones: how to you manage cut-and-paste between apps? Apple solution: don't do it. Just think of the reason anyone might want to cut-and-paste, and find a way to make that happen - for example, emailing a YouTube movie address to your contact is a button press.
Nerd issues
Wifi works very well indeed. But why can't I do my syncing over Wifi? I want to sync my music, videos, updated contacts without docking. Sure, syncing music and video would require an iTunes rewrite, but I should be able to sync my .Mac contacts, web bookmarks at the very least.
Web site designers are going to be working overtime to be optimizing web pages for the iPhone. Of course, most web pages just work, but imitating the iPhone look, feel and user-friendliness is going to keep them busy (and happy).
JavaScript rendering on web pages is SLOW. This will cause me to rethink some of my own projects. Also, the automatic screen rotation is a double-edged sword. Do you design your web apps for landscape or portrait? How do you know which is which? There will be some challenges here (fun ones though!)
Applications have no exit button. You don't stop them, you don't worry about stopping them. You press the one physical control on the device to get to the home screen, and launch another. Man, how Windows Mobile got grief for not having a close button. Just goes to show how perception, marketing, expectations, design conquers all.
File system. The iPhone has a file system. Do you know this? No. You can't explore the file system, or browse for files, or do anything that exposes the fact this is a computer. Again, compare to this WIndows Mobile which you KNOW is a computer trying to be a phone. For 99.99% of people, not caring a jot about a file system is great news. For anyone expecting to save email attachments, not so great. But again - why do you want to save attachments on a phone?
In the midst of lockdown numero uno in Lahore over the weekend, I decided to head to my village in Radhan, a half an hour or so from Sargodha. Traffic in Lahore was beyond light, almost absent, so we hit the motorway quickly and reached Sargodha earlier than expected. I thought the drive through the city would have been a much desired breeze as well but the residents of the city seemed to be out and about per their normal routine. Clearly the rules set upon the larger cities hadn’t taken effect here yet. But it was the village that was the bubble existing above and beyond everything that seemed to be happening in the world.
Unlike the rest of it, or at least the West, Pakistan has taken the approach of slow roll-out in what was likely going to be a long-term lockdown. We had started with 2 days on March 21st, now we are at 15 and everyone assumes that will be extended in the same slots indefinitely. A few stories about the treatment of those who have revealed their state of being positive to the State have been frightening to the point that unless faced by death, I think people will stick it out in their rooms. And some might also prefer to die there.
There are articles abound about people in the north testing positive, then running away from the health facilities to God knows where. No one has a real clue what is happening of course and beyond the “We love China” anthem the PM is singing, what we are really hoping for is one of those hospitals our “all-weather friend” built in 8 days, (or was it 18), to pop up in at least one province each. Personally, I would rather the People's Republic ended the internment of a million Muslims but we seem to have already signed off on that being ok.
The poor are scared out of their wits because we have extremely high numbers of workers in the larger cities who earn their income on a daily basis and with the shutdown, they don’t have a clue as to how to feed their families. Those of the Sahib e Taufeeq are therefore anxiously and quickly trying to distribute ration for a month to as many families as possible. Meanwhile the Sahib e Maal contingent is interneting themselves to wherever that will lead, which we will soon discover.
In Lahore, if one meets someone, all one talks about is the virus. For a while at least. That has been my experience of the under 50 crowd. It’s like the greeting of “salam” changed to “yaar yeh kya cheez aa gayee hai?” which then moves forward into exchanges of updates and readings per each person’s interest and/or fear of death. Since I have been most influenced by my friends and elders who, while taking sensible precautions, believe in the “jiss ko hona hai, uss to hona hai” (whoever’s going to get it is going to get it) school of thought, I have little to offer.
While being holed up, I scan Drudge and get the scariest breaking updates of the world on a daily basis. It makes me smile that the US has already ingrained into the public that 18 months are on the horizon for this nightmare and we are going forward in 15 day increments. I guess if the Pakistani Government made a similar announcement of 180 days (plus), people would just be like “screw it” and brazen defiance would follow. The rest of my days are spent humming tunes to come up with melodies for the kalam in my book which I then share with my friend, Ustad Imran and we play with it till its ready for upload on a gorgeous insta page, courtesy of Hiba.
Meanwhile, the rumour mills are spewing out new suggestions daily. High on the list is bio-weaponary going out of hand. China-US-Israel are the three villains most frequently named. On the spiritual side a trusted spiritual master says it is the fasid jinns, who, in collusion with fasid humans, are creating this havoc. Like millions, I have all my hopes tied to the return of Imam Mahdi (as) who might appear to save the day.
The Saudis closing Umra, cancelling Haj and making the tawaaf practically void is what saddens the believers the most. As one who had intended to perform the Haj this year, it is no doubt tremendously disappointing. But then I had heard from my Mamu many years before he passed that the Haj would stop in the future. I just imagined that it would happen because of war, not a plague. The Naqshbandis were told by their Spiritual Master, Sheikh Nazim (ra), that blight would arise from China and spread into the world and would disappear one day just like it came. In the days through it, he had advised his disciples to give sadqa to express their gratitude for life.
But coming back to the story of the village. After having lunch and meeting Pathani, who worked for me for 20 some years and is now retired, I sat with the women who work in the house near their out-door kitchen. I began the conversation in the way I had been taught these past few days in Lahore. Except it was in Punjabi.
“Yaar eh ke shay saddey pichay peh gayee hai” (what is this strange thing that has come after us?)
The women looked at me but no one said anything. I waited but they seemed to be waiting also, I gathered, for me to continue. When I didn’t, they just went back to what they were doing. I gave it another shot.
“So everyone in Lahore is holed up in their houses and living in fear,” I attempted raising the bar from casual conversation to sensationalism. “No one goes anywhere and all the markets are closed.”
Again I received nothing.
I think one woman said, “Jiya” in a tone which best translates into a flat “I guess” or “Mmm hmmm.”
I started smiling. “You guys are really lucky,” changing gears yet again, this time offering praise of good fortune. “You can roam around and it’s so beautiful here. And clean. And the food is good and fresh. And there’s hardly any people.” I racked my brain for more positives. “And it hasn’t turned hot yet so the weather is perfect.”
This time instead of one, I got three “Jiyas” and one “Jiya Ji.” It made me give up. I’ll try again tomorrow I thought. I got a charpaaye and spend the rest of the day in the massive garden reading books I had brought with me from Lahore and again, humming the melody of the next tune. It was by Baba Farid Kot Mithan (ra) and I have to say it had an effect on my heart that was superbly softening. Sometimes the words made me smile and sometimes I cried. I love the range of the arc that poetry can make, going from the earth to the sky, from the sun to the moon, from the day to the night and from the heart to the heart.
The next day I went for a walk in the kinoo gardens. The fruit has been picked but the orange blossoms were in full bloom and deeply intoxicating. I sat under a tree brimming with the flowers and listened to music on my Ipod. At lunch the women sat nearby, possibly feeling bad for me that I always came all alone. I decided, incorrigibly, to mention the virus again.
“So to stay safe you have to wash your hands A LOT. My teacher, Qari Sahib, says to just stay in a state of wudu. Even if you are not going to pray soon.”
I looked at each woman one by one, this time awaiting their favoured response.
“Jiya,” said one. “This is a good suggestion.”
I was dying to ask if they did that or prayed but gained control of myself.
Usually the gate to the house is left open for people from the village, essentially women, to come in and say hello to the arrivals from the city. But this time Pathani had given strict instructions to the chawkidaar to not let anyone in.
“Not even Ghulam Biwi?” I asked. As I write this I wonder if her name is Ghulam Bibi re-pronounced Biwi in the village or if she was literally named “the wife of Ghulam.” Probably the former. How would anyone know the husband’s name at birth?
“No,” she decided. “Best to be safe. She roams around the whole village and God only knows where else all day.”
Amma Ghulam Biwi was an old woman in her 70s who was almost deaf. On every visit I had made in the last few years, she had come to see me. She had a lovely voice and knew tons of Punjabi songs, film and spiritual kalam, and would sing to me. She loved Nur Jahan tracks from the 60s and I enjoyed my time with her. The conversations were by sign of course. She loved me and I loved her.
She was the reason I had come to understand that the prayers of a poor person, who one is kind to, far exceed in their expression the prayers of even one’s own parents. “Takhtaan te bakhtaan,” is what she always asked for me. Thrones and best of fortunes! I’m pretty sure neither of my parents ever prayed for thrones for me! Plus I often heard her address God as “Takhtaan te bakhtaan aaliya,” which meant she was asking Him to give me of Himself and that which is His. Not to mention the ask of never-ending wealth and telling Allah to give me more and more and more. Again, I don’t think my parents asked for that either! If they did it would have indeed been strange. Then there was “Allah raazi howey iss tun,” the most elevated prayer of all, “God, be pleased with her.”
I was a little bummed that I was not going to see her but it seemed like the thing to do. But fortune had other plans. Later in the afternoon I went to the family graveyard, just outside the women’s house and adjacent to the haveli the men occupy. For the second time in my lifetime, I went to the graves inside the mosque where my grandfather, his brother and their father are buried. Usually I just sit in the area outside where the rest of our family, including my mother and sister are, but I had visited the village a month before with my Nani (kind of) who is in her 90s and had gone inside with her.
When we had arrived at the graveyard then, just the walk from the car to the graves, only a few feet away, had taken so long and seemed so tiring for her that I had told her to just pray from there and not walk the extra few feet to where her father and brothers were buried. She had waived me away as if I had suggested something beyond ludicrous and said, “Then why am I here?”
With her nurse holding her on one side and me on the other, we had gone into the small room where the three graves lay in a line. In the back was a large marble slab and on it was a Surah from the Quran. She had kept insisting she wanted to read it herself but when I asked if she wanted a chair brought in while she did so, she had waived me away again. Apparently it was another absurd idea. I told her I would read it for her and while she sat at the feet of her father, I recited the Surah.
It was Al-Mulk and I remember crying the whole way through it. I didn’t understand it all of course but I wept because of the lines addressing the ungrateful who will be asked if a warner came to them and they will say, yes, a warner did come but we rejected him. I cried because I didn’t understand why they rejected him and I hoped I wasn’t one of them because rejection has its own layers. And I sobbed because of those I love deeply who live restless lives in perpetuity but refuse to unhinge themselves from a position that they took for one reason, one incidence or another, that had now taken hold of them, replacing all their happiness with anxiety and paranoia to live a life lifeless.
But it was the second line that never left me from that first time I read it for it had triggered a significant part of my understanding of the Quran.
"He who created death and life, that He may test which of you is best in deed.
And He is the Bestower of Honor and Oft-Forgiving."
The revelation had formed a chunk of my address at the book launch: that the verses of deep consequence referencing “deed,” giving it a singular, exalted status repeatedly by God, tie in precisely and inextricably with the multitude of verses on Nabi Kareem (saw) as the one to follow and obey. Making his deed one’s own rendered one “best” indeed.
This was going to be the second time I would enter the room inside the mosque. I had heard earlier in the morning, quite randomly, that my mother used to take the Quran to her father’s grave every day after he passed while she was in the village. To read it for him, to send the blessings of her readings to him. I had never done that before even though my family members had died almost 23 years ago. But on this day that I did it I knew it meant the beginning, albeit a late one, of doing it for them in the future.
It was on my way back from the graveyard that I saw Amma Ghulam Biwi standing near the gate of the house with her cane and some cloth she was carrying. From a distance she didn’t recognize me even though I waived at her but when I got close, she threw the cane and cloth on the ground, raising her hand up in the air, letting out a cry of joy.
Normally she would greet me with her favourite song by Nur Jahan; "Chan mahiya teri rah pai takni aan. Tariyan tu puch le ve chan kolun puch leh, sareian tu puch le, mein sayn nahin sakni aan." The words translated into "Dearest sweetheart, I have been looking for you to come my way for so long. Ask the stars, go ask the moon. Ask them all, I haven't slept a night waiting for you." I always laughed at the intensity of the tone. It made me wonder if she was a Scorpio like me.
When I got close to her I tried to yell that it’s best we don’t meet like we normally do but of course she didn’t understand a word. Next thing I knew she had thrown her arms around me, pulled me towards her and planted a wet kiss on my cheek. I burst out laughing while I heard the gate-keeper doing his best to scream out that that was not the way to meet in these times. She walked at a snail’s pace so it took us a while to reach the house from the gate and someone brought a chair for her to sit on and some kinoo juice to drink.
She had once told me she would say prayers and breathe them on water, something we call “pani dumm karna,” meaning making a water have the capacity to heal through the effect of verse from the Quran. I had a half finished bottle of water with me so I handed it to her and gestured for her to make me one. But before that I played the part of a mime and explained that the whole world was under attack by a disease and people were sick and dying. That required a decent amount of touching my forehead and sticking my tongue out as if fatigued beyond belief. And it worked! “Bimari aa gayee ae?” she said. And I nodded in the affirmative vigourously, holding my palms up in the air, signaling for her to pray for all of us.
I listened as she spoke the prayers out one by one for the water. The prayers have to be recited in a specific number, usually 11 but she went over a few times so she must have different system. I recognized the prayers and each time I thought she was done and got up to take the bottle from her, she waived me away as if annoyed by my impatience. The wave of dismissal must be a thing of older women from Radhan. The prayer that struck me was “Qulna ya naaro, kuni bardan wa salaman ala Ibrahim (as).” “We (God) said, ‘Fire, be cool and safe for Ibrahim (as).’”
The verse was in my book in the chapter on Trust. Also I was studying deeply each mention of the Prophet Ibrahim (as) in the Quran these days with Qari Sahib. Each incidence was extraordinary for he was Khalil Allah, the Friend of God. His asks, his bestowings, every action, was spell-binding through the tafseer of Ghaus Pak (ra). I know he is the only one who gives the exegesis of the word Ibrahim in specific verses to be the soul. That itself changed everything entirely as suddenly it was about me. And everyone else!
Before Amma Ghulam Biwi left, she looked at me with deep anguish and said her heart ached that I kept bending over. I had been doing my stretches while she sat in the chair and was touching my toes over and over, holding the position and counting to eight. I wanted to tell her that I was fine so I tried giving her a thumbs up but she just looked extremely bewildered so I decided to leave it alone. We said our goodbyes. My info on the disease devouring the world had left no impact on her so she hugged and kissed me again, then shuffled out of the house.
On my last day at breakfast, one of the women who brought me my meal asked, “So what is the news from Lahore?”
I was thrilled that I had managed to pique enough interest that she had gotten some information on her own about it which she wanted to relay to me.
“You heard about the extension of the lockdown?” I asked expectantly.
She looked blasé.
“No. I’m just asking what is going on there?” As in “What’s up in Lahore?”
“Oh,” I said. “Nothing much,” I responded, taking on her indifference and expressing my capitulation. “It’s more of the same. Who knows what will happen?”
She smiled at me and left to go back to the kitchen.
The village! The simplicity of life is apparent always. In the scenery and the quietness, the apparel and the taste of the food cooked without any overwhelming flavours or colour of individual ingredients, yet incomparably delicious. But the glaring cut-off from the world is from lack of technology interceding in life, as relates specifically to the internet. And this applies of course to those of my age, 50 and above. Maybe even just the women since I don’t interact with any men at all while there.
My three days spent there left me happy and smiling as I gathered my stuff to return to a city that I also deeply love. I felt grateful that in these times of extreme gravity and not having a clue as to who will live another day, life can still have a lightness to it. Recently I saw a beautiful painting the famed British artist, David Hockney, made to life the spirits of the world in this time of gloom. “Do remember, they can’t cancel spring,” is what he said. In that vein, my motivation to make music set to words written by poets extraordinaire and spiritual masters had accelerated. I also wanted to alleviate the sadness of the world. Because I already knew the effect of sound on the soul. It was a major part of my new writing:
"In Risala Qusheria I had read page after page of what was said about the effect of sound on the heart. Imam Ali (ratu) and others like him attest to the fact that every single thing in the Universe is in a state of zikr, remembrance, of Allah As-Sami’, The Hearer of All. And most surprising of all, it wasn’t just elements of nature, the birds, the bees, water and wind. It was instruments when played without a voice, it was the wheel of the potter, it was the rope that pulled water from a well. Hazrat Abu Suleman Durani (ra) said, ''A beautiful voice does not insert anything into a heart. It only resonates with and makes alive that which lies in it already.'"
Who knows what lies inside hearts except those who occupy them but one line rings true for all of us and it comes most beautifully worded in Punjabi by my Pir Mehr Ali Shah Sahib (ra.) For the ask from God of those who know Him, as opposed to those who merely worship Him, focuses on what can be bestowed, as opposed to what can be withdrawn.
Sha Allah wat aawin uwa ghariaan
May those moments come back again.
www.youtube.com/watch?v=W0x2U1fWwS8&feature=youtu.be
kalam by Ustad Imran Jafri on insta @the.softest.heart
This artist’s impression shows the Milky Way galaxy. The blue halo of material surrounding the galaxy indicates the expected distribution of the mysterious dark matter, which was first introduced by astronomers to explain the rotation properties of the galaxy and is now also an essential ingredient in current theories of the formation and evolution of galaxies. New measurements show that the amount of dark matter in a large region around the Sun is far smaller than predicted and have indicated that there is no significant dark matter at all in our neighbourhood.
More information: www.eso.org/public/images/eso1217a/
Credit:
ESO/L. Calçada
I’ve been wanting to take a city break in summer, rather than in the cold months for a while, so rather than heading for the Lake District for a week of toil on the fells when Jayne could get a week off, we took off from Liverpool for Paris. Flight times were nice and sociable but it meant we were on the M62 car park at a busy time in both directions – it’s a shambles! I’ve stopped over in Paris a dozen times – on my way to cycling in the Etape du Tour in the Alps or Pyrenees – and had a few nights out there. Come to think about it and we’ve spent the day on the Champs Elysees watching the final day of the Tour de France with Mark Cavendish winning. We hadn’t been for a holiday there though and it was a bit of a spur of the moment decision. Six nights gave us five and a half days to explore Paris on foot. I had a good selection of (heavy) kit with me, not wanting to make the usual mistake of leaving something behind and regretting it. In the end I carried the kit in my backpack – an ordinary rucksack – to keep the weight down, for 103 miles, all recorded on the cycling Garmin – and took 3500 photos. The little Garmin is light and will do about 15 hours, it expired towards the end of a couple of 16 hour days but I had the info I wanted by then. This also keeps the phone battery free for research and route finding – I managed to flatten that once though.
What can I say – Paris was fantastic! The weather varied from OK to fantastic, windy for a few days, the dreaded grey white dullness for a while but I couldn’t complain really. We were out around 8.30 in shorts and tee shirt, which I would swap for a vest when it warmed up, hitting 30 degrees at times, we stayed out until around midnight most nights. It was a pretty full on trip. The security at some destinations could have been a problem as there is a bag size limit to save room in the lifts etc. I found the French to be very pragmatic about it, a bag search was a cursory glance, accepting that I was lugging camera gear, not bombs around, and they weren’t going to stop a paying customer from passing because his bag was a bit over size.
We didn’t have a plan, as usual we made it up as we went along, a loose itinerary for the day would always end up changing owing to discoveries along the way. Many times we would visit something a few times, weighing the crowds and light etc. up and deciding to come back later. I waited patiently to go up the Eiffel Tower, we arrived on Tuesday and finally went up on Friday evening. It was a late decision but the weather was good, the light was good and importantly I reckoned that we would get a sunset. Previous evenings the sun had just slid behind distant westerly clouds without any golden glory. It was a good choice. We went up the steps at 7.30 pm, short queue and cheaper – and just to say that we had. The steps are at an easy angle and were nowhere near as bad as expected, even with the heavy pack. We stayed up there, on a mad and busy Friday night, until 11.30, the light changed a lot and once we had stayed a couple of hours we decided to wait for the lights to come on. This was a downside to travelling at this time of year, to do any night photography we had to stay out late as it was light until 10.30. The Eiffel Tower is incredible and very well run, they are quite efficient at moving people around it from level to level. It was still buzzing at midnight with thousands of people around. The sunset on Saturday was probably better but we spent the evening around the base of the Tower, watching the light change, people watching and soaking the party atmosphere up.
Some days our first destination was five miles away, this is a lot of road junctions in a city, the roads in Paris are wide so you generally have to wait for the green man to cross. This made progress steady but when you are on holiday it doesn’t matter too much. Needless to say we walked through some dodgy places, with graffiti on anything that stays still long enough. We were ultra-cautious with our belongings having heard the pickpocket horror stories. At every Café/bar stop the bags were clipped to the table leg out of sight and never left alone. I carried the camera in my hand all day and everywhere I went, I only popped it in my bag to eat. I would guess that there were easier people to rob than us, some people were openly careless with phones and wallets.
We didn’t enter the big attractions, it was too nice to be in a museum or church and quite a few have a photography ban. These bans make me laugh, they are totally ignored by many ( Japanese particularly) people. Having travelled around the world to see something, no one is going to stop them getting their selfies. Selfies? Everywhere people pointed their cameras at their own face, walking around videoing – their self! I do like to have a few photos of us for posterity but these people are self-obsessed.
Paris has obviously got a problem with homeless (mostly) migrants. Walk a distance along the River Seine and you will find tented villages, there is a powerful smell of urine in every corner, with the no alcohol restrictions ignored, empty cans and bottles stacked around the bins as evidence. There are families, woman living on mattresses with as many as four small children, on the main boulevards. They beg by day and at midnight they are all huddled asleep on the pavement. The men in the tents seem to be selling plastic Eiffel Tower models to the tourists or bottled water – even bottles of wine. Love locks and selfy sticks were also top sellers. There must be millions of locks fastened to railings around the city, mostly brass, so removing them will be self-funding as brass is £2.20 a kilo.
As for the sights we saw, well if it was on the map we tried to walk to it. We crossed the Periphique ring road to get to the outer reaches of Paris. La Defense – the financial area with dozens of modern office blocks – was impressive, and still expanding. The Bois de Boulogne park, with the horse racing track and the Louis Vuitton Centre was part of a 20 mile loop that day. Another day saw us in the north east. We had the dome of the Sacre Couer to ourselves, with thousands of tourists wandering below us oblivious of the entrance and ticket office under the church. Again the light was fantastic for us. We read that Pere Lachaise Cemetery or Cimitiere du Pere Lachaise was one of the most visited destinations, a five mile walk but we went. It is massive, you need a map, but for me one massive tomb is much the same as another, it does have highlights but we didn’t stay long. Fortunately we were now closer to the Canal St Martin which would lead us to Parc de la Villette. This was a Sunday and everywhere was both buzzing and chilled at the same time. Where ever we went people were sat watching the world go by, socializing and picnicking, soaking the sun up. As ever I wanted to go up on the roof of anything I could as I love taking cityscapes. Most of these were expensive compared with many places we’ve been to before but up we went. The Tour Montparnasse, a single tower block with 59 floors, 690 foot high and extremely fast lifts has incredible views although it was a touch hazy on our ascent. The Arc de Triomphe was just up the road from our hotel, we went up it within hours of arriving, well worth the visit.
At the time of writing I have no idea how many images will make the cut but it will be a lot. If I have ten subtly different shots of something, I find it hard to consign nine to the dark depths of my hard drive never to be seen again – and I’m not very good at ruthless selection – so if the photo is OK it will get uploaded. My view is that it’s my photostream, I like to be able to browse my own work at my leisure at a later date, it’s more or less free and stats tell me these images will get looked at. I’m not aiming for single stunning shots, more of a comprehensive overview of an interesting place, presented to the best of my current capabilities. I am my own biggest critic, another reason for looking at my older stuff is to critique it and look to improve on previous mistakes. I do get regular requests from both individuals and organisations to use images and I’m obliging unless someone is taking the piss. I’m not bothered about work being published (with my permission) but it is reassuringly nice to be asked. The manipulation of Flickr favourites and views through adding thousands of contacts doesn’t interest me and I do sometimes question the whole point of the Flickr exercise. I do like having access to my own back catalogue though and it gives family and friends the chance to read about the trip and view the photos at their leisure so for the time being I’m sticking with it. I do have over 15 million views at the moment which is a far cry from showing a few people an album, let’s face it, there’s an oversupply of images, many of them superb but all being devalued by the sheer quantity available.
Don’t think that it was all walking and photography, we had a great break and spent plenty of time in pavement bistros having a glass of wine and people watching. I can certainly understand why Paris is top of the travellers list of destinations
Nobody expects a mouse up in their grill, either.
Wee, sleeket, cowran, tim'rous beastie,
O, what panic's in thy breastie!
Thou need na start awa sae hasty,
Wi' bickering brattle!
I wad be laith to rin an' chase thee,
Wi' murd'ring pattle!
So Clem didn't want to have anything to do with the art filters on the new camera....he says that it is cheating. Didn't expect him to be such a purist. Hope you have a great Thursday.
Media Information on the WMOF2018 Closing Mass in Phoenix Park
3.00pm Sunday 26 August 2018
The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.
A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.
Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.
Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.
The Mass
Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.
The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.
Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.
Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.
Also involved in the offertory procession will be:
•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;
•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;
•The family of one of those killed in the Omagh bombing 20 years ago;
•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.
•LITURGICAL MUSIC
The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.
The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.
Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.
The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.
As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.
The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.
And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.
•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY
Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.
At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.
Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.
The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.
•PENAL CROSS AND PROCESSIONAL CROSS
A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.
The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.
•CHALICES AND CIBORIA
To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.
ENDS
NOTES TO EDITORS
· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.
Biographies of Liturgical Music Team:
· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.
· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.
· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.
· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.
· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.
· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.
I am back at home in Chez Jelltex; Mulder is meowing just before dawn, in which case its situation normal. My longer than expected hike the day before meant that my legs were aching to buggery, but it is better than them stopping working.
Jools has to be up and about to go to work, but lucky me is working from home, so I can lay in bed a while enjoying the moment, but then I can smell coffee brewing, so I had better face the world. There is coffee on the table, but the cats have gone out exploring after eating, and so once Jools has left, its just me. However, the cats come in one at a time to request more food. At least not all at once.
Molly must think I'm looking a little peaky, as she brings me in a partially eaten Goldfinch and a large mouse/small rat, which I don't look at too closely.
Work is pretty much as usual, there is stuff to do, mails to send, calls to write, fires to put out. The usual.
Cheese and toast for lunch whilst I work. Somehow the volume of work wasn't what I was expecting, I guess what it being an hour ahead in Dk and being Friday afternoon. By two, mails had stopped and I can see most of my colleagues offline. I pack up for the week and get my camera gear together as there was some photographing to do.
This weekend in September is Heritage Weekend, and that means getting into churches that usually are locked. In addition, another area of Pugin's house in Ramsgate had been renovated and opened, so it seemed a good idea to go there in the 90 minutes before it closed. I think it was just about worth it.
Jools comes home, changes and we get in the car and take the Sandwich road, pretty much the same way I used to go to the office in Ramsgate when I was just an technical assistant, not that long ago, but in terms of my journey, ages ago! Traffic was a little crazy, but that is to be expected, but in the warm sunny weather, it was very pleasant indeed.
We park near The Grange, and have about an hour to get the visit done. I go straight to the Presbytery, just about the first to be built in Britain since the middle ages, designed by Pugin, and now converted by the Landmark Trust and now available for holiday rental. They have done a great job, and it feels like a fine place for up to four people can have a great stay, and help support the good cause.
I go round snapping each room, climbing the two sets of stairs to see the bedroom at the top, then back down again. What I can say is that it feels more of a home thand homely than The Grange, I think I could happily stay here. Stay and maybe never leave, mind.
Jools goes to see inside The Grange, but I have been in before, so chat with a guide outside, and I tell her about my job in the survey business. She is really interested, or says she is anyway. I do go in and take a few shots, and see that with the new camera/lens combination, the shots are fabulous. Just wish I had more time to get round.
We go back to the car as its four, and the buildings and church are closing.
I now spring it onto Jools that we are heading into Canterbury, as there is a church open that evening, that should be interesting. She takes the news well, so we drive round the outskirts of the city so to approach the right part, park up close to the chapel. We make better time that I thought, so we have time for a pint in the Two Brewers near to St Augustine's Abbey. This is the life, finished for the weekend, en route to a chapel and drinking beer and eating cheese and onion crisps; living the dream.
From the pub is was a short walk through the underpass then along the city wall to the Zoar Chapel.
You read that right; Zoar. Seems that being a Baptist isn't enough, you can have Strict and/or Peculiar Baptists too, and this is the Chapel of the Particular Strict Baptists in the city. The chapel has had an interesting life too; a former bastion in the city wall, then converted for use as a water cistern before the conversion to a church in the 19th century.
We are welcomed, but not that warmly, or I might have imagined it, I mean they open the chapel on all four days of the weekend, so they must be proud of the chapel. And rightly so, all lines with white painted wood, almost round, and looking really very fine indeed. I get my shots, talk politely, then we make our way back to the car and home.
We have run out of time for that day, so return home ready to have some dinner, as our appetites are raging. And as you will come to expect, its insalata caprese once again, with cheese and pickle bread, thickly sliced and buttered. Add a bottle of red wine, and it is perfect.
The cats are happy too, we have fed them and as we slob around the house, they ask for attention, food or whatever. Outside the sun sets on a fine late summer evening, whilst the moon has already risen and looks about half full already.
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Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.
Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.
As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".
Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.
In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.
In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).
British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.
However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.
In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.
Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.
Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.
Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.
In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.
On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.
en.wikipedia.org/wiki/Augustus_Pugin
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The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.
Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.
The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.
Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.
Sunday the 26th August 2018
Media Information on the WMOF2018 Closing Mass in Phoenix Park
3.00pm Sunday 26 August 2018
The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.
A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.
Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.
Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.
The Mass
Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.
The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.
Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.
Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.
Also involved in the offertory procession will be:
•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;
•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;
•The family of one of those killed in the Omagh bombing 20 years ago;
•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.
•LITURGICAL MUSIC
The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.
The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.
Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.
The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.
As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.
The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.
And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.
•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY
Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.
At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.
Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.
The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.
•PENAL CROSS AND PROCESSIONAL CROSS
A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.
The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.
•CHALICES AND CIBORIA
To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.
ENDS
NOTES TO EDITORS
· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.
Biographies of Liturgical Music Team:
· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.
· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.
· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.
· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.
· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.
· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.
+++ DISCLAIMER +++
Nothing you see here is real, even though the model, the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
In the early days of World War II, Royal Navy fighter requirements had been based on cumbersome two-seat designs, such as the fighter/dive-bomber Blackburn Skua (and its turreted derivative the Blackburn Roc) and the fighter/reconnaissance Fairey Fulmar, since it was expected that they would encounter only long-range bombers or flying boats and that navigation over featureless seas required the assistance of a radio operator/navigator. The Royal Navy hurriedly adopted higher-performance single-seat aircraft such as the Hawker Sea Hurricane and the less robust Supermarine Seafire alongside, but neither aircraft had sufficient range to operate at a distance from a carrier task force. The American Vought F4U Corsair was welcomed as a more robust and versatile alternative.
In November 1943, the Royal Navy received its first batch of 95 "birdcage" Vought F4U-1s, which were given the designation "Corsair [Mark] I". The first squadrons were assembled and trained on the U.S. East Coast and then shipped across the Atlantic. The Royal Navy put the Corsair into carrier operations immediately. They found its landing characteristics dangerous, suffering a number of fatal crashes, but considered the Corsair to be the best option they had.
The Royal Navy cleared the F4U for carrier operations well before the U.S. Navy and showed that the Corsair Mk II could be operated with reasonable success even from escort carriers. It was not without problems, though: one was excessive wear of the arrester wires, due both to the weight of the Corsair and the understandable tendency of the pilots to stay well above the stalling speed, and because of the limited hangar deck height in several classes of British carrier, many Corsairs had their outer wings "clipped" by 8 in (200 mm) to clear the deckhead. However, the change in span brought about the added benefit of improving the sink rate, reducing the F4U's propensity to "float" in the final stages of landing. The Royal Navy developed further modifications to the Corsair that made carrier landings more practical. Among these were a bulged canopy (similar to the P-51 B/C’s Malcolm Hood), raising the pilot's seat 7 in (180 mm), and wiring shut the cowl flaps across the top of the engine compartment, diverting frequent oil and hydraulic fluid spray around the sides of the fuselage so that the windscreen remained clear.
The Corsair Mk I was followed by 510 "blown-canopy" F4U-1A/-1Ds, which were designated Corsair Mk II (the final 150 equivalent to the F4U-1D, but not separately designated in British use). 430 Brewster Corsairs (334 F3A-1 and 96 F3A-1D), more than half of Brewster's total production, were delivered to Britain as the Corsair Mk III. 857 Goodyear Corsairs (400 FG-1/-1A and 457 FG-1D) were delivered and designated Corsair Mk IV. A total of 2,012 Corsairs were supplied to the United Kingdom during WWII, and British Corsairs served both in Europe and in the Pacific. Despite the large number of aircraft, the Mk IIs and IVs were the only versions to be actually used in combat.
The first, and also most important, European FAA Corsair operations were the series of attacks in April, July, and August 1944 on the German battleship Tirpitz (Operation Tungsten), for which Corsairs from HMS Victorious and HMS Formidable provided fighter cover. From April 1944, Corsairs from the British Pacific Fleet took part in several major air raids in South-East Asia beginning with Operation Cockpit, an attack on Japanese targets at Sabang island, in the Dutch East Indies. In July and August 1945, RN Corsairs took part in a series of strikes on the Japanese mainland, near Tokyo, operating from Victorious and Formidable. It was during this late phase of the war that the Admiralty was expecting new and more powerful indigenous naval fighters to become available, primarily Griffon-powered Seafires and the Hawker Sea Fury, a navalized derivative of the Hawker Tempest fighter powered by the new Centaurus radial engine. Both types, however, faced development problems, so that the Royal Navy approached Vought and requested a new variant of the proven Corsair, powered by the British Centaurus engine and further tailored to the Royal Navy’s special needs. This became the Corsair Mark V.
The Corsair V was based on the newest American variant, the F4U-4, but it differed in many aspects, so much that it effectively was a totally different aircraft. The F4U-4 was the last American Corsair variant that would be introduced during WWII, but it only saw action during the final weeks of the conflict. It had a 2,100 hp (1,600 kW) dual-stage-supercharged -18W engine, and when the cylinders were injected with the water/alcohol mixture, power was boosted to 2,450 hp (1,830 kW). To better cope with the additional power, the propeller was changed to a four-blade type. Maximum speed was increased to 448 miles per hour (721 km/h) and climb rate to over 4,500 feet per minute (1,400 m/min) as opposed to the 2,900 feet per minute (880 m/min) of the F4U-1A. The unarmored wing fuel tanks of 62 US gal (230 L) capacities were removed for better maneuverability at the expense of maximum range. Other detail improvements were introduced with the F4U-4, too: The windscreen was now flat bullet-resistant glass to avoid optical distortion, a change from the curved Plexiglas windscreens with an internal armor glass plate of the earlier variants. The canopy was furthermore without bracing and slightly bulged – an improvement adopted from the Royal Navy Corsairs.
The original "4-Hog" retained the original armament of six 0.5” machine guns and had all the external load (i.e., drop tanks, bombs, HVARs) capabilities of the F4U-1D. A major sub-type, the F4U-4B, was the same but featured an alternate gun armament of four 20 millimeters (0.79 in) AN/M3 cannon, and the F4U-4P was a rare photo reconnaissance variant with an additional camera compartment in the rear fuselage, but fully combat-capable.
The Royal Navy agreed to adopt the new F4U-4 but insisted on the British Centaurus as powerplant and demanded British equipment and armament, too. The latter included four Hispano 20 mm cannon in the outer wings, adapted wirings for British unguided rockets under the outer wings and a four-channel VHF radio system, a radio altimeter and a G2F compass. Vought reluctantly agreed, even though the different engine meant that a totally different mount had to be developed in short time, and the many alterations to the F4U-4’s original airframe would require a separate, new production line. Since this would block valuable resources for the running standard F4U production for the USN, the Corsair V was outsourced to the newly established Kaiser-Fleetwing company (a ship builder with only limited aircraft experience so far) and designated FK-1 in American circles.
As expected, the development of the FK-1 alone took more time than expected – not only from a technical point of view, but also due to logistic problems. The Centaurus engines and most vital equipment pieces had to be transported across the Atlantic, a hazardous business. The first precious Centaurus engines for the development of the modified engine mount were actually transferred to the USA through the air, hanging in the bomb bays of American B-24 bombers that were used as transporters to supply Great Britain with vital materials.
Because Kaiser-Fleetwings had to establish a proper production line for the FK-1 and supplies for raw F4U-4 airframes had to be diverted and transported to the company’s factory at Bristol, Pennsylvania, delays started to pile up and pushed the Corsair Mk. V development back. The first Centaurus-powered Corsair flew in January 1945 and immediately revealed massive stability problems caused by the engine’s high torque. Enlarged tail surfaces were tested and eventually solved the problem, but this measure changed the F4U-4s standard airframe even more. It was furthermore soon discovered that the early Centaurus engine suffered frequent crankshaft failure due to a poorly designed lubrication system, which led to incidents of the engine seizing while in mid-flight. The problem was resolved when Bristol's improved Centaurus XVIII engine replaced the earlier variant. Tests and adaptations of British equipment to the airframe continued until May 1945, when the Corsair V was eventually cleared for production. But when the first of 100 ordered machines started to roll off the production lines the war was already over.
At that time many of the Fleet Air Arm's carrier fighters were Seafires and Lend-Lease Corsairs. The Seafire had considerable drawbacks as a naval aircraft, notably the narrow undercarriage, while the Corsairs had to be returned or purchased. As the UK did not have the means to pay for them, the Royal Navy Corsairs were mostly pushed overboard into the sea in Moreton Bay off Brisbane, Australia.
Since the Corsair V had not been part of the Lend Lease agreement with the United States, the Royal Navy was not able to easily retreat from the production contract and had to accept the aircraft. Because the Royal Navy’s intended new standard shipborne fighter, the Hawker Sea Fury, was delayed and almost cancelled during this period of re-organizations and cutbacks, the Admiralty bit the bullet, used the inevitable opportunity and procured the Corsair V as a stopgap solution, even though the original production order from May 1945 was not extended and effectively only 95 Corsair Vs were ever produced in the USA and transferred as knocked-down kits via ship to Great Britain.
The first re-assembled Corsair Vs entered Royal Navy service in August 1946, but their frontline service with 802 and 805 NAS, both based at Eglington (Northern Ireland), was only brief. Following the successful completion of weapons trials at the A&AEE Boscombe Down, the Sea Fury was eventually cleared for operational use on 31 July 1947 and quickly entered service. The Corsair Vs were gradually replaced with them until late 1948; 805 NAS was the first unit to abandon the type when 805 Squadron was reformed as a Royal Australian Navy FAA squadron operating Hawker Sea Fury Mk II aircraft. In 1950, 802 NAS was assigned to HMS Ocean and equipped with the Hawker Sea Fury, too, and sent to Korea.
Most Corsair Vs were then relegated to the Royal Naval Volunteer Reserve (RNVR) in August 1951, where they replaced Supermarine Seafires and took over their role as classic fighter aircraft, despite the Corsair V’s strike/attack potential with bombs and unguided missiles. Most of the time the Corsairs were used for lang range navigation training. RNVR units that operated the Corsair V included Nos. 1831, 1832, 1833, 1834, 1835 and 1836 Squadrons. No. 1832, based at RAF Benson, was the last RNVR squadron to relinquish the type in August 1955 for the jet-powered Supermarine Attacker, and this ended the Corsair V’s short career.
General characteristics:
Crew: One
Length: 34 ft (10.37 m)
Wingspan: 40 ft 8 in (12.10 m)
Height: 15 ft 4 in (4.68 m)
Wing area: 314 sq ft (29.17 m²)
Empty weight: 9,205 lb (4,238 kg)
Gross weight: 14,670 lb (6,654 kg)
Max takeoff weight: 14,533 lb (6,592 kg)
Powerplant:
1× Bristol Centaurus XVIII 18-cylinder air-cooled radial engine with
2,470 hp (1,840 kW) take-off power, driving a 4-bladed
Rotol constant-speed propeller with 14 ft (4.3 m) diameter
Performance:
Maximum speed: 453 mph (730 km/h, 397 kn) at sea level
Cruise speed: 215 mph (346 km/h, 187 kn) at sea level
Stall speed: 89 mph (143 km/h, 77 kn)
Range with internal fuel, clean: 1,005 mi (1,617 km, 873 nmi)
Combat range with max. ordnance: 328 mi (528 km, 285 nmi)
Service ceiling: 41,500 ft (12,600 m)
Rate of climb: 4,360 ft/min (22.1 m/s)
Armament:
4× 20 mm (0.787 in) Hispano Mk II cannon in the outer wings, 250 RPG
A total of 11 hardpoints under the wings and the fuselage for a total ordnance of
4,000 pounds (1.800 kg), including drop tanks, up to 16× 60 lb unguided aircraft rockets on twin
launch rails and/or bombs of up to 1.000 lb (454 kg) caliber
The kit and its assembly:
My first submission to the 2023 “Re-engine” group build at whatifmodellers.com, and a British Corsair with a Centaurus instead of the original R-2800 is almost a no-brainer. But taking the idea to hardware turned out to be a bit trickier than expected. I based my fictional conversion on an Italeri F4U-4, which would have been the appropriate late-WWII basis for a real-life conversion. The kit has good ex- and internal detail with fine engraved panels and offers the late Corsairs’ all-metal wings, too.
The engine replacement is a massive resin piece from OzMods, part of a conversion twin set for a Bristol Brigand; I assume it’s intended for the Valom kit? The set includes resin four-blade props with deep blades which I rather wanted to use than the Sea Fury’s typical five-blade prop.
The Italeri Corsair was basically built OOB, but beyond the different engine, which caused some trouble in itself (see below), I incorporated several mods to change the aircraft’s appearance. The streamlined Centaurus was insofar a problem because it has s slightly smaller diameter than the original R-2800 cowling. Not much, but enough to make a simple exchange impossible or at least look awkward. While the upper cowling section and its curvature blended well into the Corsair fuselage, the difference became more obvious and complicated underneath: late Corsairs have a “flattened” bottom, and from below the Centaurus appears somewhat undersized. To smooth the intersection out I grinded much of the cooling flaps away, and to even out the profile I added a shallow air scoop from an Italeri F4U-7 under the engine, which required some PSR. A good compromise, though. The resin propeller was mounted onto a metal axis and fitted into a hole/channel that was drilled through the Centaurus’ massive resin block.
As an FAA Corsair the wing tips were clipped, which was easy to realize thanks to the massive parts in this area. The Corsair’s original oil coolers in the wing roots were retained, but the four guns in the wings (separate parts in the Italeri kit with quite large holes) were replaced with faired Hispano cannon for/from an early Hawker Tempest, aftermarket brass parts from Master Models.
To change the model’s look further I modified the tail surfaces, too; the rounded fin was replaced with a rather square and slightly bigger donor, a stabilizer from a Novo Supermarine Attacker. The original stabilizers were replaced, too, with trapezoidal alternatives from a Matchbox Meteor night fighter, which offer slightly more area. Since the tail surfaces were all graft-ons now I implanted a vertical styrene tube behind the rear cockpit bulkhead as a display holder adapter for later flight scene pictures. Together with the clipped/squared-off wingtips the new tail creates a consistent look, and with the propeller and its dominant spinner in place the Corsair V reminds a lot of a late Bristol Firebrand mark or even of an Unlimited Class Reno Racer? It looks fast and purposeful now!
Even though unguided missiles and/or bombs could have been a valid ordnance option I decided to leave the Corsair V relatively clean as a pure gun fighter; I just used the OOB drop tank on the centerline station.
Painting and markings:
Very dry and using real 1948 Royal Navy aircraft as benchmark, the Corsair V ended up with a rather simple and dull Extra Dark Sea Grey over Sky (Humbrol 123 and 90, respectively) with a low waterline, and still with wartime Type C roundels with “Identification red (dull)”, even though the RAF officially had reverted to bright identification colors in 1947 and started to use the high-viz Type D roundel as standard marking. To add a British flavor the cockpit interior was painted in very dark grey (Revell 06, Tar Black) while the interior of the landing gear wells was painted in a pale cream yellow (Humbrol 74, Linen) to mimic zinc chromate primer. The only highlight is a red spinner, a contemporary unit marking of 805 NAS.
The kit received a light black ink washing and post-shading to emphasize and/or add surface structures, and this nicely breaks up the otherwise uniform surfaces. Decals/markings came from Xtradecal Hawker Sea Fury und late WWII FAA/RN aircraft sheets, and some decals were mixed to create a fictional serial number for the Corsair V (TF 632 was never allocated, but the code fits into the model’s era). Some light oil and exhaust stains were also added, but not as severely as if the aircraft had been operated under wartime conditions. Finally, the model was sealed with matt acrylic varnish.
While a classic F4U with a British Centaurus engine sounds simple, and actually is, getting there was not as easy as it sounds – the ventral air scoop came to the rescue. With some more small mods like the new tail surfaces the aircraft got a subtly different look from its American ancestor(s). The Corsair V IMHO has now a very Blackburn-ish look, thanks to the big spinner and the square fin! And I wonder what I will do with the other Centaurus from the conversion set?
Auto-portrait
Self-portrait
Parfois, je me fiche de la qualité...Mes yeux désirent seulement parler. Tant à dire ou à hurler (en silence)
Toujours en expérimentation de ma 90mm 2.8
Pour le plaisir...
By Kelley Scrocca
Warrior Country Spouse
Camp Red Cloud – Expecting a child while stationed in Korea involves the same rollercoaster of emotions as it does in the States.
If this will be your first child, as it was recently for me, those emotions range from excitement and anticipation to anxiety and fear.
As I discovered though, having a child in Korea does not have to be a scary experience and there is a wealth of support available if you know where to look.
My experience started in May 2011 when we found out I was pregnant with our first child.
My husband and I confirmed the pregnancy at the Camp Red Cloud Troop Medical Clinic and then made an appointment with the obstetrician/gynecologist at the 121st Combat Support Hospital in Yongsan.
Our first few sessions were each with a different doctor but I was extremely impressed and felt very comfortable with each of them, and glad for the opportunity to meet each doctor who might be delivering our baby.
Despite the physical frustrations of widening hips, a growing chest and a belly that made me look fat, everything went extremely well and I also started to find resources to turn to for information.
We attended the annual baby shower hosted by the Army Community Service and the Zeta Phi Beta Sorority at Camp Casey, which provided a wealth of information on services available.
These ranged from the New Parent Support Program and Women, Infants, and Children program to budgeting tactics, and obtaining a birth certificate and passport for baby.
We were referred to an off-post hospital for my 20-week ultrasound and went to St. Mary’s in Uijeongbu.
This was a bit intimidating but they had a separate spot for military check-in with people who speak English, and walked us where we needed to go.
The doctor we saw did not speak English, but did have an interpreter. Overall, the experience was not nearly as scary as expected.
As my pregnancy progressed I became interested in the social media resources available, specifically the “Pregnant Army Wives in South Korea” and “Korea Baby Network” Facebook pages.
The ladies on these pages have a wealth of information on even the most seemingly insignificant questions.
The Stork’s Nest is a fantastic program on Yongsan that provides no-cost housing for expectant mothers at 39 weeks. Get on the waiting list as soon as you know you are pregeant.
Birth at the 121st CSH was a very pleasant experience. They respected my birth plan as much as possible, explained things every step of the way and were very encouraging.
Expecting a child while in Korea may not be ideal since friends, family and other sources of support are not as readily available.
But if you explore a little, there are many resources available and many people willing to go above and beyond to offer support and encouragement.
The staff at the Stork’s Nest is ready to answer any additional questions you may have at 010-5351-9982.
PICTURES HEREI thought I would share my latest road-trip in Vietnam as it was one, if not the most amazing 3 weeks I’ve ever had.I’ve been all around Asia and previously did a smaller road trip in North Vietnam from Hanoi to Mai-Chau to Pu Luong, Tam Coc and back to Hanoi which was amazing all the same. But that’s not what this post is about.To give you an overview of this trip, we (two 30 y.o. Swiss friends) started in Danang and finished in Saigon after 1’500 km of small roads, stunning sights and amazing encounters. We did the following stops, sometimes 1 nights, sometimes 2 or 3.Danang – Hoi An – Kon Tum – Quy Nhon – Nha Trang – Da Lat – Mui Ne – SaigonVery happy with Danangbikes. They one way rented us 2 Yamaha NVX 155cc. More than enough for the trip and reliable as all hell. No issues whatsoever, no break down, no flat tires. Both bikes went all the way through without an itch. I’d rather pay a bit more than to go through hell with a Honda Win like most tourists do.Packing the bags on bikes takes a few days to get used to (bags fell twice the first day), but after a while you’re a bungee cord expert.We bought 3 things: New helmets, phone holders and gloves.Maps.me was the best thing I ever downloaded. I pre-bookmarked most of the stuff I wanted to see and the GPS/itinerary option worked without fail. Always on the right road, no issue. Really, really good APP for a road-trip.Danang is booming! Great city to invest in at the moment! I’d suggest staying in the center and not beachside. Golden pine pub is fun but might be serving fake alcohol. No recollection of the last hour and a spicy headache the next morning.Son Tra is nice but didn’t see any monkeys ☹. Good roads tho and an impressive white Buddha.Hoi An is still stunningly beautiful, even more so at night but be ready for a crowd. And by that, I mean half the world population is in Hoi An, at any given time.Fresh spring rolls are gifts made by Gods.Vietnam has the best food, period. Banh Xeo, Banh Mi, Pho, Bun Cha, Com Tam etc etc. Everything is just so damn good.Prior to the trip, people warned that every google itinerary should be expected to take twice as long: that’s bullshit. We usually were right on the money or even faster than what google said. Longest journey was Hoi An to Kon Tum, 302km of mountain roads, which took us roughly 6h30 hours, stops included.Riding 6h with only half your arm covered from the sun is not a good idea. You will look stupid for many days afterwards.Finding a deodorant spray like sunscreen is very helpful and so much easier to use. I don’t know why we don’t have more of those back home.Vietnam Central Highlands and mountain roads are a sight to behold. We’re glad we included parts of the journey inland instead of following the coast. Special mention to QL14B/DT670/QL27C/QL28B.Bus are the worse, closely followed by trucks. The few times I got scarred was going into a blind turn and seeing 2 huge bus/trucks overtaking each other in front of me without care expecting you to either die or go in the ditch. They have NO IDEA how to drive on mountain roads. Pretty scary.Dogs and pigs don’t care when crossing the roads. At. All.There’s 50 cafés in KonTum but not one good restaurant. Weird town.Having wet wipes in your bag is a very wise decision.Vietnamese coffee is the best coffee in the world. Period.Seriously… That cold Viet coffee… Damn.Sad to say we didn’t see any live snakesQuy Nhon is a hidden gem. The beach is endless and empty. Great food around and no tourists. The Avani 10 mins away is a little piece of heaven. Alternatively, Life’s A Beach is a great budget option.Between Quy Nhon and Nha Trang, there’s a little detour that goes towards a cliff road which is empty and brand new. A surreal experience which ended in a pristine beach cove. Felt out of this world. Lucky to see it before a resort get constructed there. Name is Mon Beach, a few km south of Tuy Hoa.Bum guns should be mandatory worldwide.Ba Ho Waterfalls were also one of the highlights. Lots of tourists but the falls are beautiful and refreshing. Lots of jumping around. Great way to end the day!Good seafood in Nha Trang, but waaay too much Russians/Chinese tourists around. Gets better when you get in town away from the beach road but still. Beautiful area tho. Might be the best beach we’ve seen all around.That orange sauce goes on literally everything. I need it in my life.The famous QL27C from Nha Trang to Da Lat is indeed stunning although we rode a few other roads just as nice.Vietnamese girls are drop dead gorgeous.Da Lat is amazing. The central night market is one of the best I’ve seen in all of Asia. Food there is to die for. B21 bar was so much fun. Energetic crowd, young and surprisingly wealthy.Almost lost half my head in a club in Dalat. Music was that loud. Stayed 5 sec and noped the fuck out.They sure love their KTVs. So did we.Mui Ne is windy. Constantly, windy.Mui Ne also has a great Swiss restaurant, Modjo, offering a very authentic raclette (tried it). Dragon bar also has the very bad habit of making us drunk well into the morning hours. Fun time tho.I knew this already but Vietnamese little kids are so well behaved and calm in the most hectic situations. They just don’t give a single fuck.Younger generation also are a nice change from what I see in Europe: well mannered, resourceful and just hungry to live.Saigon is stunning and I wish I could be living there. The city has so much energy it’s intoxicating. Loved it. Actually, planning on moving here in the next 5 years. Fuck it.I’ll make it easy for you: in Saigon, use Grab.Try Anan restaurant in Saigon, some of the best food we had all trip.Crossing the street is an art-form but pretty easy. Just keep walking at a slow pace and be confident your life doesn’t end right then and there.Hotel des Arts Saigon had probably the best beds I’ve ever slept in. Heard it also has the best Sunday brunch in town but didn’t try it.Backpackers: put a shirt on for fuck sake.Scooter/motorbike is the best way to discover the country, although this implies taking a few risks. I think it’s more than worth it, but to each their own.I love VietnamAny question, feel free to ask!Cheers! PICTURES HERE via /r/travel ift.tt/2u5uIxk
Media Information on the WMOF2018 Closing Mass in Phoenix Park
3.00pm Sunday 26 August 2018
The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.
A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.
Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.
Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.
The Mass
Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.
The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.
Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.
Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.
Also involved in the offertory procession will be:
•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;
•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;
•The family of one of those killed in the Omagh bombing 20 years ago;
•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.
•LITURGICAL MUSIC
The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.
The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.
Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.
The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.
As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.
The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.
And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.
•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY
Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.
At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.
Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.
The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.
•PENAL CROSS AND PROCESSIONAL CROSS
A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.
The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.
•CHALICES AND CIBORIA
To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.
ENDS
NOTES TO EDITORS
· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.
Biographies of Liturgical Music Team:
· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.
· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.
· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.
· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.
· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.
· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.
Port of Makassar, also known as Port of Soekarno-Hatta, is a seaport in Makassar, Indonesia. It has the highest passenger traffic among Indonesian ports and the largest cargo traffic in Sulawesi. It is considered a primary port (Pelabuhan Kelas Utama) by the Indonesian Government, along with the Port of Tanjung Priok (Jakarta), Port of Tanjung Perak (Surabaya), and Port of Belawan (Medan).
An expansion to the port, dubbed New Port Makassar, is under construction with an expected additional capacity of 1.5 million TEUs in its first phase. The Indonesian Ministry of Transportation has expressed a desire to designate the port as hub for the rest of Eastern Indonesia, in accordance to the current government's maritime axis program.
Makassar (Buginese-Makassarese: ᨀᨚᨈ ᨆᨀᨔᨑ; historically spelled Macassar) is the capital of the Indonesian province of South Sulawesi. It is the largest city in the region of Eastern Indonesia and the country's fifth largest urban centre after Jakarta, Surabaya, Bandung, and Medan. From 1971 to 1999, the city was named after one of its subdistricts, Ujung Pandang. The city is located on the southwest coast of the island of Sulawesi, facing the Makassar Strait.
Throughout its history, Makassar has been an important trading port, hosting the center of the Gowa Sultanate and a Portuguese naval base before its conquest by the Dutch East India Company in the 17th century. It remained an important port in the Dutch East Indies, serving Eastern Indonesian regions with Makassarese fishermen going as far south as the Australian coast. For a brief period after Indonesian independence, Makassar became the capital of the State of East Indonesia, during which an uprising occurred.
The city's area is 199.3 square kilometres and it had a population of around 1.6 million in 2013. Its built-up (or metro) area has 1,976,168 inhabitants covering Makassar City and 15 districts. Its official metropolitan area, known as Mamminasata, with 17 additional districts, covers an area of 2,548 square kilometres and had a population of around 2.4 million according to 2010 Census. According to the National Development Planning Agency, Makassar is one of the four main central cities of Indonesia, alongside Medan, Jakarta, and Surabaya. According to Bank Indonesia, Makassar has the second-highest commercial property values in Indonesia, after Greater Jakarta.
HISTORY
The trade in spices figured prominently in the history of Sulawesi, which involved frequent struggles between rival native and foreign powers for control of the lucrative trade during the pre-colonial and colonial period, when spices from the region were in high demand in the West. Much of South Sulawesi's early history was written in old texts that can be traced back to the 13th and 14th centuries.
Makassar is mentioned in the Nagarakretagama, a Javanese eulogy composed in 14th century during the reign of Majapahit king Hayam Wuruk. In the text, Makassar is mentioned as an island under Majapahit dominance, alongside Butun, Salaya and Banggawi.
MAKASSARESE KINGDOM
The 9th King of Gowa Tumaparisi Kallonna (1512-1546) is described in the royal chronicle as the first Gowa ruler to ally with the nearby trade-oriented polity of Tallo, a partnership which endured throughout Makassar's apogee as an independent kingdom. The centre of the dual kingdom was at Sombaopu, near the then mouth of the Jeneberang River about 10 km south of the present city centre, where, where an international port and a fortress were gradually developed. First Malay traders (expelled from their Melaka metropolis by the Portuguese in 1511), then Portuguese from at least the 1540s, began to make this port their base for trading to the Spice Islands' (Maluku), further east.
The growth of Dutch maritime power over the spice trade after 1600 made Makassar more vital as an alternative port open to all traders, as well as a source of rice to trade with rice-deficient Maluku. The Dutch East India Company (VOC) sought a monopoly of Malukan nutmeg and cloves, and came close to succeeding at the expense of English, Portuguese and Muslims from the 1620s. The Makassar kings maintained a policy of free trade, insisting on the right of any visitor to do business in the city, and rejecting the attempts of the Dutch to establish a monopoly.
Makassar depended particularly on the Muslim Malay and Catholic Portuguese sailors communities as its two crucial economic assets. However the English East India Company also established a post there in 1613, the Danish Company arrived in 1618, and Chinese, Spanish and Indian traders were all important. When the Dutch conquered Portuguese Melaka in 1641, Makassar became the largest Portuguese base in Southeast Asia. The Portuguese population had been in the hundreds, but rose to several thousand, served by churches of the Franciscans, Dominicans and Jesuits as well as the regular clergy. By the 16th century, Makassar had become Sulawesi's major port and centre of the powerful Gowa and Tallo sultanates which between them had a series of 11 fortresses and strongholds and a fortified sea wall that extended along the coast. Portuguese rulers called the city Macáçar.
Makassar was very ably led in the first half of the 17th century, when it effectively resisted Dutch pressure to close down its trade to Maluku, and made allies rather than enemies of the neighbouring Bugis states. Karaeng Matoaya (c.1573-1636) was ruler of Tallo from 1593, as well as Chancellor or Chief Minister (Tuma'bicara-butta) of the partner kingdom of Gowa. He managed the succession to the Gowa throne in 1593 of the 7-year-old boy later known as Sultan Alaud-din, and guided him through the acceptance of Islam in 1603, numerous modernizations in military and civil governance, and cordial relations with the foreign traders. The conversion of the citizens to Islam was followed by the first official Friday Prayer in the city, traditionally dated to 9 November 1607, which is celebrated today as the city's official anniversary. John Jourdain called Makassar in his day "the kindest people in all the Indias to strangers". Matoaya's eldest son succeeded him on the throne of Tallo, but as Chancellor he had evidently groomed his brilliant second son, Karaeng Pattingalloang (1600-54), who exercised that position from 1639 until his death. Pattingalloang must have been partly educated by Portuguese, since as an adult he spoke Portuguese "as fluently as people from Lisbon itself", and avidly read all the books that came his way in Portuguese, Spanish or Latin. French Jesuit Alexandre de Rhodes described his passion for mathematics and astronomy, on which he pestered the priest endlessly, while even one of his Dutch adversaries conceded he was "a man of great knowledge, science and understanding."
DUTCH COLONIAL PERIOD
After Pattingalloang's death in 1654, a new king of Gowa, Sultan Hasanuddin, rejected the alliance with Tallo by declaring he would be his own Chancellor. Conflicts within the kingdom quickly escalated, the Bugis rebelled under the leadership of Bone, and the Dutch VOC seized its long-awaited chance to conquer Makassar with the help of the Bugis (1667-9). Their first conquest in 1667 was the northern Makassar fort of Ujung Pandang, while in 1669 they conquered and destroyed Sombaopu in one of the greatest battles of 17th century Indonesia. The VOC moved the city centre northward, around the Ujung Pandang fort they rebuilt and renamed Fort Rotterdam. From this base they managed to destroy the strongholds of the Sultan of Gowa who was then forced to live on the outskirts of Makassar. Following the Java War (1825–30), Prince Diponegoro was exiled to Fort Rotterdam until his death in 1855.
After the arrival of the Dutch, there was an important Portuguese community, also call a bandel, that received the name of Borrobos. Around 1660 the leader of this community, which today would be equivalent to a neighborhood, was the Portuguese Francisco Vieira de Figueiredo.
The character of this old trading center changed as a walled city known as Vlaardingen grew. Gradually, in defiance of the Dutch, the Arabs, Malays and Buddhist returned to trade outside the fortress walls, and were joined later by the Chinese.
The town again became a collecting point for the produce of eastern Indonesia – the copra, rattan, Pearls, trepang and sandalwood and the famous oil made from bado nuts used in Europe as men's hair dressing – hence the anti-macassars (embroidered cloths protecting the head-rests of upholstered chairs).
Although the Dutch controlled the coast, it was not until the early 20th century that they gained power over the southern interior through a series of treaties with local rulers. Meanwhile, Dutch missionaries converted many of the Toraja people to Christianity. By 1938, the population of Makassar had reached around 84,000 – a town described by writer Joseph Conrad as "the prettiest and perhaps, cleanest looking of all the towns in the islands".
In World War II the Makassar area was defended by approximately 1000 men of the Royal Netherlands East Indies Army commanded by Colonel M. Vooren. He decided that he could not defend the coast, and was planning to fight a guerrilla war inland. The Japanese landed near Makassar on 9 February 1942. The defenders retreated but were soon overtaken and captured.
AFTER INDEPENDENCE
In 1945 came the Indonesian declaration of Independence, and in 1946, Makassar became the capital of the State of East Indonesia, part of the United States of Indonesia. In 1950, it was the site of fighting between pro-Federalist forces under Captain Abdul Assiz and Republican forces under Colonel Sunkono during the Makassar uprising. By the 1950s, the population had increased to such a degree that many of the historic sites gave way to modern development, and today one needs to look very carefully to find the few remains of the city's once grand history.
CONNECTION WITH AUSTRALIA
Makassar is also a major fishing center in Sulawesi. One of its major industries is the trepang (sea-cucumber) industry. Trepang fishing brought the Makassan people into contact with Indigenous Australian peoples of northern Australia, long before European settlement (from 1788).
C. C. MacKnight in his 1976 work entitled Voyage to Marege: Macassan Trepangers in Northern Australia has shown that they began frequenting the north of Australia around 1700 in search of trepang (sea-slug, sea cucumber, Beche-de-mer), an edible Holothurian. They left their waters during the Northwest Monsoon in December or January for what is now Arnhem Land, Marriage or Marega and the Kimberley region or Kayu Djawa. They returned home with the south-east trade winds in April.
A fleet of between 24 and 26 Macassan perahus was seen in 1803 by French explorers under Nicolas Baudin on the Holothuria Banks in the Timor Sea. In February 1803, Matthew Flinders in the Investigator met six perahus with 20–25 men each on board and was told by the fleet's chief Pobasso, that there were 60 perahus then on the north Australian coast. They were fishing for trepang and appeared to have only a small compass as a navigation aid. In June 1818 Macassan trepang fishing was noted by Phillip Parker King in the vicinity of Port Essington in the Arafura Sea. In 1865 R.J. Sholl, then Government Resident for the British settlement at Camden Sound (near Augustus Island in the Kimberley region) observed seven 'Macassan' perahus with a total of around 300 men on board. He believed that they made kidnapping raids and ranged as far south as Roebuck Bay (later Broome) where 'quite a fleet' was seen around 1866. Sholl believed that they did not venture south into other areas such as Nickol Bay (where the European pearling industry commenced around 1865) due to the absence of trepang in those waters. The Macassan voyages appear to have ceased sometime in the late nineteenth century, and their place was taken by other sailors operating from elsewhere in the Indonesian Archipelago.
ECONOMY
The city is southern Sulawesi's primary port, with regular domestic and international shipping connections. It is nationally famous as an important port of call for the pinisi boats, sailing ships which are among the last in use for regular long-distance trade.
During the colonial era, the city was widely known as the namesake of Makassar oil, which it exported in great quantity. Makassar ebony is a warm black hue, streaked with tan or brown tones, and highly prized for use in making fine cabinetry and veneers.
Nowadays, as the largest city in Sulawesi Island and Eastern Indonesia, the city's economy depends highly on the service sector, which makes up approximately 70% of activity. Restaurant and hotel services are the largest contributor (29.14%), followed by transportation and communication (14.86%), trading (14.86), and finance (10.58%). Industrial activity is next most important after the service sector, with 21.34% of overall activity.
TRANSPORTATION
Makassar has a public transportation system called pete-pete. A pete-pete (known elsewhere in Indonesia as an angkot) is a minibus that has been modified to carry passengers. The route of Makassar's pete-petes is denoted by the letter on the windshield. Makassar is also known for its becak (pedicabs), which are smaller than the "becak" in the island of Java. In Makassar, people who drive pedicabs are called Daeng. In addition to becak and pete-pete, the city has a government-run bus system, and taxis.
A bus rapid transit (BRT), which is known as "Trans Mamminasata" was started in 2014. It has some routes through Makassar to cities around Makassar region such as Maros, Takallar, and Gowa. Run by Indonesian Transportation Department, each bus has 20 seats and space for 20 standing passengers.
A 35-kilometer monorail in the areas of Makassar, Maros Regency, Sungguminasa (Gowa Regency), and Takalar Regency (the Mamminasata region) was proposed in 2011, with operations commencing in 2014, at a predicted cost of Rp.4 trillion ($468 million). The memorandum of understanding was signed on 25 July 2011 by Makassar city, Maros Regency and Gowa Regency. In 2014, the project was officially abandoned, citing insufficient ridership and a lack of financial feasibility.
The city of Makassar, its outlying districts, and the South Sulawesi Province are served by Hasanuddin International Airport. The airport is located outside the Makassar city administration area, being situated in the nearby Maros Regency.
The city is served by Soekarno-Hatta Sea Port. In January 2012 it was announced that due to limited capacity of the current dock at Soekarno-Hatta sea port, it will be expanded to 150x30 square meters to avoid the need for at least two ships to queue every day.
ADMINISTRATION AND GOVERNANCE
The executive head of the city is the mayor, who is elected by direct vote for a period of five years. The mayor is assisted by a deputy-mayor, who is also an elected person. There is a legislative assembly for the city, members of which are also elected for a period of five years. Makassar City is divided into 15 administrative districts and 153 urban villages. Districts in Makassar city are Biringkanaya, Bontoala, Sangkarang Islands, Makassar, Mamajang, Manggala, Mariso, Panakkukang, Rappocini, Tallo, Tamalanrea, Tamalate, Ujung Pandang, Ujung Tanah and Wajo.
GEOGRAPHY
This official metropolitan area covers 2.689,89 km2 and had a population of 2.696.242 (2017). The metropolitan area of Makassar (Mamminasata) extends over 47 administrative districts (kecamatan), consisting of all 15 districts within the city, all 9 districts of Takalar Regency, 11 (out of 18) districts of Gowa Regency and 12 (out of 14) districts of Maros Regency.
Districts of Takalar Regency which included in the metro area are, Mangara Bombang, Mappakasunggu, Sanrobone, Polombangkeng Selatan, Pattallassang, Polombangkeng Utara, Galesong Selatan, Galesong and Galesong Utara. Districts of Gowa Regency which included in the metro area are, Somba Opu, Bontomarannu, Pallangga, Bajeng, Bajeng Barat, Barombong, Manuju, Pattallassang, Parangloe, Bontonompo and Bontonompo Selatan. Districts of Maros Regency which included in the metro area are, Maros Baru, Turikale, Marusu, Mandai, Moncongloe, Bontoa, Lau, Tanralili, Tompo Bulu, Bantimurung, Simbang and Cenrana.
CLIMATE
Makassar has a tropical monsoon climate. The average temperature for the year in Makassar is 27.5 °C, with little variation due to its near-equatorial latitude: the average high is around 32.5 °C and the average low around 22.5 °C all year long. In contrast to the virtually consistent temperature, rainfall shows wide variation between months in Makassar due to movement of the Intertropical Convergence Zone. Makassar averages around 3,137 millimetres of rain on 187 days during the year, but during the month with least rainfall – August – only 15 millimetres on two days of rain can be expected. In contrast, during its very wet wet season, Makassar can expect over 530 millimetres per month between December and February. During the wettest month of January, 734 millimetres can be expected to fall on twenty-seven rainy days.
MAIN SIGHTS
Makassar is home to several prominent landmarks including:
- the 17th century Dutch fort Fort Rotterdam
- the Trans Studio Makassar—the third largest indoor theme park in the world
- the Karebosi Link—the first underground shopping center in Indonesia
- the floating mosque located at Losari Beach.
- the Nusantara
- the Bantimurung - Bulusaraung National Park well-known karst area, famous for the remarkable collection of butterflies in the local area, is nearby to Makassar (around 40 km to the north).
DEMOGRAPHICS
Makassar is a multi-ethnic city, populated mostly by Makassarese and Buginese. The remainder are Torajans, Mandarese, Butonese, Chinese and Javanese. The current population is approximately 1.5 million, with a Metropolitan total of 2.2 million.
EDUCATION
State University of Makassar
Hasanuddin University
Alauddin Islamic State University
Universitas Muhammadiyah Makassar
Universitas Muslim Indonesia
By 2007 the city government began requiring all skirts of schoolgirls be below the knee.
TRADITIONAL FOOD
Makassar has several famous traditional foods. The most famous is Coto Makassar. It is a stew made from the mixture of nuts, spices, and selected offal which may include beef brain, tongue and intestine. Konro rib dish is also a popular traditional food in Makassar. Both Coto Makassar and Konro are usually eaten with Burasa or Ketupat, a glutinous rice cake. Another famous cuisine from Makassar is Ayam Goreng Sulawesi (Celebes fried chicken); the chicken is marinated with a traditional soy sauce recipe for up to 24 hours before being fried to a golden colour. The dish is usually served with chicken broth, rice and special sambal (chilli sauce).
In addition, Makassar is the home of Pisang Epe (pressed banana), as well as Pisang Ijo (green banana). Pisang Epe is a banana which is pressed, grilled, and covered with palm sugar sauce and sometimes eaten with Durian. Many street vendors sell Pisang Epe, especially around the area of Losari beach. Pisang Ijo is a banana covered with green colored flours, coconut milk, and syrup. Pisang Ijo is sometimes served iced, and often eaten during Ramadan.
WIKIPEDIA
Bit of an oldie - but I still like it. Thanks for looking!
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We were heading to Bourton-on-the-Water, so didn't expect a 2 and a half hour stay at Evesham Country Park!
There is a light railway at Evesham Country Park - the Evesham Vale Light Railway.
The Evesham Vale Light Railway operates in Evesham Country Park in Worcestershire, England, where it opened in August 2002. Constructed at 15 in (381 mm) gauge, the line runs for over a mile through the park, including a lengthy section through the fruit orchards. Passengers are conveyed throughout the year, although operations tend to be limited to weekends during school term time, becoming a daily service during school holidays.
Trains run from Twyford Station, opposite the country park's main Car Park. The run takes around 10–15 minutes, through the Apple Orchard and around the Balloon Loop to Evesham Vale Station. Here, there is a few minutes break. Passengers can either break their journey here and enjoy a picnic or country walk (returning on a later train), or simply get out for a look at the locomotive. The EVLR staff are always on hand to answer questions. The train then carries on, out of the Balloon Loop, upgrade towards Twyford Station. The locomotive is then turned and run round ready for the next departure.
Severn Lamb 0-6-0STT Dougal
Ten Vikings, five blue-bearded trawlerfolk, seven goslings , ten strategically placed coconuts, two dragon's heads and an inflatable monkey may sound like the contents of the average ten year old's toy box (maybe not the coconuts)... but in this case they were the signs that again the North East Skiffs were in town. Joined by good friends from north of the border (apologies if the staged start etc meant we didn't get a chance to catch up with you all) we all ensured that skiffs were well-represented amongst the 40 boats in this year's Great Tyne Row. 25km, 100s of rowers and supporters ... and sunshine to boot .... what could be better?
Normally these write ups start with the alarm clock on the day itself. Today however, I feel we have to take a step back in time and recognise the sterling efforts of those individuals across all the clubs who've designed, stitched, cut, glued, painted, knotted, inflated, baked, sought, bought and gave so much of their time and energy to present the boats and crew costumes to such an amazing standard. These things always take significantly more time than the casual observer would credit (seriously, weeks in some cases), so go on... you all know who you are... give yourselves a hearty and well deserved three cheers hip hip ........ hip hip........ hip hip.......The effort was worth it!
That said, it was an early alarm that roused this week's intrepid explorers from their limited slumber (previous paragraph explains lack of sleep). Following a quick hustle for fur, ropes and daggers and a spot check of shields, dragons head, furry seat covers and drums, we headed out on the first of the day's trips to Newburn.
On arrival we joined the flurry of activity as boats arrived, trailers were cleared and dispatched and last minute adornments were added to boats and rowers alike. (it's great to see the themes emerging...) Others may have to add detail as we were quickly whisked away, taking the trailer and return vehicle down to Tynemouth. Kindly the powers that be had closed the central motorway so we were diverted numerous times before reaching our destination. Here the organisation kicked in with a friendly welcome and a cordoned off car park (trailers left / cars right.. lovely!) our attempt at a quick dash back via alternate route was thwarted by the closure of the quayside and after spiralling in circles a few times we were back en route and in Newburn (just) in time for the briefing over on the other bank, foregoing breakfast in place of information and some snappy trackers.
Briefed, dressed and GPS'd .. we were off, the river and wind affording us assistance and we were all too thankful that the row wasn’t 24 hours earlier. It became quickly apparent that we weren't the only boats to get dressed too up as a flurry of bumblebees, turtles, ballerinas (complete with swan's head on the bow) and the whole Mad Hatters Tea Party passed by, exchanging smiles , waves and wishes of good fortune. This kinship is part of the reason we do what we do!!!
Onlookers from the various paths and jetties also waved and cheered , with Conor (our self-appointed PR officer) ensuring all got a wave or a twirl of the axe back in return (occasionally accompanied by a "Viking grimace" for effect)
Passing under the bridges on the Tyne is always special but to do it in full Viking regalia, rowing to a pounding drum with axes raised high and the echoes of our Nordic shrieks rebounding from the iconic bridges and buildings definitely got the hairs on the back of the neck tingling. Thanks to those gathered on the Millennium bridge for their support and cheers of encouragement.... this only added to the occasion.
Just past the bridges we paused for a quick regulation "cake break" to enable us to regain formation and take on valuable nutrients (jam and sprinkles) then we off for the second half.
At one point I feared a doping scandal would cloud the day as suspicious packets were observed being thrown from the Whitburn vessel to their fellow skiffies. Upon closer inspection these turned out to be "Fisherman's Friends"(keeping to theme!) which hopefully do not appear on the sport’s list of banned substances.
It became clear that we were getting close to the last mile or so as we noticed the size of the company we were in. Monster propellers stuck out from the water and huge ferries suddenly made our "massive" skiff feel very small. We did however balance this argument with the fact we were significantly more attractive (and modest)
From the outset it was our plan to finish together (Blyth, Whitburn and ourselves) and the final run home took some delicate oar work and tight control as three coxes worked together to ensure that that we crossed the line in perfect unison (down to the second) . As the old Viking fishing and skiffing song goes (roughly translated and with a great deal of artistic licence) " T'was bow to bow and with matching strokes, finished six merry maidens and nine canny blokes!"
Finishing horns blown, it was time for a blast around the corner into Tynemouth so full pull to arms and away into some really bouncy waters (thanks to the safety boats for their care and attention). This is what skiffs are designed for and it was great fun to get the bow in the air. After a brief burst of nausea, and some hilarity-linked timing issues we were back on form making good progress and surfed smoothly to shore to the joyful strains of a steel band playing "in the mood".
Back at beach there were lots of volunteers waiting to help us land and get the boat over the rocks safely (thanks again folks). At one point we were in such close company carrying the boat that my fur leg wrappings were caught underfoot by a following trawlerman, almost taking my baggy trousers with it and risking exposure of the horse-hair undercrackers beneath (it's all in the detail). Thankfully for all, the wrappings gave way and we proceeded uncompromised with modesty still intact.
Safely on dry land we were warmed to see familiar faces from home had made the journey to greet us. Many photos were taken and inevitable oar comparisons made (this time even more pronounced as light carbon fibre oars were compared with our "tree trunks"
Refreshments ranged from the traditional (rustic bread being broken to supplement the mead and soup rations) to the more modern (beer and burgers) and some wonderful fusion (a drinking horn full of "Fosters") Katie's blue cheese quiche being especially noteworthy (only wished I asked to use one of their magnificent swords to cut it)
The haven was by now full of people and boats and there was a real buzz was about the place. Presentations followed, with well-deserved recognition given to those who have organised the event and helped out (hat's off folks!) and all crews enthusiastically supported each other as winners were announced. It was then that the impact of our approach of camaraderie and unity became obvious as we made history by being presented not only the eagerly expected "enjoying the view" pennant for joint last place, but we also were awarded the joint fastest skiff in class as we all had indeed finished together. Magic!
Full results are available on the website, but special awards were given to "Just for the halibut!" for best dressed crew, Swan Lake for best dressed boat and St Andrews gaining the Harry Clasper award for breaking a rudder and using an oar to help steer ... to all winners and competitors well done!!
I made the final pilgrimage to Newburn to retrieve the car (thanks to the wonderful Ian and Elsie for the lift) whilst the boats were packed, fond farewells made and best wishes exchanged. Thanks too for the patience of those who waited in Tynemouth for that final pickup. It was indeed a sleepy trio of Vikings that stood on the curb when I arrived back, all traces of boats and rowers gone and even the ice cream man was looking at his watch.
Quickly replenished and revived by a homeward pitstop we reflected on another absolutely cracking adventure in grand company…..
OK fellow adventurers..... Where next ??????? (hum the theme tune of your choice!!)
I was in the area, checking up on the Heath Spotted Orchids, and the church was a five minute drive away, in the grounds of a former country house.
I park at the church and find it locked, as expected, but there were directions to a keyholder nearby, walking into the cobbled squares and converted estate buildings now executive housing.
I ring the bell: nothing
I ring again: nothing
I use the knocker: dog barks. Dog attacks the door.
There is angry voices. Or voice. There was the sound of the dog being put into a side room, and the struggle to close the door.
The front door opened: yes?
Can I have the church key, please?
Not sure if I still have it.
Why'd you want it?
To photograph the interior.
Who're with?
I'm with no one, I am photographing all parish churches in the county, and would like to do this one. I showed him my driving licence which should say under job title: obsessive and church crawler.
He seemed satisfied, and let me have the key.
Phew.
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Substantially rebuilt after a fire of 1598. The welcoming interior displays no chancel arch, although the doorways in the arcade show where the medieval rood screen ran the width of the church. The striking east window was designed by Wallace Wood in 1954. There is a good aumbry and piscina nearby. To the north of the chancel stands the excellent tomb chest of Sir John Tufton (d. 1624). The arcade into which it is built was lowered to allow a semi-circular alabaster ceiling to be inserted to set the composition off. Because it is completely free-standing it is one of the easiest tomb chests in Kent to study, with five sons kneeling on the south side and four daughters on the north . In addition there are complicated coats of arms and an inscription which records the rebuilding of the church by Tufton after the fire. On top of the chest lie Sir John and his wife, with their son Nicholas kneeling between their heads. Much of the monument is still covered with its original paint. The organ, which stands in the south aisle, may be the instrument on which Sir Arthur Sullivan composed 'The Lost Chord'. It originally stood in Hothfield Place where Sullivan was a frequent guest.
www.kentchurches.info/church.asp?p=Hothfield
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HOTHFIELD
IS the next parish northward from Great Chart, and is so called from the bothe, or heath within it. The greatest part of this parish lies within the hundred of Chart and Longbridge, and the remainder in that of Calehill. It is in the division of East Kent.
THE PARISH of Hothfield lies a little more than two miles from Ashford north-westward, the high road from which towards Lenham and Maidstone goes through it over Hothfield heath. It contains about 1250 acres, and fifty houses, the rents of it are about 1300l. per annum. It is not a pleasant, nor is it accounted a healthy situation, owing probably to the many low and watry lands in and about it. The river Stour, which rises at Lenham, runs along the southern side of the parish, which is watered likewise by several small streams, which rise about Charing and Westwell, from under the chalk hills, and join the Stour here. The heath, which contains near one half of the parish, consists mostly of a deep sand, and has much peat on it, which is continually dug by the poor for firing. On the east and west sides of the heath, the latter being called West-street, are two hamlets of houses, which form the scattered village of Hothfield. The Place-house stands on a hill, at a small distance from the corner of the heath southward, with some small plantations of trees about it, forming a principal object to the country round it. It is a square mansion, built of Portland stone, by the late earl of Thanet, on the scite of the antient mansion, close to the church; it has a good prospect round it. The adjoining grass grounds are extensive, and well laid out for the view over them; the water, which rises at no great distance from the house, becomes very soon a tolerable sized stream, and running on in sight of it, joins the Stour a little above Worting mill; these grass lands are fertile and good fatting land, like those mentioned before, near Godington, in Great Chart. The parsonage house, which is a neat dwelling of white stucco, stands at the southern corner of the heath, at the foot of the hill, adjoining the Place grounds, near West-street. Between the heath and Potter's corner, towards Ashford, the soil begins to approach much of the quarry stone.
Though the land in the parish is naturally poor, it is rendered productive by the chalk and lime procured from the down hills. The inhabitants have an unlimited right of commoning with those of the adjoining parish of Westwell, to upwards of five hundred acres of common, which affords them the means of keeping a cow and their poultry, which, with the liberty of digging peat, draws a number of certificated poor to reside here. There is not one dissenter in the parish.
Jack Cade, the noted rebel, in Henry the VI.th's reign, though generally supposed to be taken by Alexander Iden, esq. the sheriff, in a field belonging to Ripple manor, in the adjoining parish of Westwell, was discovered, as some say, in a field in this parish, still named from him, Jack Cade's field, now laid open with the rest of the grounds adjoining to Hothfieldplace.
The plant caryophyllata montena, or water avens, which is a very uncommon one, grows in a wood near Barber's hill, in this parish.
THE MANOR OF HOTHFIELD seems, in very early times, to have had the same owners as the barony of Chilham, and to have continued so, for a considerable length of time after the descendants of Fulbert de Dover were become extinct here. Bartholomew de Badlesmere, who in the 5th year of king Edward II. had a grant of this manor as well as of Chilham in see, appears to have held this manor of Hothfield by grand sergeantry of the archbishop, and accordingly, in the 8th year of it, at the enthroning of archbishop Walter Reynolds, he made his claim, and was allowed to perform the office of chamberlain for that day, and to serve up the water, for the archbishop to wash his hands; for which his fees were, the furniture of his bedchamber, and the bason and towel made use of for that purpose; (fn. 1) and in the next year he obtained of the king, a charter of free-warren for his demesne lands within this manor among others. After this the manor of Hothfield continued to be held by the like service, and continued in the same owners as that of Chilham, (fn. 2) down to Thomas lord Roos, who became entitled to the see of it, who for his attachment to the house of Lancaster, was, with others, attainted, in the 1st year of king Edward IV.'s reign, and his lands confiscated to the crown. But Margaret his mother, being possessed of it for her life, afterwards married Roger Wentworth, esq. whom she survived, and died possessed of it in the 18th year of that reign; upon which, by reason of the above attaint, the crown became entitled to it, the inquisition for which was found in the 4th year of that reign; immediately after which, the king granted it to Sir John Fogge, of Repton, who was comptroller of his household and one of his privy council, for his life. On king Richard III.'s accession to the crown, he took shelter in the abbey of Westminster, from whence he was invited by the king, who in the presence of a numerous assembly gave him his hand, and bid him be confident that from thenceforward he was sure to him in affection. This is rather mentioned, as divers chronicles have erroneously mentioned that he was an attorney, whom this prince had pardoned for forgery. He died possessed of it in the 17th year of Henry VII. where it remained till Henry VIII. granted it, at the very latter end of his reign, to John Tufton, esq. of Northiam, in Sussex, whose lands were disgavelled by the acts of 2 and 3 Edward VI. who afterwards resided at Hothfield, where he kept his shrievalty in the 3d year of queen Elizabeth. He was descended from ancestors who were originally written Toketon, and held lands in Rainham, in this county, as early as king John's reign; (fn. 3) one of whom was seated at Northiam, in Sussex, in king Richard the IId.'s reign, at which time they were written as at present, Tufton, and they continued there till John Tufton, esq. of Northiam, before-mentioned, removed hither. He died in 1567, and was buried in this church, leaving one son John Tufton, who resided at Hothfield-place, and in July, in the 16th year of queen Elizabeth, anno 1573, entertained the queen here, in her progress through this county. In the 17th year of that reign he was sheriff, and being a person of eminent repure and abilities, he was knighted by king James, in his 1st year, and created a baronet at the first institution of that order, on June 19, 1611. He married Olimpia, daughter and heir of Christopher Blower, esq. of Sileham, in Rainham, by whom he had three daughters; and secondly Christian, daughter and coheir of Sir Humphry Brown, a justice of the common pleas. He died in 1624, and was buried in this church, having had by her several sons and daughters. Of the former, Nicholas the eldest, succeeded him in title and estates. Sir Humphry was of Bobbing and the Mote, in Maidstone, and Sir William was of Vinters, in Boxley, both baronets, of whom further mention has already been made in the former parts of this history.
Sir Nicholas Tufton, the eldest son, was by letters patent, dated Nov. 1, anno 2 Charles I. created lord Tufton, baron of Tufton, in Sussex; and on August 5, in the 4th year of that reign, earl of the Isle of Thanet, in this county. He had four sons and nine daughters; of the former, John succeeded him in honors, and Cecil, was father of Sir Charles Tufton, of Twickenham, in Middlesex. John, the eldest son, second earl of Thanet, married in 1629 Margaret, eldest daughter and coheir of Richard, earl of Dorset, by his wife the lady Anne Clifford, sole daughter and heir of George, earl of Cumberland, and baroness of Clifford, Westmoreland, and Vescy, by which marriage these tithes descended afterwards to their issue. In the time of the commonwealth, after king Charles the 1st.'s death, he was, in 1654, appointed sheriff, and however inconsistent it might be to his rank, yet he served the office. He left six sons and six daughters, and was succeeded by Nicholas his eldest son, third earl of Thanet, who by the deaths of his mother in 1676, and of his cousin-german Alethea, then wife of Edward Hungerford, esq. who died s. p. in 1678, he became heir to her, and sole heir to his grandmother Anne, lady Clifford, and consequently to the baronies of Clifford, Westmoreland, and Vescy; dying s. p. he was succeeded as earl of Thanet and lord Clifford, &c. by his next brother John, who, on his mother's death, succeeded likewise by her will to her large estates in Yorkshire and Westmoreland, and to the hereditary in sheriffdoms of the latter and of Cumberland likewise, for it frequently happened in these hereditary sheriffdoms that female heirs became possessed of them, and consequently were sheriffs of those districts; but this was not at all an unusual thing, there being many frequent instances of women bearing that office, as may be seen in most of the books in which any mention is made of it, some instances of which the reader may see in the differtation on the office of sheriff, in vol. i. of this history. That part of their office which was incompatible for a woman to exercise, was always executed by a deputy, or shyre-clerk, in their name. But among the Harleian MSS. is a very remarkable note taken from Mr. Attorney-general Noys reading in Lincoln's inn, in 1632, in which, upon a point, whether the office of a justice of a forest might be executed by a woman; it was said, that Margaret, countess of Richmond, mother to king Henry VII. was a justice of peace; that the lady Bartlet, perhaps meant for Berkley, was also made a justice of the peace by queen Mary, in Gloucestershire; and that in Suffolk one ..... Rowse, a woman, did usually fit upon the bench at assizes and sessions among other justices, gladio cincta. John, earl of Thanet, died unmarried, as did his next brother earl Richard, so that the titles devolved to Thomas Tufton, who became the sixth earl of Thanet, and lord Clifford, which latter title was decreed to him by the house of peers in 1691. He left surviving issue five daughters and coheirs, the eldest of whom, Catherine, married Ed. Watson, viscount Sondes, son and heir of Lewis, earl of Rockingham; and the four others married likewise into noble families. He died at Hothfield in 1729, having by his will bequeathed several legacies to charitable purposes, especially towards the augmentation of small vicarages and curacies. He died without male issue, so that the titles of earl of Thanet and baron Tufton, and of baronet, descended to his nephew Sackville Tufton, eldest surviving son of his brother Sackville Tufton, fifth son of John, second earl of Thanet. But the title of baroness Clifford, which included those of Westmoreland and Vescy, upon the death of Thomas, earl of Thanet, without male issue, became in abeyance between his daughters and coheirs above-mentioned, and in 1734, king George II. confirmed that barony to Margaret, his third surviving daughter and coheir, married to Thomas Coke, lord Lovel, afterwards created earl of Leicester, which title is now again in abeyance by his death s. p. Which Sackville Tufton died in 1721, leaving Sackville the seventh earl of Thanet, whose eldest son of the same name succeeded him as eighth earl of Thanet, and rebuilt the present mansion of Hothfield-place, in which he afterwards resided, but being obliged to travel to Italy for his health, he died there at Nice in 1786, and was brought to England, and buried in the family vault at Rainham, in this county, where his several ancestors, earls of Thanet, with their countesses, and other branches of the family, lie deposited, from the time of their first accession to that title. He married Mary, daughter of lord John Philip Sackville, sister of the present duke of Dorset, by whom he had five sons and two daughters, Elizabeth; and Caroline married to Joseph Foster Barham, esq. Of the former, Sackville, born in 1769, succeeded him in honors; Charles died unmarried; John is M. P. for Appleby; Henry is M. P. for Rochester, and William. He was succeeded by his eldest son, the present right hon. Sackville Tufton, earl of Thanet, baron Tufton, lord of the honor of Skipton, in Craven, and baronet, and hereditary sheriff of the counties of Westmoreland and Cumberland, who is the present possessor of this manor and seat, and resides here, and is at present unmarried. (fn. 4)
The antient arms of Tufton were, Argent, on a pale, sable, an eagle displayed of the field; which coat they continued to bear till Nicholas Tufton, the first earl of Thanet, on his obtaining that earldom, altered it to that of Sable, an eagle displayed, ermine, within a bordure, argent; which coat was confirmed by Sir William Segar, garter, in 1628, and has been borne by his descendants to the present time. The present earl of Thanet bears for his coat of arms that last-mentioned; for his crest, On a wreath, a sea lion, seiant, proper; and for his supporters, Two eagles, their wings expanded, ermine.
SWINFORT, or Swinford, which is its more proper name, is a manor in this parish, lying in the southern part of it, near the river Stour, and probably took its name from some ford in former times over it here. However that be, it had formerly proprietors, who took their name from it; but they were never of any eminence, nor can I discover when they became extinct here; only that in king Henry V.'s reign it was in the possession of Bridges, descended from John atte Bregg, one of those eminent persons, whose effigies, kneeling and habited in armour, was painted in the window often mentioned before, in Great Chart church; and in this family the manor of Swinford continued till the latter end of king James I.'s reign, when it passed by sale from one of them to Sir Nicholas Tufton, afterwards created earl of Thanet, whose son John, earl of Thanet, before the 20th year of that reign, exchanged it for other lands, which lay more convenient to him, with his near neighbour Nicholas Toke, esq. of Godinton, in which family and name it has continued down, in like manner as that feat, to Nicholas Roundell Toke, esq. now of Godinton, the present possessor of it. A court baron is held for this manor.
FAUSLEY, or FOUSLEY, as it is now usually called, is the last manor to be described in this parish; its more antient name was Foughleslee, or, as it was usually pronounced, Faulesley; which name it gave to owners who in early times possessed and resided at it. John de Foughleslee, of Hothfield, was owner of it in the second year of king Richard II. and in his descendants this manor seems to have continued till about the beginning of queen Elizabeth's reign, when it passed by sale to Drury; from which name, at the latter end of it, this manor was conveyed to Paris, who immediately afterwards alienated it to Bull, who soon afterwards reconveyed it back again to the same family, whence, in the next reign of king James I. it was sold to Sir Nicholas Tufton, afterwards created earl of Thanet, in whose successors, earls of Thanet, it has continued down to the right hon. Sackville, earl of Thanet, the present owner of it.
Charities.
RICHARD PARIS, by deed in 1577, gave for the use of the poor, a rent charge of 16s. per annum, out of land called Hanvilles, in this parish; the trustees of which have been long ago deceased, and no new ones appointed since.
THOMAS KIPPS, gent. of Canterbury, by will in 1680, gave for the use of the same, an annual rent charge of 1l. out of lards in Great Chart.
RICHARD MADOCKE, clothier, of this parish, by will in 1596, ordered that the 11l. which he had lent to the parishioners of Hothfield, towards the rebuilding of their church, should, when repaid, be as a stock to the poor of this parish for ever.
SIR JOHN TUFTON, knight and baronet, and Nicholas his son, first earl of Thanet, by their wills in 1620 and in 1630, gave certain sums of money, with which were purchased eight acres of land in the parish of Kingsnoth, of the annual produce of 10l.
DR. JOHN GRANDORGE, by deed in 1713, gave a house and land in Newington, near Hythe, of the annual produce of 7l. which premises are vested in the earl of Thanet.
THOMAS, EARL OF THANET, and SACKVILLE TUFTON. Esq. grandfather of the present earl, by their deeds in 1720 and 1726, gave for a school mistress to teach 24 poor children, a rent charge and a house and two gardens, in Hothfield, the produce in money 20l. The premises were vested in Sir Penyston Lambe and Dr. John Grandorge, long since deceased; since which the trust has not been renewed; and the original writings are in the earl of Thanet's possession.
Such of the above benefactions as have been contributed by the Tufton family, have been ordered by their descendants to be distributed annually by the steward of Hothfield-place for the time being, without the interference of the parish officers, to such as received no relief from this parish; the family looking upon these rather as a private munisicence intended to continue under their direction.
The poor annually relieved are about twenty-five, casually as many.
HOTHFIELD is situated within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Charing.
¶The church, which is small, is dedicated to St. Mary, and consists of three isles and a chancel, having a low spire steeple, covered with shingles at the west end, in which are five bells, and though it stands on a hill, is yet very damp. There is not any painted glass in the windows of it. On the north side in it, is a monument of curious workmanship, having the figures of a man and woman, in full proportion, lying at length on it; at three corners of it are those of two sons and one daughter, kneeling, weeping, all in white marble; round the edges is an inscription, for Sir John Tufton, knight and baronet, and Olympia his wife, daughter and heir of Christopher Blower, esq. On the monument are the arms of Tufton, with quarterings and impalements; on the sides are two inscriptions, one, that he re-edified this church after it was burnt, at his own charge, and under it made a vault for himself and his posterity, and after that he had lived eighty years, departed this life; the other enumerating his good qualities, and saying that by his will he gave perpetual legacies to this parish and that of Rainham. This monument is parted off from the north isle by a strong partition of wooden balustrades, seven feet high. The vault underneath is at most times several feet deep with water, and the few coffins which were remaining in it were some years since removed to the vaults at Rainham, where this family have been deposited ever since. On the north side of the chancel is a smaller one, formerly called St. Margaret's chapel, now shut up, and made no use of. In the south isle is a memorial for Rebecca, wife of William Henman, esq. obt. 1739, and Anna-Rebecca, their daughter, obt. 1752; arms, A lion, between three mascles, impaling a bend, cotized, engrailed. This church, which is a rectory, was always esteemed an appendage to the manor, and has passed accordingly, in like manner with it, down to the right hon. Sackville, earl of Thanet, lord of the manor of Hothfield, the present patron of it.
This rectory is valued in the king's books at 17l. 5s. and the yearly tenths at 1l. 14s. 6d.
There was a pension of ten shillings paid from it to the college of Wye. In 1588 here were communicants one hundred and ninety-three, and it was valued at eighty pounds. In 1640, communicants one hundred and ninety, and valued at only sixty pounds per annum. There is a modus of two pence an acre of the pasture lands in the parish. There are twelve acres of glebe. It is now worth about one hundred and twenty pounds per annum.
Richard Hall, of this parish, by will in 1524, ordered that his feoffees should enfeoffe certain honest persons in his house and garden here, set beside the pelery, to the intent that the yearly serme of them should go to the maintenance of the rode-light within the church.
This church was burnt down in the reign of king James I. and was rebuilt at the sole expence of Sir John Tufton, knight and baronet, who died in 1624. His descendant Thomas, earl of Thanet, who died in 1729, gave the present altar-piece, some of the pewing, and the pulpit.
This is a photograph from the 4th annual running of the Donadea 50K Ultramarathon which was held in Donadea Forest, Stapelstown, Co. Kildare, Ireland at 10:00 on February 15th 2014. The race was also an International Association of Ultrarunners Bronze Label Event and the Athletics Association of Ireland (AAI) National 50KM Championships. Over 160 participants took part in the event.
Don't forget to scroll down to see more information about the race and these photographs!
Timing, results, and event management was provided by RedTagTiming - results available at www.redtagtiming.com/
There is a full set of photographs available on our Flickr set at www.flickr.com/photos/peterm7/sets/72157640976638143/
The event took place on a 5KM loop of Donadea Forest Park (read more below). The recent stormy and very wet conditions in Ireland made way for perfect running weather for the race. There was a slight breeze here and there on the route but for the most part the route was very sheltered. With so much running traffic on the course certain parts of the course became more muddy as time went on. However, this bother the participants who were expecting conditions to be much more difficult.
Congratulations to Anthony Lee of Donadea Running Club and Donadea Running Club for putting countless hours of voluntary effort into the staging of this event. The event has all the hallmarks of a professional event. There was a superb atmosphere around the loop as locals and other runners supported the runners.
Donadea Forest Park is situated in rural north Kildare and is approximately 640 acres in size. The amenities at the forest include good walking trails, a diversity of natural habitats, a walled stream, a large natural lake, and the ruins of Donadea castle. The Park is a designated National Heritage Area. The basic designation for wildlife is the Natural Heritage Area (NHA). This is an area considered important for the habitats present or which holds species of plants and animals whose habitat needs protection. It is a special event to allow the 50KM to be held in this environment.
Some useful links to other web-resources related to this race
Race Sponsors
www.grassrootsfitness.ie/wordpress/
www.facebook.com/oneillssportswear
Photographs from previous years
picasaweb.google.com/113689917114749812630/Donadea50km?au...
James Shelley www.flickr.com/photos/jhshelley/sets/72157632784408428/
Greg Byrne: www.facebook.com/media/set/?set=oa.423631201048548&ty... (Facebook logon required)
Our pictures from the 1st Donadea 50KM 2011 (www.flickr.com/photos/peterm7/sets/72157626144568382/with...)
Paul Daly's photographs from the 2nd Donadea 50KM 2012 (www.flickr.com/photos/58190594@N02/sets/72157629390998687...)
Our pictures from the 3rd Donadea 50KM 2013 (www.flickr.com/photos/peterm7/sets/72157632772080791/)
You are likely to find some great photographs of Donadea Ultra 2014 here on Flickr [http://www.flickr.com/photos/jhshelley/sets/] courtesy of James Shelley (Le Cheile AC)
Statistics, general information, results, etc
Deutsche Ultramarathon Vereingung e.V. statistik.d-u-v.org/
2013 results www.redtagtiming.com/results/Donadea50km_2013.pdf
2012 results www.redtagtiming.com/results/Donadea50km_2012.pdf
Boards.ie Thread www.boards.ie/vbulletin/showthread.php?t=2056180196&p...
International Association of Ultrarunners Bronze Label Event www.iau-ultramarathon.org/
Donadea 50km facebook page (www.facebook.com/groups/102353996509605/?fref=ts) You might need to have a Facebook account to see this.
Boards.ie Athletics Thread Discussion on this race: www.boards.ie/vbulletin/showthread.php?t=2056180196&p...
The Garmin Route Trace of the Donadea 50KM Main Loop connect.garmin.com/activity/118322861
Donadea Forest Park information on the Coilte Website: www.coillte.ie/index.php?id=242
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I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
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This is a photograph from the 4th annual running of the Donadea 50K Ultramarathon which was held in Donadea Forest, Staplestown, Co. Kildare, Ireland at 10:00 on February 15th 2014. The race was also an International Association of Ultrarunners Bronze Label Event and the Athletics Association of Ireland (AAI) National 50KM Championships. Over 160 participants took part in the event.
Don't forget to scroll down to see more information about the race and these photographs!
Timing, results, and event management was provided by RedTagTiming - results available at www.redtagtiming.com/
There is a full set of photographs available on our Flickr set at www.flickr.com/photos/peterm7/sets/72157640976638143/
The event took place on a 5KM loop of Donadea Forest Park (read more below). The recent stormy and very wet conditions in Ireland made way for perfect running weather for the race. There was a slight breeze here and there on the route but for the most part the route was very sheltered. With so much running traffic on the course certain parts of the course became more muddy as time went on. However, this bother the participants who were expecting conditions to be much more difficult.
Congratulations to Anthony Lee of Donadea Running Club and Donadea Running Club for putting countless hours of voluntary effort into the staging of this event. The event has all the hallmarks of a professional event. There was a superb atmosphere around the loop as locals and other runners supported the runners.
Donadea Forest Park is situated in rural north Kildare and is approximately 640 acres in size. The amenities at the forest include good walking trails, a diversity of natural habitats, a walled stream, a large natural lake, and the ruins of Donadea castle. The Park is a designated National Heritage Area. The basic designation for wildlife is the Natural Heritage Area (NHA). This is an area considered important for the habitats present or which holds species of plants and animals whose habitat needs protection. It is a special event to allow the 50KM to be held in this environment.
Some useful links to other web-resources related to this race
Race Sponsors
www.grassrootsfitness.ie/wordpress/
www.facebook.com/oneillssportswear
Photographs from previous years
picasaweb.google.com/113689917114749812630/Donadea50km?au...
James Shelley www.flickr.com/photos/jhshelley/sets/72157632784408428/
Greg Byrne: www.facebook.com/media/set/?set=oa.423631201048548&ty... (Facebook logon required)
Our pictures from the 1st Donadea 50KM 2011 (www.flickr.com/photos/peterm7/sets/72157626144568382/with...)
Paul Daly's photographs from the 2nd Donadea 50KM 2012 (www.flickr.com/photos/58190594@N02/sets/72157629390998687...)
Our pictures from the 3rd Donadea 50KM 2013 (www.flickr.com/photos/peterm7/sets/72157632772080791/)
You are likely to find some great photographs of Donadea Ultra 2014 here on Flickr [http://www.flickr.com/photos/jhshelley/sets/] courtesy of James Shelley (Le Cheile AC)
Statistics, general information, results, etc
Deutsche Ultramarathon Vereingung e.V. statistik.d-u-v.org/
2013 results www.redtagtiming.com/results/Donadea50km_2013.pdf
2012 results www.redtagtiming.com/results/Donadea50km_2012.pdf
Boards.ie Thread www.boards.ie/vbulletin/showthread.php?t=2056180196&p...
International Association of Ultrarunners Bronze Label Event www.iau-ultramarathon.org/
Donadea 50km facebook page (www.facebook.com/groups/102353996509605/?fref=ts) You might need to have a Facebook account to see this.
Boards.ie Athletics Thread Discussion on this race: www.boards.ie/vbulletin/showthread.php?t=2056180196&p...
The Garmin Route Trace of the Donadea 50KM Main Loop connect.garmin.com/activity/118322861
Donadea Forest Park information on the Coilte Website: www.coillte.ie/index.php?id=242
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I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
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I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
I had no idea what to expect at Yalding, either the town or church. Jools realised it was near to West Farleigh, so we went to investigate.
Across what looked like a canal and then the river via an old pack bridge, with the tower of the church on the far bank.
The town, or this part of it, stretched either side of the High Street, and once parked, we approach the church down an alleyway and I see the porch doors open; a good sign.
I explained what I was at the church for: are you going to be long, I was asked.
As quick as I can be.
What I found was a huge parish church, the back of which had been converted into a community space, with a fitted kitchen, wooden floor for use possible as a gym or space for yoga, and the east kept as a fine parish church, filled with monuments, memorials and fine fixtures and fittings. Three wardens were tidying up preparing for Candlemass the next day.
I go round taking shots, taking nearly and hour to do so, as there was so much detail.
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The little cupola on the west tower is topped by a weathervane dated 1734, and summons us to a large church, heavily restored in the 1860s, but worth travelling a long way to see. The nave roof has two interesting features - one is a form of celure or canopy of honour over the third bay from the west. It must have served some long-forgotten purpose. At the east end of the nave there is a real Canopy of Honour in its more usual position over the chancel arch. The south transept contains many interesting features - niches in the walls, bare stonework walls and a good arcaded tomb chest recessed into the south wall. There is a telling string course that suggests a thirteenth-century date, although the two windows in its east wall are Decorated in style. The most recent feature in the church - and by far the most important - is the engraved glass window in the chancel. It was engraved by Laurence Whistler in 1979 and commemorates Edmund Blunden, the First World War poet. It depicts a trench, barbed wire, a shell-burst and verses from Blunden's poems. This feature apart it is the nineteenth-century work that dominates Yalding - especially the awful encaustic tiles with arrow-like designs, the crude pulpit with symbols of the evangelists and the poor quality pews. The glass isn't much better, the Light of the World in the south chancel window being especially poor, but the south window of the south transept (1877) showing scenes from the Life of Christ redeems the state of the art.
www.kentchurches.info/church.asp?p=Yalding
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YALDING.
NORTH-WESTWARD from Hunton lies Yalding, antiently written Ealding, which signifies the antient meadow or low ground.
Most of this parish is in the hundred of Twyford, and the rest of it, viz. the borough of Rugmerhill, is in the antient demesne of Aylesford. That part of this parish, which holds of the manor of West Farleigh, is in the borough of West Farleigh, and the borsholder thereof ought to be chosen at the court leet there, and so much thereof as is held of the manor of Hunton, is in the borough of Hunton, and the borsholder thereof is chosen at the court leet there; and the inhabitants of neither of these boroughs owe service to the court holden for the hundred of Twyford, within which hundred they both are; but at that court a constable for that hundred may be chosen out of either of these boroughs.
THIS PARISH lying southward of the quarry hills, is within the district of the Weald. It is but narrow, but extends full four miles in length from north to south, the upper or northern part reaches up to the quarry hill adjoining to West Farleigh, near which is Yalding down, on which is a large kiln for the purpose of burning pit coal into coke, which is effected by laying the coal under earth, and when set on fire quenching the cinders; the method is used in making charcoal from wood, the former particularly is much used in the oasts for the drying of hops, so profitably encouraged in this neighbourhood. Below it, near the river Medway, its western boundary in this part, opposite to Nettlested, stands the seat of Sir John Gregory Shaw, bart. a retired, but not an ill chosen situation. It was for several generations the residence of the family of Kinward, which from the reign of king Henry VIII. was possessed of good estates in this parish and its neighbourhood, and bore for their arms, Azure, on a bend or, three roses gules, between three cross-croslets, fitchee argent. Robert Kenward, esq. of Yalding, resided here, and dying in 1720, was buried with the rest of his family in this church; he left a son John, and several daughters, of whom the third, Martha, married the late Sir Gregory Page, bart. and died S. P. John Kenward, esq. the son, died in 1749, leaving by Alicia his wife, youngest daughter of Francis Brooke, esq. of Rochester, one daughter and heir Alicia, who carried this seat and a considerable estate in this neighbourhood to Sir John Shaw, bart. late of Eltham, whose eldest son, Sir John Gregory Shaw, bart. is the present owner of it, and resides here. (fn. 1). In this part of the parish the land is kindly both for corn and hops, of which there are several plantations, and round the down there are some rich grass lands, but further southward where the parish extends to Brenchley, Horsemonden, and Mar den, it is rather a sorlorn country, the land lying very low, and the soil is exceeding wet and miry, and much of it very poor, and greatly subject to rushes, being a stiff unfertile clay; the hedge rows are broad and interspersed with quantities of large spreading oak trees.
The river Medway flows from Tunbridge along the west side of the upper part of this parish as mentioned before, there are across it here two bridges, Twyford and Brandt bridge, leading hither from Watringbury, Nettlested and East Peckham; a small stream, which comes from Marden, and is here called the Twist, flows through the lower part of this parish towards the west side of it, and joins the main river at Twyford bridge, which extends over both of them; another larger stream being a principal head of the Medway flowing from Style-bridge by Hunton clappers, separating these two parishes, joins the main river, about a quarter of a mile below Twyford bridge; on the conflux of these two larger streams the town of Yalding is situated, having a long narrow stone bridge of communication from one part of the town to the other, on the opposite bank of the Hunton stream. Leland who lived in king Henry the VIIIth.'s reign, calls it a a praty townelet, to which however at present it has no pretensions. The church and court-lodge stand at the north end of the town. A fair is held in it on WhitMonday, and on October 15, yearly. The high road over Teston bridge, and through West Farleigh, leads through the town, and thence southward along the hamlets of Denover and Collens-street to Marden; at a small distance from the former is the borough of Rugmarhill, esteemed to be within the antient demesne of Aylesford, belonging to Mrs. Milner.
Adjoining the town southward is Yalding lees, over which there is another high road, which leads from Twyford bridge, parallel with the other before-mentioned, along the hamlet of Lodingford, and thence through the lower part of this parish towards Brenchley, near the boundaries of which in this parish is an estate still called Oldlands, which appears in king Edward II's reign to have been part of the demesne lands of the manor of Yalding, for he then confirmed to the priory of Tunbridge a rent charge to be received out of the asserts of the old and new lands of the late Richard de Clare, in Dennemannesbrooke, which he had given to it on its foundation; lower down, close to the stream of the Twist, is the manor house of Bockingsold, the lands of which extend across the river into Brenchley and Horsemonden and other parishes.
A third high road over Brandt bridge passes along the western bounds of this parish, over Betsurn-green towards Lamberhurst and Sussex.
A new commission of sewers under the great seal, was not many years ago obtained to scour and cleanse that branch of the river Medway, or if I may so call it, the Yalding river from Goldwell in Great Chart, through Smarden, Hunton, and other intermediate parishes to its junction with the Rain river, at a place called Stickmouth, a little below the town of Yalding.
The commissioners for the navigation of the river Medway, about twenty years ago, made a navigable cut or canal, from a place in the river called Hampsted, where they judiciously constructed a lock to a place in the river near Twyford bridge, where they erected a tumbling bay for the water, when at a certain height, to pass over. The contrivance of this cut from one bend or angle of the river to the other, is of the greatest utility to the navigation, by not only shortening the passage, but by baying up a convenient depth of water, which they could not have had along the lees, and other adjoining low lands on each side of that part of the river, which is avoided by it, or at least not without a very great expence.
At the river here the barges are loaded with timber, great guns, bullets, &c. for Chatham and Sheerness docks, London, and other parts, and bring back coals, and other commodities for the supply of the neighbouring country.
In 1757 a large eel was caught in the river here, which measured five feet nine inches in length, and eighteen inches in girt, and weighed upwards of forty pounds.
THE MANOR OF YALDING, or Ealding, as it was usually written, was, after the conquest, part of the possessions of the eminent family of Clare, who became afterwards earls of Gloucester and Hertford, (fn. 2) the ancestor of whom, Richard Fitz Gilbert, came into England with William the Conqueror, and gave him great assistance in the memorable battle of Hastings, and in respect of his near alliance in blood to the king, he was advanced to great honor, and had large possessions bestowed upon him, both in Normandy and England; among the latter was this estate of Yalding, as appears from the survey of Domesday, taken in the 15th year of the Conqueror's reign, in which it is thus entered, under the title of Terra Richardi F. Gislebti:
Richard de Tonebridge holds Ealdinges, and Aldret held it of king Edward, and then and now it was taxed at two sulings. The arable land is sixteen carucates. There are two churches (viz. Yalding and Brenchley) and fifteen servants, and two mills of twenty-five shillings, and four fisheries of one thousand and seven hundred eels, all but twenty. There are five acres of pasture, and wood for the pannage of one hundred and fifty hogs.
In the time of king Edward the Consessor, and afterwards, it was worth thirty pounds, now twenty pounds, on account of the lands lying waste to that amount.
The above-mentioned Richard Fitz Gilbert, at the latter end of the Conqueror's reign, was usually called Richard de Tonebridge, from his possessions and residence there, and his descendants took the name of Clare, for the like reason of their possessing that honor. His descendant, Gilbert, son of Richard de Clare, earl of Gloucester and Hertford, owned it in the reign of king Henry III. and in the 21st year of Edward I. he claimed before the justices itinerant, and was allowed all the privileges of a manor.
¶Gilbert de Clare, earl of Gloucester and Hertford, his son, by Joane, of Acres, king Edward I.'s daughter, succeeded to it, and dying in the 7th year of king Edward II. without surviving issue, his three sisters became his coheirs, and on the partition of their inheritance, this manor, among others in this county, was allotted to Margaret, the second sister, then wife of Hugh de Audley, junior, who in the 12th year of Edward II. obtained for his manor of Ealding, a market to be held here weekly, and a fair to continue three days yearly, viz. the vigil, the day of the feast of St. Peter and St. Paul, and the day subsequent to it. He died in the 21st year of it, holding this manor, which he held for his life, by the law of England, of the king in capite. He left an only daughter and heir Margaret, then the wife of Ralph Stafford, who in her right became possessed of the manor of Yalding, and was a man greatly esteemed by king Edward III. who among other marks of his favor, in his 24th year, advanced him to the title of earl of Stafford.
After which it continued in his descendants down to his great grandson, Humphry Stafford, who was created duke of Buckingham anno 23 Henry VI. whose grandson Henry, duke of Buckingham, having put himself in arms against king Richard, in favor of Henry, earl of Richmond, and being deserted by his army, had concealed himself in the house of one Ralph Banister, who had been his servant, who on the king's proclamation of a reward of 1000l. or 100l. per annum, for the discovering of the duke, betrayed him, and he was without either arraignment or judgment, beheaded at Salisbury.
YALDING is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester and deanry of Malling.
The church, which is a large handsome building, consists of three isles and a large chancel, with a square tower at the west end. Against the south wall in it is a very antient altar tomb, which has been much desaced, on which is remaining, Ermine, a bend gules. There was formerly a brass plate on it. On a large stone in the middle isle, is a memorial for Robert Penhurst, descended from Sir Robert Penhurst, of Penhurst, in Suffex, who died in 1610. The arms, on a shield, a mullet. In the chancel there is a handsome monument for the family of Warde, who bore for their arms, Azure, a cross flory or, and one for the family of Kenward, in this parish. In the pavement of the church are several large broad stones, a kind of petrifaction of the testaceous kind, dug up in the moors or low lands in this parish.
Richard de Clare, earl of Hertford, gave the church of Aldinges, with the chapel of Brenchesley, and all their appurtenances, in pure and perpetual alms, to the priory of Tunbridge, lately founded by him.
Gilbert de Glanvill, bishop of Rochester, who came to that fee in the 31st year of king Henry II. confirmed this gift, and granted, that the prior and canons should possess the appropriation of this church in pure and perpetual alms; saving a perpetual vicarage in it, granted by his authority, with the assent and presentation of the prior and canons as follows:
That the vicar should have the altarage, and all obventions, and small tithes belonging to this church, and all houses, which were within the court, and the land belonging to the church, together with the tenants and homages, and the alder-bed, and the tithes of sheaves of Wenesmannesbroke, and the tithes of Longesbroke, of the new assart, and the moiety of meadow belonging to the church; all which were granted to him, to hold under the yearly pension of two shillings, duly to be paid to the prior and canons; and that the vicar should sustain all episcopal burthens and customs, as well for the prior and canons as for himself. And he granted to the prior and canons as part of the appropriation, the tithes of sheaves of this church, excepting the said tithes of Wenesmannesbroke, and of Longebroke; and that they should have the moiety of the meadow belonging to the church, with the fisheries, and the place in which the two greater barns stood, with the barns themselves, and the whole outer court in which the stable stood, with the garden which was towards the east, and the small piece of land which lay by the garden, and the rent of four-pence, which ought to be paid yearly to the court of Eyles forde; reserving to himself the power of altering the endowment of this vicarage, if at any time it should seem expedient; saving, nevertheless, all episcopal rights to the bishop of Rochester, &c. (fn. 16)
The church of Yalding, together with the advowson of the vicarage, remained with the priory of Tunbridge, till the suppression of it, in the 17th year of king Henry VIII. when being one of those smaller monasteries which cardinal Wolsey had obtained for the endowment of his colleges, it was surrendered into his hands, with all the possessions belonging to it.
After which the king granted his licence to him, in his 18th year, to appropriate and annex this church, among others of the cardinal's patronage, to the dean and canons of the college founded by him in the university of Oxford. But here it staid only four years, when this great prelate being cast in a præmunire in 1529, the estates of that college were forfeited to the king, and became part of the royal revenue.
¶Queen Elizabeth, in her 10th year, granted the rectory or parsonage of Yalding, and the advowson of the vicarage, for thirty years, to Mr. John Warde, at the yearly rent of thirty pounds, in whose possession they continued till king James I. in his 5th year, granted the see of them to Richard Lyddale and Edward Bostock, at the like yearly rent, (fn. 17) and they soon afterwards alienated them to Ambrose Warde, gent. of this parish, son of John above-mentioned, in whose descendants they continued down till they came into the possession of three brothers, Thomas, of Littlebrook, in Stone; George and Ambrose, among whose descendants they came afterwards to be divided, and again sub-divided in different shares, one third part to captain Thomas Amhurst, of Rochester; one third of a third part, and a third of a sixth part to Mr. Holmes, of Derby; Mr. Ambrose Ward, of Littlebrook, and the Rev. Mr. Richard Warde, late of Oxford, each alike, and the remaining sixth part by the Rev. Mr. John Warde, the present vicar of this parish, who some years ago rebuilt the vicarage-house in a very handsome manner.
This rectory now pays a yearly fee-farm rent of thirty pounds to the crown.
It is valued in the king's books, at 20l. 18s. 9d. and the yearly tenths at 2l. 1s. 10½d.
There are two separate manors, one belonging to the rectory or parsonage, and the other to the vicarage of this church.
Wasn't expecting to see this in Mereworth!, and this shot was the best I could do without trespassing and was taken from a Signposted Public Footpath, and this Newly arrived ex Miseryside PTE vehicle is now used by Hugh Lowes Farms to transport farm workers around Mereworth near Maidstone in Kent, and is one of up to 15! vehicles that have seen use here at Mereworth, and these are not the only ex Stagecoach Vehicles in Farms use in the Maidstone Area, and according to Recently Updated Google Maps Satellite Imagery several others can be found around Five Wents, Langley, Langley Heath, Chart Sutton, Sutton Valence and Coxheath.
And be sure to check by my other acount: www.flickr.com/photos_user.gne?path=&nsid=77145939%40..., to see what else I saw this Year!!
Media Information on the WMOF2018 Closing Mass in Phoenix Park
3.00pm Sunday 26 August 2018
The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.
A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.
Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.
Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.
The Mass
Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.
The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.
Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.
Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.
Also involved in the offertory procession will be:
•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;
•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;
•The family of one of those killed in the Omagh bombing 20 years ago;
•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.
•LITURGICAL MUSIC
The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.
The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.
Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.
Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.
The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.
As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.
The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.
And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.
•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY
Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.
At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.
Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.
The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.
•PENAL CROSS AND PROCESSIONAL CROSS
A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.
The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.
•CHALICES AND CIBORIA
To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.
ENDS
NOTES TO EDITORS
· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.
Biographies of Liturgical Music Team:
· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.
· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.
· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.
· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.
· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.
· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.
Roosevelt's Bridges 2 Harmony gospel choir performed their winter show 'Expect Your Miracle' on Thursday night, January 27th.
Expecting BNSF and got CN. Hard to escape the mighty CN in the Twin Ports. Apparently Two Harbors is full so some Minntac taconite loads are being brought to Allouez instead.
Portrait Composition; MODEL RELEASED (family portrait shoot of a pretty pregnant lady); ©2012 DianaLee Photo Designs
People the world-over have been enchanted by the Harry Potter films for nearly a decade. The wonderful special effects and amazing creatures have made this iconic series beloved to both young and old - and now, for the first time, the doors are going to be opened for everyone at the studio where it first began. You'll have the chance to go behind-the-scenes and see many things the camera never showed. From breathtakingly detailed sets to stunning costumes, props and animatronics, Warner Bros. Studio Tour London provides a unique showcase of the extraordinary British artistry, technology and talent that went into making the most successful film series of all time. Secrets will be revealed.
Warner Bros. Studio Tour London provides an amazing new opportunity to explore the magic of the Harry Potter films - the most successful film series of all time. This unique walking tour takes you behind-the-scenes and showcases a huge array of beautiful sets, costumes and props. It also reveals some closely guarded secrets, including facts about the special effects and animatronics that made these films so hugely popular all over the world.
Here are just some of the things you can expect to see and do:
Step inside and discover the actual Great Hall.
Explore Dumbledore’s office and discover never-before-seen treasures.
Step onto the famous cobbles of Diagon Alley, featuring the shop fronts of Ollivanders wand shop, Flourish and Blotts, the Weasleys' Wizard Wheezes, Gringotts Wizarding Bank and Eeylops Owl Emporium.
See iconic props from the films, including Harry’s Nimbus 2000 and Hagrid’s motorcycle.
Learn how creatures were brought to life with green screen effects, animatronics and life-sized models.
Rediscover other memorable sets from the film series, including the Gryffindor common room, the boys’ dormitory, Hagrid’s hut, Potion’s classroom and Professor Umbridge’s office at the Ministry of Magic.
Located just 20 miles from the heart of London at Warner Bros. Studios Leavesden, the very place where it all began and where all eight of the Harry Potter films were brought to life. The Studio Tour is accessible to everyone and promises to be a truly memorable experience - whether you’re an avid Harry Potter fan, an all-round movie buff or you just want to try something that’s a little bit different.
The tour is estimated to take approximately three hours (I was in there for 5 hours!), however, as the tour is mostly self guided, you are free to explore the attraction at your own pace. During this time you will be able to see many of the best-loved sets and exhibits from the films. Unique and precious items from the films will also be on display, alongside some exciting hands-on interactive exhibits that will make you feel like you’re actually there.
The magic also continues in the Gift Shop, which is full of exciting souvenirs and official merchandise, designed to create an everlasting memory of your day at Warner Bros. Studio Tour London.
Hogwarts Castle Model - Get a 360 degree view of the incredible, hand sculpted 1:24 scale construction that features within the Studio Tour. The Hogwarts castle model is the jewel of the Art Department having been built for the first film, Harry Potter and the Philosopher’s Stone. It took 86 artists and crew members to construct the first version which was then rebuilt and altered many times over for the next seven films. The work was so extensive that if one was to add all the man hours that have gone into building and reworking the model, it would come to over 74 years. The model was used for aerial photography, and was digitally scanned for CGI scenes.
The model, which sits at nearly 50 feet in diameter, has over 2,500 fibre optic lights that simulate lanterns and torches and even gave the illusion of students passing through hallways in the films. To show off the lighting to full effect a day-to-night cycle will take place every four minutes so you can experience its full beauty.
An amazing amount of detail went into the making of the model: all the doors are hinged, real plants are used for landscaping and miniature birds are housed in the Owlery. To make the model appear even more realistic, artists rebuilt miniature versions of the courtyards from Alnwick Castle and Durham Cathedral, where scenes from Harry Potter and the Philosopher’s Stone were shot.
These are my personal notes taken during a geology presentation. I give them here because they may be of some interest. Do not expect the notes to always be in complete sentences, etc.
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Mineral Resources and the Hopewell Culture in Licking County
Presented by: Tim Jordan (Newark Earthworks & site manager at Flint Ridge State Park, Ohio, USA)
29 January 2018
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Native American uses of flint - used to make points.
Flint points have a variety of shapes and sizes for different purposes/uses.
Smaller points are probably arrowheads in the traditional sense.
Larger points are for larger weapons such knife blades or spear points.
Flint points were used for hunting animals from deer to mastodons and mammoths.
Flint scrapers were used for cleaning animal hides.
Flint drill bits were used for boring into various materials.
European uses of flint - gunflints for flintlocks (= guns). The flint makes a spark which ignites a reservoir of gunpowder.
Also Danish daggers - need multiple techniques to fashion these.
Also millstones - used for grinding corn and wheat.
Chips of flint were used as road fill along Route 40 (= National Road), which is 3 miles south of Flint Ridge, Ohio.
Lots of uses for flint. Made into various tools - not just weapons.
Flint Ridge
Getting flint - Flint Ridge has a flint lens - a layer of flint - a big slab - that is 2 to 3 feet thick throughout the ridge that is 8 to 10 miles from west to east. In the Flint Ridge park area, the flint is a few inches down from the surface. There are also outcrops with no cover.
Otherwise, flint is obtained by digging downward.
Shells or deer scapulas could be used to dig through the dirt to get to the flint lens.
Hammerstones - granite clasts (small boulders) were ground down to make hammerstones. They look like cheese wheels.
Granite hammerstones were used to pound flint to obtain workable samples.
Pre-forms - semi-processed flint pieces. They can be further worked into tools and weapons.
Flint knapping - requires intimate knowledge of the material.
Flint ideally breaks along Hertzian cones. Compare this to the cones of damage after a BB is shot into glass. Flint predictably breaks like this. So do glass and obsidian.
Conchoidal fracture - smooth, curved fracture surfaces. They are a consequence of breaking along Hertzian cones.
Flint knappers know how to estimate the angle of a Hertzian cone when flint is struck.
Can control the angle of the shock wave when flint is whacked.
Methods used in flint knapping: percussion flaking and pressure flaking.
Can use parts of a deer antler to break flint along curved fractures.
Deer antlers or copper are used by modern flint knappers. These are preferred because they have enough give (are slightly soft) to result in flint breaking along Hertzian cones.
Harder objects just shatter flint.
Natural resources are feeding the usage of minerals - flint weapons are used to hunt deer, and deer antler is used to process flint.
Licking County, Ohio is named after natural salt deposits along rivers and streams.
Animals are attracted to such sites. Deer lick the salt deposits and get other minerals into their bodies as well. Licking County deer get larger antler racks as a result.
Non-Flint Ridge flint types: Arkansas novaculite, Coshocton chert, and Indiana hornstone. All three are shades of gray. The display sample of Arkansas novaculite is black-and-white (see: www.flickr.com/photos/jsjgeology/26106387308). The Coshocton chert sample is blackish-gray in color (see: www.flickr.com/photos/jsjgeology/26106934988). The Indiana horstone sample is gray-and-white with a bullseye pattern (www.flickr.com/photos/jsjgeology/39081713015).
In contrast, Flint Ridge’s Vanport Flint has red and turquoise greenish-blue. The latter colors show up especially well after the flint is heated in a kiln.
See: www.flickr.com/photos/jsjgeology/26117233518
See: www.flickr.com/photos/jsjgeology/39989320101
See: www.flickr.com/photos/jsjgeology/39279564014
See: www.flickr.com/photos/jsjgeology/39279463344
See: www.flickr.com/photos/jsjgeology/39958031452
Flint heating makes the material more brittle and makes shock waves propagate better through the rock, allowing for the development of Hertzian cones.
Mythology & stories
There’s a Lakota Indian story about Flint Ridge - lightning struck a site and the spot had strange, brightly-colored rock that sparked when struck. Flint could be used to make fire.
Flint sites were places of power.
Newark Earthworks
There’s 4 to 4.5 miles of earthen walls in the Newark area.
Great Circle Mound is one portion of the complex. It is easily accessed - it’s a park.
See:
u.osu.edu/piday/files/2016/03/SIA3391-2k4mu4f-e1457893405...
Octagon Mound is part of a country club - a golf course. It has open houses a couple times each year.
See:
s3.amazonaws.com/artspan-fs/member_files/daniellepoling/N...
Some of the Newark Earthworks no longer exist - they have been flattened and built over.
Octagon Mound has built-in lunar alignment markers - 8 of them.
One needs an artificial horizon for such markers to work.
Example: northern maximum moonrise. Example: southern maximum moonrise.
Artificial horizons are created by making 5 feet high walls of earth (earthen walls).
Octagon Mound has an Observatory Circle Mound next to it. Its wall varies from 3 feet high to 7-8 feet high.
The artificial horizon, however, is level.
Making such mounds required careful study of the dirt used to make the structures.
The mound-making people probably had familiarity with the angle of repose.
Great Circle Mound has an interior moat, or ditch. Octagon Mound lacks a moat.
One hypothesis: the dirt used to make Great Circle Mound came directly from the ditch/moat. Actually - no it didn’t.
The walls of Great Circle Mound have two to three times more dirt than would fit in the moat/ditch.
A cross-section made through the mound by an archaeologist (Brad Lepper) showed that the mound had layered dirt. Darker-colored topsoil and yellowish-brown subsoil were used. Dirt as a building material - different types have different properties/qualities.
More earthworks occur in Chillicothe, Ohio. That site had more than Newark ever had. However, the Newark Earthworks have more connectivity than Chillicothe’s mounds.
A modern Indian remarked that the yellowish-brown soil may be representative of the yellowish-colored corona of the Sun. (?)
Octagon Mound is a pinnacle of achievement.
Shaman of Newark figurine - carved from schist, a metamorphic rock, possibly derived from the Carolinas. When carved, the rock was possibly bright yellow-colored. It is now earthy tones of brown (= an aged color). The figurine has copper ear spools. Copper was obtained from the Great Lakes area [Upper Peninsula of Michigan, near Lake Superior].
See:
www.flickr.com/photos/17903031@N00/28628013441
Granite hammerstones were obtained from granite clasts in Pleistocene glacial deposits here in Ohio.