View allAll Photos Tagged execution
鈴ヶ森死刑場 (Suzugamori Shikeijō) Suzugamori Execution Grounds is probably the most famous and most accessible execution grounds of Edo (the name of Tōkyō before 1868). It’s located on the old Tōkaidō highway, near the old post town of Shinagawa. In the Edo Period, it was located next to the sea at Edo Bay. Today the former killing floor is the only bit of land that is still preserved and it is designated as one of the 100 Historic Spots of Shinagawa.
My article is here: markystar.wordpress.com/2013/07/23/suzugamori-execution-g...
this is my definition of execution, when i hear this word i think of Floyd Mayweather Jr. and how he executes his punches etc. which makes him undefeated!
"They now had the left hand of a convicted felon, cut from the body on the morning of execution and drained of its blood. They also had some of the villian's hair and body fat which would be needed as tallow and wick once the hand itself had been 'cooked' as Will had so crudely put it.
It would take skill to transform this ungodly flesh into a magical talisman that would gain them entry into forbidden places, but Billy knew he could do it and it made it all the more satisfying to think he would do do in the Bowman's kitchen."
Extract from: THE CATO CONUNDRUM, by David Kidd-Hewitt (2016) page 10. Hand of Glory now rests in Whitby Museum, UK.
Execution Rocks Lighthouse is located in Long Island Sound. Legend has it that the British used to chain prisoners to the rocks at low tide and wait for them to drown as the tide came in. The lighthouse was built in the 1840's and recently handed over to a non-profit for restoration. It is a 30 minute boat ride away from the shore, and has no electricity or running water, plus it is rumored to be haunted.
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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Source Description and Credit Info from the Library of Congress:
TITLE: [Washington, D.C. Hooded body of Captain Wirz hanging from the scaffold]
CALL NUMBER: LC-B817- 7755[P&P]
REPRODUCTION NUMBER: LC-DIG-cwpb-04197 (digital file from original neg.)
LC-B8171-7755 (b&w film neg.)
No known restrictions on publication.
SUMMARY: Photograph of Washington, 1862-1865, the execution of Captain Henry Wirz, November 1865.
MEDIUM: 1 negative : glass, wet collodion.
CREATED/PUBLISHED: [1865 November 10]
NOTES:
Civil War photographs, 1861-1865 / compiled by Hirst D. Milhollen and Donald H. Mugridge, Washington, D.C. : Library of Congress, 1977. No. 0858
Title from Milhollen and Mugridge.
Forms part of Selected Civil War photographs, 1861-1865 (Library of Congress)
SUBJECTS:
United States--History--Civil War, 1861-1865--Detention facilities.
Wirz, Henry.
Hangings.
Prisons.
United States--District of Columbia--Washington.
FORMAT:
Wet collodion negatives.
PART OF: Selected Civil War photographs, 1861-1865 (Library of Congress)
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
DIGITAL ID: (digital file from original neg.) cwpb 04197 hdl.loc.gov/loc.pnp/cwpb.04197
(digital file from intermediary roll copy film) cwp 4a40201
CARD #: cwp2003001034/PP
The automation via robotic solutions like warehouse execution software and warehouse robots is becoming trendy as they are proving to be an excellent way to boost productivity and efficiency within the fulfillment and distribution centers.
Execution Rocks Lighthouse
and Sands Point Lighthouse
National Lighthouse Museum
Signature "Halloween" Tour
Out of Staten Island, NY
October 30, 2021
Execution Wall at Auschwitz I
Ściana Straceń w Auschwitz I
Visitors leave prayer cards and holy objects in the crevasses of this wall. It's a chilling place.
Source: en.wikipedia.org/wiki/Rizal_Monument
The Rizal Monument (original title: Motto Stella, Latin, "guiding star") is a memorial in Rizal Park in Manila, Philippines built to commemorate the executed Filipino nationalist, José Rizal. The monument consists of a standing bronze sculpture of Rizal, with an obelisk, set on a stone base within which his remains are interred. A plaque on the pedestal's front reads: "To the memory of José Rizal, patriot and martyr, executed on Bagumbayan Field December Thirtieth 1896. This monument is dedicated by the people of the Philippine Islands".
The perimeter of the monument is guarded continuously by the Philippine Marine Corps’ Marine Security and Escort Group, the changing of the guard having become a daily ritual. About 100 m (330 ft) north-northwest of the monument is the exact location where Rizal was executed, marked by life-size dioramas depicting his final moments.
An exact replica of the Rizal Monument can be found in Madrid, Spain at the junction of Avenida de Las Islas Filipinas and Calle Santander.
Howard Kremer's Summahfest at the Nerdist theater at Meltdown Comics Saturday.
7.28.12
© Atrossity Photography
Execution Rocks Lighthouse is located in Long Island Sound. Legend has it that the British used to chain prisoners to the rocks at low tide and wait for them to drown as the tide came in. The lighthouse was built in the 1840's and recently handed over to a non-profit for restoration. It is a 30 minute boat ride away from the shore, and has no electricity or running water, plus it is rumored to be haunted.
There was an execution style murder in GRs Heritage Hill neighborhood yesterday. The victim was shot on the sidewalk at 11:15 a.m. I think this cruiser is the one that hit and rolled the murder suspects car.
popular resistance against german occupation was greeted with respect and caused pride in the heart of all righteous citizens who believed in justice and freedom.
this moment documents the laying of a dutch flag over the victims of a german execution of 34 dutch resistance fighters.
Is this how muslim people feel after their brothers are victimised in palestine, iraq, and afghanistan?
But of course the pattern is different, americans do not shoot 34 people in the centre of town, yet their armies have killed thousands of innocent people for very dubious reasons in the invasion of iraq.
And the cynical strategies have inflamed and destabilsed the entire region now threaten iran.
i just read this about cheney's influence and this is how james baker described it:
here was an intensely personal side to Baker’s initiative last year. While in public he was presenting an elaborate new strategy for the war, friends of the Bush family’s longtime lieutenant say he was also pursuing what amounted to a behind-the-scenes intervention to pry the president away from an addiction to Vice President Dick Cheney’s hawkish advice.
Indeed, Cheney has led the internal effort to set aside the Baker-Hamilton recommendations — especially the call for diplomatic talks with Iran and Syria. White House insiders say Secretary of State Condoleezza Rice has been Baker’s champion in trying to move the president toward more diplomacy in the Middle East.
Rice’s role in the White House debate over Baker’s ideas underscores the significance of last week’s announcement that the United States would join regional talks with Iran and Syria. Cheney is said to have been staunchly opposed to such a move — which means that, along with the ousting of his pal Donald H. Rumsfeld from the Pentagon, the vice president has now lost at least two major internal battles over war handling.
Baker himself was quick to praise the move toward the talks. “We need to recognize and accept that the United States will sometimes have to deal with authoritarian states,” he said while speaking at the Library of Congress just hours after Rice’s announcement. Perhaps sensing his rising influence, Baker urged more diplomatic initiatives, outlining a policy he called “pragmatic idealism” and advising a drawdown in the use of military options. “We cannot be, even if we wanted to be, the policeman for the world,” Baker said.
Many GOP lawmakers hoping to see the White House get on a better footing with the voters are quietly cheering Bush’s apparent moves toward Baker. But as one said, they do not want to make too much of it or the president will “get stubborn” again and back off.
Contributing Editor Craig Crawford is a news analyst for NBC, MSNBC and CNBC. He can be reached at ccrawford@cq.com.
Execution Rocks Lighthouse is located in Long Island Sound. Legend has it that the British used to chain prisoners to the rocks at low tide and wait for them to drown as the tide came in. The lighthouse was built in the 1840's and recently handed over to a non-profit for restoration. It is a 30 minute boat ride away from the shore, and has no electricity or running water, plus it is rumored to be haunted.
Built in 1255, the Bargello began as a palace but was converted to house the chief of police and serve as a prison in 1574. Since 1865 it has been a museum housing mainly sculpture including Bacchus, Pitti Tondo, Brutus and David-Apollo by Michelangelo and Donatello's David. Photography unfortunately isn't allowed in the museum; only the courtyard where executions used to take place (where the well currently is).
Execution Wall at Auschwitz I
Ściana Straceń w Auschwitz I
Visitors leave prayer cards and holy objects in the crevasses of this wall. It's a chilling place.
Thierry Geoffroy / Colonel exhibit now at The Kuma Museum his tent from document Kassel d13 , 2012 ( unsolicited )
that created debates about contempoarary art , started occupy movement in front of Fridericianum museum ... got confiscated , inspired marble tent installation documenta14
read more here :
www.emergencyrooms.org/documenta_kassel.html
Geoffroy normally works with art formats like the EMERGENCY ROOM
to stimulate urgent expression by artist about today 's emergencies :
The art work can be asking about "The Execution of Emperor Maximilian "where Manet paint an " after excecution moment "
Is art always too late ?
Can art prevent accidents ?
Does art always comes after the shooting or can art sometimes prevent it ?
Can artists have an impact ?
Could it be an art that could prevent and stop accidents not only witness and express about them ?
Thierry Geoffroy/ Colonel will be exhibiting in the museum Kunsthalle Mannheim from october 2018 part of the exhibition Konstruktion der Welt .Kunst und Ökonomie
Constructing the World: Art and Economy 1919-1939 and 2008-2018
10/12/18 to 02/03/19
Ten years after the peak of the global financial crisis in 2008, which profoundly shook the economic systems of America and Europe and had a lasting effect on present-day life, this topical exhibition is the first to illustrate the economy’s dramatic influence on art and to make global comparisons, demonstrating these in an analysis of two separate eras. Economic phenomena in the classical modernism of the 1920s and 30s are not only explored by focusing on art from the German Weimar Republic, the Soviet Union, and the United States, but also juxtaposed with artists of the present day.
Curatorial team: Dr. Eckhart Gillen (Berlin), Dr. Ulrike Lorenz, Dr. Sebastian Baden
Project Lead: Dr. Inge Herold, Assistence: Lisa Valentina Riedel, M. A. mult., Elisabeth Bohnet, M.A.
How does contemporary art reflect the world of work today? The catalogue for the second part of the exhibition Constructing the World at the Kunsthalle Mannheim takes a look at this question. The focus of it is primarily on artistic positions of the past decade that deal with the social, political, and economic effects of the most recent economic crisis after 2008. The works address and interrogate new production conditions and developments on the labor market as well as political conflicts. The accompanying publication provides fascinating insights into the diverse artistic positions.
Artists participating 2008-2018
Maja Bajevic - BBM (Observers of Operators of Machines) - Bureau d'Études - Claire Fontaine - Jacques Coetzer - Abraham Cruzvillegas - Szilárd Cseke - Chto Delat - Jeremy Deller - Simon Denny - Tatjana Doll - Harun Farocki & Antje Ehmann - Thierry Geoffroy - Andreas Gursky - Thomas Hirschhorn - Olaf Holzapfel - Sanja Iveković - Charles Lim Yi Yong - Maha Maamoun - José Antonio Vega Macotela - Tobias Rehberger - Oliver Ressler & Dario Azzellini - Mika Rottenberg - Superflex - Zefrey Throwell - Volume V - Maya Zack - Artur Żmijewski
Artists participating 1919-1939
Berenice Abbott - Gerd Arntz - Lester Thomas Beall - Thomas Hart Benton - George Biddle - John Biggers - Peter Blume - Margaret Bourke-White - Jacob Burck - Clarence Holbrook Carter - Charlie Chaplin - Ottilie Cieluszek - Ralston Crawford - Francis Hyman Criss - Stuart Davis - Alexander A. Deineka - Rudolf Dischinger - Otto Dix - Nikolaj A. Dolgorukow - Arthur Durston - Sergej M. Eisenstein - Fred Ellis - Walker Evans - Philip Evergood - Conrad Felixmüller - Hans Finsler - Max Gebhard - Hugo Gellert - John R. Grabach - Otto Griebel - William Gropper - Carl Grossberg - George Grosz - Hans Grundig - Kurt Günther - O. Louis Guglielmi - John Heartfield - Werner Heldt - Karl Hubbuch - Eric Johansson - Joe Jones - Grethe Jürgens - William Karp - Lewis W. Hine - Hannah Höch - Heinrich Hoerle - Edward Hopper - Hermann Otto Hoyer - Edward McKnight Kauffer - Gerhard Keil - Gustavs Klucis - Käthe Kollwitz - Pawel D. Korin - Valentina N. Kulagina - Wilhelm Lachnit - Fritz Lang - Wladimir W. Lebedew - Jack Levine - El Lissitzky - Arkadi Lobanow - Louis Lozowick - Sergej A. Lutschischkin - Reginald Marsh - Carl Mayer - László Moholy-Nagy - Dimitri Moor - Reinhold Nägele - Otto Nagel - Alice Neel - Oskar Nerlinger -Solomon B. Nikritin - Alice Lex-Nerlinger - Gerta Overbeck - Werner Peiner - Kusma S. Petrow-Wodkin - Juri I. Pimeno w - Natalia Pinus - Michail M. Plaksin - Jackson Pollock - Curt Querner - Climent N. Redko - Albert Renger-Patzsch - Serafima V. Rjangina - Alexander Rodtschenk o - Theodore Roszak - Walter Ruttmann - Leni Riefens tahl - Nikolaus Sagrekov - Alexander N. Samochwalow - Paul Sample - August Sander - Arkadi S. Schaichet - Rudolf Schlichter - Wilhelm Schnarrenberger - Georg Scholz - Franz Wilhelm Seiwert - Ben Shahn - Charles Sheeler - Georgi und Wladimir A. Stenberg - Warwara Stepanowa - Paul Strand - Miklos Suba - Ernst Thoms - Alexander G. Tyschler - Bumpei Usui - Konstantin A. Vialov - Karl Völker - Wladimir A. Wassiljew - Dsiga Wertow - Piotr W. Wiljams - Grant Wood - Gustav Wunderwald - Ekaterina S. Zernova - Heinrich Zille
www.colonel.dk contact : emergencyrooms@gmail.com
#artformats #artformat #formatart #biennale #biennalism #biennalecritic
#ARTIVISM #streetartist #politicalartist #activistartist #Epigrammatists #socialcommentary
#premonitionart #avantgardeart #inadvanceart #urbanartist #InstitutionalCritique
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#toolate
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#biennalist #Biennalism #biennalecritic
#venicebiennale
#documentakassel #documenta #d13 #documenta13
#manet #edouardmanet
#exhibition #contemporaryart #
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#kuma #kumamuseum
Captain's Log
4.21.2214
08:54 hours
/////==//==/////
" Holy mother [expletives deleted]! The entire plan went to hell! Apparently trapping the creature in such a confined space only angered it. We unlocked the door andentered with no icident. Thats when all hell broke loose. As soon as the door shut behind us, the creature struck. Unfortunetly Dr Jones had entered first and was the creatures first choice. She barely had time to raise her firearm when it was on her. Her head erupted in a bloody rose as its teeth crackjed into her skull. Her screams will haunt me forever. I was stunned, thrown back. The sounds the creature made as it sucked the grey matter from her shatttered skull. I almost lost it, but was able to maintain.
I sound found my foorting again and used the creature feeding as the distraction needed. I charged in and struck with the plasma cutter blade.
The beast reared up from its meal, blood spraying from its manidbles as it hissed in rage and agony. Current sof blue-white electricity danced across its skin. Its body changed form, reverting to its original shape as the life was forced from it. Its hissing quieted and the creature fell to the floor, dark blood puring from what were probably its ears and the corners of itas mouth. It twitched for a few moments then fell still. I left the rifle embedded in its back and took several steps back, taking in the whole bloody scene. Good god. So much had happened, so much insanity, it is too much to bear..."