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gorgeous, huh? :D
got it done at etchstar.com. best. guys. ever. :)
edit 7/30/09: got my new macbook pro etched: www.flickr.com/photos/chix0r/3772839805/
etching and drypoint
print made in the PDS Etching Studio Winter 2010-11
based on a drawing of an ancient fig tree growing on the site of John Evelyn's 17th century garden in Deptford
Mar is investigating about traditional printmaking techniques.
This was a session where she was learning about how to make soft ground etching.
Mar is investigating about traditional printmaking techniques.
This was a session where she was learning about how to make soft ground etching.
Mar is investigating about traditional printmaking techniques.
This was a session where she was learning about how to make soft ground etching.
Schalkwijkstraat (ca. 1968), ets van Charles Donker voor 57 euro bij Onterfd Goed in de De Gruyterfabriek (www.onterfdgoed.nl)
dry point etching on very heavy paper- black ink. Image is 200mm wide x 250mm high on paper 280 x 310mm
buy this at www.etsy.com/listing/163395692/hiline-nyc
Mar is investigating about traditional printmaking techniques.
This was a session where she was learning about how to make soft ground etching.
Mar is investigating about traditional printmaking techniques.
This was a session where she was learning about how to make soft ground etching.
Mar is investigating about traditional printmaking techniques.
This was a session where she was learning about how to make soft ground etching.
File name: 09_04_000550
Title: Gulls with girl in boat
Alternative title: Girl and gulls
Creator/Contributor: Woodbury, Charles H. (Charles Herbert), 1864-1940 (artist)
Date created: 1931
Physical description: 1 print : etching ; image 9 x 11 in.
Genre: Etchings
Notes: Title and other information from catalog raisonne.; Artist Raisonne: Charles Woodbury / Warren Seamans. Raisonne.org, no. R.ORG CHW-180; Signed lower left: Charles H Woodbury.; Edition: 13/150.; Initialed in plate: CHW.
Location: Boston Public Library, Print Department
Rights: Rights status not evaluated.
Etching by Anna L. Conti, printed May 26, 2011
This image is available to anyone working for the safe release of Ai Weiwei.
Via the Creative Commons license: Attribution-NonCommercial-ShareAlike (CC BY-NC-SA)
Mar is investigating about traditional printmaking techniques.
This was a session where she was learning about how to make soft ground etching.
Here are a series of prints made from an etching with 2 of them painted with watercolors. ( 10 x 6). Etchings done on plexiglass.
The tomb is located in Staindrop Church in Durham, England.
Ralph de Nevill, 4th baron, summoned to parliament from 6 December, 1389, to 30 November, 1396. This nobleman took a leading part in the political drama of his day, and sustained it with more than ordinary ability. In the life-time of his father (9th Richard II.), he was joined with Thomas Clifford, son of Lord Clifford, in the governorship of the city and castle of Carlisle, and was appointed a commissionership for the guardianship of the West Marches. In three years after this he succeeded to the title, and in two years subsequently he was one of the commissioners appointed to treat with the Kings of France and Scotland, touching a truce made by them with the King of England. In the 21st Richard II., he was made constable of the Tower of London, and shortly afterwards advanced in full parliament to the dignity of Earl of Westmoreland. His lordship was the privy council to King Richard, and had much favour from that monarch, yet he was one of the most active in raising Henry, of Lancaster, to the throne, as Henry IV., and was rewarded by the new king in the first year of his reign, with a grant of the county and honour of Richmond for his life, and with the great office of Earl Marshal of England. Soon after this he stoutly resisted the Earl of Northumberland in his rebellion, and forced the Percies, who had advanced as far as Durham, to fall back upon Prudhoe, when the battle of Shrewsbury ensued, in which the gallant Hotspur sustained so signal a defeat, and closed his impetuous career. The earl was afterwards governor of the town and castle of Carlisle, warden of the West Marches towards Scotland, and governor of Roxborough. He was also a knight of the Garter. His lordship m. 1st, Lady Margaret Stafford, dau. of Hugh, Earl Stafford, K.G., for which marriage a dispensation was obtained from Pope Urban V., the earl and his bride being within the third and fourth degrees of consanguinity: by this lady he had issue,
John, Lord Nevill, who, in the 12th Henry IV., was made governor of Roxburgh Castle for ten years, and the next year constituted warden of the West Marches towards Scotland. His lordship m. Lady Elizabeth Holland, dau. of Thomas, Earl of Kent, and sister and co-heir of Edmund, Earl of Kent, by whom (dying in 1423, his father still living) he left issue,
Ralph, who s. as 2nd Earl of Westmoreland.
John, slain at Towton, in 1461, m. Lady Anne Holland, dau. of John, Duke of Exeter, and widow of his nephew, John, Lord Nevill, and left a son,
Ralph, who s. as 3rd Earl of Westmoreland.
Thomas.
Ralph, who m. Margery, dau. and co-heir of Lord Ferrers, of Wemme, and left a son,
John of Oversley who m. Elizabeth, dau. and heir of Robert Newmarch, and left an only dau. and heir, Joane, wife of Sir William Gascoigne.
Maud, m. to Peter, Lord Mauley.
Philippa, m. to Thomas, Lord Dacre.
Alice, m. 1st to Sir Thomas Grey, Knt., of Heton, and 2ndly, to Sir Gilbert Lancaster, Knt.
Margaret, m. to Richard, Lord Scrope of Bolton.
Anne, m. to Sir Gilbert Umfravill.
Margery, abbess of Barking.
Elizabeth, a nun.
The earl m. 2ndly, Joane de Beaufort, dau. of John of Gaunt, by Katherine Swynford, and widow of Robert, Lord Ferrers, of Wem, by who he had issue,
Richard, who m. Lady Alice de Montacute, only dau. and heiress of Thomas, Earl of Salisbury, and was created Earl of Salisbury himself (see Nevill, Earl of Salisbury).
William (see Nevill, Lord Fauconberg and Earl of Kent).
George (see Nevill, Lord Latimer).
Edward (Sir), K.G., who m. Lady Elizabeth Beauchamp, only dau. and heiress of Richard Beauchamp, Lord Bergavenny, and Earl of Worcester, and was summoned to parliament, jure vxoris as Baron Bergavenny; a dignity enjoyed by his lordship's lineal descendant, the present Earl of Abergavenny.
Robert, a churchman, bishop of Durham.
Cuthbert, d.s.p.
Henry, d.s.p.
Thomas, d.s.p.
Catherine, m. 1st, to John Mowbray, Duke of Norfolk; 2ndly, to Sir Thomas Strangwayes; 3rdly to John, Viscount Beaumont; 4thly, to Sir John Widvile, Knt., son of Richard, Earl Rivers.
Eleanor, m. 1st, to Richard, Lord le Despencer, and 2ndly, to Henry Percy, Earl of Northumberland.
Anne, m. 1st, to Humphrey, Duke of Buckingham, and 2ndly, to Walter Blount, Lord Mountjoy.
Jane, a nun.
Cicely, m. to Richard Plantagenet, Duke of York.
This great earl d. in 1425, and was s. by his grandson, Ralph Nevill, 5th Baron Nevill, of Raby, and 2nd Earl of Westmoreland. ......
I have tryed the electrolytic etching following Dauvit's (The Justified Sinner) guide. I etched a little iron piece, a pendant. First I covered it by celltape and nail warnish. Then I attached it to the + (!!!) end. The - end was attached to a steel bar, and all immersed into overconcentreted salt solution. I used 6 V. 12 V would heat up the system too quickly, and it would demage the warnish coat.
new etching. i'm really impressed! things worked out a lot better then i was expecting with this. multilayer stencil (7 layers) converted to a steel plate etching. A3 size.
only concern i have is whether there needs to be more tone in the bandana and face... more clarity.. hmm
let me know what you cats think!
new stencil thanks to the amazing photography of Antitezo: www.flickr.com/photos/antitezo/
Seldom 08!