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These gorgeous rings feature a segment of an original Moyou pattern that I have personally designed laser cut into acrylic. This medium provides me with the perfect opportunity to transfer my textile designs into jewellery.
Most likely etched during the Insane Dragons westward push in the 1990’s towards Sayre Park. Photo taken in late February of 2023.
Etched mirror. Floral etching on mirror surface (Callas Lilies I think). Framed with gold border. Measures 23" x 28". No chip, scraches or breakage. Asking $5.00
After UV exposure the laminate is developed in a mixture of water and sodium hydroxide.
I use 0.9litres of lukewarm water mixed with one teaspoon of Mr.Muscle (a drainage cleaner). It's a bit tricky to ensure that the photoresist disolved by the developer doesn't stick to the laminate.
After development, the laminate is rinsed in water and then put into the etching agent. I use 200g of sodium persulfate powder disolved in 1litre of water heated to about 50C.
This time I think some photoresist remained on the laminate especially in the lower left corner. It took a bit took long to clear the pads in the lower left area of the layout as well and as a result other parts of the PCB became a little bit overetched. But not matter as long as its still functional.
Private Home. Custom etched and sandcarved lily design by Northern Art Glass that has also been repeated in many applications for doors, dividers and mirrors and furniture.
Saltwater etched steel nameplate. The material is the bottom of an Altoids tin. The resist for the etch was a toner transfer using glossy laser printer paper.
Etched copper sheet domed and soldered to backplate. and trimed with nickel wire. Don't remember what the stone in the necklace is but the colors work well with copper.
Couldn't resist sharing this. The red is nail varnish, which protects the acid from undercutting. The blue is the remains of the PnP. Now, there's a technique I've been wanting to try out...
Etched glass walkway above a meeting area at Hacker Dojo. The space is an old stained glass factory.
Inspiring sentiments etched in stones at the Japanese-American Museum bookstore. (I confess: I rotated most of these so that they were right-side-up.)
This was my first real try at etching glass. I did a few mugs and glasses to get the procedure and timing down. I got the Idea for this and tweaked it until it was what I wanted. Cut it out and weeded it and applied it to the mirror.It was then that disaster struck. I went to get the etching stuff and had a lot applied by the time I realized that there wasn't nearly enough to get full coverage of the stencil.So instead of a thick even coat, it got a super thin, but even, coat. In the finished product you can't really tell there was a problem except that the etched area varies a little in a mottled pattern. It looks intentional, but when I get the chance I'll be redoing it with a little more fore-thought.
I will just call this classic until one of the architecture pro on flickr tells me the proper name for this ornamentation.