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Se que cometà muchos errores, negarlo serÃa engañarme a mi misma. Puede ser que ni ahà me entere o que me entere tarde ,la culpa interna te mata. TodavÃa no soy lo suficientemente madura como para tener todo en orden, de afrontar tranquilamente las consecuencias, mi problema son mis impulsos. Hablo de esos impulsos que te descolocan, que por mas que hagas lo que hagas es imposible dejar todo como antes. Sin embargo no espero cambiar esa parte de mi, no soy perfecta ni quiero serlo. Termino con una guerra en la cabeza que ni se como estalló. Las personas que creen tener todo en orden son las que mas equivocadas están. Y si algo me quedó de estos deslices es que posiblemente los peores errores de nuestra vida son los que no cometemos.
Trial and Error lead to this new design for 3rd Grade's Lantern Walk Lanterns.This lantern was designed for 3rd Grade Lantern Walk project.
Los errores los cometemos...
por que cuando debemos pensar "sentimos"
y cuando debemos sentir "pensamos"
3928: The band Comedy Of Errors played the Parktheater in Alphen aan de Rijn on 26 September 2014 during the 5th Serious Music Event.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
The messed up thing about this error was that you could count on freezing the computer by clicking that 'Restart' button.
Intervention, land– art_ Besançon / 2018
Chalkspray on dead tree trunk. 4th piece of my Error series. I am looking for pieces of nature inside cities that are left there by the city workers who didn't remove them yet. These are kind of error's for nowaday's cities which try to be clean artifficial and civilized theme parks for consumers. www.sgnlr.com
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
SilverFast
Another error with question and answer to Google Gemini AI...
Update
This is a common and frustrating issue with scanner software like SilverFast Ai Studio 6, especially with older versions and certain scanner models. The core of the problem lies in the software's "auto frame detection" capabilities.
Here's a breakdown of why this might be happening and what you can do to troubleshoot:
I. Why SilverFast Scans the Holder Frame and Ejects the Carrier:
Failure of Frame Detection: SilverFast uses algorithms to identify the edges of the slides within the carrier. If it can't clearly distinguish the slide from the holder or the scanner's background, it will fail to register the slide as a scannable image. Instead, it might interpret the entire carrier as a single "frame" (or fail to find any valid frames) and then eject it.
Insufficient Contrast: If the edges of your slides are very similar in color or tone to the slide holder, the software can have trouble differentiating them. This is especially true for bright slide mounts against a white or light-colored holder.
Dust or Debris: Even small specks of dust or fibers on the scanner's glass, the slide carrier, or even the slides themselves can confuse the frame detection. These can be mistaken for edges or create irregularities that prevent proper recognition.
Misaligned Holder: While you might think the holder is perfectly placed, even a slight misalignment can cause the scanner's sensors to miss the crucial "registration holes" or reference points that SilverFast uses to orient itself and find the frames. This is a common issue with both original and third-party holders.
Transparency Unit Issues: For flatbed scanners that use a transparency unit in the lid, a loose cable or a malfunctioning unit can prevent the scanner from properly illuminating and detecting the slides. If the transparency mode isn't even available in SilverFast, this is a strong indicator.
Software Glitches/Bugs: SilverFast Ai Studio 6 is an older version, and software can have bugs, especially with newer operating systems or after updates. Sometimes, the program itself simply misinterprets data or gets stuck in a loop.
Corrupted Preferences: SilverFast stores user preferences, and sometimes these files can become corrupted, leading to erratic behavior.
Hardware Issues (Less Common for this specific symptom): While less likely to directly cause only frame scanning and ejection (you'd typically see other artifacts or complete scan failures), issues with the scanner's internal mechanics or sensors could contribute to inconsistent frame detection.
II. Troubleshooting Steps:
Clean Everything Thoroughly:
Scanner Glass: Use a lint-free cloth and a specialized glass cleaner (or a small amount of isopropyl alcohol) to thoroughly clean the scanner bed, especially the area where the slide holder sits.
Slide Holder: Clean the slide holder itself, paying attention to the edges and any "holes" or markings that the scanner might use for alignment.
Slides: Ensure your slides are free of dust and fingerprints. Use a soft brush or air blower.
Ensure Proper Holder Placement:
Align Carefully: Double-check the scanner's manual and SilverFast's documentation for the precise way to place the slide holder. Many scanners have alignment guides or markings.
Both Holders (if applicable): If your scanner uses two slide holders, ensure both are in place, even if you're only scanning from one. SilverFast sometimes expects both for proper frame detection.
Orientation: Make sure the holder is oriented correctly (e.g., markings facing the alignment bar).
Improve Contrast for Frame Detection:
Darker Background: If possible and safe for your scanner, try placing a dark, non-reflective material (like black paper) under the slide holder or directly around the slides within the holder to create more contrast for the scanner's light sensor. Be cautious not to block any calibration areas.
Check Transparency Unit (for flatbed scanners):
Cable Connection: Turn off both the scanner and the computer. Disconnect and reconnect the cable that connects the transparency unit (usually in the lid) to the main scanner body.
Lamp: Verify that the transparency unit's lamp is lighting up. (Be careful, it can be very bright).
Remove Cover: Make sure any protective cover over the transparency unit is removed, as its structure can interfere with frame finding.
SilverFast Settings and Software Management:
Reset Preferences: This is a crucial step for many SilverFast issues. Look for a "Service Dialogue" or "Delete Preference files" option within SilverFast's settings or launcher. If not available, you might need to manually delete the "LaserSoft Imaging" preference folder (locations vary by OS, but typically in AppData for Windows or Library/Preferences for Mac). Be aware this will reset all your custom settings.
Update SilverFast: While SilverFast Ai Studio 6 is older, check the LaserSoft Imaging website for any minor updates (patches) within that version. Even small updates can fix bugs.
Specific Frame Detection Option: Ensure you're using the correct "find frame" option for your specific slide holder (e.g., "35mm slide holder" instead of a general film search).
"Exact Preview" and "Unsharp Masking": Some users have reported that "Exact Preview" or "Unsharp Masking" can interfere with frame detection. Try disabling these features temporarily to see if it helps.
Reinstall SilverFast: As a last resort for software issues, a clean reinstallation can sometimes resolve deep-seated problems. Uninstall completely, then reinstall.
Check for Driver Issues:
Scanner Drivers: Ensure your scanner's drivers are up to date and compatible with your operating system. Sometimes, conflicting drivers (e.g., if you also have the scanner manufacturer's own software installed) can cause problems. Consider reinstalling scanner drivers as well.
Contact SilverFast Support:
If all else fails, LaserSoft Imaging (the creators of SilverFast) has a support forum and direct support options. They are usually very knowledgeable about their software and specific scanner integrations. Provide them with detailed information about your scanner model, operating system, and the exact steps you've taken.
Given that SilverFast Ai Studio 6 is an older version, compatibility with modern operating systems can be a significant factor. If you're running it on a very new OS, it might be an uphill battle, and upgrading to a newer SilverFast version (if your scanner is supported) might be necessary.
Bored so made a fake gig poster for Errors. Well I mean, the gig is real, but the poster is for my own amusement.
Snowy Egret
The snowy egret (Egretta thula) is a small white heron. The genus name comes from the Provençal French for the little egret aigrette, a diminutive of aigron, "heron". The species name thula is the Araucano for the Black-necked Swan, applied to this species in error by Chilean naturalist Juan Ignacio Molina in 1782.
The snowy egret is the American counterpart to the very similar Old World little egret, which has established a foothold in the Bahamas. At one time, the beautiful plumes of the snowy egret were in great demand by market hunters as decorations for women's hats. This reduced the population of the species to dangerously low levels.[citation needed] Now protected in the United States by law, under the Migratory Bird Treaty Act, this bird's population has rebounded.
Adults are typically 61 cm (24 in) long and weigh 375 g (0.827 lb) They have a slim black bill and long black legs with yellow feet. The area of the upper bill, in front of the eyes, is yellow but turns red during the breeding season, when the adults also gain recurved plumes on the back, making for a "shaggy" effect. The juvenile looks similar to the adult, but the base of the bill is paler, and a green or yellow line runs down the back of the legs.
Snowy egrets nest in colonies on thick vegetation in isolated places, such as barrier islands, dredge-spoil islands, salt marsh islands, swamps, and marshes. They often change location from year to year. During the breeding season, snowy egrets feed in estuaries, saltmarshes, tidal channels, shallow bays, and mangroves. They winter in mangroves, saltwater lagoons, freshwater swamps, grassy ponds, and temporary pools, and forage on beaches, shallow reefs, and wet fields.
The snowy egret eats mostly aquatic animals, including fish, frogs, worms, crustaceans, and insects. It often uses its bright yellow feet to paddle in the water or probe in the mud, rounding up prey before striking with its bill. Snowy egrets feed while standing, walking, running, or hopping, and they may vibrate their bills, sway their heads, or flick their wings as part of prey gathering. They even forage while hovering. Snowy egrets forage in saltmarsh pools, tidal channels, tidal flats, freshwater marshes, swamps, ocean inlets, and lake edges, usually preferring brackish or marine habitats with shallow water. Other foraging water birds often assemble around them to form mixed-species foraging groups.
Snowy egrets are permanent residents in most of South America and Central America. In the United States, they are often permanent residents along the Atlantic coast north to Virginia Beach, Virginia, along the Gulf Coast, and along the Pacific lowlands from central California southward. During the breeding season, snowy egrets wander north along the Atlantic flyway between the lower Chesapeake Bay and coastal Rhode Island, and up the Pacific Coast to northern California. Snowy egrets also breed in the lower Mississippi Valley westward into eastern Texas. Birds banded in United States have been recovered as far away as Panama and Trinidad.
The birds eat fish, crustaceans, insects, small reptiles, snails, frogs, worms, mice and crayfish. They stalk prey in shallow water, often running or shuffling their feet, flushing prey into view, as well "dip-fishing" by flying with their feet just over the water. Snowy egrets may also stand still and wait to ambush prey, or hunt for insects stirred up by domestic animals in open fields.
Cod. Montpellier Fac. Med. 360. In: HAUBRICHS, Wolfgang (1980). Error Inextricabilis. Form und Funktion der Labyrinthabbildung in Mittelalterlichen Handschriften. In: MEIER, Christel & RUBERG, Uwe (1980). Text und Bild. Aspekte des Zusammenwirkens zweier Kunste in Mittelalter und fruhe Neuzeit. dr. Ludwig Reichert Verlag, Wiesbaden. ISBN 3-88226-068-8
Error 404 page - Torcida POP
Client: Portal POP
Visual Concept and Creation Designer: Tiago de Andrade
Responsable Designer: Márcio Nantes
Agency: Redirect Digital Marketing
See entire project: www.behance.net/gallery/404-Errors-POP/3634453