View allAll Photos Tagged error
Through much trial and error I've discovered how to capture moving objects and people in a multi-exposure HDR shot without artifacts. Hint: Photoshop's aligned healing brush is your friend.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
....qualcuno ha sbagliato dei calcoli,calcoli molto importanti e febbraio è iniziato prima del dovuto.....
Now this is good error design. It's clear and straightforward, explains the problem, and tells you where you can get more help if you need it.
Even though we are all deep into the world of cyber space it is important to remember that there is always a way out. Deleting these accounts, talking to people, changing your number and so many more are ways that we can protect ourselves from cyber bullying with out putting ourselves in jeopardy.
If it's $0.00 for 0 more issues why do I have to put down a card number and why would I check that box?
Error 404 page - POP do seu lado
Client: Portal POP
Visual Concept and Creation Designer: Tiago de Andrade
Responsable Designer: Márcio Nantes
Agency: Redirect Digital Marketing
See entire project: www.behance.net/gallery/404-Errors-POP/3634453
1989. Creighton, ON
Please leave a comment if:
- You have any related memories to share!
- You can identify one or more of the people in the photo (if so, please tell us who they are and which person they are!)
- You're able to correct an error in the information associated with this photograph
- You are one of the people in the photo, and you do not want it to be shared publicly on the internet
Daddy made the tactical error of leaving his computer bag out. Shoshanna thinks she's going somewhere with it.
The fire alarm box at the bottom of our staircase prints an account of
every time the alarm is tripped. That is what is happening here. It
carried on for quite a while (as did the alarms) before finally
printing "Printer Error". Magnificent.
Sorry, but this site has gone all
500 Application Error on you. Something's wrong with the server, most likely. Please email John, the slack bastard who built this. Feel free to give him a piece of your mind.
37 signals is the nicest and best at copy and usability. I actually just found their defensive design book that I've had for a long time, but hadn't actually seen any of their error messages. In their defense, it was me who broke it by clicking back and forward too much - but at least it didn't lose any unsaved work.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography