View allAll Photos Tagged error-
The top one is when I try to open it from the link on my desktop
The bottom one is from trying to open it straight from my list of files.
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November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
....qualcuno ha sbagliato dei calcoli,calcoli molto importanti e febbraio è iniziato prima del dovuto.....
We've had a discussion recently about what appears to have been an update to the maps data that has left our area wrongly identified. Just to explain the problem, referring to this image:
1. We are not looking at Over Stowey. Over Stowey is about 5 miles North East on the other side of the Quantock hills. For some reason, Over Stowey and the neighbouring Aisholt have been duplicated in my immediate area.
2. The road next to the red marker is not called Crowcombe Heathfield. This is the name of the area. The road is called Bakers Orchard.
3. The road further up is not called Kings Acre - this is the name for the four houses on the corner (numbers 1 to 4 Kings Acre).
4. And if one searches for Crowcombe Heathfield then the map moves to Crowcombe Village, about 2 miles away. Afraid not.
So hopefully this will explain the problem. It was fine until recently. Sigh ...
Update in August 2010. I've been on the NAVTEQ site and (hopefully) corrected the Bakers Orchard name, but can't see how to remove the area duplication. And with the new Flickr photo page, the map is even worse - before at least one could put "West Somerset" or just "Somerset" for the alternate location, but no more.
Aspectos generales de la serie correspondente a la semifinal de la Liga Nacional Bolivariana de Beisbol, Region Andino Llanera, entre los equipos Trujillanos BBC Vs. Cafetaleros del Tachira BBC, disputado en el estadio Metropolitano de San Cristobal, Estado Táchira, Venezuela, el 17 y 18 de agosto de 2013 (Gennaro Pascale Caicedo / AVS PHOTO REPORT)
I think I know what the problem with DSB is, they run Windows! Maybe if they'd switch to something a little more stable they'd have fewer delays.
It's actually a little scary to think about, if they can't even get the signs to work properly, what about the trains?