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I think I know what the problem with DSB is, they run Windows! Maybe if they'd switch to something a little more stable they'd have fewer delays.
It's actually a little scary to think about, if they can't even get the signs to work properly, what about the trains?
Error 404 page - POP do seu lado
Client: Portal POP
Visual Concept and Creation Designer: Tiago de Andrade
Responsable Designer: Márcio Nantes
Agency: Redirect Digital Marketing
See entire project: www.behance.net/gallery/404-Errors-POP/3634453
In 30 years he did not have one. He was sure they came up in dreams, but his body forgot, at least that is what he thought. Little did he know that bodies have memory, especially deeply in the brain where small impulses are sent down neuropathways long forgotten. Her aroma was intoxicating, her touch so soft and warm. The moral firewall was breached and he forgot where he was and who he was supposed to be. Thought was transcended while body memory took over. He became a construction zone deconstructed, and what was erected soon came falling down.
[Error 3371, Status Code -11118] QuickBooks could not load the license data. This may be caused by missing or damaged files. Could not initialize license properties.
Con solo una mirada es el primer single de Ensayo y error, el álbum debut en solitario de Georgina (ex-Tisuby & Georgina), que se pondrá a la venta el próximo 1 de septiembre.
Según la cantante el álbum "sorprenderá a más de uno, con temas de un pop contundente, que oscila entre el desamor y la alegría, de todo un poco pero siempre desde un prisma positivo".
Un álbum producido por Pablo Cebrián e Ismael Guijarro. El primero componente de Fábula (¡cuanto les echamos de menos!), y el segundo amigo, mánager y productor del proyecto que Cebrián compartían con Iván Mur.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
This is a new error page that you'll see whenever you come across an unexpected runtime error at tellynn.com. I hope you don't experience it, but if so, enjoy it :)
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography