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Sharp Mary Birch provides a full range of services for women at all stages of life – from pregnancy to menopause to healthy aging.
For more information, call 1-800-82-SHARP (1-800-827-4277), Monday through Friday, 8 am to 6 pm, or visit www.sharp.com/mary-birch.
The entry gate to Fez brings one into an interesting city with a long history.
I restored this 33 year old Kodak 35mm negative shot by a Yashica ELECTRO 35CC by scanning with an HP Scanjet 5470c and applying multiple Photoshop operations.
Hand-painted wave pattern on entry hall floor in 18th century house in Kennebunkport, Maine. The planks were really wide, and one of the oldest parts of the house.
The Bell-entry was a portal to Greenock which would give seafarers their first glimpse of the town on disembarking at its harbou. The location today is where Bensons bed warehouse is. The ordnance survey of 1856 described is as "A short passage leading from the West Breast to Dalrymple Street. It is wholly paved. The houses are of the better sort, and occupied by respectable people."
With this entry I won Gold and 2nd place in the "International Class" at the Cake International 2010 in Birmingham and couldn't be prouder ;-)
The winning entry in the QAS 2009 Along the Molonglo Art Prize is Jennie Robbins' pastel, Queanbeyan Weir. John Reid, one of the judges for the competition, comments: "A consummate and talented use of medium. ..."
GiGi's entry for xoxlifeinplasticxox's liv doll next top model.GiGi is a cusotmized first wave katie doll.Hope we get in:) GiGi is very excited about this contest LOL
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Aluminum Canopy Entry for Texas Furniture Outlet.
All signs and awnings shown in these images were designed, fabricated, and installed by Accent Sign and Awning, Houston Texas. Copyright 2012.
www.accentsignco.com 713-780-1151
It's inspired by the movie Amelie and qwirky french style.
I've been to two many stiff, dull formal weddings, so here's is the antidote. A relaxed wedding based on environmental friendly and affordable handmade products and fresh market style food.
Amelie Poulin print by Elloh - www.etsy.com/shop.php?user_id=5030155
Merci (thank you) gift tags by Digital Paperie - www.etsy.com/shop.php?user_id=90128
Vintage french seed pack by Theartistscloset - www.etsy.com/shop.php?user_id=5559588
Livingstones pebble cushions - www.livingstones.fr/index.php?page=home&lang=en
Etsy sellers recipe cards by Pinkbathtub - www.etsy.com/shop.php?user_id=24349
Cherry blossom felted flower by Ingermaaike - www.etsy.com/shop.php?user_id=5228239
Picnic quilt by Soulemama - soulemama.typepad.com/
Bunch of herbs by Martha Stewart www.marthastewart.com/
Note card – Taste of Summer by Lindentreephotograph - www.etsy.com/shop.php?user_id=5643473
Moustaches francaises by Jamieleto - www.etsy.com/shop.php?user_id=5275301
Blue bicycle in paris print by BroomhillPictures - www.etsy.com/shop.php?user_id=5335555
Audrey Hepburn swarovski earrings by Bellamodaartist - www.etsy.com/shop.php?user_id=5051117
Sing sing rose earrings by Gwenwalls - www.etsy.com/shop.php?user_id=5259251
Crème brulee soy candle by Kjncm’s Ruffles and Ribbons - www.etsy.com/shop.php?user_id=5694575
Mini buger by Callahan - www.callahancatering.com/
Fimo scooter cake topper.
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This part of the resort only see it when you arrive and when you go, and usually you come in the night...
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Sonaisali - Nadi - Fiji.
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© Pablo Reinsch Photography
Please don't use this image without my permission.
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- Canon EOS 5D Mark II
- Canon EF 28-135mm f/3.5-5.6 IS USM
- f/8
- 1/200
- 28mm
- ISO 100
- Exposición 0 EV
- No Flash
- Shoot in RAW and processed with Lightroom
Using high-grade materials to built quality and impressive entry door, Versace borrows opulent classic design. This is the best option as the security door for the house. The door has locks secured by armored lock cylinder protector with the highest levels of security. All the fittings are distinguished by high quality and longevity.
Church of St Oswald, Moor Lane, Kirk Sandall
Grade II* Listed
List Entry Number: 1286919
SE 60 NW 8/39
BARNBY DUN WITH KIRK SANDALL Kirk Sandall MOOR LANE (north side) Church of St. Oswald
(formerly listed as at Sandall Parva)
5.6.68
GV II* Church. C12, C14 and C16 with later additions, restored 1864 (by J. M.Teale) and in 1935. Rubble and ashlar limestone, lead and tile roofs.
Two-bay aisled nave with south porch and truncated tower rising from aisle behind, C20 north vestry; two-bay chancel with larger two-bay north chapel.
Nave: C12 south aisle has large quoins and pebble-work to lower courses; 1864 porch to bay one with pointed arch and hoodmould beneath coped gable with cross; C12 south doorway within has a lightly-chamfered, two-order round arch having single order of columns with plain capitals; two-light window to bay two (renewed in 1864) has pointed arch and hoodmould with carved-head stops; end walls each have a small C12 window. Above bay one of aisle rises a single stage of tower added in 1828 but truncated in 1935, it has a two-light south window and corniced eaves to pyramidal roof with louvred gablets. West wall of nave (earlier C12) incorporates same herringbone courses above a C14 three-light west window with intersecting tracery and hoodmould with weathered stops beneath gable quatrefoil. North aisle has buttresses flanking a two-light west window and two-light north window to east of C20 vestry which encloses a narrow triangular-headed doorway with hoodmould. Aisles under catslide roofs from nave with C19 kneelers and gable copings with apex crosses.
Chancel: C12, rewindowed C15 with cusped two-light south windows in chamfered, square-headed surrounds; three-light east window has panel tracery. String course beneath ashlar parapet with roll-moulded copings and shallow east gable with cross.
Rokeby Chapel (to north) built soon after 1521: Perpendicular with cyma-moulded plinth and moulded band. East end, set forward, has diagonal buttresses and string course beneath restored and infilled five-light window with cusped lights and panel tracery beneath four-centred arch with hoodmould; heraldic shield beneath hollow string course carved with animals; embattled parapet with apex niche, (pinnacles removed). North side has diagonal west buttress and buttress between two four-light windows.
Interior: late C12 aisle arcades with half-round responds; octagonal piers and broad, square capitals to plain round arches; round-headed piscina in south aisle and complete embrasures to the C12 end windows; C19 roof. Chancel: double-chamfered chancel arch, the inner order on corbels; moulded and hollow-chamfered C15 arches from north aisle and from chancel into chapel which has altered niches flanking the east window, arcading of cinquefoiled blind panels on north wall and fine C16 roof with intricately-carved tie beams, bosses at each crossing and central pendant boss.
Fittings: cylindrical Norman font on two-step plinth. Excellent traceried wooden screens to west of chancel and chapel, the chancel screen of 3:2:3 divisions with crocketed, ogee panels to dado and central four-panel door with four-light tracery, the upper panels pierced; side panels set beneath small twin ogee canopies; main shafts with tiny figures in niches at the capitals; canopy has carved vinetrail and pierced cresting. The chapel screen similar but of 1:2:1 divisions.
Monuments in Rokeby Chapel: floor slabs include that to Thomas Rokeby (d.1669). Large marble wall monument on east wall to Thomas Rokeby (d.1621) has consoles with floral drops and cherubs head flanking a domed oval plaque with Latin inscription, cartouche over and open segmental pediment containing cartouche and mantling beneath draped urn. On north wall the tomb of Archbishop William Rokeby (d.1521) with foiled, four-panel base and canopy on shafts with foiled frieze and cresting; some inscribed brasses within. To its left a weathered C17 cartouche above marble plaque. On south wall a scrolled pedimented monument to William Rokeby (d.1662) has shield of arms over. Brasses: on east wall a plate with eight lines of verse which originally marked the burial spot of Archbishop Rokeby. Other brasses on floor to Thomas Boucher (d.1658) and wife Elizabeth (d.1677).
Stained glass: western north chapel window has jumbled C16 glass with incomplete figures of saints. Chapel built soon after the death of William Rokeby, Bishop of Meath, Archbishop of Dublin and Chancellor of Ireland and formerly a vicar of Kirk Sandal.
Church now in the care of the Redundant Churches Fund.
Council for Places of Worship Report ref. PM 821 (description and inventory).
P. F. Ryder, Saxon churches in South Yorkshire, County Archaeology Monograph No. 2, 1982 page 94 (plan).
Listing NGR: SE6092808130
historicengland.org.uk/listing/the-list/list-entry/1286919
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Kirk Sandall, St Oswald
St Oswald's Church is a redundant Anglican church in Kirk Sandall, near Doncaster, South Yorkshire, England. It is recorded in the National Heritage List for England as a designated Grade II* listed building, and is under the care of the Churches Conservation Trust.
History
The church is dedicated to Saint Oswald, king of Northumbria, and there is a legend that his body rested on the site after he was killed in 642. A church was present at the time of the Domesday survey. Most of the present church was built in the 12th century, with additions and alterations in the 14th and 16th centuries. It was restored in 1864 by J. M. Teale, and again in 1934. The Rokeby Chapel is named after William Rokeby, rector of Kirk Sandall from 1487 to 1502. He later became vicar of Halifax, then Bishop of Meath, Lord Chancellor of Ireland, and Archbishop of Dublin. The chapel was built soon after his death in 1521. The tower was added in 1828 but was truncated in 1935. By the 1960s the local population had declined, a new church was built in a nearby growing village. St Oswald's was declared redundant on 1 March 1979, and was vested in the Trust on 27 July 1980.
Architecture
Exterior
St Oswald's is constructed in rubble and ashlar limestone, and has lead and tile roofs. Its plan consists of a two-bay nave with north and south aisles, a south porch and a west tower rising from the south aisle. The chancel has two bays and to its north is the larger two-bay Rokeby Chapel. The style of the nave and aisles is essentially Norman, while the chancel is Gothic and, within the latter style, the Rokeby Chapel is Perpendicular. The tower had to be shortened in the 1930s because it was unsafe. It functions as a belfry and contains one bell, cast in 1690. In its south face is a two-light window, its roof is pyramidal and it contains a small louvred gable on each side. The porch has a pointed arch over which is a gable carrying a cross. The doorway to the church is Norman is style with a two-order round arch. In the west wall of the nave is a three-light window. Above the window are stones arranged in a herring-bone pattern. It is thought that these stones date from the Anglo-Saxon era and were formerly part of the fabric of the original church on the site. The east window has three lights. The Rokeby Chapel has an embattled parapet and a string course carved with animals. Its blocked east window has five lights, and on its north wall is a diagonal west buttress and a further buttress between two four-light windows.
Interior
The arcades between the nave and the aisles are Norman in style and consist of octagonal piers, with broad square capitals and round arches. The nave roof dates from the 19th century. In the south aisle is a round-headed piscina. The cylindrical font is Norman in style and stands on a plinth with two steps. There are two traceried wooden screens, one to the west of the chancel, the other to the west of the chapel. On the north wall of the chapel is the tomb of William Rokeby. On the east wall, blocking the former window, is a marble monument to Thomas Rokeby who died in 1621. On the south wall is a monument to another William Rokeby who died in 1662. Elsewhere in the chapel are memorial floor slabs and brasses. In one of the windows is stained glass dating from the 16th century.
External features
In the churchyard are the remains of a cross dating probably from the medieval period. It is constructed with Magnesian Limestone and consists of an octagonal base with a weathered shaft about 1 metre (3 ft) in height. It is a Grade II listed building.
Present day
The church is available for visiting, its keyholder living nearby. The work of the Trust is supported locally by a group known as the Friends of St Oswald's, Kirk Sandall. Various activities are organised in the church. These include exhibitions, and occasional services arranged in cooperation with the local parish Church of The Good Shepherd.