View allAll Photos Tagged elementals
Camera: Sinar P (large format 4x5)
Lens: Schneider 150mm f/5.6 Apo-Symmar
Film: Ilford Delta 100 developed in Rodinal 1+50
Elgol is one of those places that just kept beckoning to us. Like many places on Skye, there's nothing there but a jetty and a few houses dotted around the hillside but Elgol just feels so elemental - not only is there the sea and the unpredictable weather, but also the surrounding mountains. Smashing place.
My Halloween 2017!
As an 11 year old I found my first Marvel comic. Things changed inside my head on that day, friends and neighbours - and I've been obsessed with one particular X-Man ever since. Storm, Ororo Munroe, Mistress of the Elements. Especially her mohawk phase, as that's when I met her.
Hope you don't mind the gender bending, just like I did with last year's Sailor Freddie Mercury. If you do, take it up with Stan.
Wearing.
Whisper and Death Hawk hairs, both by Beusy
Crop Tank by Noche
Lightning Bolt Earrings by Zombie Suicide
Lightning Trails by Frio's
Leggings by Riot
Dany Cape by Fateplay
Rain Photography Set by Persefona
Pic taken raw from SL.
We went for lunch at Moose Mulligans pub in Sicamous -- first time out of Salmon Arm since last Autumn.
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Don't use these photos on websites, blogs or other media without my explicit permission.
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An engine boiling water at about +300°F, the temperature outside is 88°F with 60% humidity, I'm wearing long jeans and steel toe boots.
It’s not hot or tin, but it is a cat on a weather vane from the neighbourhood with some long exposure smooth cloud, something I’ve been wanting to do some shots of recently, never the time and the place so this is as close as I’ve got, here’s hoping for time and conditions for something nicer.
Thanks for looking.
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This Month's Free Group Gift! (Released Saturday 9th May)
Celebrating a certain incredible remake that's been released recently. The giant infamous sword of one of the best-loved JRPG characters.
Taxi: maps.secondlife.com/secondlife/Chrysanthemum%20Island/5/8...
Series made using fundamental, natural elements. These natural elements and compounds are collected at the site of the picture - usually at the location depicted within the photograph. The depicted scene you see here is created not just by light on film but by melding samples of elements and organic matter from the scene into the film development process where subject and medium are married together, the resulting image created from the scene itself.
No collating or cutting and pasting of external or internal elements into the picture in Photoshop or similar editor has taken place.
Fluid Fabric Project
Woburn Abbey: Lake & iron rich stream water, grasses, wild herbs, field flora.
So much for your moment of prayer, God's not at home there is no there, there.
Lost in the stars, that's what you are, left here on your own.
You can only hope to live on this earth, this here is it, for all it's worth.
Nothing else awaits you, no second birth, no starry crown.
For an unbeliever like you, there's not much they can do that would turn you away.
Though I hate to see you surrender, you need to surrender, we must find you a way to
Look up from your life, up from your life, look on up from your life, look up from your life.
There's a river running under your feet, under this house, under this street.
Straight from the heart, ancient and sweet, on its way back home.
Even in the middle of your sadness, the everyday madness, the ongoing game.
Even when you can't find a reason, still there is a reason, you don't need to name it.
Look on up, look up from your life, look on up from your life, look up from your life.
Oh, even for a minute to find yourself in it, to wait by the stream to drop out of your dream,
Look on up, look up from your life, look on up from your life, look up from your life.
Look up from your life, up from your life, look on up from your life, look up from your life.
- James Taylor's "Up from your Life" -
A tunnell of branches dressed in fresh snow with that little bridge at the end. Love this kind of thing. One does have to be careful not to dump snow down the back of one's neck though. LOL.
Been to a new spot this evening with my mate Paul. Its close to my usual haunt on the Monsal Trail but another Lime Kiln which doesn't provide much shelter from ambient light. Now the nights are finally drawing in I could take advantage of the early darkness.
Started with a bit of tent based lp (which I'll post later) and once happy with that one I wanted to use some greenery which is slowly taking back this area. Found the most photogenic piece of Ivy I could lay my hands on and attached it to my light stand. Framed and focused for the fire silhouette and then positioned the ivy to kiss the first third of the frame and refocused the Tokina @16mm. Lit the ivy from below and tested exposure. 2 seconds of exposure between lens cap and 20 degree rotations x 18. Cap on and zoomed out to 11mm and re-focused. Paul into position and cracked out the net curtain and torch set to yellowy orange to compliment the green of the foliage. Waved that about for a bit and made my way behind the camera to light the walls of the Kiln.
Home for a brew and some banana cream pie vape.
Happy days.
This is number 240 of my 365.
This is the art I contributed for a page in the book ELEMENTALS.
I am part of an art collective called HONEYCOMB. And one of the first projects I am working on is this book. They offered me the chance to illustrate the element AIR, or EARTH.
I chose earth.
The book is coming out in May.
XO
37401 skirts along the sea wall near Parton. The harbour wall of Whitehaven can be seen in the background.
37401 is hauling the 0918 Barrow to Carlisle on a grey and windy October morning.
This is the second time i have attempted this shot, on both occasions the weather was less than perfect. On this occasion i stitched two telephoto shots together which i hope has given the shot more impact.