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Hey guys ! Jacob puts once again his magical wand in my last picture to make it cooler with special light effects, thanks a lot for your work man !!!
We will collaborate to make famous movies scenes with the Delorean😀
The Delorean was made by Brick Vault but I did some improvements😉
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Tell me you thoughts bellow !
Original picture by me
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Jacob Customs98 | My shop | Instagram | Alex THELEGOFAN
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No photoshop effects applied other than autocolors+autolevels...
and I'll be quite honest, I don't have a fucking clue how did this expired roll of Ektachrome turned out like this. Wish I do. It's developed in the same tank with fresh Astia that turned out normal, more or less, yet I got this crazy twist with E100GX from the same batch.
Bronnie + Kodak E100GX + Bowens Esprit
Worrisome Heart ~ Melody Gardot
www.youtube.com/watch?v=6ZWsr_AqKxM
NEW
from
SOUL
L$60 MESH CLOTHES
MESH OUTFITS
Frilly Blouse & Long Pants
AND
Blazer (Jacket) & Long Pants & Top
sllorinovo.blogspot.com/2013/10/worrisome-heart.html
CREDITS:
Hair ~ Edith ~ Truth Hair
Skin ~ Melissa SK 03 ~ Belleza Skin
Eye Shadow ~ Vintage * Gold ~ Dead Apples
Nails ~ Spring Brown Set ~ Bamboo Nails
Eyes ~ Ardent Industrial (Medium) ~ Ikon Eyes
Ring ~ The Mystery Of Owls ~ Chop Zuey
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Struggeling with After Effects, but Youtube tutorials are a big help.....,
but AE is fun and I have the time to find out the basics......
KNUPPS is a acronym for KNut UPPStad
I came across a technique to make flame effects using a hot glue gun so I'm trying it out. I'm cutting up used clear plastic packaging and using that as a form for the glue. Very hit and miss at the moment but it's got potential, there are different techniques to play with. Once it's painted it will look better (unpainted effects might be cool to try for Barbeque's foam gun).
You can buy painted flame effects but for $30 (which is 2/3 the price of an actual action figure) I'll try to do it with what I have on hand. I have in mind using them with primarily Barbeque (above) and Macready, the T-800 and xenomorphs but it could go with anything I suppose.
Barbeque is a great figure btw, damn he looks good. I was on the fence but glad I picked him up. I hadn't seen any Cobra Island Joes here in Australia and figured we just weren't getting any of them so it was "A surprise to be sure but a pleasant one".
As stated in the previous post I love this fractalius effect....I especially loved it on this bottle brush bloom! :)
A big thank you to Angel for encouraging me to try this (even if it has taken me weeks to finally start on it)...he said it was addictive but I didn't know just how much until last night, I processed around ten photos with this effect...just love it! :)
abrasure (detail, 180º),
ex Life Library of Photography / Special Problems
Time-Life Books (New York, 1971) : 170
20200831
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Beautiful portrait photo of Kate with enhanced oilbrush hair effects created with Photoshop (no AI) and textured wall, photo captured by Adrian of www.luminouslight.com
This one I dedicate to, Rafael Rodriguez-Vargas. A good photographer is the one that use photography as his artistic media and never dither from his vision. This is my description of Rafael. (Spanish: Esta se la dedico a Rafael Rodriguez-Vargas, Un buen fotógrafo es el que usa la fotografía como su medio artístico, y nunca titubea en su visión, este es Rafael). Technical Info: Canon 40D, Canon EF 20-35mm @35mm, f/11, 1/30, ISO: 100, Mode: Aperture Priority, Manual Focus, WB: Auto, Support: handheld , File: 83-131201EOS 40D2134. Process: Edit in Lightroom 5 for color and contrast, then converted in black and with using Topaz Labs BW Effects. Use a lot of adaptive exposure to increase details in all areas of image. Location: Lake Eola Park, Orlando, Florida.
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Taken at The Defence Of Blaenavon WWII event
Vintage look and textures created in Topaz and Perfect Effects 8
Thank you for any comments
Am Samstag sind fast 30 000 Menschen in den Scharnhauser Park gepilgert, um den deutschen Beitrag zu den „Flammenden Sternen“ mitzuerleben. Joachim Berner hat dabei auf klassische Musik gesetzt.
Personally I like the previous photo better because it's more about the pigeons and the man. The eye contact in this one brings the photographer (me) into the picture. Plus maybe a bit too many special effects in this one.
NYC Gay Photographers “fall foliage meetup” in Central Park, 7 November 2015. (Photograph by Elyaqim Mosheh Adam.)
I shot this photo during a recent site visit of the Borssele Offshore Wind Farm 1 and 2. This April the farm established first power to the Dutch high voltage network, which was halfway during the installation of all 94 turbines.
During the visited the CTV (Crew Transfer Vessel) docked on to pilon BG1 by pushing the bow against the transition piece of the wind turbine at full thrust. This gave me the wonderful opportunity to make a picture from a “sea frog” perspective. And the position of the sun was a nice added bonus.
In July 2016 the Dutch minister of economic affairs, mister Henk Kamp, announced that Dong Energy had won tender and the permit for the Borssele 1 and 2 offshore wind farm. Ørsted (formerly DONG Energy) made the lowest subsidy bid of all 38 bids. The Danish energy company planned to operate the farm for 7,27 eurocent per kWh. This subsidy is valid for a maximum of 15 years, after which the company will only receive the market price.
The wind farms have a joint capacity of 752 megawatts (MW). Peak capacity that is. The plots are located in a shallow sea of a maximum depth of 38 meters. The entire farm covers an area of 138 km2 and the wind blows at an average speed of 9.5 m/s.
Ørsted has realize the farm within four years. In November 2017 they announced that the farm will be equipped with Siemens Gamesa Renewable Energy 8 MW turbines with a 167-meter rotor. The blades are 83 meters in length. That is the same width as the wing span of an Airbus A380 aircraft.
Technical stuff
This photo was shot at 160ISO, f9.0, -1 2/3, 1/2500 at 15mils using the Sigma 15mm f2.8 EX DG Diag. fisheye lens for Canon. As the turbines has a tip height of “only” 200 meters, this is the only way to fit it all into the frame.
Post-production included meticulously balancing the lighting conditions, due to the sun’s position, with LR. This is not an HDR photo in the sense that I used Aurora HDR or Photomatix. After that I exported the shot to PS and refined and tuned the fish-eye curves. As using the Adaptive Wide Angle tool often resulted into rather harsh effects (I tried it twice for this photo), I opted for the Warp tool. This I used primarily to straighten the horizon, as it is positioned rather low in the frame; resulting in a pretty deeply bent horizon. Finally, I added some copyright signs (in PS, as it is still not possible to position a watermark anywhere you want like in LR – by simply adding text). The copyright signs are, alas, there to stay due to the fact that my photos were frequently copied. So, don't bother commenting on that.
That day I took this shot of the Thomas Viaduct a few weeks back the sunlight was very strong and wasnt favorable to my shot here so I decided B&W and some added effects might be good for this shot. I was thrilled to see that train sitting on top of the Viaduct that day as usually Iam not that lucky when usually visiting the T.V. I usually dont see a train on the bridge. The bridge is on the National Historic Resistry and has been since the 1960s. This masterpiece among bridges was constructed for the B&0 railiroad in the 1830s and as you can more than 150 years later the trains still use the bridge. CSX.