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An HST set Richard Branson's Virgin rebranders haven't yet got their paintbrushes on: an East Coast-liveried Inter-City 125 formation, with power car 43208 'Lincolnshire Echo' leading, races past Violet Hill Farm, Ryther, whilst threading the Vale of York as the 07.55 Inverness-London King's Cross service. @14.03
Echo Lake at Frankonia Notch is looking low at the moment and we were able to walk along the lake shore for some of the way rather than using the trail. Actually the water level is low enough to allow us to walk all the way around the lake if we’d wanted to.
J.O.D. Echos Story Teaser C
I watched as the slick silken gown clad young lass cluelessly moved on ahead along the shadowy cobblestone garden path, lined with the red roses she had occasionally been stopping to smell on her travels.
Soon she disappeared, slipping around a corner.
It was then I looked down at the shimmering broach lying out upon my palm.
I smiled, the lift had been made using a perfectly executed “Bump, Press, to Squeeze off” play against her tingling smooth gown.
A play move that I really should patent because of its effectiveness.
The 44th Chapter of Depthcore , "ECHOES" is officialy live here! www.depthcore.com/chapter/echoes/
This is one in a series of three drawings I made for this chapter.
In this Monday, May 19, 2014 photo, ceramist and Airbnb host Jonathan Entler, top left, and his daughter Ruby, top right, talk to guests, James Green, bottom left, and Camille Smithwick from Manchester, U.K., at their Echo Park home in Los Angeles. Deeper savings can be had through sites such as Airbnb that arrange for people to rent out rooms, apartments or even couches. The number of listed accommodations has soared since Airbnb’s founding in 2008 to 550,000 _ not far below Hilton’s 685,000 rooms worldwide. (AP Photo/Damian Dovarganes)/NYBZ271/655892044796/MONDAY, MAY 19, 2014 PHOTO/1406041007
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ART AND CULTURE CENTER OF HOLLYWOOD
KICKS OFF ITS 2014-15 EXHIBITION SEASON WITH ECHOS MYRON,
CURATED BY BEATRIZ MONTEAVARO AND PRIYADARSINI RAY
FOR IMMEDIATE RELEASE
Aug. 8, 2014
Contact: Charmain Yobbi, Manager, Public Relations and Community Partnerships
954.921.3274 x235
Art and Culture Center of Hollywood Kicks Off Its 2014-15 Exhibition Season Friday, Sept. 5 With Reception for Echos Myron, Where Art and Music Collide
Hollywood, Fla. – On Friday, Sept. 5 from 6:30 to 10 p.m., the Art and Culture Center of Hollywood kicks off its 2014-15 exhibition season with an artists’ reception for Echos Myron, curated by Beatriz Monteavaro and Priyadarsini Ray. The reception will feature live performances by Snakehole and Bank of Christ. Other exhibitions opening at the gallery during this reception are Sri Prabha: Outpost and Monica Uszerowicz: It’s Okay to Cry. This reception is free for members and $10 for non-members. Donation bar and light refreshments will be served. A panel discussion with Echos Myron artists moderated by Gean Moreno takes place at the Center on Wednesday, Sept. 24 at 6:30 p.m. These exhibitions will be shown through Sunday, Nov. 2 at the Center, 1650 Harrison St.
In Echos Myron, art and music collide. Musicians who make art will be shown alongside artists who make music. The participants in this exhibition collectively reflect the creativity and cross-currents at play in the Miami music scene from the early ‘90s to the present.
A wide array of processes and practices will be on display, including sculpture, painting, flyer art, photographs, installation, and more. Given the individuals whose work is included in this eclectic exhibit, a broad diversity of aesthetics come together to reveal the fertile and dynamic underpinnings of a creative scene thriving in Miami for the past two decades.
Artists participating in Echos Myron include Kevin Arrow, Eddy Alvarez, Greg Alvarez, Rene Barge, Dorys Bellow, David Alexander Bennett, Bleedingpalm, Dirk Brandon, David Brieske, Brian Butler, Autumn Casey, Amanda Castillo, Clifton Childree, Rick Diaz, Daniel Fiorda, Chris Garcia, Daniel Gorostiaga, Chris Garcia, Ricardo Guerrero, Jason Handelsman, Dave Kudzma, Chuck Loose, Paul Lewin, Niuvis Martin, Gustavo Matamoros, Ivy McClelland, Juan Montoya, Beatriz Monteavaro, Gavin Perry, Priyadarsini Ray, Jean Saiz, Christian Salazar, Rick Smith, Teajay Smith, Natalie Spargo, 3PQ, Maitejosume Urrechaga, Janette Valentine, Viking Funeral, and Janese Weingarten.
A mixed media artist originally from Hyderabad, India, Sri Prabha’s Outpost is a site-specific installation inspired by space, biology, and exploration. An otherworldly campsite is presented, bathed in video and natural sounds. On view are basic shelters and a symbolic fireplace surrounded by mixed-media works inspired by images taken by the Hubble Space Telescope, particle physics, microbiology, and an ongoing collaboration with the Patricia and Philip Frost Museum. Trained at the Cornish College of the Arts, he holds a master’s degree in clinical psychology.
Monica Uszerowicz is a photographer and writer living in Miami. Guided by the process of individuation as explained by Carl Jung, she uses her work to understand both the physical and subconscious components in her subjects, as well as their place in a collective narrative.In this way, even the redundant and the dull, whether overwrought or unseen, contains depths worth capturing and a weight that connects each individual to a larger story based in the collective unconscious.
Upcoming exhibitions at the Center include the following:
Nov. 14, 2014 – Jan. 18, 2015
•Dave Muller: Rock 'n' Old
•Middle galleries: Bhakti Baxter: Returning What Was Borrowed
•Project room:
yardbird Records Pop-Up record store curated by Michael Dean
•The Landing: Annie Buckley: The People’s Tarot
Feb. 6 – March 13, 2015 (closing reception/drawing March 13)
•Abracadabra: Eighth Annual Exhibition and Fundraiser
•Middle galleries: Kubiat Nnamdie
•Project room: Ernesto Kunde: Intertwined
•The Landing: Tom Virgin
March 27 – May 24, 2015
•Jose Alvarez: As Far As the I Can See
•The Landing: Regina Jestrow
June 12 – Aug. 23, 2015
•Wayne White: Maybe Now I’ll Get the Respect I So Richly Deserve
•Middle galleries: Douglas Hoekzema
Sept. 11, 2015 opens
•Sixth All-Media Juried Biennial
(Jurors Tami Katz Freiman/Ombretta Agro)
•Project room: #ACCH Instagram Winner Show
•The Landing: All 52 Instagram weekly winners’ photos
Gallery hours are Tuesday-Friday, 10 a.m. to 5 p.m. and Saturday-Sunday, noon to 4 p.m. Free parking is available at the Center, which is located at 1650 Harrison St. General admission to the Center’s galleries is $7 for adults; $4 for students, seniors, and children ages 4 to 17; and free to Center members as well as children under the age of 4. For more information on these exhibitions, please call 954.921.3274 or visit ArtAndCultureCenter.org.
The Art and Culture Center of Hollywood presents contemporary gallery exhibitions, artist lectures, live stage performances, and high-quality education programs for adults and children. It is the third oldest arts non-profit in Broward County and serves more than 60,000 people annually at three venues. The Center fosters a creative environment where new and challenging work can flourish through programs that reflect the highest standards of artistry and diversity.
The Art and Culture Center of Hollywood is a 501(c)(3) non-profit organization supported in part by its members, admissions, private entities, the City of Hollywood, the Broward County Board of County Commissioners as recommended by the Broward Cultural Council; the State of Florida, Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture; and The Kresge Foundation. We welcome donations from all members of the community who wish to support our work.
Caption: Bleedingpalm is one of the artists featured in Echos Myron.
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The newly completed Echo Arena at King's Waterfront, Liverpool, England. Part of a large section of regeneration leading from the city centre down to the Mersey waterfront and docks. Taken about 30 seconds before it started raining.
A scene of kids playing and the echos of their laughter occurred in my mind while taking this picture, just to realize after looking at the picture in my camera that there's no one here... the echoes of kids' laughter in my mind just faded away as it's been fading away in other parts of the world including Syria, just to get replaced by the harsh sounds of war and violence, in the never ending cycle of filling that bottomless hole of human nature's primitive needs for power and money. And in the process we're loosing the sounds of innocence, the sounds of pure joy that draws a smile on every single person who sets eyes on a bunch of kids playing like there's no tomorrow...
Since 2002, ECHO has supported the Sri Lankan refugees living in the camps with shelter, food assistance and water and sanitation services. ECHO-funded projects currently focus on protecting refugees from abuse and exploitation and extending legal support to access civil and legal documents.
© EU 2012 - photo credits: EC/ECHO Arjun Claire
Digigraphie Echo Télépathique 2012 sur papier epson somerset velvet 255gr/m² 50x50 cm tiré a 115 exemplaires signés et numérotés
I still have loads of wildlife photos to share with you, but since the rains have come in Nairobi our garden has blossomed again, and I've started with my macro shots again. Enjoy.
The myth
A duck's quack certainly does echo around in a reverberation chamber, so a duck's quack does echo, which leads to the most interesting question. Why did the myth arise? There are a few possible explanations that I can think of:
•The quack does echo, but it is usually too quiet to hear. When you want to hear an echo, you usually make a very loud noise to make sure the reflection can be heard. But a duck quacks too quietly, so the reflection is too quiet to hear.
•Ducks don't quack near reflecting surfaces. You need a large reflecting surface, a mountain or building for the sound to reflect off. Maybe ducks don't hang around reflecting surfaces.
•It is hard to hear the echo of a sound which fades in and fades out.
As with many myths it's hard to say how or why they got started but this myth has been "busted" in several scientific experiments.
Introduced for 2000 model year to replace the entry level Tercel, the Echo was available as 2-door or 4-door sedans. The Echo continued into 2001 and 2002 unchanged, with new sheetmetal and restyling in 2003 and then running into 2005 before being replaced by the 2007 Yaris. Despite low prices (a 5-speed 2-door sedan started at just $9,995 in 2000-2002 with AC, power steering, ABS, power windows and floormats all optional), Echo sales were never great and reception was mediocre, especially with the unconventional styling.
Edmunds: www.edmunds.com/toyota/echo/2001/review
Consumer Guide: consumerguide.com/used/2000-05-toyota-echo
View of the Notch and Echo Lake from Artists Bluff. Cannon Mountain Ski Area is on the right and the Franconia Ridge is on the left.
"Echo 2009" - Verleihung des grössten europäischen Musikpreises am 21. 02. 2009 in der O2 World-Arena in Berlin.
© 2009 by SpreePiX Media Deutschland-
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ECHO's director of Operations Steffen Stenberg visits Haiti in May 2012 to take stock of what has been achieved by the massive humanitarian response that followed the 2010 earthquake and cholera epidemic and to assess what are the challenges ahead.
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Le directeur des opérations d’ECHO, Steffen Stenberg, se rend en Haïti en mai 2012 pour faire le point sur les réalisations suite à la réponse humanitaire massive qui a suivi le séisme et l’épidémie de choléra de 2010 et évaluer les enjeux à venir.
© EU - Credits: EC/ECHO/Isabel COELLO.