View allAll Photos Tagged easygoing

French postcard by E.D.U.G., no. 388. Photo: Reprise / Disques Vogues.

 

American singer, guitarist, and actor Trini Lopez died on 11 August at the age of 87. His first hit was 'If I Had a Hammer', which earned him a Golden Disc. His other hits included 'Lemon Tree', 'I'm Comin' Home, Cindy' and 'La Bamba'. He designed two guitars for the Gibson Guitar Corporation, which are now collectors’ items.

 

Trinidad 'Trini' López III was born in the Little Mexico neighbourhood of Dallas, Texas, in 1933 (some sources say 1937). His father, Trinidad Lopez II, worked as a singer, dancer, actor, and musician in Mexico; his mother was Petra Gonzalez. Lopez has four sisters and a brother, Jesse, who was also a singer. He attended N. R. Crozier Tech High School but had to drop out in his senior year because he needed to earn money to help support the family. Lopez formed his first band in Wichita Falls, Texas, at the age of 15. Around 1955, Trini Lopez and his band worked at The Vegas Club, a nightclub owned by Jack Ruby, the nightclub owner who assassinated Lee Harvey Oswald, avenging Oswald's assassination of JFK. In 1957, at the recommendation of Buddy Holly's father, Trini and his group The Big Beats went to producer Norman Petty who secured a contract for them with Columbia Records. Lopez left the group and made his first solo recording, his own composition 'The Right To Rock', for the Dallas-based Volk Records, and then signed with King Records in 1959, recording more than a dozen singles for that label, none of which charted. In late 1962, after the King contract expired, Lopez followed up on an offer by producer Snuff Garrett to join the post-Holly Crickets as a vocalist. After a few weeks of auditions in Los Angeles, that idea did not go through. He landed a steady engagement at the nightclub PJ's, where his audience grew quickly. He was heard there by Frank Sinatra, who had started his own label, Reprise Records, and who subsequently signed Lopez.

 

His debut live album, 'Trini Lopez at PJ's', was released in 1963. The album included a smash rendering of the folk standard 'If I Had a Hammer', which reached number one in 36 countries (no. 3 in the United States), and was a radio favourite for many years. It sold over one million copies and was awarded a gold disc. He also performed his own version of the traditional Mexican song 'La Bamba' on the album. It was later reissued as a single in 1966. Lopex made folk-pop swing. Another live album from PJ's was recorded later that same year under the title 'By Popular Demand More Trini Lopez at PJ's', which contains the song 'Green Green'. His popularity led the Gibson Guitar Corporation to ask him in 1964 to design a guitar for them. He ended up designing two: the Trini Lopez Standard, a rock and roll model based on the Gibson ES-335 semihollow body, and the Lopez Deluxe, a variation of a Gibson jazz guitar designed by Barney Kessel. Both of these guitars were in production from 1964 until 1971, and are now highly sought-after among collectors. Bill Dahl at AllMusic: " Lopez's hits capture the excitement of his live performances, and his driving renditions of 'Kansas City' (1963), 'Lemon Tree' (1965), and 'I'm Comin' Home, Cindy' (1966) were substantial sellers." In total, Lopez scored 13 chart singles through 1968, including 'Sally Was a Good Old Girl' (1968). On the adult contemporary chart, he racked up 15 hits, including the top-10 singles 'Michael' (1964), 'Gonna Get Along Without Ya' Now' (1967), and 'The Bramble Bush' (1967). Beyond his success on record, he became one of the country's top nightclub performers of that era, regularly headlining in Las Vegas. In 1968, he recorded an album in Nashville entitled 'Welcome to Trini Country'. In 1969, NBC aired a Trini Lopez variety special featuring surf guitar group The Ventures, and Nancy Ames as guests. The soundtrack, released as 'The Trini Lopez Show', has him singing his hits with The Ventures as his backing band.

 

During the 1960s and 1970s, Trini Lopez moved into acting, though his film career was not as successful as his music. Lopez's first film role was in Marriage on the Rocks (Jack Donohue, 1965) with Frank Sinatra, Deborah Kerr, and Dean Martin. Lopez made a cameo appearance in a nightclub scene. His soundtrack song, 'Sinner Man', became a hit single. Next, he appeared in the thriller Poppies Are Also Flowers (Terence Young, 1966) with Senta Berger and Stephen Boyd. He was one of The Dirty Dozen (Robert Aldrich, 1967), but he walked off the set reportedly at the urging of Frank Sinatra who supposedly thought his music career would stall if he continued to work on the film, which had gone over its scheduled shooting date. Another version was that Lopez was fired by director Robert Aldrich for being disagreeable. Later Lopez appeared as himself in The Phynx (Lee H. Katzin, 1970) and played the title role opposite Larry Hagman in Antonio (Claudio Guzman, 1973). Lopez hosted his own network TV variety program. He also made two appearances (playing different characters) on the television program Adam-12 (1971-1972). In 1977, he played the role of Julio Ramirez in The Mystery of the Silent Scream (John J. Dumas, 1977) which was part of The Hardy Boys/Nancy Drew Mysteries TV series. Lopez continued his musical career with extensive tours of Europe and Latin America during this period; an attempt to break out by releasing a disco album in 1978 proved a flop. Lopez produced a single promoting the Coca-Cola soft drink Fresca in 1967. In 1993, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. In 2002, Lopez teamed with Art Greenhaw for 'Legacy: My Texas Roots'. The album used the Texas Roots Combo including Lopez, Greenhaw, and Lopez's brother, Jesse. Reviewer Steve Leggett on All Music Guide: "The album has an easygoing feel very similar to Lopez's classic live sets from the 1960s, only it rocks a good deal harder." Thereafter, Lopez did charitable work and received honours such as being inducted into the International Latin Music Hall of Fame in 2003. Lopez was still recording and appearing live in the years leading up to his death. In 2013, he appeared as a guest performer in a number of shows held in Maastricht in the Netherlands with the Dutch violinist and composer André Rieu. He continued to record. 'El Immortal' was released in 2010, and the following year he released his 65th album, 'Into The Future' Lopez remained a lifelong bachelor and had no children. His nephew, Trini Martinez, was the drummer for the Dallas indie rock band Bedhead. Trini Lopez died in 2020, at Desert Regional Medical Center in Palm Springs, California. He was 83 and suffered from complications of COVID-19.

 

Sources: Bill Dahl (AllMusic), Steve Leggett (All Music Guide), Jon C. Hopwood (IMDb), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

Beau, facile à vivre, sobre, attachant et fidèle, volubile jusqu'à envahissant, indéracinable et conquérant...

Une fois invité chez vous, vous ne pouvez plus le mettre dehors !...

Sorti par une porte, il entre par d'autres...même si vous essayez par tous les moyens de le décourager.

Trouvez moi un homme dont vous pouvez décrire par ces termes...

~Mai~

 

(traduction Google)

Beautiful, easygoing, simple, endearing and loyal, talkative until invasive, indestructible and victorious ... When prompted home, you cannot throw him out! ...

Released by the door, he enters by others ... even if you try by every means to discourage him.

Find me a man you can describe in these terms

~Mai~

 

Billie Holiday - The man I love

www.youtube.com/watch?v=rczWGpZhG40

and there it was... the perfect job!

i was staring, jealous

:)

   

.... to visit Mezzojuso gives a little bit the feeling of being abroad (while being in Sicily ...) a lively particular feeling; here a portrait of one of its friendly inhabitant ........

  

.... visitare Mezzojuso dona la sensazione stranissima e vivacissima di trovarsi un po' all'estero, pur stando in Sicilia; qui un ritratto di un suo gentilissimo abitante .........

  

-----------------------------------------------------

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

   

--------------------------------------------------------------------------

   

Mezzojuso was built by the Albanians, Arbëreshëc, mostly military people established near an uninhabited house, during the migration of Albanians in Italy; on1501 they came from Albania and they had brought with them their language, customs and the Orthodox rite. From 2 to 4 August 1862 Mezzojuso welcomes Garibaldi: this is to reconnect this long and short at the same time my report, to some passages of this feast: the characteristic carnival of Mezzojuso. The "Master of Field" is the name of this carnival representation and it take the name from the principal character: this is a love story, albeit in key easygoing, which contains the re-enactment of the assault the Count of Modica made to the Castle to capture the White Queen of Navarra. The representation begins with the arrival of the royal procession, made up of the King, the Queen, by the dignitaries of the Court, from the Dame, the Secretary, by guards and by the Moors, and the "Master of Home" soul procession . Performed a dance in the square, the group go up on a stage (which is the castle); after inside the "castle" begins a dance party; therefore appear masks tied to tradition, u Rimitu, the Wizards, the gardener; comes the Master of Field, wearing a red wax mask with a hooked nose and prominent lower lip, a white shirt full of colored ribbons, pants and red coat, he squirms and shake, with his left arm to the side and in the right arm he brings a short wooden sword. Appear numerous characters, the Drummer, the Ambassador, Garibaldi and his Boys, the Captain of Artillery, the Baron and Baroness on two donkeys, followed by their men on horses and mules loaded with firewood, trunks, various paraphernalia for manufacturing cheese, so the gardener, with laurel wreaths, then the Cavalry, formed by a dozen knights who throw sweets over the spectators.The "Foforio" kidnap the wealthy and releases them after paying a small ransom (in return will be able to eat and drink at will). There are Magicians who go in search of "Treasure" and they finally found it: a bedpan full of macaroni and sausage, shouting "forio forio maccarrunario" eat them with their hands. The war rages, with Garibaldi and his Boys clashes against the Saracens (with imaginative alienation of historical periods); The Master of Field goes up on the scale that leads to the castle, meets with the King that hurts him on the head, and he falls backward (from a good height ...) to be taken from the boys that in the meantime they were prepared under the stairs; But the Master of Field is not dead and he healed his wounds, he with army of Garibaldi climb stealthily for "fake scale" and, taking advantage of the moment of confusion, they surrounding the Court and bind the King: the Field of Master removes the mask, finally embracing the Queen, managing to crown their secret dream of love, and so ends the great feast of Mezzojuso, with the procession that will march in the streets the country and ... the king in chains....

 

-----------------------------------------

  

Mezzojuso fu costruito dagli albanesi, gli arbëreshë, principalmente militari stabilitisi nelle vicinanze di un casale disabitato, durante la migrazione degli albanesi in Italia; essi provenivano dall'Albania e avevano portato con se lingua, usi e il rito ortodosso, nel 1501 stabilizzarono la loro posizione nella zona. Dal 2 al 4 agosto 1862 Mezzojuso accoglie Garibaldi: questo per ricollegare questo breve incipt su alcuni passaggi di questo report, lungo e breve al tempo stesso, sul caratteristico carnevale di Mezzojuso, unico nel suo genere. Il "Mastro di Campo", questo il nome della rappresentazione carnascialesca, è il personaggio dal quale prende il nome questa storia d'amore, seppur in chiave scanzonata, che racchiude in sè la rievocazione dell'assalto che il Conte di Modica fece al Castello per conquistare la regina Bianca di Navarra. La rappresentazione inizia con l'arrivo del corteo reale, composto dal Re, dalla Regina, dai Dignitari di Corte, dalle Dame, dal Segretario, dall’Artificiere, da alcune guardie e dai Mori, mentre Il "Mastru ri Casa" anima il corteo. Eseguita una danza nella piazza, il gruppo sale su un palco che ne rappresenta il castello, e subito dopo sul "castello" ha inizio una festa danzante; appaiono quindi le maschere legate alla tradizione, u Rimitu, i Maghi, le Giardiniere; arriva il Mastro di Campo a cavallo, che indossa una maschera di cera rossa con il naso adunco ed il labbro inferiore prominente, una camicia bianca piena di nastri colorati, pantaloni e mantello rosso: egli si dimena, si agita, con la testa ben alta, il braccio sinistro al fianco e nel destro una piccola spada di legno. Compaiono numerosi personaggi, il Tammurinaru, l’Ambasciatore, Garibaldi con i Garibaldini, il Capitano d’Artiglieria, il Barone e la Baronessa su due asini, seguiti dai loro uomini sopra cavalli e muli carichi di legna, bauli, armamentari vari per la produzione del formaggio, quindi le Giardiniere, con le corone di alloro, infine la Cavalleria, formata da una decina di cavalieri che lanciano sopra gli spettatori confetti a più non posso, mentre nella piazza l'artiglieria spara "colpi di cannone". Il Foforio sequestra i più abbienti e li rilascia dietro il pagamento di un piccolo riscatto (in cambio potranno mangiare e bere a volontà). Ci sono i Maghi che vanno in cerca della "truvatura", scavano ed ecco finalmente la trovano: un cantaru pieno di maccheroni e salsiccia che, al grido di “forio forio maccarrunario”, mangiano con le mani. La guerra impazza, Garibaldi coi Garibaldini si scontra contro i Saraceni (con fantasiosa alienazione dei periodi storici); il Mastro di Campo sale sulla scala che conduce al castello, si scontra con il Re e rimane ferito in fronte, ed ecco che braccia allargate cade all'indietro (da una buona altezza...) per essere preso dai figuranti che nel frattempo si erano preparati sotto la scala; però Il Mastro di Campo non è morto e, guarito dalle ferite, si riporta in piazza con il suo esercito di Garibaldini, quindi salgono furtivamente per la "scala fausa"(un'ingrsso posteriore e nascosto)e, approfittando dell’attimo di confusione, circondano la Corte e incatenano il Re: il Mastro di Campo, tolta la maschera, finalmente abbraccia la Regina, riuscendo a coronare il loro segreto sogno d'amore, e termina così la grande festa di Mezzojuso, col corteo che sfilerà per le strade del paese ed...il re in catene.

 

I fell in love with this incredibly old and beautiful camera. My lovely grandma donated me this treasure.

 

Everyone of you who is interested in photography might imagine how I feel :)

 

Headshot of my college Jana, sister of Kristina. That was a really fun session. She is so easygoing and enthusiastic that it made our time even better.

Spanish postcard by Raker, no. 1.088. The retail price was 5 Ptas.

 

American actor Sal Mineo (1939-1976) was a teen idol during the late 1950s. He shot to fame as Plato in the classic Rebel Without a Cause (1955) featuring James Dean. Diminutive and sad-eyed, his performance struck a chord with audiences as well as critics, earning him an Oscar nomination. He co-starred again with Dean in Giant (1956) and with Paul Newman in Somebody up There Likes Me (1956), and Exodus (1960).

 

Salvatore Mineo Jr. was born in 1939 in The Bronx, New York City. His parents were Josephine and Sal Sr. Mineo, a casket maker. They had emigrated to the U.S. from Sicily. His siblings were Michael, Victor, and Sarina Mineo, who would also work as actors. Sal was thrown out of parochial school and, by age eight, was a member of a street gang in a tough Bronx neighbourhood. His mother enrolled him in dancing school and, after being arrested for robbery at age ten, he was given a choice of juvenile confinement or professional acting school. He soon appeared in the theatrical production 'The Rose Tattoo' with Maureen Stapleton and Eli Wallach and as the young prince in 'The King and I' with Gertrude Lawrence and Yul Brynner. At age 16 he played a much younger boy in Six Bridges to Cross (Joseph Pevney, 1955) with Tony Curtis. Later that same year, he played Plato, a sensitive teenager smitten with the main character, Jim Stark (James Dean), in Rebel Without a Cause (Nicholas Ray, 1955). He was nominated for the Oscar for Best Supporting Actor for his performance. Mineo received thousands of letters from young female fans and was mobbed by them at public appearances. He co-starred again with Dean in Giant (George Stevens, 1956) and with Paul Newman in Somebody up There Likes Me (Robert Wise, 1956). Many of his other roles were variations of his role in Rebel Without a Cause, and he was typecast as a troubled teen. In 1957, he tried to start a career as a rock-and-roll singer. He released two singles. The first was 'Start Movin' (In My Direction)', which stayed in the US top 40 for 13 weeks and reached the #9 position. The second was 'Lasting Love', which stayed on the charts for three weeks and reached #27. The singles were followed up by an album on the Epic label.

 

In 1959, Sal Mineo starred as the titular jazz drummer in The Gene Krupa Story (Don Weis, 1959), and a year later earned a Golden Globe and his second Oscar nomination for his role as Dov Landau, a Jewish Holocaust survivor, in Exodus (Otto Prerminger, 1960). Another box office hit was the war epic The Longest Day (Ken Annakin, Andrew Marton, Bernhard Wicki, 1962) in which he was one of the 42 stars. He played a paratrooper killed by a German after the landing in Sainte-Mère-Église. By then, Mineo was becoming too old to play the type of role that had made him famous, and his rumoured homosexuality led to his being considered inappropriate for leading roles. He had a long, on-and-off relationship with his young Exodus co-star Jill Haworth. She was 15 and he was 21 at the time. In 1972, he came out as bisexual in an interview. In 1969, expanding his repertoire, Mineo returned to the theatre to direct and star in the gay-themed prison drama 'Fortune and Men's Eyes' with successful runs in both New York and Los Angeles. He played Rocky, a prison bully who rapes the naive, blond prisoner Smitty, played by the young Don Johnson, pre-Miami Vice. On-screen he had roles as Red Shirt in the epic Western Cheyenne Autumn (John Ford, 1964) starring Richard Widmark, as Uriah in The Greatest Story Ever Told (George Stevens, 1965), and in his last film role as monkey Dr. Milo in Escape From the Planet of the Apes (Don Taylor, 1971). On television, he appeared with Henry Fonda in the Western Stranger on the Run (Don Siegel, 1967). In 1975 he returned to the stage in the San Francisco hit production of 'P.S. Your Cat Is Dead'. Preparing to open the play in Los Angeles with Keir Dullea, he returned home from rehearsal the evening of 12 February 1976 when he was attacked and stabbed to death by a stranger on the streets of West Hollywood. A drug-addled 17-year-old drifter named Lionel Ray Williams was arrested for the crime. He had no idea who Mineo was and was only interested in the money he had on him. After a trial in 1979, Williams was convicted and sentenced to life in prison for killing Mineo and for committing 10 robberies in the same area. He was paroled in 1990. Easygoing, extroverted Sal Mineo was only 37 years old when his life came to this tragic end. He was laid to rest near his brother Michael Mineo at Gate of Heaven Cemetery in Hawthorne, New York. At the time of his death, he was in a six-year relationship with male actor Courtney Burr III.

 

Source: Jason Ankeny (AllMovie), Anthony Wynn (IMDb), and IMDb.

 

And, please check out our blog European Film Star Postcards.

“Autumn Аcoustic Guitars” is a soft, dramatic and easygoing, simple acoustic track with slowly adding instrument layers. Evokes warm and cozy, nostalgic, joyful images. Track features fingered and picked acoustic guitar, mellow piano, pads, harmonica, acoustic drums and electric guitar.

 

Perfect for slide shows, digital albums, family clips, presentations, soft advertisements and commercials, any application as a calm and positive background music.

 

Author :Soundmake

 

Audio Files Included WAV

Bit Rate 320 kbps

Sample Rate 16-Bit Stereo, 44.1 kHz

Main Track Length 2:10

During a foto walk along the river Rhine I met this little fellow named Chicco which was so nutty on retrieving sticks out of the water which his master was throwing in again and agin....

Because Chicco was very shy, the young man explained us why and told us their story.... He got Chicco 2 years ago when he was found in a plastic bag with a tied-up mouth... Who knows what else had happened to him before. But now, these two spend all their time together, even at work and it was a sheer delight to see this young man so lucky and keen. Somehow, this person seemed to have changed also and got a piece of more happiness in his life - isn't that magic ??

 

Have a happy and easygoing weekend, girls and boys !!

 

* * * * *

 

Während eines Fotospaziergangs entlang des Rheines traf ich diesen kleinen Kerl namens Chicco, der ganz versessen darauf war, immer und immer wieder Stöcke aus dem Wasser zu holen, die sein Herrchen hineinwarf... Da Chicco uns gegenüber sehr ängstlich war, erklärte uns der junge Mann warum und erzählte ihre Geschichte: Der Hund war vor 2 Jahren zu ihm gekommen, nachdem er mit zugebundenem Maul in einer Plastiktüte gefunden worden war.... Wer weiß was er noch alles erlebt hat.... Aber jetzt sind sie unzertrennlich und verbringen viel Zeit miteinander, sogar auf der Arbeit ist Chicco dabei, und es war eine wahre Freude, diesen jungen Mann so glücklich und begeistert zu sehen. Irgendwie muss er sich als Person wohl auch verändert haben durch diesen Hund und sein Leben durch eine große Portion an Freude und Glück bereichert worden sein, so schien es mir...ist das nicht wunderbar ??

 

In diesem Sinne: ein glückliches und unbeschwertes Wochenende, Jungs und Mädels !!

Two of my patient pets assist as I attempt to tame higher ISOs than I like to use. Zac is familiar with all this and always plays his part admirably!

Yup - another 7 hour photo shoot! But this one was immense fun!

 

Are people afraid of leaving comments? Given the high number of views it would be lovely to get some feedback!

 

Models:

 

man - Naytan

Obviously a super large thanks to my models who were easygoing, enthusiastic and a pleasure to work with.

 

With special thanks to Canberra BDSM for their hospitality, expert advice, and loan of "props" and wardrobe.

 

Big huge thanks also to NathanaelB for his support, assistance, humour and tolerance!

   

And I'd like to thank my mum, and ... and... and...

 

strobist:

* canon 430ex with shoot trhough umbrella camera right - somewhere... so many scenes, so little memory!

 

German collectors card, no. 102.

 

American actor Sal Mineo (1939-1976) was a teen idol during the late 1950s. He shot to fame as Plato in the classic Rebel Without a Cause (1955) featuring James Dean. Diminutive and sad-eyed, his performance struck a chord with audiences as well as critics, earning him an Oscar nomination. He co-starred again with Dean in Giant (1956) and with Paul Newman in Somebody up There Likes Me (1956), and Exodus (1960).

 

Salvatore Mineo Jr. was born in 1939 in The Bronx, New York City. His parents were Josephine and Sal Sr. Mineo, a casket maker. They had emigrated to the U.S. from Sicily. His siblings were Michael, Victor, and Sarina Mineo, who would also work as actors. Sal was thrown out of parochial school and, by age eight, was a member of a street gang in a tough Bronx neighbourhood. His mother enrolled him in dancing school and, after being arrested for robbery at age ten, he was given a choice of juvenile confinement or professional acting school. He soon appeared in the theatrical production 'The Rose Tattoo' with Maureen Stapleton and Eli Wallach and as the young prince in 'The King and I' with Gertrude Lawrence and Yul Brynner. At age 16 he played a much younger boy in Six Bridges to Cross (Joseph Pevney, 1955) with Tony Curtis. Later that same year, he played Plato, a sensitive teenager smitten with the main character, Jim Stark (James Dean), in Rebel Without a Cause (Nicholas Ray, 1955). He was nominated for the Oscar for Best Supporting Actor for his performance. Mineo received thousands of letters from young female fans and was mobbed by them at public appearances. He co-starred again with Dean in Giant (George Stevens, 1956) and with Paul Newman in Somebody up There Likes Me (Robert Wise, 1956). Many of his other roles were variations of his role in Rebel Without a Cause, and he was typecast as a troubled teen. In 1957, he tried to start a career as a rock-and-roll singer. He released two singles. The first was 'Start Movin' (In My Direction)', which stayed in the US top 40 for 13 weeks and reached the #9 position. The second was 'Lasting Love', which stayed on the charts for three weeks and reached #27. The singles were followed up by an album on the Epic label.

 

In 1959, Sal Mineo starred as the titular jazz drummer in The Gene Krupa Story (Don Weis, 1959), and a year later earned a Golden Globe and his second Oscar nomination for his role as Dov Landau, a Jewish Holocaust survivor, in Exodus (Otto Prerminger, 1960). Another box office hit was the war epic The Longest Day (Ken Annakin, Andrew Marton, Bernhard Wicki, 1962) in which he was one of the 42 stars. He played a paratrooper killed by a German after the landing in Sainte-Mère-Église. By then, Mineo was becoming too old to play the type of role that had made him famous, and his rumoured homosexuality led to his being considered inappropriate for leading roles. He had a long, on-and-off relationship with his young Exodus co-star Jill Haworth. She was 15 and he was 21 at the time. In 1972, he came out as bisexual in an interview. In 1969, expanding his repertoire, Mineo returned to the theatre to direct and star in the gay-themed prison drama 'Fortune and Men's Eyes' with successful runs in both New York and Los Angeles. He played Rocky, a prison bully who rapes the naive, blond prisoner Smitty, played by the young Don Johnson, pre-Miami Vice. On-screen he had roles as Red Shirt in the epic Western Cheyenne Autumn (John Ford, 1964) starring Richard Widmark, as Uriah in The Greatest Story Ever Told (George Stevens, 1965), and in his last film role as monkey Dr. Milo in Escape From the Planet of the Apes (Don Taylor, 1971). On television, he appeared with Henry Fonda in the Western Stranger on the Run (Don Siegel, 1967). In 1975 he returned to the stage in the San Francisco hit production of 'P.S. Your Cat Is Dead'. Preparing to open the play in Los Angeles with Keir Dullea, he returned home from rehearsal the evening of 12 February 1976 when he was attacked and stabbed to death by a stranger on the streets of West Hollywood. A drug-addled 17-year-old drifter named Lionel Ray Williams was arrested for the crime. He had no idea who Mineo was and was only interested in the money he had on him. After a trial in 1979, Williams was convicted and sentenced to life in prison for killing Mineo and for committing 10 robberies in the same area. He was paroled in 1990. Easygoing, extroverted Sal Mineo was only 37 years old when his life came to this tragic end. He was laid to rest near his brother Michael Mineo at Gate of Heaven Cemetery in Hawthorne, New York. At the time of his death, he was in a six-year relationship with male actor Courtney Burr III.

 

Source: Jason Ankeny (AllMovie), Anthony Wynn (IMDb), and IMDb.

 

And, please check out our blog European Film Star Postcards.

Sweet gossip over sweet drinks on a lazy summer night

Sunday, 26 April 2020: our temperature around noon is +11C (windchill +8C). Sunrise is at 6:17 am, and sunset is at 8:51 pm. Another beautiful, sunny day.

 

Like many people, I am having to post photos from my archives as I have been basically staying home, away from everyone and everything (apart from food shopping and maybe three or four short drives out of the city over the last few weeks).

 

I can't add any information about the crisis the whole world is in right now, as Flickr has threatened to terminate my account. This is because I was adding information about the present situation in the descriptions under the photos I am posting from my archives! I still don't understand why this was "wrong" and I have not heard back from Flickr after I sent an Appeal email to them. When I post archive photos, I add the descriptions from previously posted photos, taken on the same outings, to remind myself of where I went and what I saw. Stay safe and well, everyone!

 

---------------------------------------------------------------------------------------------

 

"On 11 July 2019, it turned out to be such a great day, with some much-appreciated sightings. I must have spent about 9 hours driving and almost every inch of my body ached like crazy at the end of it. Total distance driven was 461 km, leaving home at 8:45 am and arriving back home 12 hours later, at 8:45 pm. Now, each summer, I try and do two or three longer (for me) drives, to make sure I don't lose the courage to do this.

 

Weather-wise, it was a beautiful, sunny day, with plenty of white clouds Unlike when I did this drive in August 2018, there was no smoke from any wildfires, thank goodness.

 

It was a good day for Hawks, seeing some on the way south and a few on the way home. I did spot one Ferruginous Hawk, but it was perched on a very distant fence post. I'm also wondering if one of the 'hawks' was actually an immature Golden Eagle - seen in photo #4 posted this morning. (NOTE: yes, it was a Golden Eagle!). I saw it from a fair distance and I remember thinking what a large hawk it was. Stopping at an angle in the middle of the road, I managed to get one shot before it took off and a couple just as it was doing so.

 

A couple of Common Nighthawks also helped make my day. For several years, I had longed to see one of these unusual birds and, finally in 2017, I managed to find four of them. In 2018, I was able to find just one. These birds are 9½ inches from the tip of bill to the tip of tail. Very strange looking birds, and always a thrill to see one.

 

My actual destination on 11 July 2019 was the Alberta Birds of Prey Centre, near Lethbridge. I know some people feel that photographing birds that are not out in the wild is cheating. I kind of agree, though I think it's fine as long as someone says where a photo was taken.

 

This Centre is a wonderful place that rehabilitates and releases (whenever possible) various birds of prey - hawks, owls, Bald Eagles, Turkey Vultures, and Golden Eagles. Some of these birds act as Wildlife Ambassadors, too, including educating the public away from the Centre. Sometimes, a bird is used as a foster parent, too.

 

I love the changing scenery as one drives south, and my drive was timed perfectly to catch the golden Canola fields. Maybe half way, I pulled over to take a few photos of an old barn and there was a truck just pulling away. I thought the guy might have been taking photos, too. We got talking and one of the things we both said was that we had never seen a blue field of Flax Later in my drive, guess what I found : ) Looked beautiful, with blue on one side of the road and a field of yellow Canola on the opposite side.

 

This was definitely a rewarding day, full of sightings of all kinds. My favourite kind of day!"

 

These Hawks are not usually found in Alberta, though a few, rare sightings have been reported in the province.

 

"Harris's Hawks' social behavior is unusual for raptors. Young may stay with their parents for up to three years, helping to raise later broods. They also hunt together, groups of two to six birds often cooperating to flush and then capture prey (group hunting). In contrast, the vast majority of raptors are solitary hunters, and not at all gregarious.

 

This social behavior gives Harris's Hawks an easygoing nature that makes them desirable captive birds. Since about 1980, Harris's Hawks have been increasingly used in falconry and are now the most popular hawks in the West (outside of Asia) for that purpose, as they are the easiest to train and the most affectionate."

I met Marita at the flea market this afternoon. I was fascinated by the light and shadow patterns coming through her hat, falling nicely on her face.

 

Marita is 47 y/o, mother to a tall and handsome 17 y/o son. Accordingly, her challenge at the moment is to understand a teenager’s easygoing lifestyle. Having said that, Marita adds that life is quite good at the moment.

 

She works in the IT world and loves to sport and go to the gym on her free time.

 

"You create your own story and can achieve anything, just work hard and trust yourself! Don’t worry about other people’s opinion, feel free to choose your own road to wander!"

 

"What would you whisper the younger you, Marita?"

"Don’t be so hard on yourself, you are perfect just the way you are."

 

Marita is wearing a hat crocheted by her mother. Can you guess what it is made of?

 

This is my 255th submission to The Human Family group.

Visit the group here to see more portraits and stories: www.flickr.com/groups/thehumanfamily.

Nikon D80, Nikkor 55-200/4-5.6, ISO 280, f/5,6, 1/500, 180mm

  

Thank you all for faves and comments

Camilla is a makeup artist whom I met at the Recycling Fair in Helsinki.

She was busy doing Nerea's face, but made time to pose for me as well. I liked her way of concentrating on her work, enjoying what she was doing, holding the brush like she was painting a canvas.

I loved the light caressing her beautiful face and her straight gaze into my camera.

It's so wonderful when people's attitudes are easygoing and kind.

 

(I had no idea that Nerea was one of the models at the time I made this picture. I was surprised to see her later on the runway.)

  

The Recycling Fair in Helsinki took place on May 4th & 5th 2013 and attracted a huge crowd of concerned and interesting people. Many came to participate in different workshops and to bring stuff which they needed no longer. Some came to chose amidst clothes & shoes given for free. There were different booths displaying unimaginable creativity in recycling used items. It was fascinating.

www.kierratystehdas.fi/programme-2/

   

Working Group: The easygoing Great Dane, the mighty "Apollo of Dogs," is a total joy to live with, but owning a dog of such imposing size, weight, and strength is a commitment not to be entered into lightly. This breed is indeed great, but not a Dane.

It's been six weeks or so since I used my DSLR.

 

This morning was the ripe time to dust it off and take some easygoing snaps at sunrise on Durban Beachfront.

 

No heavy processing like I'm used to and love - only my standard Lightroom preset.

 

Great to get out and play with the Nifty-Fifty (50 mm).

E52

 

In recent times many motor manufacturers, particularly those with a significant sporting heritage, have felt the need to reference iconic models from the past when launching their latest. BMW has proved adept at exploiting this 'retro' trend, commencing in 1996 with the Z3 coupé and convertible, the styling of which brilliantly recalled its fabulous '328' sports car of pre-war days. Its next effort along similar lines - the 'Z07' concept car of 1997 - took its inspiration from the post-war Albrecht von Goetz-designed '507', a luxurious limited-edition roadster.

 

The sensation of the 1997 Tokyo Auto Show, the Z07 was received so enthusiastically that BMW took the decision to press ahead with a production version: the Z8. For the most part the Z8 remained remarkably faithful to the original concept, retaining the 507-like twin-nostril front grille and distinctive front-wing vents. A period-style interior had been one of the Z07's most remarked upon features, and that too made it into the Z8.

 

The Z8's body panelling and spaceframe chassis were fabricated in lightweight and corrosion resistant aluminium, while the 32-valve 4.941 cc V8 engine, shared with the M5 saloon, was built by BMW's Motorsport division. With 400 bhp on tap, the Z8 raced to 100 km/h (62 mph) in 4.7 seconds and only the built-in rev limiter stopped it from exceeding 250km/h (155mph). Power reached the run-flat tyres via a Getrag six-speed manual gearbox. Needless to say, the Z8 also came with all the modern appurtenances one would expect of a flagship model: traction control, stability control, front and side air bags, GPS navigation, climate control and power operation of the seats, steering wheel and convertible hood all being included in the package.

 

The fact that the Z8 was a low-volume model assembled, for the most part, by hand, enabled BMW to offer customers considerable freedom in personalising their cars. Further enhancing its appeal to collectors, the factory announced that a 50-year stockpile of Z8 parts would be maintained. Despite a (US) launch price of over $ 128.000, initial demand was so high that a bidding war broke out, with many Z8s selling for well in excess of that figure. By the time production ceased at the end of 2002, 5.703 of these fabulous cars had been built.

 

But that was not quite the end of the Z8 story, for BMW tuning specialist Alpina then introduced its own, even more exclusive version: the Alpina V8 Roadster. Alpina's product was less hard-edged and considerably more refined than the original, being equipped with a 4,8-litre engine from the 5-Series Alpina B10 V8 S and an Alpina-specified ZF five-speed 'Switchtronic' automatic transmission with paddle-shift operation. With a maximum of 375bhp on tap, the Roadster's slightly smaller engine was re-tuned for greater torque at lower revs, which better suited the automatic transmission. Top speed was limited to 161 mph, with 60 mph coming up in 5,0 seconds, only a couple of tenths slower than the original Z8.

 

The suspension was revised to provide a more supple ride, and the original 18" wheels and run-flat tyres replaced with 20" rims and tyres with taller sidewalls. Re-trimmed in softer Nappa leather, the interior boasted many Alpina-specific touches including the steering wheel, gauges, and gear selection display. As its specification suggests, the Alpina V8 was targeted at the North American market, which took 450 units out of the 555 scheduled for production.

 

Car & Driver reckoned the car was well suited to its newly acquired persona: 'In fact, some of us, who regard the Z8 more as a design icon than a serious sports car, reckon the Alpina Roadster V8, with its easygoing power delivery and automatic transmission, is what this car should have been all along.'

 

First registered on 1st September 2004, the limited edition Alpina V8 offered here has had only three owners – all collectors – from new. The first owner, David Michael of Florida, USA kept the car until March 2010 when it passed to a Mr Scholdra Germany. The current vendor purchased the BMW for his private collection in July 2014, by which time it had covered only 17.948 kilometres from new. The current odometer reading is circa 20.000 kilometres.

Superior to those of the original Z8, this car's special features include heated seats; climate control; AM/FM stereo; CD changer; centre-mounted Alpina gauges in blue; xenon headlights with Dynamic Auto-Levelling; hand-stitched Alpina steering wheel with shift buttons and Alpina centre cap; 20" Alpina Dynamic alloy wheels; and a battery charger for when the car is in storage. It has also had over mats fitted since new.

 

Finished in black with two-tone cream/black leather interior, the car comes complete with hardtop, hardtop cover, hardtop stand, and hardtop stand cover; wind deflector and cover; original tools; front cup holder; phone pack (new in box); original wallet; and the Alpina key pouch containing both numbered keys, chauffeurs key, and plastic key. Accompanying documentation consists of the original US Certificate of Title; original German registration document; German Klassische document (dated 2012) and a current UK V5C registration document and MoT certificate.

Recently serviced by Sytners BMW in the UK, this Z8 Alpina Roadster is in immaculate condition throughout.

 

Les Grandes Marques du Monde au Grand Palais

Bonhams

Estimated : € 320.000 - 380.000

 

Parijs - Paris

Frankrijk - France

February 2017

She's a Maine Coon cat, the biggest in the house & has a very sweet and easygoing personality.

Karaikudi is this little town in the district of Chettinad in Tamilnadu, South India. In the vast and mostly deserted mansions of wealthy traders and bankers from the 19th century, you will almost always find the odd passer-by taking a nap or merely lying about in the courtyards. Chettinad cuisine and architecture are world famous.

For the Daily Dog Challenge -- 8/14 "Easygoing"

 

For Our Daily Challenge -- 8/14 "Fruit and Veg"

 

For 365: The 2015 Edition -- 126/365

 

Talk about spoiled! She has "people for that" and it's still not enough, so she goes to Amazon and orders her own Minion. It's a dog's life!

 

You can read more about Bunny at TalesAndTails.com.

Circa 1972. This young man was my classmate in Architectural Drafting class. He sat on the opposite side of the room so I didn't speak with him often. Here he is shown sitting in Student Park while chatting with another friend. I recall that he had a mellow, easygoing demeanor.

 

The photo was taken using a borrowed Nikkormat with either a Vivitar or Soligor accessory lens.

view in the dark

 

my friend thomas was the first to raise his hand in my call for victims. he was very easygoing, and after getting over my initial nervousness (as he had no issues whatsoever), we started to have fun. thankfully we got quite a few shots that we both liked.

 

thanks, thomas!

 

website | blog | facebook | twitter

 

  

.… The "Master of Field" is the name of this carnival representation of Mezzojuso, it take the name from the principal character of this love story ….

    

.… Il "Mastro di Campo", questo il nome della rappresentazione carnascialesca di Mezzojuso, è il personaggio dal quale prende il nome questa storia d'amore ....

   

-----------------------------------------------------

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

   

--------------------------------------------------------------------------

   

Mezzojuso was built by the Albanians, Arbëreshëc, mostly military people established near an uninhabited house, during the migration of Albanians in Italy; on1501 they came from Albania and they had brought with them their language, customs and the Orthodox rite. From 2 to 4 August 1862 Mezzojuso welcomes Garibaldi: this is to reconnect this long and short at the same time my report, to some passages of this feast: the characteristic carnival of Mezzojuso. The "Master of Field" is the name of this carnival representation and it take the name from the principal character: this is a love story, albeit in key easygoing, which contains the re-enactment of the assault the Count of Modica made to the Castle to capture the White Queen of Navarra. The representation begins with the arrival of the royal procession, made up of the King, the Queen, by the dignitaries of the Court, from the Dame, the Secretary, by guards and by the Moors, and the "Master of Home" soul procession . Performed a dance in the square, the group go up on a stage (which is the castle); after inside the "castle" begins a dance party; therefore appear masks tied to tradition, u Rimitu, the Wizards, the gardener; comes the Master of Field, wearing a red wax mask with a hooked nose and prominent lower lip, a white shirt full of colored ribbons, pants and red coat, he squirms and shake, with his left arm to the side and in the right arm he brings a short wooden sword. Appear numerous characters, the Drummer, the Ambassador, Garibaldi and his Boys, the Captain of Artillery, the Baron and Baroness on two donkeys, followed by their men on horses and mules loaded with firewood, trunks, various paraphernalia for manufacturing cheese, so the gardener, with laurel wreaths, then the Cavalry, formed by a dozen knights who throw sweets over the spectators.The "Foforio" kidnap the wealthy and releases them after paying a small ransom (in return will be able to eat and drink at will). There are Magicians who go in search of "Treasure" and they finally found it: a bedpan full of macaroni and sausage, shouting "forio forio maccarrunario" eat them with their hands. The war rages, with Garibaldi and his Boys clashes against the Saracens (with imaginative alienation of historical periods); The Master of Field goes up on the scale that leads to the castle, meets with the King that hurts him on the head, and he falls backward (from a good height ...) to be taken from the boys that in the meantime they were prepared under the stairs; But the Master of Field is not dead and he healed his wounds, he with army of Garibaldi climb stealthily for "fake scale" and, taking advantage of the moment of confusion, they surrounding the Court and bind the King: the Field of Master removes the mask, finally embracing the Queen, managing to crown their secret dream of love, and so ends the great feast of Mezzojuso, with the procession that will march in the streets the country and ... the king in chains....

 

-----------------------------------------

  

Mezzojuso fu costruito dagli albanesi, gli arbëreshë, principalmente militari stabilitisi nelle vicinanze di un casale disabitato, durante la migrazione degli albanesi in Italia; essi provenivano dall'Albania e avevano portato con se lingua, usi e il rito ortodosso, nel 1501 stabilizzarono la loro posizione nella zona. Dal 2 al 4 agosto 1862 Mezzojuso accoglie Garibaldi: questo per ricollegare questo breve incipt su alcuni passaggi di questo report, lungo e breve al tempo stesso, sul caratteristico carnevale di Mezzojuso, unico nel suo genere. Il "Mastro di Campo", questo il nome della rappresentazione carnascialesca, è il personaggio dal quale prende il nome questa storia d'amore, seppur in chiave scanzonata, che racchiude in sè la rievocazione dell'assalto che il Conte di Modica fece al Castello per conquistare la regina Bianca di Navarra. La rappresentazione inizia con l'arrivo del corteo reale, composto dal Re, dalla Regina, dai Dignitari di Corte, dalle Dame, dal Segretario, dall’Artificiere, da alcune guardie e dai Mori, mentre Il "Mastru ri Casa" anima il corteo. Eseguita una danza nella piazza, il gruppo sale su un palco che ne rappresenta il castello, e subito dopo sul "castello" ha inizio una festa danzante; appaiono quindi le maschere legate alla tradizione, u Rimitu, i Maghi, le Giardiniere; arriva il Mastro di Campo a cavallo, che indossa una maschera di cera rossa con il naso adunco ed il labbro inferiore prominente, una camicia bianca piena di nastri colorati, pantaloni e mantello rosso: egli si dimena, si agita, con la testa ben alta, il braccio sinistro al fianco e nel destro una piccola spada di legno. Compaiono numerosi personaggi, il Tammurinaru, l’Ambasciatore, Garibaldi con i Garibaldini, il Capitano d’Artiglieria, il Barone e la Baronessa su due asini, seguiti dai loro uomini sopra cavalli e muli carichi di legna, bauli, armamentari vari per la produzione del formaggio, quindi le Giardiniere, con le corone di alloro, infine la Cavalleria, formata da una decina di cavalieri che lanciano sopra gli spettatori confetti a più non posso, mentre nella piazza l'artiglieria spara "colpi di cannone". Il Foforio sequestra i più abbienti e li rilascia dietro il pagamento di un piccolo riscatto (in cambio potranno mangiare e bere a volontà). Ci sono i Maghi che vanno in cerca della "truvatura", scavano ed ecco finalmente la trovano: un cantaru pieno di maccheroni e salsiccia che, al grido di “forio forio maccarrunario”, mangiano con le mani. La guerra impazza, Garibaldi coi Garibaldini si scontra contro i Saraceni (con fantasiosa alienazione dei periodi storici); il Mastro di Campo sale sulla scala che conduce al castello, si scontra con il Re e rimane ferito in fronte, ed ecco che braccia allargate cade all'indietro (da una buona altezza...) per essere preso dai figuranti che nel frattempo si erano preparati sotto la scala; però Il Mastro di Campo non è morto e, guarito dalle ferite, si riporta in piazza con il suo esercito di Garibaldini, quindi salgono furtivamente per la "scala fausa"(un'ingrsso posteriore e nascosto)e, approfittando dell’attimo di confusione, circondano la Corte e incatenano il Re: il Mastro di Campo, tolta la maschera, finalmente abbraccia la Regina, riuscendo a coronare il loro segreto sogno d'amore, e termina così la grande festa di Mezzojuso, col corteo che sfilerà per le strade del paese ed...il re in catene.

 

Yup - another 7 hour photo shoot! But this one was immense fun!

 

Are people afraid of leaving comments? Given the high number of views it would be lovely to get some feedback!

  

Models:

Man: Naytan

 

Obviously a super large thanks to my models who were easygoing, enthusiastic and a pleasure to work with.

 

With special thanks to Canberra BDSM for their hospitality, expert advice, and loan of "props" and wardrobe.

 

Big huge thanks also to NathanaelB for his support, assistance, humour and tolerance!

  

And I'd like to thank my mum, and ... and... and...

 

Strobist:

* Canon 430ex with shoot through umbrella on NathanaelB stand left of camera

The Scandola Nature Reserve (19.19 km²: 9.19 km² land; 10 km² marine), established in December, 1975, is located on the French island Corsica, within Corsica Regional Park. The park and reserve has been recognized by the United Nations as a Natural World Heritage Site, and was inscribed on the World Heritage List in 1983.

 

The Scandola Reserve is situated on the central western coast of Corsica between Punta Muchillina and Punta Nera and includes Cape Girolata and Cape Porto.

 

The reserve has two sectors, the Elpa Nera inlet and the peninsula of Scandola. The jagged and sheer cliffs contain many grottos and are flanked by numerous stacks and almost inaccessible islets and coves, such as Tuara. The coastline is also noted for its red cliffs, some 900 metres high, sand beaches, and headlands.

 

(Wikipedia)

 

-----

 

We spent a day hiking close to the Scandola nature reserve visiting isolated hamlet of Girolata that may only be reached on foot or by boat, however not with a car - it is really a tranquil, remote and easygoing place offering remarkable picturesque views during the walk.

a welcome change from hectic mountain bike photography

just a few rhythmic steps away from the mercat de olivar, on the path to plaça mayor in palma, she finds her own private concert. wrapped in a moss green sweater adorned with watchful eyes, she's lost in a melody that dances just for her. the soft glow of daylight caresses her contemplative face, while her hands, cradling the source of her tune, seem to be the conductors of her inward symphony. she's a soloist moving through the urban tempo, her wide denim pants catching the beat of her stride. it's a silent recital where every step is a note, every glance a lyric, in the symphony of the streets.

 

Obviously a super large thanks to my models who were easygoing, enthusiastic and a pleasure to work with.

 

With special thanks to Canberra BDSM for their hospitality, expert advice, and loan of "props" and wardrobe.

 

Big huge thanks also to NathanaelB for his support, assistance, humour and tolerance!

  

And I'd like to thank my mum, and ... and... and...

 

Strobist:

* Canon 430ex with shoot through umbrella on NathanaelB stand,camera right, low power.

View over Lisbon at night (handheld photo) from the viewpoint Miradouro de Santa Catarina, with the 25 de Abril Bridge in the distance and the Sanctuary of Christ the King monument to the left of it, Lisbon, Portugal

 

Some background information:

 

The Miradouro de Santa Catarina is a terrace and not so well-known viewpoint in the city of Lisbon’s Bairro Alto quarter. It is overlooked by Adamastor, a mythical giant from Luís de Camões' epos "The Lusiads," who is sculpted on a rock looking out to the Tejo river. For this reason, the terrace is also known as "Miradouro do Adamastor".

 

The terrace is mostly a sunset destination, especially in autumn, when the sun disappears behind the 25 de Abril Bridge. It mainly attracts young people, who get together near a kiosk serving drinks or sit on amphitheatre-like steps added during a renovation in 2013. The atmosphere is always relaxed, with the smell of beer and weed in the air. The gathering is often accompanied by the soundtrack of street musicians, who add to the easygoing atmosphere.

 

Lisbon is one of the oldest cities in the world and the second-oldest European capital city (after Athens). Although the first fortifications on Lisbon's castle hill are known to be no older than the 2nd century BC, recent archaeological finds have shown that Iron Age people already occupied the site from the 8th to 6th centuries BC. The Phoenicians and later the Carthaginians, are said to have called the place Alis Ubbo and used it as the only major natural harbor on the Iberian Atlantic coast. There are also evidences that Lisbon once was a Greek city, but its Greek name is unknown.

 

Under Roman rule, starting around 205 BC, the city was initially called Olisipo. In 48 BC, the town was granted Roman municipal rights and subsequently became known as Colonia Felicitas Iulia, growing into a larger town in the province of Lusitania. From 409 AD, barbarian tribes advanced onto the Iberian Peninsula from Gaul. During the late antique migration period, Alans, Suebi, Vandals, and Visigoths tried to occupy Lisbon.

 

In 719, Lisbon was conquered by Muslim Moors and later became part of the Emirate of Córdoba. The city, now known as al-Ushbuna, experienced its first major boom. During the Caliphate of Córdoba, the city was one of the most important ports, while Christian Galicians and Leonese repeatedly attempted to seize it. In 844, Vikings ravaged Lisbon and its surroundings.

 

In the 11th century, Lisbon was part of the Moorish Emirate of the Aftasids from Badajoz. Starting in 1093, Count Raymond of Armous, a younger son of Duke William I of Burgundy, was given rule over Galicia by King Alfonso VI of León. From there, he launched campaigns against the Moors in the south, temporarily managing to occupy Lisbon.

 

At the beginning of the 11th century, the south of the Iberian Peninsula was still under Moorish control. But in 1147, in the course of the so-called Reconquista, the Siege of Lisbon led to the city's final capture by the Portuguese under Alfonso I. In 1255, Lisbon became the capital city of the new Portuguese territory and in 1290, the first Portuguese university was founded in the town. During the last centuries of the Middle Ages, Lisbon expanded substantially and became an important trading post with both Northern European and Mediterranean cities.

 

When the Spaniards had expelled the Jews from Spanish territory, many of them fled to Lisbon. But even in Portugal they either had to convert to Christianity or leave. In 1506, an anti-semitic movement among the Old Christians of Lisbon culminated in a massacre lasting four days in which some 1,000 to 4,000 New Christian residents, converted descendants of Sephardic Jews, are estimated to have been killed.

 

Most of the Portuguese expeditions of the Age of Discovery set out from Lisbon during the period from the end of the 15th century to the beginning of the 17th century, including Vasco da Gama's expedition to India in 1498. In the 16th century, Lisbon’s golden era began: The city was the European hub of commerce between Africa, India, the Far East and later, Brazil, and acquired great riches by exploiting the trade of spices, slaves, sugar, textiles and other goods. This period also saw the rise of the exuberant Manueline style in architecture, which left its mark in many 16th-century monuments, including the Belém Tower and the Jerónimos Monastery.

 

The succession crisis of 1580 initiated a sixty-year period of dual monarchy in Portugal and Spain under the Spanish Habsburgs. In 1589, Lisbon was the target of an incursion by the English Armada led by Francis Drake. The Portuguese Restoration War, which began with a coup d'état organised by the nobility and bourgeoisie in Lisbon in 1640 amd ended with the Treaty of Lisbon in 1668, restored Portuguese independence.

 

In the early 18th century, gold from Brazil allowed King John V to sponsor the building of several Baroque churches and theatres in the city. Prior to the 18th century, Lisbon had experienced several significant earthquakes: eight in the 14th century, five in the 16th century, and three in the 17th century. But the earthquake of 1755 was the most davastating one. It destroyed 85 percent of the city's structures, including the Ribeira Palace and the hospital Real de Todos os Santos. An an estimated 30,000 to 40,000 Lisbon residents of a total population estimated of 200,000 to 275,000 wer killed. And in the coastal areas north of Lisbon even more people were killed by the following tsunami.

 

This catastrophic event shocked the whole of Europe and left a deep impression on its collective psyche. However, the city was rebuilt quickly and largely according to the plans of prime minister Sebastião José de Carvalho e Melo, the 1st Marquis of Pombal. He decided to demolish what remained after the earthquake and rebuild the city centre in accordance with principles of modern urban design. It was reconstructed in an open rectangular plan with two great squares: the Praça do Rossio and the Praça do Comércio.

 

In the first years of the 19th century, Portugal was invaded by the troops of Napoléon Bonaparte, forcing Queen Maria I and Prince-Regent John to flee temporarily to Brazil. By the time the new King John VI returned to Lisbon, many of the buildings and properties were pillaged, sacked or destroyed by the invaders. The development of industry and commerce determined the growth of the city and Lisbon grew farther from the Tejo river.

 

In 1911, Lisbon refounded its university after centuries of inactivity. In the 20th century, the city was also the site of three revolutions. The first ond of 1910 brought an end to the Portuguese monarchy and established the highly unstable and corrupt Portuguese First Republic. The second one of 1926 ended the first republic and firmly established the Portuguese Second Republic. And the third revolution of 1974, the so-called Carnation Revolution, put an end to the right-wing regime and reformed the country to what it is still today, the Portuguese Third Republic.

 

Modern Lisbon is the political centre of the country and hosts the government, the National Assembly, the Supreme Court of Justice and the Armed Forces. It is also the residence of the head of state and the centre of Portuguese diplomacy, with ambassadors from 86 countries residing in the city, as well as representations from Taiwan and Palestine. About 2.96 million people, who live in the Lisbon metropolitan area (representing almost 28 % of the Portugal's population), make Lisbon the third largest metropolitan area in the Iberian Peninsula after Madrid and Barcelona.

   

.… This is a particular love story ... with the participation of many figures like... horses and riders ......

   

.… questa è una particolare storia d'amore ... con la partecipazione di tantissimi personaggi...non ultimi cavalli e cavalieri ......

   

-----------------------------------------------------

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

   

--------------------------------------------------------------------------

   

Mezzojuso was built by the Albanians, Arbëreshëc, mostly military people established near an uninhabited house, during the migration of Albanians in Italy; on1501 they came from Albania and they had brought with them their language, customs and the Orthodox rite. From 2 to 4 August 1862 Mezzojuso welcomes Garibaldi: this is to reconnect this long and short at the same time my report, to some passages of this feast: the characteristic carnival of Mezzojuso. The "Master of Field" is the name of this carnival representation and it take the name from the principal character: this is a love story, albeit in key easygoing, which contains the re-enactment of the assault the Count of Modica made to the Castle to capture the White Queen of Navarra. The representation begins with the arrival of the royal procession, made up of the King, the Queen, by the dignitaries of the Court, from the Dame, the Secretary, by guards and by the Moors, and the "Master of Home" soul procession . Performed a dance in the square, the group go up on a stage (which is the castle); after inside the "castle" begins a dance party; therefore appear masks tied to tradition, u Rimitu, the Wizards, the gardener; comes the Master of Field, wearing a red wax mask with a hooked nose and prominent lower lip, a white shirt full of colored ribbons, pants and red coat, he squirms and shake, with his left arm to the side and in the right arm he brings a short wooden sword. Appear numerous characters, the Drummer, the Ambassador, Garibaldi and his Boys, the Captain of Artillery, the Baron and Baroness on two donkeys, followed by their men on horses and mules loaded with firewood, trunks, various paraphernalia for manufacturing cheese, so the gardener, with laurel wreaths, then the Cavalry, formed by a dozen knights who throw sweets over the spectators.The "Foforio" kidnap the wealthy and releases them after paying a small ransom (in return will be able to eat and drink at will). There are Magicians who go in search of "Treasure" and they finally found it: a bedpan full of macaroni and sausage, shouting "forio forio maccarrunario" eat them with their hands. The war rages, with Garibaldi and his Boys clashes against the Saracens (with imaginative alienation of historical periods); The Master of Field goes up on the scale that leads to the castle, meets with the King that hurts him on the head, and he falls backward (from a good height ...) to be taken from the boys that in the meantime they were prepared under the stairs; But the Master of Field is not dead and he healed his wounds, he with army of Garibaldi climb stealthily for "fake scale" and, taking advantage of the moment of confusion, they surrounding the Court and bind the King: the Field of Master removes the mask, finally embracing the Queen, managing to crown their secret dream of love, and so ends the great feast of Mezzojuso, with the procession that will march in the streets the country and ... the king in chains....

 

-----------------------------------------

  

Mezzojuso fu costruito dagli albanesi, gli arbëreshë, principalmente militari stabilitisi nelle vicinanze di un casale disabitato, durante la migrazione degli albanesi in Italia; essi provenivano dall'Albania e avevano portato con se lingua, usi e il rito ortodosso, nel 1501 stabilizzarono la loro posizione nella zona. Dal 2 al 4 agosto 1862 Mezzojuso accoglie Garibaldi: questo per ricollegare questo breve incipt su alcuni passaggi di questo report, lungo e breve al tempo stesso, sul caratteristico carnevale di Mezzojuso, unico nel suo genere. Il "Mastro di Campo", questo il nome della rappresentazione carnascialesca, è il personaggio dal quale prende il nome questa storia d'amore, seppur in chiave scanzonata, che racchiude in sè la rievocazione dell'assalto che il Conte di Modica fece al Castello per conquistare la regina Bianca di Navarra. La rappresentazione inizia con l'arrivo del corteo reale, composto dal Re, dalla Regina, dai Dignitari di Corte, dalle Dame, dal Segretario, dall’Artificiere, da alcune guardie e dai Mori, mentre Il "Mastru ri Casa" anima il corteo. Eseguita una danza nella piazza, il gruppo sale su un palco che ne rappresenta il castello, e subito dopo sul "castello" ha inizio una festa danzante; appaiono quindi le maschere legate alla tradizione, u Rimitu, i Maghi, le Giardiniere; arriva il Mastro di Campo a cavallo, che indossa una maschera di cera rossa con il naso adunco ed il labbro inferiore prominente, una camicia bianca piena di nastri colorati, pantaloni e mantello rosso: egli si dimena, si agita, con la testa ben alta, il braccio sinistro al fianco e nel destro una piccola spada di legno. Compaiono numerosi personaggi, il Tammurinaru, l’Ambasciatore, Garibaldi con i Garibaldini, il Capitano d’Artiglieria, il Barone e la Baronessa su due asini, seguiti dai loro uomini sopra cavalli e muli carichi di legna, bauli, armamentari vari per la produzione del formaggio, quindi le Giardiniere, con le corone di alloro, infine la Cavalleria, formata da una decina di cavalieri che lanciano sopra gli spettatori confetti a più non posso, mentre nella piazza l'artiglieria spara "colpi di cannone". Il Foforio sequestra i più abbienti e li rilascia dietro il pagamento di un piccolo riscatto (in cambio potranno mangiare e bere a volontà). Ci sono i Maghi che vanno in cerca della "truvatura", scavano ed ecco finalmente la trovano: un cantaru pieno di maccheroni e salsiccia che, al grido di “forio forio maccarrunario”, mangiano con le mani. La guerra impazza, Garibaldi coi Garibaldini si scontra contro i Saraceni (con fantasiosa alienazione dei periodi storici); il Mastro di Campo sale sulla scala che conduce al castello, si scontra con il Re e rimane ferito in fronte, ed ecco che braccia allargate cade all'indietro (da una buona altezza...) per essere preso dai figuranti che nel frattempo si erano preparati sotto la scala; però Il Mastro di Campo non è morto e, guarito dalle ferite, si riporta in piazza con il suo esercito di Garibaldini, quindi salgono furtivamente per la "scala fausa"(un'ingrsso posteriore e nascosto)e, approfittando dell’attimo di confusione, circondano la Corte e incatenano il Re: il Mastro di Campo, tolta la maschera, finalmente abbraccia la Regina, riuscendo a coronare il loro segreto sogno d'amore, e termina così la grande festa di Mezzojuso, col corteo che sfilerà per le strade del paese ed...il re in catene.

 

SPIRIT

In 2002, Spirit became the first Montana Grizzly to be placed at the Center. As a six-year-old, mother of two, Spirit was known by Fish, Wildlife and Parks biologists as “Easy” because of her easygoing personality and was often seen roaming the beach or golf course near the community in Whitefish, Montana. She obtained human food and was passing on this behavior to her cubs. Although she never was involved with aggressive tendency toward humans, it was only a matter of time before a dangerous situation became a reality. Spirit was relocated six times, but continued to return to the golf community even after intensive aversive conditioning. After one of her cubs was killed by a car, officials decided to remove the other cub by placing it in captivity at the Denver Zoo, and then to remove Spirit from the wild forever. She actively interacts with Sow 101, Coram, Grant and Roosevelt.

 

Chris and Vaso... happy, carefree and easygoing, despite the fact that it was hot as hell during the shooting! They are happy and I believe everyone can see it in this picture!

 

Cheers everyone!

Hi together! Here a new picture! If you want to see more, so visit me at the following links. It would be great of you, if you leave a comment or a "like". Thanks for your support! Greetz Heiphi

[ Facebook ] [ Blog ]

SPIRIT

In 2002, Spirit became the first Montana Grizzly to be placed at the Center. As a six-year-old, mother of two, Spirit was known by Fish, Wildlife and Parks biologists as “Easy” because of her easygoing personality and was often seen roaming the beach or golf course near the community in Whitefish, Montana. She obtained human food and was passing on this behavior to her cubs. Although she never was involved with aggressive tendency toward humans, it was only a matter of time before a dangerous situation became a reality. Spirit was relocated six times, but continued to return to the golf community even after intensive aversive conditioning. After one of her cubs was killed by a car, officials decided to remove the other cub by placing it in captivity at the Denver Zoo, and then to remove Spirit from the wild forever. She actively interacts with Sow 101, Coram, Grant and Roosevelt.

 

イチはおおらか。

警戒心が無いわけではないけど

無防備に寝てることが多い。

 

He's so easygoing and keep sleepin' even if I stroke. :)

--

Thank you for visiting.

Don't use this image without my explicit permission.

 

tumblr, facebook, twitter, pinterest, blog等のあらゆるWEBコンテンツへの

無断画像"転載"および物品や出版物への無断使用 (無断2次利用) を禁じます。

   

.… in this love story .... there are many anachronisms .... so it's possible to see fight each other Turks against soldiers of General Garibaldi ....

  

.… in questa storia d'amore.... sono tanti gli anacronismi....come il vedere combattere tra loro Turchi contro Garibaldini.......

   

-----------------------------------------------------

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

   

--------------------------------------------------------------------------

   

Mezzojuso was built by the Albanians, Arbëreshëc, mostly military people established near an uninhabited house, during the migration of Albanians in Italy; on1501 they came from Albania and they had brought with them their language, customs and the Orthodox rite. From 2 to 4 August 1862 Mezzojuso welcomes Garibaldi: this is to reconnect this long and short at the same time my report, to some passages of this feast: the characteristic carnival of Mezzojuso. The "Master of Field" is the name of this carnival representation and it take the name from the principal character: this is a love story, albeit in key easygoing, which contains the re-enactment of the assault the Count of Modica made to the Castle to capture the White Queen of Navarra. The representation begins with the arrival of the royal procession, made up of the King, the Queen, by the dignitaries of the Court, from the Dame, the Secretary, by guards and by the Moors, and the "Master of Home" soul procession . Performed a dance in the square, the group go up on a stage (which is the castle); after inside the "castle" begins a dance party; therefore appear masks tied to tradition, u Rimitu, the Wizards, the gardener; comes the Master of Field, wearing a red wax mask with a hooked nose and prominent lower lip, a white shirt full of colored ribbons, pants and red coat, he squirms and shake, with his left arm to the side and in the right arm he brings a short wooden sword. Appear numerous characters, the Drummer, the Ambassador, Garibaldi and his Boys, the Captain of Artillery, the Baron and Baroness on two donkeys, followed by their men on horses and mules loaded with firewood, trunks, various paraphernalia for manufacturing cheese, so the gardener, with laurel wreaths, then the Cavalry, formed by a dozen knights who throw sweets over the spectators.The "Foforio" kidnap the wealthy and releases them after paying a small ransom (in return will be able to eat and drink at will). There are Magicians who go in search of "Treasure" and they finally found it: a bedpan full of macaroni and sausage, shouting "forio forio maccarrunario" eat them with their hands. The war rages, with Garibaldi and his Boys clashes against the Saracens (with imaginative alienation of historical periods); The Master of Field goes up on the scale that leads to the castle, meets with the King that hurts him on the head, and he falls backward (from a good height ...) to be taken from the boys that in the meantime they were prepared under the stairs; But the Master of Field is not dead and he healed his wounds, he with army of Garibaldi climb stealthily for "fake scale" and, taking advantage of the moment of confusion, they surrounding the Court and bind the King: the Field of Master removes the mask, finally embracing the Queen, managing to crown their secret dream of love, and so ends the great feast of Mezzojuso, with the procession that will march in the streets the country and ... the king in chains....

 

-----------------------------------------

  

Mezzojuso fu costruito dagli albanesi, gli arbëreshë, principalmente militari stabilitisi nelle vicinanze di un casale disabitato, durante la migrazione degli albanesi in Italia; essi provenivano dall'Albania e avevano portato con se lingua, usi e il rito ortodosso, nel 1501 stabilizzarono la loro posizione nella zona. Dal 2 al 4 agosto 1862 Mezzojuso accoglie Garibaldi: questo per ricollegare questo breve incipt su alcuni passaggi di questo report, lungo e breve al tempo stesso, sul caratteristico carnevale di Mezzojuso, unico nel suo genere. Il "Mastro di Campo", questo il nome della rappresentazione carnascialesca, è il personaggio dal quale prende il nome questa storia d'amore, seppur in chiave scanzonata, che racchiude in sè la rievocazione dell'assalto che il Conte di Modica fece al Castello per conquistare la regina Bianca di Navarra. La rappresentazione inizia con l'arrivo del corteo reale, composto dal Re, dalla Regina, dai Dignitari di Corte, dalle Dame, dal Segretario, dall’Artificiere, da alcune guardie e dai Mori, mentre Il "Mastru ri Casa" anima il corteo. Eseguita una danza nella piazza, il gruppo sale su un palco che ne rappresenta il castello, e subito dopo sul "castello" ha inizio una festa danzante; appaiono quindi le maschere legate alla tradizione, u Rimitu, i Maghi, le Giardiniere; arriva il Mastro di Campo a cavallo, che indossa una maschera di cera rossa con il naso adunco ed il labbro inferiore prominente, una camicia bianca piena di nastri colorati, pantaloni e mantello rosso: egli si dimena, si agita, con la testa ben alta, il braccio sinistro al fianco e nel destro una piccola spada di legno. Compaiono numerosi personaggi, il Tammurinaru, l’Ambasciatore, Garibaldi con i Garibaldini, il Capitano d’Artiglieria, il Barone e la Baronessa su due asini, seguiti dai loro uomini sopra cavalli e muli carichi di legna, bauli, armamentari vari per la produzione del formaggio, quindi le Giardiniere, con le corone di alloro, infine la Cavalleria, formata da una decina di cavalieri che lanciano sopra gli spettatori confetti a più non posso, mentre nella piazza l'artiglieria spara "colpi di cannone". Il Foforio sequestra i più abbienti e li rilascia dietro il pagamento di un piccolo riscatto (in cambio potranno mangiare e bere a volontà). Ci sono i Maghi che vanno in cerca della "truvatura", scavano ed ecco finalmente la trovano: un cantaru pieno di maccheroni e salsiccia che, al grido di “forio forio maccarrunario”, mangiano con le mani. La guerra impazza, Garibaldi coi Garibaldini si scontra contro i Saraceni (con fantasiosa alienazione dei periodi storici); il Mastro di Campo sale sulla scala che conduce al castello, si scontra con il Re e rimane ferito in fronte, ed ecco che braccia allargate cade all'indietro (da una buona altezza...) per essere preso dai figuranti che nel frattempo si erano preparati sotto la scala; però Il Mastro di Campo non è morto e, guarito dalle ferite, si riporta in piazza con il suo esercito di Garibaldini, quindi salgono furtivamente per la "scala fausa"(un'ingrsso posteriore e nascosto)e, approfittando dell’attimo di confusione, circondano la Corte e incatenano il Re: il Mastro di Campo, tolta la maschera, finalmente abbraccia la Regina, riuscendo a coronare il loro segreto sogno d'amore, e termina così la grande festa di Mezzojuso, col corteo che sfilerà per le strade del paese ed...il re in catene.

 

Buchs is the southern end of the SBB route closure from Altstätten due to construction work until the end of October. For the rail replacement buses to and from Altstätten/St. Margrethen a temporary platform was created along the station. From Buchs, all trains again run in the direction of Sargans and Chur with connections to Zurich. The RailJet is canceled due to construction work in Austria. The connection from IR13 to the IC3 to Zurich in Sargans is now temporarily easygoing due to timetable adjustments. But people who are used to running still run. In the background the Alpstein mountains in the north, which got some snow again. Switzerland, April 14, 2023.

Jim is Heather's S/O. Jim, was an easygoing, genuinely nice fellow. I could see why Heather and the girls really took to him.

 

Jim was the consummate father figure doing a command performance for Heather and the girls day of doing a family photo shoot.

 

I've been there. Actually, it's pretty easy duty . . . accept you can't get out of it. Just follow the directions of the three females 'til it's over. No thinking or planning required.

 

I wanted to post a tryptich of three different takes on the editing. I did one in which I blacked out the entire background so it looks like a pair of hands are holding a detached head. I may post it,. . . it really looks kind of creepy, especially with the smile on his face.

Have a nice and easy start of the week!

 

Habt einen schönen, leichten Wochenbeginn!

 

View On Black

COLOR

Our darkest and deepest amber and henna color.

 

TASTE

Deep and complex flavors of vanilla, nuts and oak.

 

AROMA

Robust vanilla and caramel notes; slightly smoky.

 

FINISH

Long and full; perfect for easygoing sipping.

 

www.knobcreek.com/our-products/single-barrel-reserve

 

Whiskey Night, 06/18/2024, Nashville, TN

 

Panasonic DMC-G2

Nikkor 50mm f/1.2 Ai-S + Kipon Tilt Adapter

ƒ/1.2 50 mm 1/125 100

 

Instagram in B&W Only | wheremyrunningshoestakeme | Instagram in Color | Lens Wide-Open

Vintage postcard.

 

American singer, guitarist, and actor Trini Lopez died on 11 August at the age of 87. His first hit was 'If I Had a Hammer', which earned him a Golden Disc. His other hits included 'Lemon Tree', 'I'm Comin' Home, Cindy' and 'La Bamba'. He designed two guitars for the Gibson Guitar Corporation, which are now collectors’ items.

 

Trinidad 'Trini' López III was born in the Little Mexico neighbourhood of Dallas, Texas, in 1933 (some sources say 1937). His father, Trinidad Lopez II, worked as a singer, dancer, actor, and musician in Mexico; his mother was Petra Gonzalez. Lopez has four sisters and a brother, Jesse, who was also a singer. He attended N. R. Crozier Tech High School but had to drop out in his senior year because he needed to earn money to help support the family. Lopez formed his first band in Wichita Falls, Texas, at the age of 15. Around 1955, Trini Lopez and his band worked at The Vegas Club, a nightclub owned by Jack Ruby, the nightclub owner who assassinated Lee Harvey Oswald, avenging Oswald's assassination of JFK. In 1957, at the recommendation of Buddy Holly's father, Trini and his group The Big Beats went to producer Norman Petty who secured a contract for them with Columbia Records. Lopez left the group and made his first solo recording, his own composition 'The Right To Rock', for the Dallas-based Volk Records, and then signed with King Records in 1959, recording more than a dozen singles for that label, none of which charted. In late 1962, after the King contract expired, Lopez followed up on an offer by producer Snuff Garrett to join the post-Holly Crickets as a vocalist. After a few weeks of auditions in Los Angeles, that idea did not go through. He landed a steady engagement at the nightclub PJ's, where his audience grew quickly. He was heard there by Frank Sinatra, who had started his own label, Reprise Records, and who subsequently signed Lopez.

 

His debut live album, 'Trini Lopez at PJ's', was released in 1963. The album included a smash rendering of the folk standard 'If I Had a Hammer', which reached number one in 36 countries (no. 3 in the United States), and was a radio favourite for many years. It sold over one million copies and was awarded a gold disc. He also performed his own version of the traditional Mexican song 'La Bamba' on the album. It was later reissued as a single in 1966. Lopex made folk-pop swing. Another live album from PJ's was recorded later that same year under the title 'By Popular Demand More Trini Lopez at PJ's', which contains the song 'Green Green'. His popularity led the Gibson Guitar Corporation to ask him in 1964 to design a guitar for them. He ended up designing two: the Trini Lopez Standard, a rock and roll model based on the Gibson ES-335 semihollow body, and the Lopez Deluxe, a variation of a Gibson jazz guitar designed by Barney Kessel. Both of these guitars were in production from 1964 until 1971, and are now highly sought-after among collectors. Bill Dahl at AllMusic: " Lopez's hits capture the excitement of his live performances, and his driving renditions of 'Kansas City' (1963), 'Lemon Tree' (1965), and 'I'm Comin' Home, Cindy' (1966) were substantial sellers." In total, Lopez scored 13 chart singles through 1968, including 'Sally Was a Good Old Girl' (1968). On the adult contemporary chart, he racked up 15 hits, including the top-10 singles 'Michael' (1964), 'Gonna Get Along Without Ya' Now' (1967), and 'The Bramble Bush' (1967). Beyond his success on record, he became one of the country's top nightclub performers of that era, regularly headlining in Las Vegas. In 1968, he recorded an album in Nashville entitled 'Welcome to Trini Country'. In 1969, NBC aired a Trini Lopez variety special featuring surf guitar group The Ventures, and Nancy Ames as guests. The soundtrack, released as 'The Trini Lopez Show', has him singing his hits with The Ventures as his backing band.

 

During the 1960s and 1970s, Trini Lopez moved into acting, though his film career was not as successful as his music. Lopez's first film role was in Marriage on the Rocks (Jack Donohue, 1965) with Frank Sinatra, Deborah Kerr, and Dean Martin. Lopez made a cameo appearance in a nightclub scene. His soundtrack song, 'Sinner Man', became a hit single. Next, he appeared in the thriller Poppies Are Also Flowers (Terence Young, 1966) with Senta Berger and Stephen Boyd. He was one of The Dirty Dozen (Robert Aldrich, 1967), but he walked off the set reportedly at the urging of Frank Sinatra who supposedly thought his music career would stall if he continued to work on the film, which had gone over its scheduled shooting date. Another version was that Lopez was fired by director Robert Aldrich for being disagreeable. Later Lopez appeared as himself in The Phynx (Lee H. Katzin, 1970) and played the title role opposite Larry Hagman in Antonio (Claudio Guzman, 1973). Lopez hosted his own network TV variety program. He also made two appearances (playing different characters) on the television program Adam-12 (1971-1972). In 1977, he played the role of Julio Ramirez in The Mystery of the Silent Scream (John J. Dumas, 1977) which was part of The Hardy Boys/Nancy Drew Mysteries TV series. Lopez continued his musical career with extensive tours of Europe and Latin America during this period; an attempt to break out by releasing a disco album in 1978 proved a flop. Lopez produced a single promoting the Coca-Cola soft drink Fresca in 1967. In 1993, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. In 2002, Lopez teamed with Art Greenhaw for 'Legacy: My Texas Roots'. The album used the Texas Roots Combo including Lopez, Greenhaw, and Lopez's brother, Jesse. Reviewer Steve Leggett on All Music Guide: "The album has an easygoing feel very similar to Lopez's classic live sets from the 1960s, only it rocks a good deal harder." Thereafter, Lopez did charitable work and received honours such as being inducted into the International Latin Music Hall of Fame in 2003. Lopez was still recording and appearing live in the years leading up to his death. In 2013, he appeared as a guest performer in a number of shows held in Maastricht in the Netherlands with the Dutch violinist and composer André Rieu. He continued to record. 'El Immortal' was released in 2010, and the following year he released his 65th album, 'Into The Future' Lopez remained a lifelong bachelor and had no children. His nephew, Trini Martinez, was the drummer for the Dallas indie rock band Bedhead. Trini Lopez died in 2020, at Desert Regional Medical Center in Palm Springs, California. He was 83 and suffered from complications of COVID-19.

 

Sources: Bill Dahl (AllMusic), Steve Leggett (All Music Guide), Jon C. Hopwood (IMDb), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

1 2 ••• 5 6 8 10 11 ••• 79 80