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1896 photo of Emma Eames on an Ogdens Guinea Gold cigarette card.
Emma Eames was born in Shanghai, China on 13th Aug 1865 and died in New York on 13th June 1952.
She made her professional operatic debut in Gounod's Roméo et Juliette at the Paris Opéra's headquarters, the Palais Garnier, in 1889.
In 1891 she made her debut at Covent Garden and at the New York Metropolitan Opera House.
Design by Charles & Ray Eames, 1950
The Eames Plastic Side Chair is the contemporary version of the legendary Fiberglass Chair and apparently the first pastic chair to be manufactured in industrial quantities. This must be one the most ubiquitous designer chairs ever, go to the nearest conference room and you'll probably stumble upon a couple of these. There are about 800 of them inside the Rolex Learning Center, for example... all white, though.
Seen at the Vitra Haus (I believe Eames products are manufactured by Vitra for the European and Asian markets).
My tribute to Charles & Ray Eames... for display only (not for sale)
You can make your own skateboard at:
A showcase for a series of Eames Plastic Chairs modelled in 3ds Max and rendered in Vray2.
Read more about it on my blog (www.bbb3viz.com)
The latest addition to our layout is the Eames House, also known as Case Study No. 8. Built in 1949 by a husband and wife design team, Charles and Ray Eames, this home was designed as part of a case study competition sponsored by Arts & Architecture magazine.
See more at: www.mocpages.com/moc.php/118450
-Stacy
These two pieces, the Eames toilet chair and the Eames child seat, are about breaking the status surrounding high design objects. Through physically invasive alterations, these once iconic, elite, forms are liberated from their old, restrained image. The project is not a critique of the Eames, but rather a fulfillment of their original ideals.
This project was produced as part of a three day charette in the Department of Industrial Design at The University of the Arts, Philadelphia. The theme of the charette centers around Remake and DIY culture. The purpose of this charette is to explore the role designers have in respect to this emerging culture. The team members for this project are as follows: Jared Delorenzo, Tim Peet, Alexandra Temple Powell, Tom Reynolds, Alie Thomer, and Andrew McCandlish.
Eames House, Case Study House No. 8, 1945–1949, Charles and Ray Eames, additional design by Eero Saarinen, Chautauqua Boulevard, Pacific Palisades, Los Angeles
This is a commemorative series of chairs I love, and have either owned or will someday own.
More in this series to come at aroundaround.com
Bain News Service,, publisher.
Gogorza & Eames
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Photograph shows Emilio de Gogorza (1872-1949), a baritone singer with his wife singer Emma Eames (1865-1952). (Flickr Commons project, 2016)
Title from data provided by the Bain News Service on the negative.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.31708
Call Number: LC-B2- 5364-7
This is the house Charles & Ray Eames built and lived in. Case Study #8 in Pacific Palisades, CA
© David Ross Douglass
I'll be presenting "Becoming Charles Eames: St. Louis (1930–1938)" on Tuesday 26 April 2022 at 6:30 p.m. as part of the online lecture series sponsored by the Steedman Architectural Library and the Society of Architectural Historians, St. Louis Chapter.
This presentation challenges the accepted narrative of Charles Eames's career and life in St. Louis. Preregister for the Zoom presentation by clicking the link below:
slpl.bibliocommons.com/events/61f31e8113e56b37002e2f9d
#eames
#charleseames
Authentic Herman Miller Eames Aluminum Group Softpad Management Chair. Most sensual Office Chair on the market. A modern classic. Designed in 1969 yet it is still modern contemporary today.
Yellow, Orange, Grey, Seafoam Green. Eames Herman Miller Shell Chairs. 1200 with free international shipping for shells and bases.
Double exposure of Eames chair, Oakland Museum
Zeiss Ikon Baby Box Tengor, Rerapan 400 127 format film. (Note this batch of film has a speckled fog to it. Looks interesting, but bad quality control...)
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
Eames House, Case Study House No. 8, 1945–1949, Charles and Ray Eames, additional design by Eero Saarinen, Chautauqua Boulevard, Pacific Palisades, Los Angeles
A wonderful item arrived in the mail today. I pre-ordered this before Christmas. It came with 3 "plywood" elephants. I was only expecting one.
The rocker is the 1:12 scale version.
Background is "iris" by minigraphics -- something I've had for a long time.
I've also had the little deer for ages, maybe since I was a kid. I don't remember where it came from.
Emma Eames as Elsa in Wagner's opera Lohengrin [photo by Aimé Dupont] for the Metropolitan Opera House, New York at Chicago Nov 1891.
Soprano Emma Eames was born on Shanghai, China on 13th August 1865 and died in New York on 13th June 1952.
She made her professional operatic debut in Gounod's Roméo et Juliette at the Paris Opéra's headquarters, the Palais Garnier, in 1889 – having been chosen by Gounod.
First appeared at Covent Garden and the New York Metropolitan Opera House during 1891.
These two pieces, the Eames toilet chair and the Eames child seat, are about breaking the status surrounding high design objects. Through physically invasive alterations, these once iconic, elite, forms are liberated from their old, restrained image. The project is not a critique of the Eames, but rather a fulfillment of their original ideals.
This project was produced as part of a three day charette in the Department of Industrial Design at The University of the Arts, Philadelphia. The theme of the charette centers around Remake and DIY culture. The purpose of this charette is to explore the role designers have in respect to this emerging culture. The team members for this project are as follows: Jared Delorenzo, Tim Peet, Alexandra Temple Powell, Tom Reynolds, Alie Thomer, and Andrew McCandlish.