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White, Seafoam Green, Dark Green, Gray. Eames Herman Miller Shell Chairs. 1200 with free international shipping for shells and bases.
4 Dark Blue Shells. Eames Herman Miller Chairs. 1200 with free international shipping for shells and bases.
The latest addition to our layout is the Eames House, also known as Case Study No. 8. Built in 1949 by a husband and wife design team, Charles and Ray Eames, this home was designed as part of a case study competition sponsored by Arts & Architecture magazine.
See more at: www.mocpages.com/moc.php/118450
-Stacy
The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge (670) and Ottoman (671) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art.
The EA 119 chair is by Charles and Ray Eames for Vitra
The Freeform Desk C and the adjustable Workplace A are from the Homeoffice collection of Hülsta
The lamp is a Tolomeo. In the background you can see my riding boots.
The color on the wall is light blue by Farrow & Ball
Brown, Dark Blue, Seafoam Green, Dark Green. Vintage Herman Miller Eames Shell Chairs - 1200 with free international shipping for bases and shells.
CHAIRS
Product name: Eames fibreglass LAR
Desginer: Charles & Ray Eames
Model: LAR
Produced: Herman Miller, US
Year: ca 1950
Description: Fibreglass shell with "cats cradle" base
Found: Traded
TABLE
Product name: Coffee table
Desginer: Fredrik Schriever-Abeln
Produced: Condor, Germany
Year: ca 1958
Description: smoked glass top with a mahogany base
Found: Fretex (Salvation army)
This residential building is one a row of three closely-spaced, detached brick houses with Gothic details on Claflin Avenue, between Eames Place and W. 195th Street in the Bronx, New York City.
Based on a brief item in the NY Times, dated 24 October 1925, it appears this group of houses was designed by Horace Ginsberg (who later changed his name to Ginsbern), a prominent Bronx architect. The text in the paper: "Claflin Avenue, west side, 79.04 feet north of Eames Place - Three 2-story brick dwellings, 30 x 54.4 feet. Keliman & Rosen, owners. Horace Ginsbeg, architect. $25,000"
Ginsberg/Ginsbern is better known for his work designing apartment houses, including the Art Deco style Park Plaza apartments on Jerome Avenue, which is a NYC Landmark and listed on the National Register of Historic Places, and the "Fish Building," on the Grand Concourse.
Claflin Avenue takes its name from the Claflin Estate, a large property in the northern Bronx which was one of the last large properties sold when it was subdivided and put up for auction in 1919 as the area urbanized with the extension of subway lines providing service to Manhattan. H.B. (Horace Brigham) Claflin was a "merchant prince of New York" and when his former estate was put up for sale, an ad for the auction, alluding to his mercantile background, stated that "Real Estate is Merchandise." See: digitalcollections.nypl.org/items/83acfcf0-69ca-0131-665c...
When I found the group 'Cats love Eames' on Flickr, I knew it to be true as I had a lot of my own photographic evidence to back that up; I thought I would upload a couple to share with the group.
Nikon FE + AF 50mm/1.8D + Fujifilm 200N
What you see here is a furniture boutique in Aarau (Switzerland), it closed its doors in 2017.
Left to right: Merrow Associates Rosewood & Chrome side table with John Clappison pottery for Hornsea.
Eames lounge chair by Herman Miller.
Coffee table by Peter Hvidt & Orla Molgaard Nielsen for France & Son, Denmark, early 60s.
This is my new apartment. I like it. The living room is a little small, but we don't have too many visitors, so I don't really mind.
An Eames Plywood Elephant shot in my DIY light box. One Canon 430EX-II fired through the top of the box. One Yongnou YN560-III fired through the left side of the box. Tinfoil was places on the two front remaining box flaps to reflect some light back and reduce the shadows.
Model: Eames Elephant
Bain News Service,, publisher.
Eames
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.31715
Call Number: LC-B2- 5364-14
The Eames House, Case Study House #8, was one of 25 homes built as part of The Case Study House Program. Charles and Ray proposed that the home they designed would be for a married couple who were basically apartment dwellers working in design and graphic arts, and who wanted a home that would make no demands for itself, but would, instead serve as a background for as Charles would say, "life in work" with nature as a "shock absorber."
The first plan of their home, known as the Bridge House, was designed by Charles Eames and Eero Saarinen in 1945. Charles and Ray moved into the House on Christmas Eve, 1949, and lived here for the rest of their lives. The interior, its objects and its collections remain very much the way they were in Charles and Ray's lifetimes. The house they created offered them a space where work, play, life, and nature co-existed.
Introduced in 1956 by Charles and Ray Eames, the Eames Lounge Chair is recognized as one of the most distinguished pieces of 20th century design. The Eames Lounge Chair embodies comfort, luxury and elegance. Completely unique in its design, the Eames Lounge Chair combined the craftsmanship of the popular 1940's molded plywood chairs with technical advancements in lounge seating.
A showcase for a series of Eames Plastic Chairs modelled in 3ds Max and rendered in Vray2.
Read more about it on my blog (www.bbb3viz.com)
A showcase for a series of Eames Plastic Chairs modelled in 3ds Max and rendered in Vray2.
Read more about it on my blog (www.bbb3viz.com)
The cloud backdrop is an iconic image utilized by the Eames Office for various projects including photo shoots and films. This example was created for the 1976 exhibition Connections: The Work of Charles and Ray Eames.
image from: www.wright20.com/