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Probarona Purnima, October 27, 2015, Dhaka, Bangladesh

 

Probarona Purnima, the second largest festival of the Buddhist community. Also known as Ashwini Purnima, the festival marks conclusion of the three-month long seclusion of the monks inside their monasteries for self-edification and atonement of their defilement.

 

According to legend, Buddha once clipped some strands of hair from his head and said that if he was qualified to attain supreme wisdom and enlightenment, the hairs would not fall down but go up instead, which they did.

 

To mark this event, Buddhists ignited and send up balloons made of coloured paper to flow towards the sky as a symbol of lighting up the sky which is the chief attraction of the festival.

Rossauer Barracks

9th district

The Rossauer Barracks should be together with Franz Joseph's Barracks and the arsenal part of a planned fortress triangle, which should provide protection against internal unrest. On 1 August 1864, ground was broken for the construction of the barracks in the Rossau. Full six years took the edification, and 5 July 1870 the entire area was handed over and the first troops moved. The Barracks underwent several alterations and changes of use over time. During World War II falling bombs destroyed the Danube side infantry officer tract completely, but then it was mostly ​​true to the original rebuilt.

The Rossauer barracks is built in the style of late romantic historicism and recalls the medieval fortress architecture with towers, battlements, attachments and eaves. The equipment of the barracks was already inadequate and doubtful designed in the early days when it came to spatial proportions and sanitation. It was sometimes the story that the architect committed suicide because he had forgotten to install toilets. The barracks offered after their completion accommodation for 2,900 men and 390 horses. Next to it 99 officers flats of different sizes, 43 apartments for married officers, a chapel and office spaces were housed. The building has huge proportions. The length is 269m and width of 136m. In the barracks there are three large courtyards. Due to the proximity to the water, when building a very strong foundation was needed, which is located on about 30,000 pilots. It is worthwhile to make the approximately 850m long walk around the building.

www.planet-vienna.com/spots/Rossauerkaserne/rossauerkaser...

Image © Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.

 

If you would like to license this image for any purpose, please visit my site and contact me with any questions you may have. Please visit Susan Candelario artists website to purchase Prints Thank You.

Le cimetière chinois de Nolette est un cimetière situé le territoire de la commune française de Noyelles-sur-Mer où sont inhumés les travailleurs civils chinois employés par l'armée britannique pendant la Première Guerre mondiale.

 

Il s'agit du plus grand cimetière chinois de France et d'Europe

Pendant la Première Guerre mondiale, Noyelles abrita une importante base arrière britannique dont un grand camp de coolies (travailleurs immigrés chinois). Ils furent recrutés par l'armée britannique entre 1917 et 1919 dans le cadre du corps de travailleurs chinois (en anglais, Chinese Labour Corps), pour des tâches de manutention à l'arrière du front mais certains connaitront les zones de combat.

 

Ils représentent l'une des premières immigrations chinoises en France. Ils avaient l'interdiction de se mêler à la population civile du lieu. Certains resteront en France après la Grande Guerre.

  

Chinois en France

 

L'entrée du cimetière chinois de Nolette.

Ils étaient affectés à des tâches pénibles et dangereuses comme le terrassement de tranchées, le ramassage des soldats morts sur le champ de bataille, le déminage des terrains reconquis, la blanchisserie, les services de santé auprès des malades, en particulier ceux atteints de la grippe espagnole...

 

En 1921, le gouvernement britannique décida l'édification du cimetière chinois à Nolette. Le Major Truelove est chargé de sa réalisation sous l'autorité d'Edwin Lutyens.

 

Depuis 2002, le cimetière de Nolette est le lieu de célébration de la Fête de Qing Ming (Fête des Morts chinoise) en France organisée par le Conseil pour l'intégration des communautés d'origine chinoise en France.

 

On trouve dans le département de la Somme des tombes de coolies dans les cimetières d'Abbeville, Albert, Daours, Gézaincourt, Tincourt-Boucly et Villers-Carbonnel.

Propriété de l'État français et gérée par la Commonwealth War Graves Commission, la nécropole située près du hameau de Nolette dans la commune de Noyelles-sur-Mer a été inaugurée en 1921 par le Préfet de la Somme. 849 travailleurs chinois sont inhumés à Noyelles-sur-Mer. La plupart travaillait au camp chinois de l'armée britannique situé sur la commune entre 1917 et 1919.

  

Tombe de Yang Shiyue 楊十月 originaire du Shandong, mort le 12 janvier 19191.

Beaucoup sont morts d'une épidémie de choléra qui a sévi dans le camp, de la grippe espagnole en 1918-1919 ou de la tuberculose, voire tués dans les zones de combat.

 

Le site est caractérisée par le portail d'entrée, les inscriptions sur les tombes et les essences d'arbres (pins, cèdres...) qu'on ne rencontre pas dans les autres cimetières du Commonwealth ainsi que par l'absence de croix du Sacrifice et de pierre du Souvenir.

 

Les tombes de ce cimetière sont constituées de 849 stèles en marbre blanc, avec sur chacune d'elle gravée une inscription en anglais « Faithful unto Death » ou « Though dead he still liveth » ou encore « A good reputation endures for ever » ainsi que des idéogrammes chinois et parfois, très rarement, le nom en anglais ou le matricule du défunt.

 

Le porche monumental et le mur de l'entrée tiennent lieu de mémorial pour la quarantaine de Chinois morts sur terre ou sur mer sans tombes connues.

 

Des statues de lions offerts par la République populaire de Chine sont situées, non loin de la nécropole, à l'entrée de la rue qui mène au cimetière de Nolette

VSCO preset Portra 800⁺¹

Monterey, California (Feb 2, 2015) -Campus Life at Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl, 2015)

Monterey, California (Feb 2, 2015) - Poora Chakravarthy Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl)

Cracked chipped paint and rust on an abandoned steel drum. Rhyolite, NV

Monterey, California (Feb 2, 2015) - Hiroko Isogai Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl)

Monterey, California (Feb 2, 2015) - Hiroko Isogai Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl)

26ª Seminário Cooplantio - O produtor como diferencial no Agronegócio. Gramado, 20 a 22 de junho. FOTO: Jefferson Bernardes/Preview.com

University of Notre Dame

Monterey, California (Feb 2, 2015) - Poora Chakravarthy Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl)

The Adoration of the Magi demonstrates Botticelli's continued progression in his handling of this subject. The main event is no longer located to one side, as was the case in the earlier painting, but has been moved into the center of the picture. In portraying such a detailed wealth of variation, Botticelli was following Leon Battista Alberti, the artist and scholar, who had recommended in his treatise on painting that a picture be so executed as to embrace the greatest possible diversity, for the edification of the observer. Botticelli thus not only painted his figures clothed in highly imaginative robes such as present a wealth of variation, but also captured them in the most varied of postures, gestures and facial expressions. The relationship between the various figures here, and between these figures and the action that is taking place, also appears tighter than in the earlier Adoration, nevertheless, they still do not yet constitute a dramatic unity.

Monterey, California (Feb 2, 2015) - Bruno Rossi Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl) TLM '15

That is not an indoor artificul ficus that is an indoor artful tree

Old slide taken in the 80s and scanned for your edification

I wrote about this amazing sight on my blog talovich.blogspot.com/2008_04_01_archive.html#35229635535... for the general edification of the public. April 7, 2008

Sara and I visited the Cloisters in New York. What a special place - Old and new architecture mixed together for our edification.

 

Copyright © 2007 by Christopher D. Drew

Monterey, California (Feb 2, 2015) - Bruno Rossi Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl) TLM '15

Monterey, California (Feb 2, 2015) - Hiroko Isogai Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl)

Monterey, California (Feb 2, 2015) - Hiroko Isogai Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl)

Image © Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.

 

If you would like to license this image for any purpose, please visit my site and contact me with any questions you may have. Please visit Susan Candelario artists website to purchase Prints Thank You.

Monterey, California (Feb 2, 2015) - Hannes Schauer Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl)

Monterey, California (Feb 2, 2015) - Poora Chakravarthy Student Profile in Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl)

Ripton, Vermont (July 19, 2019) - Summer scenics during the Bread Loaf School of English. (Photo © 2019 Brett Simison)

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