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O engenheiro agrônomo foi homenageado por ter participado de todos os 26 seminários da Cooplantio.
FOTO: Jefferson Bernardes/Preview.com
Monterey, California (Feb 2, 2015) -Campus Buildings at Middlebury Institute of International Studies at Monterey. (Photo © Jessica Riehl), 2015)
The Guadeloupe Regional Council has built the MEMORIAL ACTe, a Caribbean Centre on the Expression and Memory of Slavery & the Slave Trade in Pointe à Pitre, in the former Darboussier factory.
Through knowledge, culture and creation, it is a means by which the local authorities can contribute towards healing wounds of a past which has greatly impacted the edification of not only the Guadeloupean society, but also the Caribbean and American societies.
The Warehouse Tower , adjacent to Torre San Michele , was BUILT In 1691 , for the Will of the Treasurer of Romagna Michelangelo Maffei , to secure stowage of salt produced in Saline .
BUILT in 1712 was the other side of the channel has the Warehouse Dock , intended stowage salt That HAD suffered a first cleaning and drying In Warehouse Tower , and the subsequent work of weighing and portioning in bags Destined for sale .
Salt Warehouse Torre
The salt flats, UNIFORMS in small batches , were Work individually and in craft Dai Salinari , which represented almost the totality of the population Cervese .
The need for conservation of the salt pushed The Directors Pontifical edification of the two large buildings along the Porto Canale of Cervia , used to precisely aim story : The Warehouse Tower , Long 80 meters and 26 meters wide , rectangular divided into bays six , could hold up to 130,000 tons of salt Bon Voyage .
The other building , place the other side of the Channel , and The Warehouse Dock ; Could hold up to 100,000 tons of salt Bon Voyage . The sale Yield From spring until mid September WAS Uploaded on features flat-bottomed boats called Burchielle and , through the harbor, WAS transported nia warehouses , where Could Be Preserved . For More Make easy work of storage, The Two Buildings Among them were connected with an iron bridge .
In 1959 , following the transformation of saline from small batches to large portions Work Worked handcrafted using methods Collection More technology , but also due to the decrease of the Application for sale , Warehouses They lost their ancient function and were slowly abandoned .
La cathédrale Saint-Gatien de Tours est l'église cathédrale catholique romaine, située à Tours, en Indre-et-Loire. Dédiée Saint-Gatien, elle est le siège du diocèse de Tours et la cathédrale métropolitaine de la province ecclésiastique de Tours.
Elle a été classée monument historique par liste de 1862.
La cathédrale Saint-Gatien a été construite entre 1170 et 1547. Lors de sa création, elle était située presque au débouché du pont franchissant la Loire, sur la route reliant Paris au sud-ouest de la France. Elle fait l’objet d’un classement au titre des monuments historiques par la liste de 18621.
La première cathédrale Saint-Maurice a été édifiée par Lidoire, évêque de Tours de 337 à 371 et prédécesseur de Martin. Incendiée en 561, elle est restaurée par Grégoire de Tours et dédicacée en 590. Du fait de son emplacement, à l'angle sud-ouest du castrum, et de son orientation à l'est, l'accès se faisait, sinon au travers de l'enceinte tardo-antique, du moins en baïonnette depuis la voie traversant la cité ; une telle configuration est rare2. La cathédrale de Tours est reconstruite au cours du deuxième quart du xiie siècle et est incendiée en 1166 lors des luttes entre Louis VII de France et Henri II d'Angleterre, comte d'Anjou. On ne connaît pas le plan de cet édifice.
La nef et le chœur :
La cathédrale actuelle remplace cet édifice roman. La première campagne a concerné le croisillon sud et les tours, dès 1170. Le chœur est reconstruit de 1236 à 1279 par Étienne de Mortagne. C'est la nef qui a demandé le plus de temps pour son édification. L'architecte Simon du Mans reconstruit le transept et entame la nef, dont six travées, bas-côtés et chapelles sont édifiés au xive siècle — les deux premières travées correspondent à celles de l'ancienne cathédrale romane et remontent au xiie siècle. La nef n'est achevée qu'au xve siècle par les architectes Jean de Dammartin, Jean Papin et Jean Durand, grâce aux libéralités accordées par Charles VII et le duc de Bretagne Jean V. À l'occasion de l'édification du bâtiment actuel, la nef a donc été allongée vers l'ouest et les tours encadrant l'entrée sont élevées en dehors de l'ancienne cité, accentuant la particularité de l'édifice mentionnée supra ; l'enceinte tardo-antique est visible en coupe à l'arrière des tours depuis le nord. En 1356, la cathédrale reçoit le nouveau vocable de Gatien.
La façade a perdu les grandes statues des piédroits, détruites par les protestants au cours des guerres de Religion. Mais elle demeure une des plus extraordinaires créations du gothique flamboyant dans ce qu'il a de plus éxubérant, véritable dentelle de pierre sans guère d'équivalent, chef-d'œuvre décoratif de premier plan. Les tours sont élevées dans la première moitié du xvie siècle : la tour nord a été édifiée en 1507 par Pierre de Valence, et la tour sud entre 1534 et 1547 par Pierre Gadier.
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La catedral San Gaciano de Tours, también llamada Catedral de Tours es la iglesia catedral de la diócesis de Tours y la catedral metropolitana de la provincia eclesiástica de Tours. Fue construida entre 1170 y 1547. Estaba situada durante su creación casi a la salida del puente que cruza el Loira, sobre la ruta que une París con el suroeste de Francia.
Historia:
La primera catedral de San Mauricio fue edificada por Lidoire, obispo de Tours del 337 al 371 y predecesor de Martín de Tours. Incendiada en el 561, fue restaurada por Gregorio de Tours y dedicada en el 590.
Su situación, en el ángulo suroeste del castrum, hace que la orientación al este haya hecho que el acceso se haga, sino a través de la muralla tardo-antigua, desde la vía que atraviesa la ciudad. Tal configuración es poco común. No se conoce el plano de este edificio.
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Saint Gatien's Cathedral is the Roman Catholic cathedral church of the Tours diocese and the metropolitan cathedral of the Tours ecclesiastic province, in Indre-et-Loire, France. Saint-Gatien's Cathedral was built between 1170 and 1547. At the time construction began, it was located at the south end of the bridge over the Loire, on the road from Paris to the south-west of France. It has been a classified Monument historique since 1862.
The first cathedral of Saint-Maurice was built by Lidoire, bishop of Tours from 337 to 371 (preceding St Martin). Burnt in 561, it was restored by Gregory of Tours and rededicated in 590. Its location, at the south-west angle of the castrum, as well as its eastern orientation, resulted in the original access being through the late-Roman surrounding wall (such a configuration is quite rare).
The cathedral was then rebuilt during the second quarter of the 12th century and again burnt in 1166 during the conflict between Louis VII of France and Henry II of England (also count of Anjou, the neighboring region).
The present cathedral replaces the 13th century Romanesque building. The first phase concerned the south transept and the towers, as early as 1170. The chancel was rebuilt from 1236 to 1279 by Étienne de Mortagne but the nave took much longer to build. The architect Simon du Mans rebuilt the transept and started the nave, including six spans, aisle and chapel, built during the 14th century — the first two spans correspond to those of the old Romanesque cathedral and date back to the 12th century. The nave was only finished during the 15th century by architects Jean de Dammartin, Jean Papin and Jean Durand, thanks to the generosity of Charles VII and the Duke of Brittany Jean V.
While building the present cathedral, the nave was then extended westward and the towers surrounding its entrance were erected during the first half of the 16th century, the first tower in 1507 by Pierre de Valence 87 m high, and the second tower during 1534 and 1547 by Pierre Gadier. Highlighting the special feature of the building, called supra, the towers were erected outside of the old city. The late-Roman surrounding wall is visible in cross section at the rear of the towers from the north.
In 1356, the cathedral received its new name of saint Gatien. Its construction having been particularly slow, it presents a complex pattern of French religious types of architecture from the 13th century to the 15th. For example, the tower buttresses are Romanesque, the ornamentation generally is pure Gothic, and the tops of the towers are Renaissance (beginning of the 16th century).
Image © Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to license this image for any purpose, please visit my site and contact me with any questions you may have. Please visit Susan Candelario artists website to purchase Prints Thank You.
Dollu Kunitha (dance), is a major form of art, occupies the pride of place among folk dances. Dollu Kunitha is a popular drum dance of Karnataka accompanied by singing. It provides both spectacular variety and complexity of skills in the process of demonstration. Woven around the presiding deity of Beereshwara or Beeralingeswara, chiefly worshipped by the Kuruba Gowdas of Karnataka and Andhra Pradesh, also called Halumathasthas, it presents both entertainment and spiritual edification.
Image © Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to license this image for any purpose, please visit my site and contact me with any questions you may have. Please visit Susan Candelario artists website to purchase Prints Thank You.
Rossauer Barracks
9th district
The Rossauer Barracks should be together with Franz Joseph's Barracks and the arsenal part of a planned fortress triangle, which should provide protection against internal unrest. On 1 August 1864, ground was broken for the construction of the barracks in the Rossau. Full six years took the edification, and 5 July 1870 the entire area was handed over and the first troops moved. The Barracks underwent several alterations and changes of use over time. During World War II falling bombs destroyed the Danube side infantry officer tract completely, but then it was mostly true to the original rebuilt.
The Rossauer barracks is built in the style of late romantic historicism and recalls the medieval fortress architecture with towers, battlements, attachments and eaves. The equipment of the barracks was already inadequate and doubtful designed in the early days when it came to spatial proportions and sanitation. It was sometimes the story that the architect committed suicide because he had forgotten to install toilets. The barracks offered after their completion accommodation for 2,900 men and 390 horses. Next to it 99 officers flats of different sizes, 43 apartments for married officers, a chapel and office spaces were housed. The building has huge proportions. The length is 269m and width of 136m. In the barracks there are three large courtyards. Due to the proximity to the water, when building a very strong foundation was needed, which is located on about 30,000 pilots. It is worthwhile to make the approximately 850m long walk around the building.
www.planet-vienna.com/spots/Rossauerkaserne/rossauerkaser...
Probarona Purnima, October 27, 2015, Dhaka, Bangladesh
Probarona Purnima, the second largest festival of the Buddhist community. Also known as Ashwini Purnima, the festival marks conclusion of the three-month long seclusion of the monks inside their monasteries for self-edification and atonement of their defilement.
According to legend, Buddha once clipped some strands of hair from his head and said that if he was qualified to attain supreme wisdom and enlightenment, the hairs would not fall down but go up instead, which they did.
To mark this event, Buddhists ignited and send up balloons made of coloured paper to flow towards the sky as a symbol of lighting up the sky which is the chief attraction of the festival.
World globe with focus on Africa and the Middle East.
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Esterházy Palace (Kärntner Straße)
Palais Esterházy
The Palais Esterházy at the Kärntner Straße is a palace in the first Viennese district Innere Stadt. It is the oldest building at the Kärntner Straße and is still owned by the Esterházy family.
History
There were originally at the present site of the Palais two different houses which were not until the beginning of the 15th Century merged. In 1684 this estate came into the possession of the Imperial Council Adam Anthony Grundemann of Falkenberg. Whose son finally commissioned the edification of today's palace. The palace remained until 1767 in the family possession of the Grundeman, in 1716 elevated into the rank of count. Then it came by purchase into the possession of Hofkammerrat (Court Chamber Counsellor) Franz Freiherr von Harrucker.
In the years 1777-1871, the palace belonged to the Counts Károly. At this time there was a redesign of the facade to the present form and the installation of a balcony under Josefa Countess Karoly. Other minor alterations were made in 1833. The entrance is located at the main front (side Anna alley) with the coat of arms cartouche of the Esterhazys. Originally the palace had a courtyard but which was later expanded to the upper floor. In 1871, the palace finally through the purchase of the property by Moritz Graf Esterházy from Alois Count Károly passed into the possession of the Esterházy family. The Count then the inside of the palace had remodelled. On 25 January 1968, this was almost completely destroyed by fire. After the repair and reconstruction works was finally opened the Cercle Casino Vienna in 1969. This was many times augmented and can still be found in the palace. From the former facilities in the Empire style only a few fragments are still present. The majority of the premises is now decorated with contemporary art.
de.wikipedia.org/wiki/Palais_Esterh%C3%A1zy_(K%C3%A4rntner_Stra%C3%9Fe)
May 9, 2012 - Arlington, Virginia, USA - National Bike to School Day, Key School Escuela Key Elementary (Credit Image: © Dasha Rosato)
En pleins Pyrénées se trouve le spectaculaire espace du Paysage Protégé de Saint Jean de la Peña et du Monte Oroel, et entre ses éléments plus remarquables on peut trouver le Vieux Monastère de San Juan de la Peña, trésor de l´époque médiévale. Les édifications conservées, seulement une part de celles qui existèrent, sont des excellents témoins des successives formes artistiques des différentes époques dans lesquelles ce centre eût de la vie. À souligner surtout les siècles de l´Époque Romane (du XIe au XIIIe siècle) avec des remarquables œuvres d´architecture, de peinture et surtout de sculpture. L´ensemble historique artistique de San Juan de la Peña se complète avec le Nouveau Monastère, du XVIIe siècle et avec les églises de Saint Caprasio et Sainte Marie, toutes les deux de la période romane et situées dans la localité prochaine de Santa Cruz de la Serós.
El monasterio está formado por dos construcciones, el Monasterio Nuevo, del siglo XVII y estilo barroco, y el Monasterio Viejo, del siglo X, de estilo románico.
Tiene su origen en una iglesia eremítica sobre la que se erigió el monasterio, en el siglo X, edificándose primero la denominada Iglesia Baja, de estilo mozárabe, que fue consagrada en el 920. Sancho el Mayor de Navarra fundó un nuevo centro en el año 1025. Se construyó una nueva iglesia de estilo románico. En el siglo XV se construyó la capilla de San Victorián y, en el siglo XVII, tras un incendio, se hubo de reconstruir el monasterio, adoptando, esta vez, el estilo barroco. Si bien lo más importante es el maravilloso Claustro románico que es el que atrae a los visitantes.
Palestra Iniciação ao Mundo no Vinho no 26ª Seminário Cooplantio - O produtor como diferencial no Agronegócio. Gramado, 20 a 22 de junho. FOTO: Jefferson Bernardes/Preview.com
[image: Inline image 1]
EXCERPT from:
trumpetcallofgodonline.com/index.php5?title=Many_Are_Call...
*Therefore, hear now the word of The Lord, for here is wisdom:* *God is
just in everything.* And if The Father's justice is not partial, then it
shall surely come to pass in these latter days, that those who have placed
themselves first shall be last, and those who were seen as last shall be
first. For what shall I do and what shall I say to all these who call of
themselves Christian, to a people who speak in My name continually,
invoking My Word in Scripture, then in the selfsame day disobeying it?!
Shall any man who thinks himself righteous, simply because he knows My
name, be taken out of The Day of The Lord as a reward for his disobedience
and high-mindedness?!... *Surely not!*
And what of all these who speak in My name, using My own Word to exalt
themselves and to judge others? Shall I reward the lofty and deliver the
self-righteous?! Shall I lift up any who teach as doctrine the commandments
of men?! Shall I grant escape to those who stand firm for their own way, as
they fight against Me?!... *Surely not!* For of My servants I require all
humility, with meekness and fear, rightly dividing My Word unto the
edification of their brothers and sisters; not in justification of
themselves, by themselves, for their own glory, as they abide in the
churches of men who forsake My Commandments and ignore My every decree, a
people who hate My statutes and have no love for My Sabbaths!
26ª Seminário Cooplantio - O produtor como diferencial no Agronegócio. Gramado, 20 a 22 de junho. FOTO: Jefferson Bernardes/Preview.com
Image © Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to license this image for any purpose, please visit my site and contact me with any questions you may have. Please visit Susan Candelario artists website to purchase Prints Thank You.
La cathédrale Saint-Gatien de Tours est l'église cathédrale catholique romaine, située à Tours, en Indre-et-Loire. Dédiée Saint-Gatien, elle est le siège du diocèse de Tours et la cathédrale métropolitaine de la province ecclésiastique de Tours.
Elle a été classée monument historique par liste de 1862.
La cathédrale Saint-Gatien a été construite entre 1170 et 1547. Lors de sa création, elle était située presque au débouché du pont franchissant la Loire, sur la route reliant Paris au sud-ouest de la France. Elle fait l’objet d’un classement au titre des monuments historiques par la liste de 18621.
La première cathédrale Saint-Maurice a été édifiée par Lidoire, évêque de Tours de 337 à 371 et prédécesseur de Martin. Incendiée en 561, elle est restaurée par Grégoire de Tours et dédicacée en 590. Du fait de son emplacement, à l'angle sud-ouest du castrum, et de son orientation à l'est, l'accès se faisait, sinon au travers de l'enceinte tardo-antique, du moins en baïonnette depuis la voie traversant la cité ; une telle configuration est rare2. La cathédrale de Tours est reconstruite au cours du deuxième quart du xiie siècle et est incendiée en 1166 lors des luttes entre Louis VII de France et Henri II d'Angleterre, comte d'Anjou. On ne connaît pas le plan de cet édifice.
La nef et le chœur :
La cathédrale actuelle remplace cet édifice roman. La première campagne a concerné le croisillon sud et les tours, dès 1170. Le chœur est reconstruit de 1236 à 1279 par Étienne de Mortagne. C'est la nef qui a demandé le plus de temps pour son édification. L'architecte Simon du Mans reconstruit le transept et entame la nef, dont six travées, bas-côtés et chapelles sont édifiés au xive siècle — les deux premières travées correspondent à celles de l'ancienne cathédrale romane et remontent au xiie siècle. La nef n'est achevée qu'au xve siècle par les architectes Jean de Dammartin, Jean Papin et Jean Durand, grâce aux libéralités accordées par Charles VII et le duc de Bretagne Jean V. À l'occasion de l'édification du bâtiment actuel, la nef a donc été allongée vers l'ouest et les tours encadrant l'entrée sont élevées en dehors de l'ancienne cité, accentuant la particularité de l'édifice mentionnée supra ; l'enceinte tardo-antique est visible en coupe à l'arrière des tours depuis le nord. En 1356, la cathédrale reçoit le nouveau vocable de Gatien.
La façade a perdu les grandes statues des piédroits, détruites par les protestants au cours des guerres de Religion. Mais elle demeure une des plus extraordinaires créations du gothique flamboyant dans ce qu'il a de plus éxubérant, véritable dentelle de pierre sans guère d'équivalent, chef-d'œuvre décoratif de premier plan. Les tours sont élevées dans la première moitié du xvie siècle : la tour nord a été édifiée en 1507 par Pierre de Valence, et la tour sud entre 1534 et 1547 par Pierre Gadier.
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La catedral San Gaciano de Tours, también llamada Catedral de Tours es la iglesia catedral de la diócesis de Tours y la catedral metropolitana de la provincia eclesiástica de Tours. Fue construida entre 1170 y 1547. Estaba situada durante su creación casi a la salida del puente que cruza el Loira, sobre la ruta que une París con el suroeste de Francia.
Historia:
La primera catedral de San Mauricio fue edificada por Lidoire, obispo de Tours del 337 al 371 y predecesor de Martín de Tours. Incendiada en el 561, fue restaurada por Gregorio de Tours y dedicada en el 590.
Su situación, en el ángulo suroeste del castrum, hace que la orientación al este haya hecho que el acceso se haga, sino a través de la muralla tardo-antigua, desde la vía que atraviesa la ciudad. Tal configuración es poco común. No se conoce el plano de este edificio.
------
Saint Gatien's Cathedral is the Roman Catholic cathedral church of the Tours diocese and the metropolitan cathedral of the Tours ecclesiastic province, in Indre-et-Loire, France. Saint-Gatien's Cathedral was built between 1170 and 1547. At the time construction began, it was located at the south end of the bridge over the Loire, on the road from Paris to the south-west of France. It has been a classified Monument historique since 1862.
The first cathedral of Saint-Maurice was built by Lidoire, bishop of Tours from 337 to 371 (preceding St Martin). Burnt in 561, it was restored by Gregory of Tours and rededicated in 590. Its location, at the south-west angle of the castrum, as well as its eastern orientation, resulted in the original access being through the late-Roman surrounding wall (such a configuration is quite rare).
The cathedral was then rebuilt during the second quarter of the 12th century and again burnt in 1166 during the conflict between Louis VII of France and Henry II of England (also count of Anjou, the neighboring region).
The present cathedral replaces the 13th century Romanesque building. The first phase concerned the south transept and the towers, as early as 1170. The chancel was rebuilt from 1236 to 1279 by Étienne de Mortagne but the nave took much longer to build. The architect Simon du Mans rebuilt the transept and started the nave, including six spans, aisle and chapel, built during the 14th century — the first two spans correspond to those of the old Romanesque cathedral and date back to the 12th century. The nave was only finished during the 15th century by architects Jean de Dammartin, Jean Papin and Jean Durand, thanks to the generosity of Charles VII and the Duke of Brittany Jean V.
While building the present cathedral, the nave was then extended westward and the towers surrounding its entrance were erected during the first half of the 16th century, the first tower in 1507 by Pierre de Valence 87 m high, and the second tower during 1534 and 1547 by Pierre Gadier. Highlighting the special feature of the building, called supra, the towers were erected outside of the old city. The late-Roman surrounding wall is visible in cross section at the rear of the towers from the north.
In 1356, the cathedral received its new name of saint Gatien. Its construction having been particularly slow, it presents a complex pattern of French religious types of architecture from the 13th century to the 15th. For example, the tower buttresses are Romanesque, the ornamentation generally is pure Gothic, and the tops of the towers are Renaissance (beginning of the 16th century).
Image © Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to license this image for any purpose, please visit my site and contact me with any questions you may have. Please visit Susan Candelario artists website to purchase Prints Thank You.
Les fontaines Wallace sont des points d’eau potable publics qui se présentent sous la forme de petits édicules en fonte. Dessinées par Charles-Auguste Lebourg, elles tiennent leur nom de Richard Wallace, le philanthrope britannique qui finança leur édification. Elles sont souvent associées par les étrangers à l'image de Paris où elles furent implantées en premier et qu’on en trouve le plus en France. Celle-ci fut d'ailleurs offerte par la ville de Paris.
Wallace fountains are public drinking water points in the form of small cast iron kiosks. Designed by Charles-Auguste Lebourg, they take their name from Richard Wallace, the British philanthropist who financed their construction. They are often associated by foreigners with the image of Paris where they were first established and that we find most in France. Moreover, this one was offered by the city of Paris.
[Photo prise avec un Nikon FG-20]