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Participatory 3 Dimensional Mapping of Kwaebibirem municipality in the Eastern Region of Ghana.
Photo by Yvonne Baraza/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Visit to IIAP Carbon monitoring site, Quistococha.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Participatory 3 Dimensional Mapping of Kwaebibirem municipality in the Eastern Region of Ghana.
Photo by Yvonne Baraza/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Visit to IIAP Carbon monitoring site, Quistococha.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
©KandyZone | KanchuKa Samarakoon | Editing, reproducing and re-using the images for commercial purpose or otherwise, without permission of KandyZone, are strictly prohibited and considered as intended copyright infringement Vibrato 2016 - Sachith Peiris live in concert with Iraj, Randhir, Tehan and Mayora organized by the Rotaract Club of Neptune Edification.
Training on accounting and monitoring of greenhouse gas fluxes from peatlands, Peru.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Jardin japonais
Pénétrer dans un jardin japonais, c'est une façon de retrouver un environnement susceptible de donner quiétude et harmonie à son âme troublée par le rythme rapide de la vie moderne.
Dans ce jardin, d'une superficie de 2,5 hectares, tous les éléments s'équilibrent pour évoquer la sérénité. Chaque arbre, chaque arbuste et chaque pierre ont été minutieusement sélectionnés et disposés.
Aux détours des sentiers, le visiteur découvre les paysages où se succèdent les collections de pivoines, de rhododendrons, d'iris, de pommetiers et de nombreuses plantes vivaces.
Tout dans ce lieu, propice à la réflexion, est empreint de symbolisme. On y retrouve un étang ainsi qu'une série de cascades et de ruisseaux qui incarnent la vie et le renouveau.
L'architecte-paysager du jardin
Monsieur Ken Nakajima (1914-2000), architecte-paysager japonais de renommée internationale, a su donner à son aménagement le cachet d'un jardin contemporain en ajoutant aux lignes sobres et traditionnelles un nombre important de végétaux à fleurs. La participation financière des gouvernements du Japon, du Québec, du Canada et de la Ville de Montréal ainsi que celle de diverses entreprises japonaises ont permis l'édification de ce magnifique jardin, inauguré le 28 juin 1988.
Le Jardin botanique est fier de présenter à ses milliers de visiteurs ce magnifique jardin japonais et son pavillon, vitrine sur la culture japonaise.
L'état d'esprit
Une visite au Jardin japonais nécessite une ouverture de l'esprit et une disponibilité de l'âme; on pénètre dans un jardin japonais; on y vient pour méditer, pour se recueillir, pour sentir et admirer la beauté de la pierre, de l'eau, des plantes et des différents éléments architecturaux qui le composent.
On y vient pour admirer le mouvement lent des carpes Koi cachées à l'ombre des grandes feuilles de nénuphars comme pour contempler le reflet du soleil ou de la pluie sur les pierres multicolores ou encore pour écouter le murmure de l'eau qui danse, rieuse, à travers les rochers des cascades.
Si l'on y vient tôt le matin, on pourrait surprendre les ébats des grands hérons, des carouges à épaulettes et d'autres espèces de la gent ailée en train d'effectuer leur toilette matinale. Chaque saison mais aussi chaque période de la journée sont porteuses de moments d'intensité et de beauté qu'il s'agit de saisir.
Un pavillon pour le Jardin japonais
Une visite au Jardin nécessite également une halte dans son pavillon culturel conçu par l'architecte Hisato Hiraoka.
En traversant les salles d'exposition, on y admire les œuvres d'art variées, témoins de l'histoire et du raffinement de la culture japonaise.
Extrait du Web.
JAPANESE GARDEN
Entering a Japanese Garden is a way of returning to an environment in which people can find peace and harmony, away from the rapid pace of modern life.
In this garden of 2,5 hectares all elements are balanced to create a feeling of serenity. Each tree, each shrub, each stone has been carefully chosen and placed.
The pathways lead the visitors through settings of peonies, rhododendrons, irises, crab-apple trees and numerous perennials.
Everything in this meditative place has a symbolic significance. A pond and a series of cascades and springs express life and renewal.
The architect of the garden
This contemporary garden, designed by Ken Nakajima, is inspired by the traditional art of Japanese landscaping. Stone, water and plants combine to produce a pure, simple environment in which every element is imbued with symbolism. Its sinuous lines create a pervading sense of harmony, offering many different vistas and the certainty of new discoveries. The attentive care that such a garden requires is simply a way of celebrating the beauty of nature, for which the Japanese have profound respect. The Japanese Garden, created with the support of the governments of Japan, Canada and Québec, the City of Montréal and several Japanese companies, opened on June 28, 1988.
The Montréal Botanical Garden is proud to present to its thousands of visitors this magnificent Japanese Garden and Pavilion, which are a true reflection of Japanese art and culture.
The state of mind
A visit to the Japanese Garden requires an open mind and spirit. Visitors should go right to its heart; to meditate, to collect their thoughts, to feel and touch the beauty of the stone, water, plants and various architectural elements which make up the garden. It is a place where the slow-moving carp or "Koi" float in the shade of broad-leaved water lilies as if contemplating the sun's reflection or the rain on the multicoloured stones or even, as if they were listening to the gurgling waters, laughing as they spill over artfully arranged cascades.
Early-risers may surprise great blue Heron as well as red-winged blackbirds and other fine feathered friends at their morning toilet. Each season, like each time of day, has moments of intense beauty which wait only to be captured by lovers of art and nature.
A pavilion for the Japanese Garden
A visit to the Japanese Garden wouldn't be complete without a short stop at the cultural pavilion designed by architect Hisato Hiraoka.
Walking through the exhibition halls, visitors will marvel at various works of art which are a timeless expression of the history and refinement of Japanese culture.
Through the tea ritual, focal point of the pavilion, visitors are soon swept away to an oasis of peace and harmony where each movement is an expression of grace and beauty.
Extract from Web
Le site de Beng melea est situé à 42 km à l’Est de Siem Reap.
Il aurait été construit sous le règne de Suryavarman II aux 12 eme siècle.
Il aurait servi de modèle pour l’édification d’Angkor Vat. C’est un temple Hindou mais quelques sculptures sont bouddhistes.Ce temple est le seul a n'avoir subit aucune restauration,.la passerelle en bois du film de jj Annaud les 2 freres permet aux touristes de le visiter par endroit sinon il faut ramper entre les blocs.
The site of Beng Melea is located 42 km east of Siem Reap.
It was built during the reign of Suryavarman II in the 12 th century.
It would have served as a model for the construction of Angkor Wat. It is a Hindu temple sculptures but some are bouddhistes.Ce temple is the only one not to have undergone any restoration. Wooden footbridge dd Annaud film 2 brothers permits tourists to visit some places if you have to crawl between the blocks.
■ View near Jadraque (La Alcarria, Guadalajara, Spain). There are many other pictures taken in La Alcarria in this same set, including a breathtaking panorama from this same view. At the far right you can see El Cid's castle (also known as Jadraque's Castle), a 1,000-year old military edification near Jadraque.
Taken handheld with my Panasonic Lumix TZ7 (ZS3) in available natural light (25 mm, F5.6, 1/500 sec., ISO 80, -1/3 EV).
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■ Vista cerca de Jadraque (La Alcarria, Guadalajara). Hay muchas otras fotos tomadas en La Alcarria en este mismo album, incluyendo un espectacular panorama desde esta misma vista. A la izquierda del todo puede verse el castillo de El Cid tambien conocido como Castillo de Jadraque), una edificación militar de 1.000 años de antigüedad cerca de Jadraque
Tomada a pulso con una Panasonic Lumix TZ7 (ZS3) en luz ambiente (25 mm, F5.6, 1/500 seg., ISO 80, -1/3 EV).
Pequeno templo, cuja matriz inicial remonta ao ano de 1698, tendo sido posteriormente reedificado no final do século XIX. A vila de Paço de Arcos, pela sua localização, esteve desde sempre ligada às actividades piscatórias, daí que esta capela tenha sido erguida em honra do
Senhor Jesus dos Navegantes, padroeiro das gentes do mar. A devoção local ao padroeiro desta capela é provavelmente anterior à construção da capela e estará relacionada com a proteção que a enseada de Paço de Arcos ofereceria aos navegantes que ali ocorriam procurando
abrigo das tempestades no mar.
A capela é constituída por uma só nave, rematada por uma abóbada de berço animada por painel de estuque de motivos geométricos (limitado à zona correspondente ao altar-mor), apresentando também muros revestidos por rodapé azulejar de padrão setecentista. Os muros da nave ostentam ainda a presença de figurações escultóricas, sobre peanhas, de São José (Epístola) e de São Sebastião (Evangelho). Este espaço é
enriquecido por alguns elementos do período barroco, nomeadamente o altar predominantemente em talha dourada.
Na zona central encontra-se uma imagem do padroeiro da vila – Senhor Jesus dos Navegantes.
Rua Travessa da Ermida
2770-161 Paço de Arcos
Tel: (+351) 214 432 145
Sábado: 9h00 - 11h00
Entrada gratuita
Estação de saída: CP Paço de Arcos
Senhor Jesus dos Navegantes Chapel
Small temple, whose origin goes back to 1698 being rebuilt at late nineteenth century.
For its location, Paço de Arcos has always been related to fishing activities, that is why this chapel has been devoted to Lord Jesus of Navigators, Saint Patron of seafarers. The local devotion of seafarers to this chapel Saint patron probably goes back before this chapel edification and shall be most likely connected to the shelter that Paço de Arcos cove offered to seafarers that went there looking for
shelter from the sea storms.
The chapel has a single aisle crowned by an arch barrel lightened by a geometric pattern stucco panel (confined to the high altar area) and also laying out walls covered by a seventeenth century tilled pattern outskirt. The aisle walls display also sculptural elements, upon pedestals of Saint Joseph (Epistle) and Saint Sebastian (Gospel). This space is still enhanced by some baroque elements, namely the altar predominately of gilt woodwork and at the central area with an image of this village Saint Patron - Lord Jesus of Navigators.
Saturday: 9:00 - 11:00
Free entry
Railway Station Exit: CP Paço de Arcos
IIAP's scientist Jhon Rengifo talks during a workshop on Peruvian peatlands.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Journalists visit in Yangambi - DRC.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Saint-Stephen Cathedral Metz, France, is a Rayonnant Gothic edifice built with the local yellow Jaumont limestone. Like in French Gothic architecture, the building is compact, with slight projection of the transepts and subsidiary chapels. However, it displays singular, distinctive characteristics in both its ground plan and architecture compared to most of the other cathedrals. Because of topography of Moselle valley in Metz, the common west-east axis of the ground plan could not be applied and the church is oriented north-northeast. Moreover, unlike the French and German Gothic cathedrals having three portals surmounted by a rose window and two large towers, Saint-Stephen of Metz has a single porch at its western facade. One enters laterally in the edifice by another portal placed at the south-western side of the narthex, declining the usual alignment of the entrance with the choir. The nave is supported by flying buttresses and culminates at 41.41 metres high, making one of the highest naves in the world. The height of the nave is contrasted by the relatively low height of the aisles with 14.3 metres high, reinforcing the sensation of tallness of the nave. This feature permitted the architects to create large, tall expanses of stained glass. Through its history, Saint-Stephen Cathedral was subjected to architectural and ornamental modifications with successive additions of Neoclassical and Neogothic elements.
The edification of Saint-Stephen of Metz took place on an Ancient site from the 5th century. The construction of the Gothic cathedral began in 1220 within the walls of an Ottonian basilica dating from the 10th century. The integration into the cathedral's ground plan of a Gothic chapel from the 12th century at the western end resulted in the absence of a main western portal; the south-western porch of the cathedral being the entrance of the former chapel. The work was completed around 1520 and the new cathedral was consecrated on 11 April 1552. In 1755, French architect Jacques-François Blondel was awarded by the Royal Academy of Architecture to built a Neoclassical portal at the West end of the cathedral. He disengaged the cathedral's facade by razing an adjacent cloister and three attached churches and achieved the westwork in 1764. In 1877, the Saint-Stephen of Metz was heavily damaged after a conflagration due to fireworks. After this incident, it was decided the refurbishment of the cathedral and its adornments within a Neogothic style. The western facade was completely rebuilt between 1898 and 1903; the Blondel's portal was demolished and a new Neogothic portal was added.
Field visit to aguajal area in Loreto during training on peatlands' emissions accounting.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Chambers of the CO2 flux analysis system in soil.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
THE CHURCH OF CHRIST
A local church of Christ is simply a congregation that belongs to Christ. It is organized after the New Testament pattern of "elders, deacons and saints" (Phil. 1:1). All creeds of men are rejected and the Bible is the only standard of faith and practice. As the gospel is planted in the hearts of honest men and women (Luke 8;11; Rom. 1:16), new Christians are born (John 3:1-5; Rom. 6:1-7). Upon the instructions of the New Testament, Christians meet on the Lord's day for the Lord's supper (Mt. 26:26-30; Acts 20:7; 1 Cor. 11:23-29), singing (Eph. 5:19; Col. 3:16), prayers (Acts 12:5), study of the scriptures (Acts 15:7-21) and giving contributions for the Lord's work (1 Cor. 16:1-2).
Each congregation is independent from every other congregation, claiming its autonomy under Christ (Phil. 1:1; 1 Pet. 5:1-2). It recognizes no earthly head, belongs to no association of churches, stands free from denominational churches and supports no human institutions.
It recognizes its God-given responsibility to preach the gospel according to its own ability, to provide edification to its own members, and to provide benevolence for its own needy (Acts 6) and for those saints in need in other places (1 Cor. 16:1-2; 2 Cor. 8, 9).
As the early disciples "went everywhere preaching the word" (Acts 8:4), so do 20th Century Christians. Please consider the following material as a short explanation of God instructions to man for Salvation. It is important we answer through scripture what God require of us that we might be saved.
How Does One Become A Christian?
Hear the Gospel
Jesus said, "Behold, I stand at the door and knock. If anyone hears my voice and opens the door, I will come in to him anddine with him, and he with me" (Rev. 3:20). The Lord is inviting you into His kingdom. He also said, "I am the good shepherd," and he is the "door of the sheep" (John 10:7, 11). He invites the lost into the fold of safety, for danger is outside. For the lost, Jesus is the good shepherd that leaves the "ninety and nine" and looks for the "sheep that is lost," for "the Son of Man has come to save that which was lost" (Mt. 18:11-14). Jesus' sheep hear his voice and follow him (John 10:27-28) for eternal life. How do the sheep hear the voice of Jesus? We are "called by the gospel" (2 Thes. 2:14), which is "power of God unto salvation" (Rom. 1:16). It is by the word of God that faith is produced in the hearts of the lost (Rom. 10:17). Have you heard the gospel?
Believe
As the gospel story is read (Matthew, Mark, Luke and John), Jesus is shown to be the Son of God (Jn. 20:27-31). Our faith rests in Him. We must believe that He is the Son of God, sacrificed for our sins (Mt. 16:13-16; John 8:24). Do you believe?
Repent of Sins
All of us have sinned (Rom. 3:23) and have died spiritually because of sin (Rom 6:23). We must face our sins and repent. Repentance is a change of mind, followed by a change of life, as illustrated in Matthew 21:28-31. The son "repented" (changed his mind) and "went" (changed his life). This repentance is required before one can be saved (Lk. 13:3-5; Acts 2:36-38). Have you repented?
Confess the Name of Jesus
Jesus warned that we must have the courage of our faith to openly confess Him with the mouth, an oral confession (Rom. 10:10). If we do not have this courage, Jesus will not confess our name as brethren (Mt. 10:32-33). People in the New Testament times confessed Jesus' name (Acts 4:10-12; 8:37). Have you confessed that Jesus is the Son of God?
Be Baptized
Yes, baptism is a Bible doctrine, commanded by Jesus (Mt. 28:18-20; Mk. 16:15-16; Luke 24:48). Baptism is not administered as a "rite of the church," as a work of human righteousness or merit, but as an act of faith (Mk. 16:16; James 2:17, 18, 20, 24). Regardless of the animosity toward baptism in the denominational world, and in spite of their denial of its place in salvation, it is administered by the authority of Jesus for the remission of sin.
Baptism is a burial (Rom. 6:1-7; Col. 2:12) in water (Jno. 3:1-5; Acts 2:38; Acts 8:38). It is for (unto, toward) the remission of sins (Acts 2:38) and is viewed in scripture as involved in "washing away sins" (Acts 22:16; 1 Pet. 3:21). It is understood by Bible students that forgiveness is not in the water, but in the blood of Christ (Mt. 26:26-28; Rom. 6:1-7). However, Jesus has placed the opportunity of reaching that blood in the act of baptism. It is at baptism that the sinner mets the blood of Christ, that the old man of sin dies, and the new birth takes place (Rom. 6:1-7; Jn. 3:1-5).
Baptism is a re-enactment of the sinner for what Jesus did for him (death, burial and resurrection, 1 Cor. 15:1-4). The sinner obeys, in baptism, a "form of the gospel" (Rom. 6:16-18) in that he becomes dead to sin as he repents, is buried in baptism, and arises to a new life in Christ (Rom., 6:1-7). There is no other act of obedience in the New Testament that so fittingly portrays the gospel in our life as baptism. It is an act of faithful obedience (Rom. 1:5; Jn. 6:28-29; 8:39), not an act of merit or of human righteousness (Tit. 3:5). At the time of baptism, Jesus forgives our sins by the power of the blood and adds us to His church (Acts 2:38, 47). Have you been baptized?
Now That I'm A Christian
Disciples of Jesus wear no denominational names or support denominational doctrines. You are not Baptist, Methodist, Catholic, etc. No such names or denominations existed when Jesus built His church, and you now belong to that church (Mt. 16:18; Acts 2:47). The name of "Christian" is given for you to wear, and you glorify God in that name (Acts 11:26; 4:12; 1 Pet. 4:14-15).
As a Christian, you will meet with other Christians for worship and service (Heb. 10:25; Acts 2:42; 9:26-28; Eph. 4:11-16).
Christians begin as "babes" in Christ, having been born again (Jn. 3:1-5; Rom. 6:1-7; 1 Pet. 1:22-23; 1 Pet. 2:1-2). Each grows toward being a mature Christian (Eph. 4:11-15). They no longer live in sinful life-styles as in the past (Col. 3:1-17; Gal. 5:19-24). A Christian grows by adding the attributes of grace (2 Pet. 1:2-11).
Are you a Christian?
Visit to IIAP Carbon monitoring site, Quistococha.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Image © Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to license this image for any purpose, please visit my site and contact me with any questions you may have. Please visit Susan Candelario artists website to purchase Prints Thank You.
Assisted Natural Renegeration demonstration plot.
Photo by Gabriel Mulenga/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Visit to IIAP Carbon monitoring site, Quistococha.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Journalists visit in Yangambi - DRC.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Wiring for the transport of air flows to the gas analyzer.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Participatory 3 Dimensional Mapping of Kwaebibirem municipality in the Eastern Region of Ghana.
Photo by Yvonne Baraza/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Aguaje palms.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Participatory 3 Dimensional Mapping of Kwaebibirem municipality in the Eastern Region of Ghana.
Photo by Yvonne Baraza/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Central station of the entire flow measurement system powered by batteries.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Assisted Natural Renegeration demonstration plot.
Photo by Gabriel Mulenga/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
An outstanding depiction, ca. 1966/67 of ALSEP deployment/“thumper” employment. Note the squat nature of the central station. The round-topped cylindrical object to its right is the passive seismometer. I have no idea what the two low-profile square devices in its immediate vicinity are. Confirmation of the year & devices are available at the following wonderful site:
www.lpi.usra.edu/lunar/ALSEP/pdf/31111000674190.pdf
Credit: LPI website
I didn’t expect the thumper to have already been under planning during this time period. Did YOU??? Along those lines, since I believe in going into the weeds…for my own edification & since it’s the primary activity being depicted:
“The Active Seismic Experiment apparatus is comprised of two parts, the seismic energy sources and the detection system. Two energy sources will be employed. One is a mortar device from which four explosive grenades will be launched to detonate at various distances up to one mile from the geophone detectors. The mortar package, including grenades and the explosives, will be armed and activated after about one year by earth command. The second energy source is a “thumper” device containing 20 explosive squibs which will be activated by the astronaut at specified locations along the geophone line as he returns to the ALSEP. The detection system will be a linear array of three geophones together with amplifier systems and necessary electronics.
The mechanical design of the Active Seismic Experiment is based on inputs from both Drs. Kovach (the Americanized version of Kovacs, it being the original Hungarian spelling) and Watkins. The design concerns two areas, the seismic energy sources and the common detection system. The thumper device is for investigation of the materials within about a 75-ft depth of the lunar surface. This device will be about 4 ft long, and stored in two sections for transportation. The upper section will contain necessary electronics for the firing mechanism, the squib barrel, and contact points. The lower section will be a hollow cylinder which will be bayonet-connected to the squib barrel. It will serve to couple the energy source to the lunar surface, and impart seismic waves to the surface materials for detection by the geophones.”
The above being an extract from the aforementioned document.
The ‘thumper’ was used on Apollos 14 & 16.
If this artwork isn’t by John Gorsuch, I’m a monkey’s uncle.
Classroom block at UNIKIS, Kisangani - DRC.
Photo by Axel Fassio/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: news@cifor-icraf.org and a.sanjaya@cifor-icraf.org
Bootprints In Perpetuity
Again, for my edification, my crude photogrammetric(?) attempt at bringing together my photos with downloaded material from the ALSJ in order to identify and correlate surface features associated with the "Boot Print Soil Mechanics Experiment".
Included are pre-EVA photos, post-EVA photos and a 16mm DAC frame.
The pre-EVA, boot print labeled and 16mm DAC frame images can be found at the ALSJ:
Légende :Kanyabayonga, Nord-Kivu, RD Congo - Les contingents indiens déployés à la MONUSCO ont organisé à Kanyabayonga, divers cours et conférences de motivation à l’intention des écoliers, dans le cadre de la commémoration de la « Journée internationale de l’Education ». L'importance de l'éducation dans la vie personnelle ainsi que l'édification de la nation ont été expliquées au grand nombre d'élèves et d'enseignants présents. Photo MONUSCO / Force
Caption: Kanyabayonga, North Kivu, DR Congo - Indian Contingents deployed at MONUSCO organized various motivational classes and lectures for school children at Kanyabayonga to commemorate “The International Education Day”. Importance of education in personal life as well as nation building were explained to the large number of students and teachers present. Photo MONUSCO/Force
Community forestry awareness campaign in a secondary school of Ikongo - DRC.
Photo by Axel Fassio/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Training on accounting and monitoring of greenhouse gas fluxes from peatlands, Peru.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Community meeting in Mushindamo, Zambia.
Photo by Gabriel Mulenga/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Assisted Natural Renegeration demonstration plot.
Photo by Gabriel Mulenga/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Community meeting in Ngala, Zambia.
Photo by Gabriel Mulenga/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Enviromental awarness lesson at the ITAV technical school of Yangambi - DRC.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
It's hard for me to get photos of Belfagan, as I'm usually part of the band when they're dancing. Well, just you try playing a sax and taking photos at the same time! Now and again, though, I leave the music to the others for a minute or two and take some pics. On this occasion, outside the Ratty Arms at Ravenglass, I caught the girls dancing Eaglesfield, a dance originally created especially for the group. It involves garlands and a lot of very rhythmic ranting. (For the edification of those who are not immersed in morris lore, the rant is a dance step commonly used in morris of the North West tradition.)
Training on accounting and monitoring of greenhouse gas fluxes from peatlands, Peru.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
Assisted Natural Renegeration demonstration plot.
Photo by Gabriel Mulenga/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Hidden treasures deep inside the Alabama Hills, CA.
To take this I had to balance my tripod in a most precarious position, about 4 feet off the ground... and support my weight with my hands and one foot. Good times :)
Please view large.
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Adventures for your entertainment and edification: artinnature.wordpress.com/
Le site de Beng melea est situé à 42 km à l’Est de Siem Reap.
Il aurait été construit sous le règne de Suryavarman II aux 12 eme siècle.
Il aurait servi de modèle pour l’édification d’Angkor Vat. C’est un temple Hindou mais quelques sculptures sont bouddhistes.Ce temple est le seul a n'avoir subit aucune restauration,.la passerelle en bois du film de jj Annaud les 2 freres permet aux touristes de le visiter par endroit sinon il faut ramper entre les blocs.
The site of Beng Melea is located 42 km east of Siem Reap.
It was built during the reign of Suryavarman II in the 12 th century.
It would have served as a model for the construction of Angkor Wat. It is a Hindu temple sculptures but some are bouddhistes.Ce temple is the only one not to have undergone any restoration. Wooden footbridge dd Annaud film 2 brothers permits tourists to visit some places if you have to crawl between the blocks.
Training on accounting and monitoring of greenhouse gas fluxes from peatlands, Peru.
Photo by Junior Raborg/CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org