View allAll Photos Tagged dynamiclight
"Once I spent my last dime, and counted the ratio of miles to time, I looked up to my disdain and my surprise." - The Avett Brothers.
My backyard. One reason why I have not moved back to NYC. I love the space of the garden state.
Street signs
- Modulo policía / Police module -
Tequisquiapan, Querétaro, México.
iPhone 4
© All rights reserved
Olympic Stadium + first stage of the 'Orbit' sculpture, Olympic Park, Stratford, London
iPhone 4 + Pro HDR, AutoStitch, Photogene, Dynamic Light, Iris, TiltShiftGen
Matthew shot taken on the Nikon D5000 and edited by me with the iPhone apps: snapseed and dynamic light. See more of my spin on Matthews shot here.
Processed in DynamicLight, Snapseed and Filterstorm Pro. Spooked this poor bird as I rounded the corner on the lakeshore to take some photos in the fog. Wishi would've had my 70-200, but this wider angle view isn't too bad...
As always, a photo each day for 365 days. All shot and edited using Apps on my iPhone 5.
The photo was taken using the camera App Huemore for iPhone. The original image can be found below.
First of all I used the app Dynamic Light to edit the image. This was done by applying the Blue Tint preset to help brighten the Structure and the trees a little. I then used the app ShockMyPic to apply a little artistic effect to the image. After that I used Distressed FX to add some extra texture to the image using the Cole overlay and the Lade Texture. Finally I used PhotoToaster to apply a soft dark Vignette, the Canvas texture and add the Shadow frame.
The original photo was taken in the built up residential area of Coundon in Coventry. It is an image of St Catherine's Well. This Grade II listed structure stands (fenced off and inaccessible) between a couple of houses. This is also near to the Alvis Retail park of Electrical stores, Hardware Superstore and a Large Supermarket. Not a lot is really known about this structure. It is said that this Red Sandstone building dates back to the early 15th Century. It is also said that this Well was once used to supply water to the nearby area of Spon End. It is without doubt the oldest surviving structure in Coundon.
Sorry this image for Saturday is late being posted. My phone ran out of charge and my one and only charger was at work. This is one of the problems of using an iPhone solely to take the picture and also to edit it :)
Messing around with an out of sync flash to get different areas of the image to appear with a black bar on them
Adan sleeps in the night. Leica D-Lux, f2.5 at 1/15, ISO 3200. Wifi to iPhone. Filtered in DynamicLight app and PS Express. ©2015 Billy Calzada
The Merlin Entertainments London Eye (known more simply as The London Eye, and also known as the Millennium Wheel), at a height of 135 metres (443 ft),[1] is the largest Ferris wheel in Europe, and has become the most popular paid tourist attraction in the United Kingdom, visited by over three million people in one year. At the time it was erected, in 1999, it was the tallest Ferris wheel in the world, until it was surpassed by the Star of Nanchang (160 m) in May 2006, and then the Singapore Flyer (165 m) on 11 February 2008. However, it is still described by its operators as "the world's tallest cantilevered observation wheel" (as the entire structure is supported by an A-frame on one side only).
Late ’40s or early ’50s Chevrolet aviation fuel truck, rusting in a small pile of junk on a private grass airstrip • Cleveland northeast Ohio USA • 2014 • Revisited a year after the original photo, below...
Companion photo to... www.flickr.com/photos/mathersteve/10628455625/
iPhone 4s & vividHDR camera app (Dramatic setting) > Perfectly Clear > PhotoToaster (Color Burst filter) > Dynamic Light • Photoshop Elements & Topaz Clean plug-in
I used Autostitch, Camera+ (Clarity), Dynamic Light (Natural sky), picFX (Olden), ScratchCam and PhotoToaster (Dazed). Photo taken with iPhone 3G.
White chairs in a studio captured in Camera+. Tweaked to black and white and for contrast in Camera+. Run through Dynamic Light's Orton IR filter twice. Created the "ghosts" in Heat Sense and inverted them with PhotoSplash. Blended each with ImageBlender. Applied a bit more contrast tweaking in Snapseed and also tiltshifted slightly.
iPhone 4
Apps:
Dynamic Light
Tiny Planet
Iris Photo Suite
Lens Light
Cameramatic
(Actually started out as the door of a church...)
Apps: Abstractme, Dynamic Light
Known as the "Delaware Continentals" or "Delaware Blues," they were from the smallest state, but at some 800 men, were the largest battalion in the army. David McCullough in 1776 describes them "turned out in handsome red trimmed blue coats, white waistcoats, buckskin breeches, white woolen stockings, and carrying fine, 'lately imported' English muskets. Raised in early 1776, they went from north in July and August 1776, arriving in time to engage in the entire sequence of events surrounding the British capture of New York in 1776.
St John's Lodge Garden, Regent's Park, London.
Shot with Panasonic Lumix DMC-GF2 + 14mm pancake + Hoya R72.
Processed with Aperture + iPhone 4 + Dynamic Light, Iris.
The photo is executed in technique «LightGraphic » or «The painting of light», that assumes illumination of model by small light sources in darkness on long endurance.
Thus, all lightcloth (composition) - is one Photo Exposition, is embodied on a matrix of the camera in one click of a shutter.
The sketches very often executed in such a way further are drawn in the graphic editor as it would be on a canvas a brush. Plug-ins and filters are not used.
Short story (in russian):
Aim for the sky and you'll reach the ceiling. Aim for the ceiling and you'll stay on the floor.
Bill Shankly
A Matthew shot edited by me with SnapSeed, PhotoFX, PhotoWizard, SuperImpose, Dynamic Light and VFX Studio (and once again the watermark was blended out) See more of my spin on Matthews shot here.
So I'm going to start typing in my whole process for now on for two reasons. One, so other people who might like the particular photo can try it on their own. Secondly, I have a problem remembering how I created something, so this way I can duplicate my own efforts. :)
1. Cleaned up photo, cropped, etc. With PS Express
2. Created a layer with Segmentix.
3. With Superimpose, blended the two to bring back a little more detail.
4. Used ArtistsTouch--Color Pastel brush, working from large size over whole pic to smaller size for bartender and tap.
5. Used retouch on this layer to erase unwanted elements. (There was a bright cash register I wasn't keen on. )
6. Blended this layer with the layer from Step three in Superimpose. Masked out the bartender and tap so they were clear. Then again blended the layer from Step 5 until I was happy with the detail/painterly mix overall.
7. Brought this layer into Luminance. Used Blue Gold setting. Further adjusted brightness, contrast, vignette, etc. with adjustment sliders in the app.
8. Used DynamicLight slightly to bring back a touch of the brightness and color.
9. Last but not least, used Photocopier, Degas setting.