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Pencil drawing for JKPP
Discussion thread www.flickr.com/groups/portraitparty/discuss/7215762922840...
Oozing monsters confront each other with teeth and eyeballs among flying bits of alien excretions. The centerfold of my Monster Coloring Book originally from around 1992.
©2015, Daniel Novotny, Isabel, Ink on Paper, 30×21 cm
This is a portrait for Julia Kay’s Portrait Party.
www.flickr.com/groups/portraitparty/discuss/7215765145500...
For the entire post go to www.danielnovotnyart.com/?p=3664.
Soon in Dolldom - Retros Lalka Fest! It's hot in Lalkaland! Lilli Lalka dolls by Julian Kalinowski wear Retros by Liz Cole and jewelry by Joy Jarred.
BALTO - ORIGINAL STORYBOARD DRAWING MATTED
ANIMATION ART ~ 1995
The original storyboards are just about all the artwork that is available from the creation of this classic film.
This scene depicts Rosie and Jenna watching as Rosie’s hat falls into the path of the oncoming sled racers. Storyboard supervision by world-renowned animator Daan Jippes.
150 €
Started drawing along with Mark Kistler's PBS show Imagination Station on Saturday morning. He did an endless doorway and then a shark. I put my shark in the door and just kept on going. You never know where the simplest of ideas can take you.
Strathmore 9x12 sketchbook. Sumo Grip mechanical pencils, Rapidograph .6, and Prismacolor colored pencils.
The result of some more cleanup (floppy backups give way to zip disks give way to CD's give way to DVD's, etc, am surprised i can still read some of this stuff!)
And a "blog entry" from one who doesn't blog...
A sampling of some early algorithmic/procedural drawing that sort of led to later "scribble/doodle" -type works. It's almost (but not quite) a Lindenmayer System of sorts, tho lacking recursion, having only simple iteration. Actually it was more like a tiny "assembly language for drawing" (or perhaps akin to the Turtle Graphics of Logo) where your instruction set is along the lines of "move,turn,mark,repeat".
The "code" was generated randomly, 100 instructions long. Code shown on the right, the curves show branching that occurred during the run, results drawn on the left. (though the system suppported multiple loop points, these were all restricted to no more than a single loop - in practice, multiple loop points led to too much variety with random code, the results tended to have no "structure" to them)
45-degree angles here, later versions preferred pi/3,pi/6 for hexagonal pseudo-orthographic effects. Yet later versions gave up on fixed angles altogether, hinting at more recent scribbles.
It was a really simple system, and recently I've been wondering if my code-based works haven't perhaps gotten too complex for my own good, and I should return to simpler times. More results, less code, more "bang for the buck" so to speak. Some of that attitude is no doubt the practical result of having other things that occupy my "play" time now. :)
Trying to figure out what to draw for the Flickr Drawoff Round 2. For some reason I like this kind of dog. We'll see.
This drawing was done by covering a sheet of drawing paper with charcoal and using an eraser as the primary drawing tool, sometimes working back in with more charcoal.
A pal of Jen’s from Miami had this on his MySpace page. I was immediately Starkstruck.
Photo by Harlan Erskine
I've done a little illustrated interview for Paperless Post. You can see it here, and feel sorry for my studio mate:
blog.paperlesspost.com/post/74764706549/blanca-gomez-a-sp...
Here is a great production drawing of Simba in red pencil This drawing is #109 in the sequence. There is an animation key in the upper right of the paper
BALTO - ORIGINAL STORYBOARD DRAWING MATTED
ANIMATION ART ~ 1995
The original storyboards are just about all the artwork that is available from the creation of this classic film.
This scene depicts Rosie and Jenna watching as Rosie’s hat falls into the path of the oncoming sled racers. Storyboard supervision by world-renowned animator Daan Jippes.
150 €
Stewardship Committee mtg notes for church. We cover important church issues, like the need for cinnamon rolls and pens.
Any employee should have the right to throttle at least one client in his working life. Then a client who wants a rainbow, an ottoman pattern and a hittite artifact to be used in the same logo and changes mind when her absurd order is ready, would get what actually she deserve. The pattern above has to be made in a very short time analysing a half picture of an ottoman decoration detail, for someone who does not deserve even a line of it.
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