View allAll Photos Tagged dr5

NIN at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Ilford HP5+ developed as reversal by DR5. Push +2 to ISO 1600.

 

Interesting process, but fairly expensive (my seven rolls of film with a 1600 push cost $118 to process) and it took three weeks to get the film back from the lab.

 

As a sidenote (which says a lot about any endeavor on the Internet), I shared these photos on the Flickr DR5 group so others who use the process could see what kind of results I got in a high-contrast concert setting. A month or so later I got email from user "SAH Photo" (Stacey Hoffman at www.sahphoto.com/) saying he didn't like the similarity of the content and demanding that I remove most of them from the pool. I looked to see if he was a moderator or group owner and he wasn't, so I replied and told him I didn't see him listed as a moderator. He replied and said, "Don't be a bitch." I removed a few of the photos I had in the group that seemed very similar and then today (July 28, 2009) I received notice that I'd been banned from DR5 and he's now a moderator. Whatever. It has greatly lessened my desire to use the DR5 process. That kind of snarky, cliquishness makes me feel like I'd be better off focusing my efforts on activities where feedback and collaboration are more prevalent. Life's too short to waste time interacting with that kind of people.

 

I mentioned this altercation to David Wood, who owns DR5. He said he knows Stacey Hoffman very well. He said that if I decided to stop using his DR5 process it was my loss. It's good to know what kind of people are behind this business. I guess that's a loss I can live with.

 

Update: Today (16 June, 2010) I received mail from David Wood. He said he was distressed at the "concocted comments" posted here and demanded that I remove all mention of him and his lab from my photos at once. He concluded with, "I'll not ask again." I'm not sure if this is a veiled threat or not, but it just reaffirms what I'd already suspected about Mr. Wood and his methods.

 

Update: Received via Flickr from David Wood on 17 June 2010:

 

truth? what did we do to you but process your film, & do a good job at that..?

 

you will remove your uncalled for remarks, that we had nothing to do with, or you will be hearing from my attorney.

 

I have your address and place of work. dont make me follow through.

 

am I clear.

 

Update: Email received from David Wood (info2@dr5.com) on 17 June 2010:

 

Sir

 

I have no idea what prompted your attack on our lab and me personally. Are you sane?

We did nothing but a top job for you and this is how you have repaid us, by posing negative comments I had nothing to do with.

 

What is it that you wanted from me that prompted this action? I have no clue what I could have done to prompt this?

 

Are you a grown man or a juvenile?

 

If you do not remove your uncalled for comments I will be forced to take legal action against you.

 

Please don’t make me go this route!

 

If you have not kindly removed this content , that has already been up for a year, by the weekend, I will instruct my attorney to file damages in court on Monday morning. You will then have to appear here in Colorado.

 

I still might sue you for all the time those have been up, but in the mean time you better take the comments down.

 

We had nothing to do with your issue! This is a very childish thing for you to have done and you will pay for it if you do not correct it.

 

A public apology might be a good place to start.

adox scala 160, dr5 process, leica m4 35mm summicron

135 T-MAX 100 (DR5 Process)

Taken in downtown Bozeman, MT with Leica m7 and Zeiss Biogon 25mm on hp5+ film pushed to iso 1600 and processed in dr5.

A little girl climbs on playground equipment. Part of a documentary portrait series shot in Glenwood Springs, CO.

More information about this image

NIN at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Ilford HP5+ developed as reversal by DR5. Push +2 to ISO 1600.

 

Interesting process, but fairly expensive (my seven rolls of film with a 1600 push cost $118 to process) and it took three weeks to get the film back from the lab.

 

As a sidenote (which says a lot about any endeavor on the Internet), I shared these photos on the Flickr DR5 group so others who use the process could see what kind of results I got in a high-contrast concert setting. A month or so later I got email from user "SAH Photo" (Stacey Hoffman at www.sahphoto.com/) saying he didn't like the similarity of the content and demanding that I remove most of them from the pool. I looked to see if he was a moderator or group owner and he wasn't, so I replied and told him I didn't see him listed as a moderator. He replied and said, "Don't be a bitch." I removed a few of the photos I had in the group that seemed very similar and then today (July 28, 2009) I received notice that I'd been banned from DR5 and he's now a moderator. Whatever. It has greatly lessened my desire to use the DR5 process. That kind of snarky, cliquishness makes me feel like I'd be better off focusing my efforts on activities where feedback and collaboration are more prevalent. Life's too short to waste time interacting with that kind of people.

 

I mentioned this altercation to David Wood, who owns DR5. He said he knows Stacey Hoffman very well. He said that if I decided to stop using his DR5 process it was my loss. It's good to know what kind of people are behind this business. I guess that's a loss I can live with.

 

Update: Today (16 June, 2010) I received mail from David Wood. He said he was distressed at the "concocted comments" posted here and demanded that I remove all mention of him and his lab from my photos at once. He concluded with, "I'll not ask again." I'm not sure if this is a veiled threat or not, but it just reaffirms what I'd already suspected about Mr. Wood and his methods.

 

Update: Received via Flickr from David Wood on 17 June 2010:

 

truth? what did we do to you but process your film, & do a good job at that..?

 

you will remove your uncalled for remarks, that we had nothing to do with, or you will be hearing from my attorney.

 

I have your address and place of work. dont make me follow through.

 

am I clear.

 

Update: Email received from David Wood (info2@dr5.com) on 17 June 2010:

 

Sir

 

I have no idea what prompted your attack on our lab and me personally. Are you sane?

We did nothing but a top job for you and this is how you have repaid us, by posing negative comments I had nothing to do with.

 

What is it that you wanted from me that prompted this action? I have no clue what I could have done to prompt this?

 

Are you a grown man or a juvenile?

 

If you do not remove your uncalled for comments I will be forced to take legal action against you.

 

Please don’t make me go this route!

 

If you have not kindly removed this content , that has already been up for a year, by the weekend, I will instruct my attorney to file damages in court on Monday morning. You will then have to appear here in Colorado.

 

I still might sue you for all the time those have been up, but in the mean time you better take the comments down.

 

We had nothing to do with your issue! This is a very childish thing for you to have done and you will pay for it if you do not correct it.

 

A public apology might be a good place to start.

Rockhill Furnace, Pennsylvania

Looking rather fine in the late winter sun.

 

Ilford Delta 100 exposed at ISO 64 and developed in dr5 Dev-1. Camera was a FED-2 with a f5.6/20mm Russar MR-2 wideangle.

Sometimes you just have to wonder what a sculpture's thought process was.

Yashica Mat-124 G

Heliopan R 1.5 Filter

Agfa Scala 200

expired January 2000

PIER 39

2011.03.30 photoed in San Francisco City,U.S.A.

漁人碼頭

2011年3月30日於舊金山拍的

Taken in Lincoln Park, Chicago using a Leica iiiC and Canon 50 MM 1.4 LTM on Agfa Scala.

2011.03.30 photoed in San Francisco City,U.S.A.

2011年3月30日於舊金山拍的

One of the great things about 4x5 film is the detail. Like finding some other photog in my image.

adox scala 160, dr5 process, leica m4 40mm summicron

Rockhill Furnace, Pennsylvania

Documentary portrait of a little girl on Christmas. Photographed at a home in Brighton, CO.

 

More information about this image

135 HP5 (DR5 Process)

Our Antminer DR5 (35TH) is now available! This model has a maximum hashrate of 35TH/s and a power consumption of 1610W. Get yours today!

 

Visit: bit.ly/Antminer-DR5

   

NIN at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Ilford HP5+ developed as reversal by DR5. Push +2 to ISO 1600.

 

Interesting process, but fairly expensive (my seven rolls of film with a 1600 push cost $118 to process) and it took three weeks to get the film back from the lab.

 

As a sidenote (which says a lot about any endeavor on the Internet), I shared these photos on the Flickr DR5 group so others who use the process could see what kind of results I got in a high-contrast concert setting. A month or so later I got email from user "SAH Photo" (Stacey Hoffman at www.sahphoto.com/) saying he didn't like the similarity of the content and demanding that I remove most of them from the pool. I looked to see if he was a moderator or group owner and he wasn't, so I replied and told him I didn't see him listed as a moderator. He replied and said, "Don't be a bitch." I removed a few of the photos I had in the group that seemed very similar and then today (July 28, 2009) I received notice that I'd been banned from DR5 and he's now a moderator. Whatever. It has greatly lessened my desire to use the DR5 process. That kind of snarky, cliquishness makes me feel like I'd be better off focusing my efforts on activities where feedback and collaboration are more prevalent. Life's too short to waste time interacting with that kind of people.

 

I mentioned this altercation to David Wood, who owns DR5. He said he knows Stacey Hoffman very well. He said that if I decided to stop using his DR5 process it was my loss. It's good to know what kind of people are behind this business. I guess that's a loss I can live with.

 

Update: Today (16 June, 2010) I received mail from David Wood. He said he was distressed at the "concocted comments" posted here and demanded that I remove all mention of him and his lab from my photos at once. He concluded with, "I'll not ask again." I'm not sure if this is a veiled threat or not, but it just reaffirms what I'd already suspected about Mr. Wood and his methods.

 

Update: Received via Flickr from David Wood on 17 June 2010:

 

truth? what did we do to you but process your film, & do a good job at that..?

 

you will remove your uncalled for remarks, that we had nothing to do with, or you will be hearing from my attorney.

 

I have your address and place of work. dont make me follow through.

 

am I clear.

 

Update: Email received from David Wood (info2@dr5.com) on 17 June 2010:

 

Sir

 

I have no idea what prompted your attack on our lab and me personally. Are you sane?

We did nothing but a top job for you and this is how you have repaid us, by posing negative comments I had nothing to do with.

 

What is it that you wanted from me that prompted this action? I have no clue what I could have done to prompt this?

 

Are you a grown man or a juvenile?

 

If you do not remove your uncalled for comments I will be forced to take legal action against you.

 

Please don’t make me go this route!

 

If you have not kindly removed this content , that has already been up for a year, by the weekend, I will instruct my attorney to file damages in court on Monday morning. You will then have to appear here in Colorado.

 

I still might sue you for all the time those have been up, but in the mean time you better take the comments down.

 

We had nothing to do with your issue! This is a very childish thing for you to have done and you will pay for it if you do not correct it.

 

A public apology might be a good place to start.

Autumn in Naarden.

 

More shots can be found on my (Dutch language) weblog.

 

Shot with a Canon EOS-1V fitted with a Canon EF 24-105mm f/4L IS USM lens, loaded with Ilford FP4+ black and white film and scanned with a Nikon Super Coolscan LS-5000ED. This FP4Plus was developed with the DR5 process that transforms this negative film into a reversal film. Yes, Ilford slides!

Kiev-4am on Fomapan R @ ISO 160 processed in dr5 dev-1. I can't remember (I forgot to make a note) but I think I was using a Jupiter-12.

Dining Room to Living Room. Steuben, Stickley, Wm.Morris, 1926 Craftsman Bungalow, CT

NIN at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Ilford HP5+ developed as reversal by DR5. Push +2 to ISO 1600.

 

Interesting process, but fairly expensive (my seven rolls of film with a 1600 push cost $118 to process) and it took three weeks to get the film back from the lab.

 

As a sidenote (which says a lot about any endeavor on the Internet), I shared these photos on the Flickr DR5 group so others who use the process could see what kind of results I got in a high-contrast concert setting. A month or so later I got email from user "SAH Photo" (Stacey Hoffman at www.sahphoto.com/) saying he didn't like the similarity of the content and demanding that I remove most of them from the pool. I looked to see if he was a moderator or group owner and he wasn't, so I replied and told him I didn't see him listed as a moderator. He replied and said, "Don't be a bitch." I removed a few of the photos I had in the group that seemed very similar and then today (July 28, 2009) I received notice that I'd been banned from DR5 and he's now a moderator. Whatever. It has greatly lessened my desire to use the DR5 process. That kind of snarky, cliquishness makes me feel like I'd be better off focusing my efforts on activities where feedback and collaboration are more prevalent. Life's too short to waste time interacting with that kind of people.

 

I mentioned this altercation to David Wood, who owns DR5. He said he knows Stacey Hoffman very well. He said that if I decided to stop using his DR5 process it was my loss. It's good to know what kind of people are behind this business. I guess that's a loss I can live with.

 

Update: Today (16 June, 2010) I received mail from David Wood. He said he was distressed at the "concocted comments" posted here and demanded that I remove all mention of him and his lab from my photos at once. He concluded with, "I'll not ask again." I'm not sure if this is a veiled threat or not, but it just reaffirms what I'd already suspected about Mr. Wood and his methods.

 

Update: Received via Flickr from David Wood on 17 June 2010:

 

truth? what did we do to you but process your film, & do a good job at that..?

 

you will remove your uncalled for remarks, that we had nothing to do with, or you will be hearing from my attorney.

 

I have your address and place of work. dont make me follow through.

 

am I clear.

 

Update: Email received from David Wood (info2@dr5.com) on 17 June 2010:

 

Sir

 

I have no idea what prompted your attack on our lab and me personally. Are you sane?

We did nothing but a top job for you and this is how you have repaid us, by posing negative comments I had nothing to do with.

 

What is it that you wanted from me that prompted this action? I have no clue what I could have done to prompt this?

 

Are you a grown man or a juvenile?

 

If you do not remove your uncalled for comments I will be forced to take legal action against you.

 

Please don’t make me go this route!

 

If you have not kindly removed this content , that has already been up for a year, by the weekend, I will instruct my attorney to file damages in court on Monday morning. You will then have to appear here in Colorado.

 

I still might sue you for all the time those have been up, but in the mean time you better take the comments down.

 

We had nothing to do with your issue! This is a very childish thing for you to have done and you will pay for it if you do not correct it.

 

A public apology might be a good place to start.

2011.03.04 photoed in Anping Old Fort(It was built in 1624 by the Dutch people and was named Zeelandia),Tainan City,Taiwan

2011年3月4日於臺南安平古堡拍的

Documentary portrait of a little girl with dramatic lighting and slight motion blur. Part of a documentary portrait series shot in Glenwood Springs, CO.

More information about this image

NIN at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Ilford HP5+ developed as reversal by DR5. Push +2 to ISO 1600.

 

Interesting process, but fairly expensive (my seven rolls of film with a 1600 push cost $118 to process) and it took three weeks to get the film back from the lab.

 

As a sidenote (which says a lot about any endeavor on the Internet), I shared these photos on the Flickr DR5 group so others who use the process could see what kind of results I got in a high-contrast concert setting. A month or so later I got email from user "SAH Photo" (Stacey Hoffman at www.sahphoto.com/) saying he didn't like the similarity of the content and demanding that I remove most of them from the pool. I looked to see if he was a moderator or group owner and he wasn't, so I replied and told him I didn't see him listed as a moderator. He replied and said, "Don't be a bitch." I removed a few of the photos I had in the group that seemed very similar and then today (July 28, 2009) I received notice that I'd been banned from DR5 and he's now a moderator. Whatever. It has greatly lessened my desire to use the DR5 process. That kind of snarky, cliquishness makes me feel like I'd be better off focusing my efforts on activities where feedback and collaboration are more prevalent. Life's too short to waste time interacting with that kind of people.

 

I mentioned this altercation to David Wood, who owns DR5. He said he knows Stacey Hoffman very well. He said that if I decided to stop using his DR5 process it was my loss. It's good to know what kind of people are behind this business. I guess that's a loss I can live with.

 

Update: Today (16 June, 2010) I received mail from David Wood. He said he was distressed at the "concocted comments" posted here and demanded that I remove all mention of him and his lab from my photos at once. He concluded with, "I'll not ask again." I'm not sure if this is a veiled threat or not, but it just reaffirms what I'd already suspected about Mr. Wood and his methods.

 

Update: Received via Flickr from David Wood on 17 June 2010:

 

truth? what did we do to you but process your film, & do a good job at that..?

 

you will remove your uncalled for remarks, that we had nothing to do with, or you will be hearing from my attorney.

 

I have your address and place of work. dont make me follow through.

 

am I clear.

 

Update: Email received from David Wood (info2@dr5.com) on 17 June 2010:

 

Sir

 

I have no idea what prompted your attack on our lab and me personally. Are you sane?

We did nothing but a top job for you and this is how you have repaid us, by posing negative comments I had nothing to do with.

 

What is it that you wanted from me that prompted this action? I have no clue what I could have done to prompt this?

 

Are you a grown man or a juvenile?

 

If you do not remove your uncalled for comments I will be forced to take legal action against you.

 

Please don’t make me go this route!

 

If you have not kindly removed this content , that has already been up for a year, by the weekend, I will instruct my attorney to file damages in court on Monday morning. You will then have to appear here in Colorado.

 

I still might sue you for all the time those have been up, but in the mean time you better take the comments down.

 

We had nothing to do with your issue! This is a very childish thing for you to have done and you will pay for it if you do not correct it.

 

A public apology might be a good place to start.

Ilford Delta 100 exposed at ISO 64 and developed in dr5 Dev-1. FED-2 using a Russar MR-2 f5.6/20mm lens.

6x6 TXP (DR5 Process)

nikon f3

expired 2002 agfa scala

pushed to 1600

processed at Agenzia Luce @ Trieste

the result is the most beautiful bw you'll ever see.

A little girl walks away from the camera on railroad ties. Part of a documentary portrait series shot in Glenwood Springs, CO.

More information about this image

6x9 HP5 (DR5 Process)

adox scala 160, dr5 process, leica m4 40mm summicron

Canon 135mm 2.0 L on a Canon 1-v shooting Rollei Pan 25 @ 25 processed in dr5

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