View allAll Photos Tagged dr5
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NIN at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Ilford HP5+ developed as reversal by DR5. Push +2 to ISO 1600.
Interesting process, but fairly expensive (my seven rolls of film with a 1600 push cost $118 to process) and it took three weeks to get the film back from the lab.
As a sidenote (which says a lot about any endeavor on the Internet), I shared these photos on the Flickr DR5 group so others who use the process could see what kind of results I got in a high-contrast concert setting. A month or so later I got email from user "SAH Photo" (Stacey Hoffman at www.sahphoto.com/) saying he didn't like the similarity of the content and demanding that I remove most of them from the pool. I looked to see if he was a moderator or group owner and he wasn't, so I replied and told him I didn't see him listed as a moderator. He replied and said, "Don't be a bitch." I removed a few of the photos I had in the group that seemed very similar and then today (July 28, 2009) I received notice that I'd been banned from DR5 and he's now a moderator. Whatever. It has greatly lessened my desire to use the DR5 process. That kind of snarky, cliquishness makes me feel like I'd be better off focusing my efforts on activities where feedback and collaboration are more prevalent. Life's too short to waste time interacting with that kind of people.
I mentioned this altercation to David Wood, who owns DR5. He said he knows Stacey Hoffman very well. He said that if I decided to stop using his DR5 process it was my loss. It's good to know what kind of people are behind this business. I guess that's a loss I can live with.
Update: Today (16 June, 2010) I received mail from David Wood. He said he was distressed at the "concocted comments" posted here and demanded that I remove all mention of him and his lab from my photos at once. He concluded with, "I'll not ask again." I'm not sure if this is a veiled threat or not, but it just reaffirms what I'd already suspected about Mr. Wood and his methods.
Update: Received via Flickr from David Wood on 17 June 2010:
truth? what did we do to you but process your film, & do a good job at that..?
you will remove your uncalled for remarks, that we had nothing to do with, or you will be hearing from my attorney.
I have your address and place of work. dont make me follow through.
am I clear.
Update: Email received from David Wood (info2@dr5.com) on 17 June 2010:
Sir
I have no idea what prompted your attack on our lab and me personally. Are you sane?
We did nothing but a top job for you and this is how you have repaid us, by posing negative comments I had nothing to do with.
What is it that you wanted from me that prompted this action? I have no clue what I could have done to prompt this?
Are you a grown man or a juvenile?
If you do not remove your uncalled for comments I will be forced to take legal action against you.
Please don’t make me go this route!
If you have not kindly removed this content , that has already been up for a year, by the weekend, I will instruct my attorney to file damages in court on Monday morning. You will then have to appear here in Colorado.
I still might sue you for all the time those have been up, but in the mean time you better take the comments down.
We had nothing to do with your issue! This is a very childish thing for you to have done and you will pay for it if you do not correct it.
A public apology might be a good place to start.
Autumn in Naarden.
More shots can be found on my (Dutch language) weblog.
Shot with a Canon EOS-1V fitted with a Canon EF 24-105mm f/4L IS USM lens, loaded with Ilford FP4+ black and white film and scanned with a Nikon Super Coolscan LS-5000ED. This FP4Plus was developed with the DR5 process that transforms this negative film into a reversal film. Yes, Ilford slides!
Kiev-4am on Fomapan R @ ISO 160 processed in dr5 dev-1. I can't remember (I forgot to make a note) but I think I was using a Jupiter-12.
NIN at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Ilford HP5+ developed as reversal by DR5. Push +2 to ISO 1600.
Interesting process, but fairly expensive (my seven rolls of film with a 1600 push cost $118 to process) and it took three weeks to get the film back from the lab.
As a sidenote (which says a lot about any endeavor on the Internet), I shared these photos on the Flickr DR5 group so others who use the process could see what kind of results I got in a high-contrast concert setting. A month or so later I got email from user "SAH Photo" (Stacey Hoffman at www.sahphoto.com/) saying he didn't like the similarity of the content and demanding that I remove most of them from the pool. I looked to see if he was a moderator or group owner and he wasn't, so I replied and told him I didn't see him listed as a moderator. He replied and said, "Don't be a bitch." I removed a few of the photos I had in the group that seemed very similar and then today (July 28, 2009) I received notice that I'd been banned from DR5 and he's now a moderator. Whatever. It has greatly lessened my desire to use the DR5 process. That kind of snarky, cliquishness makes me feel like I'd be better off focusing my efforts on activities where feedback and collaboration are more prevalent. Life's too short to waste time interacting with that kind of people.
I mentioned this altercation to David Wood, who owns DR5. He said he knows Stacey Hoffman very well. He said that if I decided to stop using his DR5 process it was my loss. It's good to know what kind of people are behind this business. I guess that's a loss I can live with.
Update: Today (16 June, 2010) I received mail from David Wood. He said he was distressed at the "concocted comments" posted here and demanded that I remove all mention of him and his lab from my photos at once. He concluded with, "I'll not ask again." I'm not sure if this is a veiled threat or not, but it just reaffirms what I'd already suspected about Mr. Wood and his methods.
Update: Received via Flickr from David Wood on 17 June 2010:
truth? what did we do to you but process your film, & do a good job at that..?
you will remove your uncalled for remarks, that we had nothing to do with, or you will be hearing from my attorney.
I have your address and place of work. dont make me follow through.
am I clear.
Update: Email received from David Wood (info2@dr5.com) on 17 June 2010:
Sir
I have no idea what prompted your attack on our lab and me personally. Are you sane?
We did nothing but a top job for you and this is how you have repaid us, by posing negative comments I had nothing to do with.
What is it that you wanted from me that prompted this action? I have no clue what I could have done to prompt this?
Are you a grown man or a juvenile?
If you do not remove your uncalled for comments I will be forced to take legal action against you.
Please don’t make me go this route!
If you have not kindly removed this content , that has already been up for a year, by the weekend, I will instruct my attorney to file damages in court on Monday morning. You will then have to appear here in Colorado.
I still might sue you for all the time those have been up, but in the mean time you better take the comments down.
We had nothing to do with your issue! This is a very childish thing for you to have done and you will pay for it if you do not correct it.
A public apology might be a good place to start.
2011.03.04 photoed in Anping Old Fort(It was built in 1624 by the Dutch people and was named Zeelandia),Tainan City,Taiwan
2011年3月4日於臺南安平古堡拍的
NIN at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Ilford HP5+ developed as reversal by DR5. Push +2 to ISO 1600.
Interesting process, but fairly expensive (my seven rolls of film with a 1600 push cost $118 to process) and it took three weeks to get the film back from the lab.
As a sidenote (which says a lot about any endeavor on the Internet), I shared these photos on the Flickr DR5 group so others who use the process could see what kind of results I got in a high-contrast concert setting. A month or so later I got email from user "SAH Photo" (Stacey Hoffman at www.sahphoto.com/) saying he didn't like the similarity of the content and demanding that I remove most of them from the pool. I looked to see if he was a moderator or group owner and he wasn't, so I replied and told him I didn't see him listed as a moderator. He replied and said, "Don't be a bitch." I removed a few of the photos I had in the group that seemed very similar and then today (July 28, 2009) I received notice that I'd been banned from DR5 and he's now a moderator. Whatever. It has greatly lessened my desire to use the DR5 process. That kind of snarky, cliquishness makes me feel like I'd be better off focusing my efforts on activities where feedback and collaboration are more prevalent. Life's too short to waste time interacting with that kind of people.
I mentioned this altercation to David Wood, who owns DR5. He said he knows Stacey Hoffman very well. He said that if I decided to stop using his DR5 process it was my loss. It's good to know what kind of people are behind this business. I guess that's a loss I can live with.
Update: Today (16 June, 2010) I received mail from David Wood. He said he was distressed at the "concocted comments" posted here and demanded that I remove all mention of him and his lab from my photos at once. He concluded with, "I'll not ask again." I'm not sure if this is a veiled threat or not, but it just reaffirms what I'd already suspected about Mr. Wood and his methods.
Update: Received via Flickr from David Wood on 17 June 2010:
truth? what did we do to you but process your film, & do a good job at that..?
you will remove your uncalled for remarks, that we had nothing to do with, or you will be hearing from my attorney.
I have your address and place of work. dont make me follow through.
am I clear.
Update: Email received from David Wood (info2@dr5.com) on 17 June 2010:
Sir
I have no idea what prompted your attack on our lab and me personally. Are you sane?
We did nothing but a top job for you and this is how you have repaid us, by posing negative comments I had nothing to do with.
What is it that you wanted from me that prompted this action? I have no clue what I could have done to prompt this?
Are you a grown man or a juvenile?
If you do not remove your uncalled for comments I will be forced to take legal action against you.
Please don’t make me go this route!
If you have not kindly removed this content , that has already been up for a year, by the weekend, I will instruct my attorney to file damages in court on Monday morning. You will then have to appear here in Colorado.
I still might sue you for all the time those have been up, but in the mean time you better take the comments down.
We had nothing to do with your issue! This is a very childish thing for you to have done and you will pay for it if you do not correct it.
A public apology might be a good place to start.
Ilford Delta 100 exposed at ISO 64 and developed in dr5 Dev-1. FED-2 using a Russar MR-2 f5.6/20mm lens.
nikon f3
expired 2002 agfa scala
pushed to 1600
processed at Agenzia Luce @ Trieste
the result is the most beautiful bw you'll ever see.
One of my favourite statues. Sir John is lost in wonder as he looks up at the Victorian glass ceiling of St. Pancras station.
1937 Welta Weltini I with f2/50mm Schneider-Kreuznach Xenon lens. TMX @ ISO 100 processed in dr5 dev 1.
Nikon f3
nikkor 50 mm 1.4
expired 2002 agfa scala
pushed to 1600
developed at Agenzia Luce, Trieste.
epson v500
scanning this film is a real pain in the a**. the blacks are so black and dark that my epson v500 can't read well the negative.
i invite you to try this film once. the results viewed live are incredible.
Nikon f3
nikkor 50 mm 1.4
expired 2002 agfa scala
pushed to 1600
developed at Agenzia Luce, Trieste.
epson v500
scanning this film is a real pain in the a**. the blacks are so black and dark that my epson v500 can't read well the negative.
i invite you to try this film once. the results viewed live are incredible.
here's one of the few frames that has even decent exposure on this roll of kodak TMax 100 film that was shot thru my nikon F100 and processed by dr5 labs.
a long while ago (about 5 weeks ago), i decided i would try processing several rolls of b&w film with dr5 labs in Denver, CO after being intrigued by their proprietary process for quite some time.
if you have any interest in this lab and dr5 process at all,
i URGE you to please read my full review on my blog.
I absolutely will never use them again. read my review and experiences... then judge for yourself.
cheers.
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My new photography blog has yummy ice cream you can download! And fuel additives you can add to your car to triple your mileage!
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If you’d like to view my images larger… While I only allow my contacts to view my larger images (I generally upload at least 800px images on the long axis)…
a quick workaround I might suggest is to view my photostream as a slideshow. Works well for me. This is frequently how I view others’ ‘streams, and it will put a large image on black. just click the projector screen icon next to the stream or set. : )
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on 01 jan 2010, I began a new journey w/ a flickr 365 group that i formed. The idea is that I strive to push myself daily; by exploring techniques, ideas, and experiments.
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