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Jane's Addiction at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Provia 400X developed by DR5. Push +2 to ISO 1600.

Jane's Addiction at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Provia 400X developed by DR5. Push +2 to ISO 1600.

Film photo on Ilford HP5+ DR5 processed with Pentax 645N camera with 75mm lens.

I wanted to take a centered shot, but the volunteers (hushers) quickly chase away people with tripods, even if they are being more respectful than those with point and shoots, flashes firing away.

Please view Large on Black. Lime Kiln, Big Sur Area, California. The creek running off into the ocean. Long exposure using Mamiya 645AFD ISO25 B&W Kodak TechPan film. The B&W print film was processed at dr5-chrome labs to transparency (positives) for better scanning ,f11.0, time was not recorded, tripod. Post Processing using ColorEfexPro3.0, Viveza2 and Dfine2.0.

 

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© Copyright notice:

© James A. Crawford, All Rights Reserved

All photographs within my flickr account are protected under copyright laws. No photograph shall be copied, reproduced, republished, downloaded, displayed, modified, transmitted, licensed, transferred, sold or distributed or used in any way by any means, without prior written permission from me. This goes for all my images. And if you do download, print or do any of those nawty things that are against the law and you aien't supposed to do, then not only are you a bad lil kid, but you are a thief and should be ashamed of yourself. So nanner, nanner nanner. Just don't do it!!!!

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View on Black</a

 

Medical aid is staged for departure to India in response to the country's Covid-19 surge. The shipment is being transported, free of charge, by FedEx.

Medical aid is staged for departure to India in response to the country's Covid-19 surge. The shipment is being transported, free of charge, by FedEx.

Jane's Addiction at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Provia 400X developed by DR5. Push +2 to ISO 1600.

Rippled water on the Clear Fork of the Trinity River in Fort Worth, Texas.

  

Arca-Swiss 4x5

Fujinon 125mm lens

Efke 25

dr process

Epson 4990 scanner

adox scala 160, dr5 process, leica m4 40mm summicron

Nine Inch Nails at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Provia 400X developed by DR5. Push +2 to ISO 1600.

Rockhill Furnace, Pennsylvania

Nine Inch Nails at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Ilford HP5+ developed as reversal by DR5. Push +2 to ISO 1600.

 

Interesting process, but fairly expensive (my seven rolls of film with a 1600 push cost $118 to process) and it took three weeks to get the film back from the lab.

 

As a sidenote (which says a lot about any endeavor on the Internet), I shared these photos on the Flickr DR5 group so others who use the process could see what kind of results I got in a high-contrast concert setting. A month or so later I got email from user "SAH Photo" (Stacey Hoffman at www.sahphoto.com/) saying he didn't like the similarity of the content and demanding that I remove most of them from the pool. I looked to see if he was a moderator or group owner and he wasn't, so I replied and told him I didn't see him listed as a moderator. He replied and said, "Don't be a bitch." I removed a few of the photos I had in the group that seemed very similar and then today (July 28, 2009) I received notice that I'd been banned from DR5 and he's now a moderator. Whatever. It has greatly lessened my desire to use the DR5 process. That kind of snarky, cliquishness makes me feel like I'd be better off focusing my efforts on activities where feedback and collaboration are more prevalent. Life's too short to waste time interacting with that kind of people.

 

I mentioned this altercation to David Wood, who owns DR5. He said he knows Stacey Hoffman very well. He said that if I decided to stop using his DR5 process it was my loss. It's good to know what kind of people are behind this business. I guess that's a loss I can live with.

 

Update: Today (16 June, 2010) I received mail from David Wood. He said he was distressed at the "concocted comments" posted here and demanded that I remove all mention of him and his lab from my photos at once. He concluded with, "I'll not ask again." I'm not sure if this is a veiled threat or not, but it just reaffirms what I'd already suspected about Mr. Wood and his methods.

 

Update: Received via Flickr from David Wood on 17 June 2010:

 

truth? what did we do to you but process your film, & do a good job at that..?

 

you will remove your uncalled for remarks, that we had nothing to do with, or you will be hearing from my attorney.

 

I have your address and place of work. dont make me follow through.

 

am I clear.

 

Update: Email received from David Wood (info2@dr5.com) on 17 June 2010:

 

Sir

 

I have no idea what prompted your attack on our lab and me personally. Are you sane?

We did nothing but a top job for you and this is how you have repaid us, by posing negative comments I had nothing to do with.

 

What is it that you wanted from me that prompted this action? I have no clue what I could have done to prompt this?

 

Are you a grown man or a juvenile?

 

If you do not remove your uncalled for comments I will be forced to take legal action against you.

 

Please don’t make me go this route!

 

If you have not kindly removed this content , that has already been up for a year, by the weekend, I will instruct my attorney to file damages in court on Monday morning. You will then have to appear here in Colorado.

 

I still might sue you for all the time those have been up, but in the mean time you better take the comments down.

 

We had nothing to do with your issue! This is a very childish thing for you to have done and you will pay for it if you do not correct it.

 

A public apology might be a good place to start.

She's always ready to hunt.

 

Nikkormat FTN + 50/1.4 AIS, shot on Adox CHS 50. The film was reversal processed by dr5.com

How often is digital just about instant gratification? I wonder what percentage of shots never make it off the memory card? Shot with the Autocord on Plus-X, reversal processed by DR5.

Jane's Addiction at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Provia 400X developed by DR5. Push +2 to ISO 1600.

The classic laker, Alpena steams toward 100TH Street in South Chicago on a fine March 19, 2013 afternoon.

 

Pentax 67 on Efke 25. Processed as a positive by Dr5 Chrome.

Leica M4-P

Summicron 35/2

Fomapan R 100 (DR5)

Medical aid is staged for departure to India in response to the country's Covid-19 surge. The shipment is being transported, free of charge, by FedEx.

I had always been curious what B&W Slide Film would look like. And while you can get Scala again, there's a lab that can turn almost any B&W Negative film into a B&W Slide. So a group of us decided to give it a go. Now one of my least favourite films in 35mm is Ilford HP5+ so it was the one I decided to go with. And you know, using the Dr5 process it actually looks awesome. Rich, contrastry, and excellent grain.

 

Nikon F5 - AF Nikkor 35mm 1:2D - Ilford HP5+ @ ASA-400

Processing By: Dr5

Scanner: Epson V700

Editor: Adobe Photoshop CC (2017)

While hiking, I have been seeing a growing number of people taking only a brief view of the surroundings and then burying themselves in their electronic devices. This ongoing project highlights the need to re-examine our need to unplug and just enjoy the beauty of this world.

 

Canon 1V

Rollei RPX 25 (converted to positive by DR5)

 

©2018 Joseph Brunjes

All Rights Reserved.

Do not use without permission.

 

See more of this ongoing project:

 

www.josephbrunjes.com

   

Havin' some laughs at the rehearsal dinner for Dave and Jenny. Shot on Plus-X, reversal processed by DR5.

(Official U.S. Senate photo by Dan Rios)

Indiana Dunes National Lakeshore. Photographed with a Nikon F4 on Ilford HP5 Plus 400 film shot at ISO 800 using a Yellow filter, Nikkor 15mm lens, expose for sky (snow and sky same) plus 1 stop slower. DR5 reversal processed. Scanned on a NIkon Coolscan 5000ED.

This is my last run of Scala. I have only shot with this film twice and I will dearly miss it's qualities.

April 2010, Paris, France

Plaubel Makina 67 + ilford HP5+, dR5 processed

Taken in downtown Bozeman, MT with Leica m7 and Zeiss Biogon 25mm on hp5+ film pushed to iso 1600 and processed in dr5.

This was taken on a bitterly cold morning when the light was very, very bad. Looming over London Bridge railway station was - The Spike! The Spike is a tall, angular, glass and steel building being built on the south bank of the Thames.

 

(It is, of course, The Shard - and I still have problems remembering the name).

 

Ilford Delta 100 exposed at ISO 64 and developed in dr5 Dev-1.

adox scala 160, dr5 process, leica m4 40mm summicron

Nine Inch Nails at NIN/JA in Tampa. May 9, 2009. Nikon F5, 300mm f/4, Provia 400X developed by DR5. Push +2 to ISO 1600.

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