View allAll Photos Tagged documentation
I saw at my mother's appartment for many years many flower arrangements, but it never occurred to me to photograph them. This one surprised me by its perfect beauty, but like in photographing works of art - the photographer only documents the beauty, he does not produce it.
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My Mother Got New Flowers
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תיעוד יופי
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ראיתי אצל אימא שלי במשך שנים רבות המון סידורי פרחים, אבל אף פעם לא עלה בדעתי לצלם אותם. האחד הזה הפתיע אותי במושלמותו, אבל כמו בצילום של יצירת אמנות- הצלם רק מתעד את היופי , הוא לא מייצר אותו
Documentary smartphone pictures during some maintenance of my Zorki 1 type D (year 1955), Lyon, France, January 24, 2023.
After three films with the Zorki 1D, I realized that the rewind button was very stiff in the film advance direction (anti-clockwise) and normal in the rewind way (clockwise). There may be a sort of brake washers in the mechanism necessary to maintain the film well tensed. However these braking washers clearly needed to be lubricated not to have such strong and irregular resistance that caused even problems during the film advance.
After searching unsuccessfully some documentations (I found some technical views for the Leica IIIC - IIIF here : rick_oleson.tripod.com/index-154.html ) I decided to lubricate very carefully the system using my watchmaking Swiss synthetic, Moebius and sons, 9010, oil used to lubricate jeweled watch pivots. The Moebius 9010 is very fluid and I used my Bergeon "pic-huiles" to introduce in accessible places the minimum amount necessary to make the button normal. Now the rewind button is like the one of my Zorki-4K that was correct. I also introduced the minimum amount of the more-viscous Moebius 9020 oil at the edge of the focusing helicoidal ramp using a larger wood stick but keeping the oil amount to the minimum necessary to improve the fluidity of the focusing of the Industar-22 lens.
The Industar-22 lens received a new metal front cap (push-on 36 mm) that was missing. In the Zorki user manual it was recommended to cover the lens with the cap prior to rewind the film in case of accidental shutter opening.
I also tested the tripod thread converter 3/8'' ("pas du congrès") Kepler of the Zorki 1D and Foca PF2B to the thread 1/4" (Kodak thread) equipping nowadays the photographic accessories. I found too small vintage accessory cases to accommodate the push-on 36mm filters and the shade hood. These two leather cases were cleaned then treated with a quality leather conditioner (Swissvax) used in car detailing.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 just arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was deposited the custom receipt and a film label of Agfa negative-color CN17 likely from the 60's.
Just Pinned to Documentation: Artists at the Centre - One community's exploration of the Reggio Emilia approach to early childhood education - Child Care - Daycare - ECE - Early Childhood Education - Artists - Hamilton, Ontario Canada - Reggio Emilia - Northern Italy - Educators and Professional Artists collaborating with children - listening and learning bit.ly/2IGchb0
These photos were taken as documentation of Gala Gallery in Chicago for the Chicago Arts Archive by Sixty Inches From Center NFP.
Discover more Chicago Art: sixtyinchesfromcenter.org/archive/
INSPIRACJA 04.20.12 | Opening
The work of five innovative and proficient artists; Chuck Walker, Greg Kumpin, Ish Muhammad, Liviu Poleuca and Max Sansing.
Curated and presented at Tyrue Slang Jones working studio, Gala Gallery, a 2,700 square-foot exhibition center located 1000 N. Milwaukee Ave. in Chicago's West Town neighborhood.
About the Photos:
This is one of the most inspiring group exhibits to be held in 2012 thus far.
Each individual artist is distinct and unconventional in their methods. All can be seen as contemporary masters of expressionism. Highly passionate, disciplined, driven and hail from Chicago and neighboring midwest cities.
This exhibit will feature towering steel sculptures, a collaboration of mixed media with classic oil paintings...abstract and realism coalesced with graffiti art.
After Spurs beat Blackburn this spring (2012). Make sure the missy get to know that you really went to WHL.
process undergo. here is me as a artist's incubator, i help them doing their works preparation, mostly i just snap photos as documentations of their works. this for George Town Festival 2015 in Lebuh Macalister, I was an incubator for the event of Digital Art & Culture Festival 2015. Curated by Suzy Sulaiman & her collegues. . . .
Every campsite is well documented. These photos are hella cliche', but it's fun to document the site and try to have some fun with that.
I really am having a hard time with enjoying the new food choices in the union. I keep going back to the exiled subway trailer for my tuna sandwiches. I love the subway trailer. I love the workers. I love it that they are friendly and funny and listen to good music. I love my Rock and Roll Subway.
here is an interesting article about the said subway: cdispatch.com/articles/2008/02/24/local_news/area_news/ar...