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I brush my teeth every day, so I keep them clean and white. First thing when I wake up in the morning. Right before I go to bed at night.
An example of my character documentation outlining some of the usual issues the more junior artists where doing when creating characters.
“Fetzen durch kalte Asche! Oder: Anleitungen und Überlegungen zum Zerbrechen des bürgerlichen Repräsentationsrahmens in der Kunst.” (miasma)
Die Künstlergruppe “The Eel House”/MIASMA bestreitet einen Abend mit Schauspiel und Diskussion.
Mit: Bastian WILPLINGER (Regisseur), Tomas ZIERHOFER-KIN (künstlerische Leitung Donaufestival Krems), Aleksandra CWEN, Olivia KAISER, Matthias TARASIEWICZ, Klaus WERNER-LOBO
FOLLOWING BIT is a reenactment of Vito Acconci's FOLLOWING PIECE, originally performed in New York City between October 3 and 25, 1969. FOLLOWING PIECE was part of “Street Works IV”, a series of performances and conceptual events sponsored by the Architectural League of New York between October 1-31, 1969. Acconci followed a person for a few minutes, if that person entered into a private space or a car, or for several hours, if the person went to a cinema or restaurant. Acconci carried out this performance everyday for a month. He typed up an account of each 'pursuit', and, the following month, he sent a report to a different member of the art community.
Coll.eo’s FOLLOWING BIT is presented today to a broader audience via different media, in the form of tweets, machinima, digital photographs, prints, maps, and diagrams. The month-long performance generated an enormous set of data, consisting of 23 digital videos in high definition over 118 GB in size; 13300+ digital photos; 60 digital prints; 23 written accounts sent in Tweet form (archived), plus several typewritten pages of notes, framed, and mounted to wall and to a board.
This folder documents a following bit took place in the streets of Liberty City on July 23 2013. The episode lasted a few hours. The photographic documentation was automated. The computer camera took pictures every three seconds. The result: approximately 5 GB of screenshots. This is a selection.
For more information visit colleo.org.
September 1, 2013
Studio documentation of general and analogue tonoscope prototypes developed prior to Seeing Sound 2.
Kirby's Great-Grandfather did some restoration work the rocking horse he built for my Mum in-law. Now it's Kirby's to ride into....well, kids related endeavours.
Documentation of Peter Retief's 70th birthday party, held in Smithfield, Free State Province, South Africa. 9th May 2015. All photos with Nikon D800. Studio lighting with Elinchrom D-Lite RX 2/4 system.
Female Rusty Blackbird. The 2nd Uintah County record and first since 2010. Jensen, Uintah County, Utah. January 10, 2021
Title: View to West from 11th and Spruce Streets
Descriptive Information: hdl.handle.net/1813.001/20434307
Date: Ca. 1961
Photographer: Neupert, Raymond A.
Creator: Brotherhood of Locomotive Firemen and Enginemen (BLF&E)
Image ID: 5003pb58f028
Collection: U.S. President's Railroad Commission Photographs (#5003 P)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. catherwood.library.cornell.edu/kheel
Collection Information: http://rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html
Copyright: The content in the "U.S. President's Railroad Commission Photographs Collection" (Kheel Center collection: #5003 P) is believed to be in the public domain, and is presented by Cornell University Library under the Guidelines for Using Text, Images, Audio, and Video from Cornell University Library Collections [www.library.cornell.edu/about/inside/policies/public-domain]. These images have been digitized from items in the Kheel Center for Labor-Management Documentation & Archives at Cornell University Library. More information about the physical collection can be found here: rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item.