View allAll Photos Tagged documental
Fecha: 1900?
Tipo de Documento: Dibujos, grabados y fotografías
Descripción física: 31 dibujos sobre papel blanco verjurado pluma, pincel, y tinta negra
Signatura: Dib/18/1/9714/1-Dib/18/1/9714/31
PID: 2875426
Descripción:
Inscripciones manuscritas numéricas a lápiz en la mayoría de los dibujos
Filigranas en algunos dibujos
Recuerdos de España, 1900?
Firmado "Cilla" en algunos dibujos (Dib/18/1/9714/4, Dib/18/1/9714/5 y Dib/18/1/9714/29); el resto está sin firmar, pero por similitud son atribuibles al mismo artista
Título tomado del libro al que pertenecen estos dibujos preparatorios
Marcas de maquetación
Consulta el registro bibliográfico en la Biblioteca Digital Hispánica (BDH)
This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com
Accreditation must be attached when using this photograph and include:
Photo: Documenting Yes / Robyn Glendinning
Operating Room at Alcatraz. U.S. Penitentiary Alcatraz had a complete hospital in the cellhouse which was staffed by medical personnel from the Public Health Service in San Francisco. - www.nps.gov/alca/index.htm
Photographs in this collection have been produced by Kathleen Markham, Daniela Alaniz-Roux, Allison Barden, and Connor Rowe at request of UC Berkeley Anthropology 136k class, for the purposes of digitally documenting the cultural heritage of Alcatraz Island with intent to gain greater insight into the island’s cultural history through the use of photographic technology.
Photographs in this collection were captured on Friday April 8, 2011, between 9:00 AM and 6:00 PM Pacific Time, under sunny and windy conditions. Canon DSLR XTI, CanonT2i, Canon S95, and a Sony Cybershot. Lenses used with the Canon T2i include a Macro 60mm and Telephoto 70-200 lens, as well as its included kit 18-55mm lens. A 17-85mm lens was used with the Canon XTI. A tripod was used for macro, telephoto, HDR, and photogrammetry shots. The photos were post-processed in Adobe Photoshop Lightroom 3.
Description written by Kathleen Markham, following Alonso C. Addison’s proposed virtual heritage metadata format in his chapter "The Vanishing Virtual" in New Heritage: New Media and Cultural Heritage, edited by Kalay, et al., and published by Routledge in 2007.
Alcatraz Island (37.826667°N 122.423333°W), located in the San Francisco Bay, is a cultural heritage site constituting a part of the Golden Gate National Recreation Area (GGNRA) under the management of the National Park Service. The park is currently open to visitors by way of privately operated ferries, yet the recorded history of island begins with the founding of a United States Military fort and Military prison in 1850. Previous to the military garrisoning of the island the site had been used by Native American tribes, but the U.S. Military’s stronghold on the island continued until 1934 when the fort was refurbished to become a maximum security Federal Penitentiary. During Alcatraz’s time as a federal prison the island became home to many infamous criminals and functioned as the stage for multiple riots and escape attempts. Due to the challenges posed by running a maximum security prison on the island, the Federal Bureau of Prisons deemed the penitentiary too expensive to fund and consequently the prison was shut down in 1963. After lying vacant for years the land was unofficially reclaimed by Native American Indians of various tribes on November 20, 1969 with the justification that the Treaty of Fort Laramie established in 1868 entitling Native peoples to any unused surplus federal property. The Indian occupation of the Island continued into 1971 until the feasibility of the occupation waned due in part to the difficulty of continuing a steady flow of supplies to the island. After nineteen months of residing in the island, the occupiers were forcibly removed by government officials on June 11, 1971. The island’s notorious history began to draw in tourism in 1973, and in 1976 Alcatraz Island was placed on the National Register of Historic Places in recognition of its long and varied history. The park has continued to draw visitors over the last four decades and is recognized as one of richest sites of cultural heritage in the San Francisco Bay Area.
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA Creative Commons creativecommons.org/licenses/by-nc/3.0/
For more information contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit www.codifi.info/licensing
For more facts and information about Alcatraz, please visit www.nps.gov/alca/index.htm
Original Filename: AZ01_CAM25-0120
Allison Barden and Connor Rowe capture the view from the inside of a solitary confinement cell on Alcatraz Island while documented by Daniela Alaniz-Roux.
Photographs in this collection have been produced by Kathleen Markham,
Daniela Alaniz-Roux, Allison Barden, and Connor Rowe at request of UC
Berkeley Anthropology 136k class, for the purposes of digitally documenting
the cultural heritage of Alcatraz Island with intent to gain greater insight
into the island’s cultural history through the use of photographic
technology.
Photographs in this collection were captured on Friday April 8, 2011,
between 9:00 AM and 6:00 PM Pacific Time, under sunny and windy conditions.
Canon DSLR XTI, CanonT2i, Canon S95, and a Sony Cybershot. Lenses used with
the Canon T2i include a Macro 60mm and Telephoto 70-200 lens, as well as its
included kit 18-55mm lens. A 17-85mm lens was used with the Canon XTI. A
tripod was used for macro, telephoto, HDR, and photogrammetry shots. The
photos were post-processed in Adobe Photoshop Lightroom 3.
Description written by Kathleen Markham, following Alonso C. Addison’s
proposed virtual heritage metadata format in his chapter "The Vanishing
Virtual" in New Heritage: New Media and Cultural Heritage, edited by Kalay,
et al., and published by Routledge in 2007.
Alcatraz Island (37.826667°N 122.423333°W), located in the San Francisco
Bay, is a cultural heritage site constituting a part of the Golden Gate
National Recreation Area (GGNRA) under the management of the National Park
Service. The park is currently open to visitors by way of privately operated
ferries, yet the recorded history of island begins with the founding of a
United States Military fort and Military prison in 1850. Previous to the
military garrisoning of the island the site had been used by Native American
tribes, but the U.S. Military’s stronghold on the island continued until
1934 when the fort was refurbished to become a maximum security Federal
Penitentiary. During Alcatraz’s time as a federal prison the island became
home to many infamous criminals and functioned as the stage for multiple
riots and escape attempts. Due to the challenges posed by running a maximum
security prison on the island, the Federal Bureau of Prisons deemed the
penitentiary too expensive to fund and consequently the prison was shut down
in 1963. After lying vacant for years the land was unofficially reclaimed by
Native American Indians of various tribes on November 20, 1969 with the
justification that the Treaty of Fort Laramie established in 1868 entitling
Native peoples to any unused surplus federal property. The Indian occupation
of the Island continued into 1971 until the feasibility of the occupation
waned due in part to the difficulty of continuing a steady flow of supplies
to the island. After nineteen months of residing in the island, the
occupiers were forcibly removed by government officials on June 11, 1971.
The island’s notorious history began to draw in tourism in 1973, and in 1976
Alcatraz Island was placed on the National Register of Historic Places in
recognition of its long and varied history. The park has continued to draw
visitors over the last four decades and is recognized as one of richest
sites of cultural heritage in the San Francisco Bay Area.
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA
Creative Commons creativecommons.org/licenses/by-nc/3.0/
For more information contact Center for Digital Archaeology, Berkeley, CA,
94720 or visit www.codifi.info/licensing
For more facts and information about Alcatraz, please visit
Businesswoman reading a document at her desk with a laptop, desk lamp and phone on it. Click here for other business images:
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A Bizzozero la chiesa di Santo Stefano - monumento nazionale - un autentico gioiello architettonico, ricco di testimonianze dell'arte pittorica romanica, dei secoli XV e XVI, è stata oggetto di restauri da parte di un apposito Civico Comitato; direttore dei lavori l'architetto Bruno Ravasi.
Le origini sono documentate fin dall'VIII secolo, dopo gli scavi archeologici effettuati negli anni settanta, che evidenziano le piante di due edifici antecedenti, realizzati e poi abbattuti, all'interno dell'attuale perimetro. La chiesa è il monumento più antico del rione varesino; nata come oratorio, ricevette nel 1347 la dotazione di una Cappellania tramite l'Arcivescovo di Milano Giovanni Visconti, con la previsione della officiatura di culti e messe quotidiane ed anche il sostentamento di clero dedicato. Questo fatto testimonia l'importanza della chiesa per la vita religiosa di Bizzozero. Da sempre dipendente dalla pieve matrice di Varese ebbe una sua emancipazione nel 1490, divenendo una rettoria (una parrocchia ante litteram).
L'edificio è ad unica navata, nello stile romanico, con due entrate: la più antica è sulla parete sud. L'esterno è caratterizzato da un'abside di grandi dimensioni con decorazioni ad archetti pensili. Le pareti sono state realizzate mediante l'utilizzo di sassi da fiume (forse recuperati da un vicino torrente). La torre campanaria, forse più antica dell'attuale tempio, è pure romanica, ed ha la cella campanaria rifatta nel 1347, in stile rinascimentale; si noti la pendenza della costruzione, attenuata dalla foratura nel muro delle monofore, prima singole poi accoppiate. Il campanile ha l'accesso interno ed è uno dei più antichi dell'intero Varesotto; possiede una campana, funzionante, risalente al 1741. Santo Stefano, che presenta molte somiglianze con la Chiesa di San Pietro a Gemonio, possiede, all'interno, affreschi dal 1000 al 1500 ed ospita il più importante ciclo pittorico dell'artista Galdino da Varese.
Questi nel 1498 dipinse il ciborio, cappella devozionale eretta nel XV secolo, dedicata alla Madonna; il tempietto è di impostazione rinascimentale, quadrato, ed è retto da due colonne gotiche di molera, poste su di un piedistallo, sormontate da capitelli corinzi decorate con foglie ispirate alla antichità classica. La Madonna è dipinta in un mirabile affresco, sotto il ciborio, risalente al secolo XIV, nell'atto di donare il latte al Bambin Gesù. Proprio questo dipinto (Galaktotrophusa) fu salvato in extremis dalla sua totale rovina grazie all'intervento nel 1970 del Comitato pro restauro. Galdino da Varese appartiene alla Bottega dei Campanigo, maestri pittorici varesini del tardo '400, cui fa parte anche il famoso pittore Martino Spanzotti (parente stretto di Magister Galdinus) operante in territorio piemontese, autore dello spettacolare ciclo di affreschi, che si trova nella chiesa di San Bernardino ad Ivrea. Galdino, insieme a Iob de Prioris firmò il polittico già nella chiesa di San Gottardo a Carmine Superiore, sulla sponda piemontese del lago Maggiore, ora nella Collegiata di San Vittore a Cannobio. L'opera del tandem dei pittori varesini in Santo Stefano risulta da un riquadro firmato da Galdino ancora leggibile e da un altro riferito a Ihoes, non più rilevabile.
Notevole è l'intera decorazione dell'abside (1536): le raffigurazioni in due ordini, più una fascia bassa, riproducono Dio Padre e i Dottori della Chiesa nella parte superiore, la Crocifissione e i Santi Apostoli in quella inferiore. Al centro dell'abside trovasi un eccezionale altare con affreschi romanici dei Santi Ambrogio e Stefano, XI secolo. Gli affreschi originali del lato frontale si perdettero dopo che, nel '400, quel lato fu ricoperto da un Cristo con gli Strumenti della Passione, tra cui la Croce. L'affresco, strappato, si trova presso i Musei Civici di Varese. Come in San Pietro di Gemonio i dipinti della navata (parete nord) sono devozionali, commissionati da privati o da famiglie, che secondo l'uso dei tempi, ponevano lungo le pareti altari, anche in legno per la celebrazione di messe. Sopra questi altari si facevano dipingere Santi o Madonne; secondo tali finalità devozionali esistono così due cicli di affreschi. Da sinistra Cristo benedicente nella mandorla, tra San Giacomo ed un altro Santo; ai piedi trovasi la figura del committente, inginocchiato. L'affresco, realizzato con la tecnica dell'incisione a ricalco, appartiene al XIV secolo. Alla destra di questo gruppo seguono tre Madonne, due del XV secolo ed una più recente. La prima a destra del Cristo mostra un libro con un motto latino e fu realizzata nello stesso periodo dei dipinti di Galdino. Il Bambino tiene tra le mani un piccolo uccello che simboleggia l'"anima".
Proprio l'importanza del monumento e la sua singolare, isolata, affascinante presenza alla periferia del popoloso rione varesino ha condotto numerosi studiosi in questi ultimi anni a dirigere le loro attenzioni sui fatti storici e le valenze artistiche del tempio.
Guateque de los 10 lustros de José Rodríguez "Habichuela"
Autor: José-María Moreno García. Fotógrafo humanista y documentalista.Cronista Oficial de la Villa de Madridejos.
Una de las mejores formas de conocer la historia de un pueblo es a través de sus imágenes; en ellas se conserva no sólo su realidad tangible, calles, plazas, monumentos, si no también sus costumbres, fiestas, tradiciones, lenguaje, indumentaria, gestos y miradas, que nos dicen sin palabras como se vivía, cuales eran sus esperanzas y temores, qué había en su pasado, qué esperaban del futuro. Uno de los objetivos más ambiciosos es recuperar y catalogar todo el material gráfico existente en nuestra familia desde 1.915, para después ponerlo a disposición de vosotros, que la historia volviera a sus protagonistas, y los que aún siguen con nosotros pudieran disfrutar con ello. VISITA La colección "CIEN AÑOS DE FOTOGRAFÍA FAMILIA MORENO (1915-2015)" en www.josemariamorenogarcia.es y www.madridejos.net
SI ALGUIEN NO DESEA APARECER EN EL ÁLBUM POR FAVOR COMUNÍCALO A josemariamorenogarcia@gmail.com
This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com
Accreditation must be attached when using this photograph and include:
Photo: Documenting Yes / Simon Baker
The South Carolina State Library is pleased to announce the selection of the most notable South Carolina state government documents of 2014. The event will mark the 25th anniversary of the Library’s Notable Documents Awards program.
Awards will be presented to the winning agencies and authors on May 20 at 10:00 a.m. at the South Carolina State Library in Columbia.
According to South Carolina State Library Interim Director, Leesa Benggio, “South Carolina state documents provide a wealth of information, statistics, and share a broad range of knowledge about our state. I am pleased that we are able to publicly recognize these important publications and websites as notable documents and it is my hope that all South Carolina state agencies continue to produce high quality documents such as these.”
Winning documents were selected by judges, including State Library staff members, document librarians from around the state, and state employee representatives. Photos of the ceremony are available at the library’s Facebook page and Flickr account.
Websites
SC Works Community Profiles
SC Department of Employment and Workforce
lmi.dew.sc.gov/lmi%20site/CommunityProfiles.html
SC HealthViz
SC Department of Health and Human Services & the University of South Carolina, Institute for Families in Society - www.schealthviz.sc.edu
Video
When the Bough Breaks produced by Bud Ferillo
SC Education Oversight Committee
www.eoc.sc.gov/aboutus/Pages/ReadingDocumWhentheBoughBrea...
Magazine
Clemson Impacts
Clemson University - www.clemson.edu/public/impacts
Documents
South Carolina Business Resource Guide
SC Department of Commerce sccommerce.com/sites/default/files/document_directory/bus...
Identity Theft: What You Need to Know
SC Department of Consumer Affairs
www.consumer.sc.gov/Documents/PUBLICATIONS/IDTheftUnit/id...
South Carolina Vital and Morbidity Statistics, 2013
SC Department of Health and Environmental Control
www.dhec.sc.gov/Health/docs/BiostatisticsPubs/vms2013.pdf
South Carolina State Plan to Address Human Trafficking
South Carolina Human Trafficking Task Force
www.scag.gov/wp-content/uploads/2014/06/Human-Trafficking...
Transforming South Carolina’s Destiny, SC Technical College Systems First 50 Years by Tom Poland
SC State Board for Technical and Comprehensive Education
www.sctechsystem.edu/transformingsouthcarolinasdestiny
South Carolina Alligator Hunting Guide for 2014
SC Department of Natural Resources, Wildlife & Freshwater Fisheries Division
www.dnr.sc.gov/wildlife/alligator/pdf/2014gatorguide.pdf
For more information about South Carolina state documents, please visit www.statelibrary.sc.gov/sc-state-documents-depository
This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com
Accreditation must be attached when using this photograph and include:
Photo: Documenting Yes / Simon Baker
26/01/2012
SESSIÓ PROPOSADA PEL MASTER DE DOCUMENTAL CREATIU DE LA UAB
Amb la presència dels realitzadors
LO JARDÍ DE LES RAONS PERDUDES
Producció: UAB i TVE
Daniel B. Farré / Eva Ariño / Marta Faúndez / Cristian Vázquez / Pere Esteve / Javier Losua
2010.- 31 min. VOC
Solucions estructurals i formals de les obres que Gaudí construeix entre 1903 i 1912 com la Pedrera, la Sagrada Familia, el Parc Güell i la Cripta de la Colònia Güell, estan anticipades a l'interior del Jardí de l'antic Manicomi de Sant Boi de Llobregat, construïdes com a taller terapèutic per a malalts mentals sota la direcció d'un arquitecte anònim. La interpretació del Jardí es donarà en un viatge cap a l'exterior on veurem les obres relacionades amb ell i altre viatge cap a l'interior, on veurem les formes d'ordenar i classificar la història de la vida en un museu geològic de finals del SXIX.
LA MÀQUINA ILUMINADA
Producció: UAB i Televisió de Catalunya
Jonás R. G. / Ana María Reyes / Paloma Quesada / Zilia Garavito / Rafael Hernández / Dylan López
2010.- 27'.- VO
Al fons d'un paissatge apareixen tres siluetes: són tres xemeneies, vestigis d'una central tèrmica. En torn a la seva misteriosa figura es van evocant els relats d'aquells que han viscut allà, en la periferia.
LA RICARDA
Producció: UAB i Televisió de Catalunya
Núria Folch / Núria Prieto / Alex Biosca / Anna Sandrini / Adrian Alva / Ian Ramos /Giuseppe Solfrizzi
2010.- VO Castellà i català
Barcelona, 1949. Un grup d’intel•lectuals mira de reactivar el panorama artístic del país. Avantguarda, experimentació i subversió cultural, tenen lloc a La Ricarda, la residència dels Gomis-Bertrand. A través dels testimonis d’alguns dels protagonistes d’aquest moviment, i de les filles del matrimoni Gomis-Bertrand, ens submergim en aquella època i provem de descobrir la importància que va suposar una agrupació com el Club 49, en plena dictadura.
Photographed between Retzbach and Thüngersheim on the east side of the Main.
"Franconia (German: Franken) is a German wine region, mostly in north west Franconia. It is the only wine region in the federal state of Bavaria. In 2014, vines were grown on 6,176 hectares (15,260 acres) of land in the region.
The greater part of the wine region is in Lower Franconia around its capital Würzburg along the Main River. There are a few areas in Middle Franconia, mainly in the Steigerwald; and a very small part in the area of Upper Franconia around Bamberg. The bends of the River Main have been used to define the region's three districts, two of which take their names from their respective geometric shape.
There is evidence that wine has been produced in Franconia for over 1,000 years. In an old document from the year 777 there is a note of a winery in the town of Hammelburg being given by Charlemagne to Fulda Abbey. In medieval times the area under cultivation grew strongly, up to 40,000 ha. In the 20th century it decreased at one stage to just over 2,000 ha.
Today about 6,100 ha of land is used for growing wine. The area stretches from Bamberg to Aschaffenburg. The climate is called continental with Mediterranean influence. Quite often there are strong winters and temperatures under 0 degrees Celsius in the spring. Therefore, wine is grown mainly in especially protected places usually along the hills of the River Main and the Steigerwald.
Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).
After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.
In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.
From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.
Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).
Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.
Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.
Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.
The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Documento seleccionado de la exposición "Vivir, combatir y persuadir : 1000 días de Guerra Civil 1936-1939"
Centro de Estudios de CLM. Facultad de Letras de Ciudad Real. Desde el 1 de abril de 2019.
Digitised image from the Town Hall Photographer's Collection - GB127.M850
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
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You can download big size, rare, historic Ottoman Palestine Pictures, Photographs, Illustrations, Maps and Ottoman Archives Documents
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Titolo: Documento circolare dipartimento del Tagliamento retro
Data: 1807
Fonte: Elia Zanatta
Descrizione: Documento circolare dipartimento del Tagliamento retro
ID: 13_02
Tutti i diritti riservati. Per usufruire delle immagini, contattare biblioteca@comune.trevignano.tv.it, specificando l'utilizzo che ne verrà fatto.
Moros y Cristianos de Alcázar de San Juan 2013
XXV Aniversario
Coincidiendo con la noche de San Juan y la entrada del estío, Alcázar se llena de colorido con la fiesta de Moros y Cristianos.
Durante tres días la población, haciendo memoria de su historia, se transforma en un escenario rebosante de vistosidad y colorido con documentadas y lucidas representaciones medievales y brillantes desfiles.
El Mercado Medieval, situado en la Plaza de Santa María, nos transporta a la vida cotidiana de los alcazareños de aquella época. Bailarines, músicos, malabares y bufones medievales amenizan a los visitantes.
Caballeros de San Juan, Templarias, Huestes del Cadí, Corsarias, Arqueras, Almorávides, Jenízaros, Almoraimas, Orden de Montesa,.. atraviesan las calles con orgulloso porte y magníficos atuendos, ofreciendo un esplendoroso espectáculo.
VIDEOS en www.youtube.com/playlist?list=PLhOGO1Wd2-SrvXeeZxL2s8cH6R...
Autor: José-María Moreno García. Fotógrafo humanista y documentalista. Cronista Oficial de la Villa de Madridejos.
Una de las mejores formas de conocer la historia de un pueblo es a través de sus imágenes; en ellas se conserva no sólo su realidad tangible, calles, plazas, monumentos, sino también sus costumbres, fiestas, tradiciones, lenguaje, indumentaria, gestos y miradas, que nos dicen sin palabras como se vivía, cuales eran sus esperanzas y temores, qué había en su pasado, qué esperaban del futuro. Uno de los objetivos más ambiciosos es recuperar y catalogar todo el material gráfico existente en nuestra familia desde 1.915, para después ponerlo a disposición de vosotros, que la historia volviera a sus protagonistas, y los que aún siguen con nosotros pudieran disfrutar con ello. VISITA La colección "CIEN AÑOS DE FOTOGRAFÍA FAMILIA MORENO (1915-2015)" en www.josemariamorenogarcia.es y www.madridejos.net
SI ALGUIEN NO DESEA APARECER EN EL ÁLBUM POR FAVOR COMUNICALO A josemariamorenogarcia@gmail.com
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Presentation of Options for River Dargle Flood Defence Scheme, as proposed by Bray UDC and the Office of Public Works.
'Public Information Day, in Royal Hotel, Bray, November 2006.
The following are a small selection of documented proposals for public consideration.
The project was born of a need to address the negative impact of high water levels and flooding of the River Dargle on local residents, businesses and commuters.
Major structural works include widening the channel downstream of Bray Bridge along the golf course just before the DART bridge
- installation of a culvert on the north side of Bray Bridge creating, in effect, an “extra arch” in the bridge to allow for a greater volume of water
- River Bank stabilisation works in areas from Bray Bridge upstream past the Peoples Park and bed widening and adaptation works in the Slang area.