View allAll Photos Tagged document
A two-column LaTeX CV Template, especially suited for professionals who wish to emphasize and detail their previous work experience over their education. The document is typeset with OTF Hoefler Text, Zapfino, and Gill Sans, commercial typefaces bundled with Mac OS X.
www.cv-templates.info/2009/06/advanced-two-column-latex-c...
For the Macro Monday theme - Crisp
I remember from childhood that linen was something that grandma ironed with starch and it had to be 'crisp' .... long memory! ;o)
I uploaded a second image which is maybe not as good a macro - but it does show some of the joke text. It is a set of musical 'definitions'.
Shot with the Sony NEX-6 using the E30mm F3.5 macro lens
Letter dated January 30, 1895.
References to the Rev. Alexander Wiseman, St. Andrews Church, Ashton-on-Ribble and George Curwen
Robert Gregson Collection
Print inside the military document (Militärpass) for the Order of Queen Tamara.
The Order of Queen Tamara was a Georgian military decoration granted to members of the Georgian Legion and of the German Caucasus Expedition who fought in Georgia after 4 November 1918. The official criterion, proclaimed by General Zakhari Mdivani, the Georgian Minister of War, stated, "For merits in Georgia herewith all officers and enlisted men of the German troops in the Caucasus, which remained in Georgia after November 4, 1918, have the right to wear the Order of Saint Tamara.
Title: Document written by Blanche Kelso Bruce, possibly
a speech, in which he discusses the accomplishments of Henry Ward Beecher
Date Original: n.d.
Description: This document is comprised of 11
leaves containing Bruce's handwritten text in ink on one side of each leaf.
The content is concerned with outlining and discussing the accomplishments of
Henry Ward Beecher, especially those in regard to working for
the rights of African-Americans. Bruce was the first African-American
to serve a full term (1875-1881) in the U.S. Senate.
Creator: Bruce, Blanche Kelso, 1841-1898
Subject(s): Bruce, Blanche Kelso, 1841-1898
Beecher, Henry Ward, 1813-1887
Alternative Title: 080225-17
Publisher: Wofford College
Contributor:
Date Digital: 2008-09-03
Type: Text
Format [medium]: Manuscript
Format [IMT]: image/jpeg
Digitization Specifications: 800ppi 24-bit depth color; Scanned with
an Epson 15000 Photo scanner with Epson Scan software; Archival master is a
TIFF; Original converted to JPEG with Irfan View software.
Resource Identifier: 080225-17
Source: The original, accession number 080225-17, from which
this digital representation is taken is housed in The
Littlejohn Collection at Wofford College,
located in the Sandor Teszler Library.
Language:En-us English
Relation [is part of]:The
Littlejohn Collection
Rights Management: This digital representation has been
licensed under an Attribution
- Noncommercial- No Derivatives Creative Commons license.
Contributing Institution: Wofford College
Web Site: http://www.wofford.edu/library/littlejohn-home.aspx
FINS ELS COLLONS DEL PP. MALA ESPINA. ULTRAS SUR.
(Sueca, 12 d'octubre del 2012. 6 i 18 de novembre del 2012. Joanjo Aguar Matoses)
_____________________________________________________________________________________
TÍTOL PER A RELATSENCATALA.CAT:
Fins els Collons del PP, Mala Espina i Ultras Sur (12-10-2012. 6 i 18-11-2012)
_______________________________________________________________________________
RESUM PER A RELATSENCATALA.CAT:
Us adjunte, entre d'altres, una perla fina del tresor estatal que em brindà un amic fa uns dies. Un full de ruta en format PDF amb instruccions detallades per esfereir i apallissar catalans, document doctrinari de difusió interna entre els radicals d'ULTRAS SUR, fanàtics seguidors del Real Madrid, espanyolistes i neonazis declarats.
_____________________________________________________________________________________
Assumpte: Fins Collons del PP, Mala Espina i Ultras Sur
De: Joanjo de Marènia
Data: Dimecres, Novembre 21, 2012 13:32
Còpia cega: abelpuig3@hotmail.com (més)
_____________________________________________________________________________________
FINS ELS COLLONS DEL PP
Ja n'estic fart dels feixistes espanyols. Majoritàriament del Partit Popular, però, ¡compte!, també d'altres àmbits i partits estatals. N'estic fart de la seua prepotència, de l'agressivitat, de les mentides, la manipulació, de les conspiracions i paranoies anticatalanes i, sobretot, de la hipocresia que exhibeixen sense ambages, corrompent la veritat, servint-se de diaris immorals com El Mundo o La Razón, aliant-se amb ràdios tendencioses com la COPE, Intereconomía o ES.Radio, tant parcials que entre les tres no en fan una de sola, i entrebancant l'accés a la lliure informació des de mitjans públics com Televisió Espanyola o Canal 9.
Atesa la doble o triple moral que hi presenten, els feixistes del PP i d'altres flancs serien capaços de casar-se amb el Dimoni, el Papa i el Petit Buda alhora, si ho requerís la situació. O d'ajuntar-se amb una cort sencera d'àngels trompeters i diables dansant al so, si això li escaigués a la seua panxa, la seua butxaca.... o el seu paradís fiscal.
No hi tenen remei. El pitjor de tot és que pensen de veritat que el seu camí és el bo i hauríem de seguir-lo tothom, com a exemple digne de pulcritud i bondat...., quan més misèria i putrefacció no en podrien acumular, ni fent-ho a posta. ¡Tindrà collons la cosa!
Sueca, 6 i 18 de novembre del 2012
Joanjo Aguar Matoses
(PODEU PUBLICAR-LO O REENVIAR-LO ON US DONE LA GANA)
_______________________________________________________________________________
MALA ESPINA. PARTIT POPULAR.
M'entren calfreds de veure a un partit polític negar-se repetidament a condemnar la dictadura franquista i alhora parapetar-se, amb superba exaltació patriòtica, rere la granítica Constitució Espanyola cada vegada que un 'puto' independentista qüestiona la sacrosanta unitat de l'Estat.
No és que DEFENSEN, traient pit com a herois, l'honor de la intocable, pura i virginal Constitució contra el barroer i depravat assetjament català. Al contrari, s'hi ESCUDEN a sota com xiquets malintencionats rere una post de fusta corcada, per barrar-nos el pas i no deixar-nos avançar envers la independència nacional, alhora que ens la refreguen pels nassos dia i nit, si cal, com qui branda un vil garrot, conjurant aquell article maleït que amenaça amb llençar-nos a sobre, com tiranosaures famolencs, les glorioses tropes mesetàries que ens estriparien tothom a dentellades en un obrir i tancar d'ulls. ¡Serà possible! El suc que li trauen al seu joguet legislatiu.... Transformen l'arma defensiva en ofensiva i, damunt, es queden més amples que llargs. Com solem dir a Sueca, tenen més cara que esquena.
¿Per què no s'indignen també i enlairen com una espasa al vent el mateix text legal quan milers d'espanyols ataquen el principi d'Autonomia i les competències de diverses nacionalitats, com la catalana i la basca, sabent arreu que aquest model territorial es troba igualment custodiat per la tan idolatrada Constitució?
¿Serà perquè dirigents i militants d'aquests partits s'han convertit en cadells ideològics de la recentralitzadora i fonamentalista Fundació FAES de José María Aznar, funest expresident del govern, que propugna de manera subtil -i no tant- instaurar com siga un espanyolisme ranci i brutal a profundes giravoltes del nostre cervell, siga ja bé català, valencià, balear, navarrés, basc, gallec, aragonés, asturià o madrileny?
Sí senyors, ¡quina entranyable casta política aquesta que ens governa hui en dia amb cor d'acer, puny de ferro, ulls clucs, oïts sords i implacable majoria absoluta absolutista! Increïble, insuperable, indescriptible, inenarrable.... amb vostés.... ¡el Partit Popular!
A tots aquells que l'hagen votat, mengen-se'l bé i.... ¡Bon profit!
Sueca (País Valencià), 12-10-2012 / 24-10-2012
Últims retocs: 21-11-2012
Joanjo Aguar Matoses
(PODEU PUBLICAR-LO O REENVIAR-LO ON US DONE LA GANA)
_______________________________________________________________________________
CONSIGNES ULTRAS SUR. MANUAL CONTRA CATALANS. DIA DE LA HISPANITAT (12-10-2012)
Us ofrene, de bon grat, una perla fina de la nostra mar Mediterrània, petita joia del tresor estatal que em brindà un amic català diverses jornades ençà. Es tracta d'un full de ruta amb instruccions detallades dirigides a espanyolistes radicals, la diversió esportiva dels quals no és altra que la d'esfereir i apallissar catalans. Document doctrinari de difusió interna entre els ULTRAS SUR, fanàtics seguidors del Real Madrid Club de Fútbol (RMCF) i neonazis declarats, a continuació gaudireu del seu comunicat. També us l'adjunte com a fitxer, en format PDF d'Adobe Acrobat, per si el voleu arxivar com a record d'aquesta època tan convulsa i emocionant que ens ha tocat viure.... i reviure.
La data clau de volta: El 12 d'octubre del present any 2012. Dia de la Hispanitat, o de la "HispaÑidaz".
El camp de batalla: Barcelona, ciutat ocupada, ciutat com tal. Capital "polaca" del poble "enemic" de "algunos buenos españoles" madridistes. A esclafar com una panderola, en fi.
El context: Manifestació per la unitat de Espanya. Marxa antiindependentista convocada per la plataforma "De España y catalanes", dins d'una campanya de llarg abast denominada LA ESPAÑA EN MARXA.
L'objectiu: "ejercer la autodefensa y dar un buen escarmiento a los putos separatistas", així com "salir de caza" per clavar-nos la por al cos a tots els catalanistes. "Los perros catalufos suelen ser bastante cobardes". "Si dejamos a unos cuantos para el arrastre seguro que no vuelven a ladrar "independencia" durante largo tiempo."
L'opinió personal d'un humil servidor: No sé el mal que arribarien a fer aquell dia de la Hispanitat, degenerats com aquests, però espere que no continuen fent-ho a partir del 25 de novembre d'enguany, quan Catalunya decidisca el seu nou Parlament de manera democràtica i legal. Diuen que els catalans i catalanistes som covards per definició, i els valencians.... encara molt més molls, però jo crec que, si continuem endavant amb el nostre clam de llibertat, seran els feixistes espanyols els que es caguen a sobre dels pantalons i hagen de fer-se enrere per sempre més, o durant uns segles, almenys. No els quedarà més remei. ¿No?
La finalitat de la seua violència física i verbal no és altra que fer-nos tancar la boca per evitar que protestem contra la discriminació i l'assetjament. Modus operandi equivalent a tot tipus d'exèrcit o de règim terrorista, siga ja islamista, israelià, rus, txetxé, serbi, croat, anglés, irlandés, basc o espanyol. Imposen el temor mitjançant la coacció amb tal d'assolir el seu fi: perpetuar el sistema tal i com està o, d'altra banda, capgirar-lo de dalt a baix. Al cap i a la fi, un cos armat, legal com l'exèrcit espanyol o clandestí com l'ETA crepuscular, no deixa de tindre sempre una component terrorista. ¿No hi pretenen regnar a base de força bruta i d'intimidació? Doncs això mateix, a través del terror.
En el nostre cas, espanyolistes radicals tracten de mantindre vigent l'actual i injust model d'Estat, invocant als militars, si cal. Metralletes, fusells, morters, canons, míssils, bombes, tancs, avions, cuirassats i destructors. ¿Així aspiren a continuar lligant de mans i peus a catalans, valencians i balears? ¿Sense deixar que ens expressem lliurement amb un referèndum d'autodeterminació? ¿S'atreviran a disparar? ¿Contra ciutadans desarmats? ¿Contra gent que l'única acció contundent que pretén realitzar és la de clavar un paper dins d'una urna de plàstic transparent? ¿Què volen, continuar esprement-nos eternament, com han fet alegrement durant els últims tres-cents anys, i que nosaltres no hi diguem res....?
¿Aconseguiran el seu objectiu? Potser sí o potser no. Hi entra en joc la nostra voluntat, perseverància i capacitat d'aguant. Ells més no hi podran fer, ¡esperem!, abans de quedar al descobert. El torn és ara nostre i de nosaltres mateixos hi penja el fil del nostre futur. Crec que és hora de plantar-los cara aprofitant la convocatòria electoral, d'escollir el vot que ens traurà del clavegueram on ens han empantanat, de ser valents i donar el pas decidit envers el nou Estat Català. De manera digna, conjunta, pacífica i sense tremolar. Podrem fer-ho si volem. De nosaltres depén. De tots nosaltres. ¿Estem preparats?
Sueca (País Valencià, Marènia), 18 de novembre del 2012
Joanjo Aguar Matoses
Enllaç al document d'ULTRAS SUR i al mur del meu Facebook:
www.facebook.com/media/set/?set=a.3867696182982.2150150.1...
www.facebook.com/#!/Joan.Jo.de.Marenia
(PODEU PUBLICAR-LO O REENVIAR-LO ON US DONE LA GANA)
_______________________________________________________________________________
TEXT DEL COMUNICAT 'ULTRAS SUR' PER AL 12 D'OCTUBRE DEL 2012
Información importante sobre la manifestación por la unidad de España del 12-O en Barcelona
Muchos valerosos camaradas de Ultras Sur han decidido responder a la llamada de La Falange, el Nudo Patriota Español, la Asociación Vieja Escuela Madrid y el Movimiento Católico Español - Acción Juvenil Española que dentro de la campaña llamada LA ESPAÑA EN MARCHA, asistirán a la marcha antiindependentista convocada por la Plataforma "De España y catalanes" el próximo Día de la Raza en la Plaza Cataluña de la capital polaca a las 12:00 h.
Programa: El 12 de octubre saldremos en autocar desde la Avenida América 9, a las 1:00 de la madrugada y llegaremos a la Estación del Norte en Barcelona a las 8:50 de la mañana. En la misma estación nos estarán esperando algunos buenos españoles que aún mantienen la sagrada bandera patria en tierra hostil. Con ellos iremos a desayunar en algún bar que no tengan la carta en dialecto catalino.
Después de reponer fuerzas nos dirigiremos hacia la Plaza Cataluña. Pero, como nos viene de paso, antes de la manifestación dejaremos un recuerdo imborrable en el monumento del presidente de la Generalidad más separatista (aparte del hijoputa traidor de Arturo Mas): Luis Companys, que además de ser un catalán de mierda era rojo, masón y judío converso.
A las 12:00 empieza la manifestación. Es fundamental que no nos dispersemos para ofrecer una imagen de cohesión y firmeza. Cuando termine la marcha iremos a comer a una peña madridista del centro.
Tarde libre para visitar la ciudad y/o salir de caza. Los perros catalufos suelen ser bastante cobardes y una demostración de fuerza hará que se amilanen rápido. Si dejamos a unos cuantos para el arrastre seguro que no vuelven a ladrar "independencia" durante largo tiempo.
A las 23:50 saldrá el autocar desde la Estación del Norte; la llegada a Madrid está prevista para las 7:00.
Importante: Recordad estar puntualmente en el lugar de encuentro, tanto a la salida como al regreso. El precio del billete de ida y vuelta es de 55 € por persona. Aun hay plazas en el transporte expedicionario.
Hemos pactado con la plataforma convocante que se permitirán banderas con el Águila de San Juan, pero en ningún caso gallardetes e insignias nacional-socialistas. Se recomienda llevar la camiseta de La Roja y rojigualdas con el toro. Hay que secundar todas las consignas pero nada de "Sieg Heil" esta vez.
Abstenerse de acarrear cualquier objeto punzante o contundente que pueda ser requisado por los Mozos de Cuadra. Nuestros camaradas de Barcelona nos surtirán con todo el material necesario para ejercer la autodefensa y dar un buen escarmiento a los putos separatistas.
Los que vayan de caza guardarán las máximas precauciones para no ser identificados ni detenidos. Las únicas bajas que tiene que haber el viernes deben ser entre las filas de los enemigos de España.
SELLO OFICIAL DE "ULTRAS SUR HOOLIGANS RMCF"
SELLO OFICIAL DE PLATAFORMA "LA ESPAÑA EN MARCHA"
_______________________________________________________________________________
Fitxers adjunts::
Manual contra Catalans. Hispanitat. Ultras Sur. 12-10-2012 -PDF.pdf 491 k
Fins Collons del PP. Mala Espina. Ultras Sur (6-11-2012).txt 14 k
_____________________________________________________________________________________
_____________________________________________________________________________________
-- VERSIÓ OBSOLETA DEL TEXT "MALA ESPINA. PARTIT POPULAR." (24-10-2012)
-- MALA ESPINA. PARTIT POPULAR.
-- Em dóna molt mala espina quan un partit que es nega en rodó a condemnar la dictadura franquista defensa amb tant de fervor la Constitució Espanyola, en veure qüestionada la sacrosanta unitat de l'Estat pels independentistes catalans.
-- ¿Per què no la defensa igual quan els feixistes espanyols ataquen el principi de l'autonomia en comunitats i nacionalitats històriques, com Catalunya i el País Basc, sabent que aquest model territorial també es troba salvaguardat per la mateixa Constitució?
-- ¿Serà perquè dirigents i militants s'han convertit en cadells ideològics de la recentralitzadora i radical Fundació FAES de José María Aznar?
-- Sí senyors, quin entranyable partit aquest que ens governa hui en dia amb ulls cecs, oïts sords, puny de ferro i avasalladora majoria absolutista. Increïble, insuperable, indescriptible.... el Partit Popular.
-- A tots aquells que l'hàgeu votat, mengeu-vos-se'l bé i ¡bon profit!
-- Sueca (País Valencià), 12-10-2012 / 24-10-2012. Joanjo Aguar Matoses
_____________________________________________________________________________________
_____________________________________________________________________________________
No, I didn't reinvent the wheel ... it's just a detailed report about the most boring speech I've ever been forced to attend to!
Documento para recenseamento de estrangeiros que moram em Paris relativo ao imóvel do Consulado e Chancelaria Comercial da Legação Imperial do Irão (av. d'Iéna). Contém o nome dos 7 estrangeiros que moram no edifício bem como daqueles que se encontram ausentes (Calouste e Nevarte Gulbenkian, a residir em Vichy).
Paris, França, 1940-08
Arquivos Gulbenkian PT FCG CSGP-S020-P0192-D600003
This extract from a letter from an officer in France to his wife, sent in December 1914, was forwarded by Austen Chamberlain to Lord Stamfordham, Private Secretary to King George V. The contents of the letter and the enthusiastic tone in which it was written, reflect the high esteem with which the Prince of Wales was regarded by the soldiers at the Front, and the morale-boosting effect his very presence in France had on the troops.
“Today who should I come upon, tramping along on front in the very worst of it (i.e. the “liquid mud”) but the Prince of Wales, with a very weary-looking & unhappy aide-de-camp splashing along behind him in a vain attempt to keep up. As a General at the front is reported to have said, & as I have always maintained, “That is a damned good boy!” & he has already become unanimously popular with the Army out here. Although he looks so young & slight, he is absolutely indefatigable – up at 5.0/ every morning & all over the place before any of the rest of the staff have begun to get out of bed. He has a small open car which he always drives himself, but his favourite plan is to leave it about ten miles from headquarters & to trudge home in the dark through the wind & pelting rain. His A.D.C. who was a nice rotund & beaming person three weeks ago, is now but a poor pale shadow of his former self, & I doubt if he will be able to stand the pace much longer. His chief preoccupation is to keep the boy out of danger &, as he is mad keen to share every experience of the soldiers like any last-joined subaltern, looking after him is by no means a sinecure I have not met him yet, but I see him very often & take much pleasure in his spirited goings on.”
© Royal Archives
Notification of the dismissal of Roger Casement's final appeal. This is just the outer cover, but if you look here, you'll also find a note by Casement about his farcical trial, as he saw it, and a letter from George Gavan Duffy to Sir Frederick Edwin Smith at the Royal Courts of Justice about the dismissal of his client's appeal.
Date: Tuesday, 18 July 1916
NLI Ref.: MS 49,154/13/2
Reproduction rights owned by the National Library of Ireland
File name: 10_03_002649b
Binder label: Clothes
Title: From Hill Brothers New York, Fantasma. [back]
Created/Published: Five Points, N. Y. : Donaldson Brothers
Copyright date: 1885
Physical description: 1 print : chromolithograph ; 15 x 11 cm.
Genre: Advertising cards
Subject: Women; Hats
Notes: Title from item.
Statement of responsibility: Hill Brothers
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
Este es el Manuscrito Informe de la fuerza española Naval y sus acciones militares en Chile y Perú: Estado Que en el dia de la fecha tiene el Vireinato de Lima; Provincias del de Buenos Ayres Recuperadas y conservadas Por el Ejercito del Alto Perú; y finalmente un en el ce que halla el Reyno de Chile [El Estado en esta fecha del Virreinato de Lima, las provincias de Buenos Aires, devueltos por el Ejército del Alto Perú; y, finalmente, el Estado del Reino de Chile].
Lima, 01 de noviembre de 1818.
Pequeño folio (ca. 31x21 cm). 6 páginas. Tinta marrón sobre papel verjurado con marcas de agua 'A' y 'PLA'. Texto en español en la escritura a mano legible.
Más tarde veteado por las envolturas del papel. Es un Manuscrito en muy buenas condiciones.
Históricamente significativo e importante informe periódico de la etapa final de la chilena (1810-1826) y del Perú (1811-1824).
Guerras de Independencia, compilada por las autoridades coloniales españolas. Nuestra copia al parecer perteneció a Joaquín de la Pezuela, primero marqués de Viluma (1761-1830), quien fue un virrey del Perú durante la Guerra de la Independencia: hay una frase manuscrita "Es copia Pezuela" en el final del texto.
El documento se divide en tres partes ("Vireinato de Lima", "Egéreito del Perú", y "Reyno de Chile") y comienza con el informe de avance de las fuerzas realistas (3.400 hombres bajo el mando del general Mariano de Osorio) de Callao para Talcahuano con el fin de recuperar Chile.
Sige a continuación las descripciones de Batalla de Cancha Rayada (18 de marzo 1818), Batalla de Maipú (5 de abril 1818), famoso Cruce de San Martín de los Andes (enero-febrero de 1817) y otros.
Una gran parte del texto está dedicado a las acciones del ejército de los realistas en el Alto Perú bajo el mando de José de la Serna e Hinojosa (1770-1832). Los informes de autor sobre el número de las fuerzas armadas en diferentes provincias del Vireinato de Lima y da una imagen de la guerra Perú de norte a sur.
Muy importante es el extenso material sobre la guerra naval cerca de las costas de Chile y Perú, y la acciones de la Primera Armada de Chile Escuadrón que se formó en 1817-1818 y, finalmente, "terminan el dominio colonial español en la costa sur-oeste de América del Sur" .
El informe enumera 12 buques de las fuerzas navales de los realistas (Las Fuerzas de mar): fragatas Esmeralda, Cleopatra, Presidenta y Venganza, bergantines Pezuela y Potrillo, corbeta Sebastian.
Hay notas sobre el estado y la cantidad de armas de fuego de cada buque.
Una lista separada se dedica a las naves enemigas (patriotas) y también detalla su artillería: Lautaro y Cumberland (comprado de la British East India Company); corbeta Coquimbo (comprado en los EE.UU.), cuatro bergantines, y siete corsarios (anglo-americano y francés).
Los informes de documentos sobre el bloqueo de Valparaíso en marzo-abril de 1818, y las acciones navales, por ejemplo, El ataque contra la Resolución, corbeta española, cerca de Callao por la fuerza de corsario, que consta de los marineros americanos, portugueses e irlandeses británicos (19 de octubre).
El texto concluye con la noticia de que el refuerzo naval para los realistas se ha apartado de España: Fragata Especulation dejó Cádiz el 21 de mayo con 6 funcionarios y 200 hombres del Regimiento de Cantabria, una parte de una fuerza más grande que se embarcará en Callao y se irá de inmediato para reforzar el ejército del Alto Perú.
Fragata María Isabel aumentará las fuerzas marítimas destinadas al bloqueo de Valparaíso. El autor no tiene ninguna duda de que "Nuestra fuerza marítima debe tener éxito en la destrucción de los rebeldes y nos dará ventaja en la reconquista de Chile".
Venice Biennale / Colonel at the MALDIVES PAVILION : "IS CLIMATE CHANGE STILL AN EMERGENCY ? " ( part 2)
In 2013 Thierry Geoffroy / Colonel is represented at the Malives pavilion at the Venice Biennale and then went further and received hospitality at the Zimbabwe pavilion with the Emergency Room Mobile .
He ask in his installation made of different steps : "IS CLIMATE CHANGE STILL AN EMERGENCY ? "
www.emergencyrooms.org/biennalist.html .
at the Zimbabwe pavilion he open an Emergency Room mobile open to all emergencies around the tent was the Delay museum
www.emergencyrooms.org ( please ask permission for use of photos =1@colonel.dk )
---------------------------------------------------------------------- ----------------------------------------------------------------------
lists of artists participating at the Venice Biennale :
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
---------------------------------------------------------------------- ----------------------------------------------------------------------
other pavilions at Venice Biennale
Andorra Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De GrandisAngola Artist: Edson Chagas Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Argentina Artist: Nicola Costantino Commissioner: Magdalena Faillace Curator: Fernando Farina
Armenia Artist: Ararat SarkissianCurator: Arman Grogoryan /AustraliaArtist: Simryn Gill Commissioner: Simon Mordant Deputy Commissioner: Penelope Seidler Curator: Catherine de Zegher /AustriaArtist: Mathias Poledna ,Curator: Jasper Sharp /AzerbaijanArtists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov /Commissioner: Heydar Aliyev FoundationCurator: Hervé Mikaeloff
Bahamas Artist: Tavares Strachan Commissioner: Nalini Bethel, Ministry of Tourism Curators: Jean Crutchfield, Robert HobbsDeputy Curator: Stamatina Gregory/BangladeshChhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School/Commissioner/Curator: Francesco Elisei. , Curator: Fabio Anselmi./BahrainArtists: Mariam Haji, Waheeda Malullah, Camille Zakharia /Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture /Curator: Melissa Enders-Bhatiaa/BelgiumArtist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture .Curator: J. M. Coetzee ,Deputy Curator: Philippe Van Cauteren /Bosnia and Herzegovina
Artist: Mladen Miljanovic .Commissioners: Sarita Vujković, Irfan Hošić
Brazil Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo,Curator: Luis Pérez-Oramas ,Deputy Curator: André Severo
CanadaArtist: Shary Boyle /Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada ,Curator: Josée Drouin-Brisebois/Central AsiaArtists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
ChileArtist: Alfredo JaarCommissioner: CNCA, National Council of Culture and the Arts Curator: Madeleine Grynsztejn
ChinaArtists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG) ,Curator: Wang Chunchen
Costa Rica Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco EliseiCurator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Croatia Artist: Kata Mijatovic ,Commissioner/Curator: Branko Franceschi.
CubaArtists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone ,Commissioner: Miria ViciniCurators: Jorge Fernández Torres, Giacomo Zaza
CyprusArtists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister /Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou/Curator: Raimundas Malašauskas
Czech Republic & Slovak RepublicArtists: Petra Feriancova, Zbynek Baladran ,Commissioner: Monika Palcova, Curator: Marek Pokorny /DenmarkArtist: Jesper Just in collaboration with Project ProjectsEgypt
Artists: Mohamed Banawy, Khaled Zaki
EstoniaArtist: Dénes Farkas ,Commissioner: Maria Arusoo ,Curator: Adam Budak
FinlandArtist: Antti Laitinen , Commissioner: Raija Koli , Curators: Marko Karo, Mika Elo, Harri Laakso
FranceArtist: Anri Sala ,Curator: Christine Macel
GeorgiaArtists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze/Commissioner: Marine Mizandari, First Deputy Minister of Culture Curator: Joanna Warsza
GermanyArtists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh Commissioner/Curator: Susanne Gaensheimer /Great BritainArtist: Jeremy Deller ,Commissioner: Andrea Rose , Curator: Emma Gifford-Mead
Holy SeeArtists: Lawrence Carroll, Josef Koudelka, Studio Azzurro ,Curator: Antonio Paolucci
Hungary , Artist: Zsolt Asztalos , Curator: Gabriella Uhl
Iceland , Artist: Katrín Sigurðardóttir ,Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa/IndonesiaArtists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Deputy Commissioner: Achille Bonito Oliva , Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
IraqArtists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)Curator: Jonathan Watkins.
IrelandArtist: Richard MosseCommissioner, Curator: Anna O’Sullivan
Israel , Artist: Gilad Ratman , Commissioners: Arad Turgeman, Michael GovCurator: Sergio Edelstein
ItalyArtists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa ,Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi /Ivory Coast Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis , Curator: Yacouba Konaté
Japan ,Artist: Koki Tanaka ,Curator: Mika Kuraya
KenyaArtists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César MeneghettiCommissioner: Paola Poponi ,Curators: Sandro Orlandi, Paola Poponi /Korea (Republic of)Artist: Kimsooja
KosovoArtist: Petrit Halilaj ,Commissioner: Erzen Shkololli ,Curator: Kathrin Rhomberg
KuwaitArtists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi ,Curator: Ala Younis /Latin AmericaIstituto Italo-Latino Americano
Artists:Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi. /Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski ,Commissioner: Sylvia Irrazábal ,Curator: Alfons Hug
Deputy Curator: Paz Guevara /Latvia Artists: Kaspars Podnieks, Krišs Salmanis ,Commissioners: Zane Culkstena, Zane Onckule ,Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
LithuaniaArtist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter SinisterCommissioners: Jonas Žokaitis, Aurime Aleksandraviciute Curator: Raimundas Malašauskas /LuxembourgArtist: Catherine LorentCommissioner: Clément Minighetti Curator: Anna Loporcaro /MexicoArtist: Ariel Guzik ,Commissioner: Gastón Ramírez Feltrín ,Curator: Itala Schmelz
Montenegro ,Artist: Irena Lagator Pejovic .Commissioner/Curator: Nataša Nikcevic
The Netherlands ,Artist: Mark Manders
Commissioner: Mondriaan Fund ,Curator: Lorenzo Benedetti
New Zealand Artist: Bill Culbert ,Commissioner: Jenny Harper ,Deputy Commissioner: Heather Galbraith ,Curator: Justin Paton /Finland: ,Artist: Terike Haapoja ,Commissioner: Raija Koli ,Curators: Marko Karo, Mika Elo, Harri Laakso
Norway:Artists: Edvard Munch, Lene Berg
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Paraguay Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi ,Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck , Curator: Osvaldo González Real
Poland Artist: Konrad Smolenski Commissioner: Hanna Wróblewska Curators: Agnieszka Pindera, Daniel Muzyczuk
Portugal Artist: Joana Vasconcelos Curator: Miguel Amado
RomaniaArtists: Maria Alexandra Pirici, Manuel Pelmus Commissioner: Monica Morariu Deputy Commissioner: Alexandru Damia Curator: Raluca VoineaArtists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian MoldovanCommissioner: Monica Morariu ,Deputy Commissioner: Alexandru Damian ,Curator: Anca Mihulet
Russia Artist: Vadim Zakharov ,Commissioner: Stella Kasaeva ,Curator: Udo Kittelmann
Serbia Artists: Vladimir Peric, Miloš Tomic .Commissioner: Maja Ciric
SloveniaArtist: Jasmina CibicCommissioner: Blaž Peršin ,Curator: Tevž Logar
South Africa Commissioner: Saul Molobi ,Curator: Brenton Maart
Spain Artist: Lara Almarcegui , Commissioner/Curator: Octavio Zaya
Switzerland Artist: Valentin Carron Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Curator: Giovanni CarmineVenue: Pavilion at Giardini
Syrian Arab RepublicArtists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti Curator: Duccio Trombadori
Taiwan Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU Curator: Esther Lu
Thailand Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Turkey Artist: Ali Kazma Commissioner: Istanbul Foundation for Culture and Arts Curator: Emre Baykal
Ukraine Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
United Arab Emirates Artist: Mohammed Kazem /Commissioner: Dr. Lamees Hamdan Curator: Reem Fadda
Uruguay Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale Curators: Carlos Capelán, Verónica Cordeiro
USA Artist: Sarah Sze Commissioners/Curators: Carey Lovelace, Holly Block
Venezuela Colectivo de Artistas Urbanos Venezolanos , Commissioner: Edgar Ernesto González Curator: Juan Calzadilla
---------------------------------------------------------------------- ---------------------------------------------------------------------- --
Encyclopedic Palace is curated by Massimiliano Gioni
---------------------------------------------------------------------- ---------------------------------------------------------------------- -------------------
Other Biennales (Biennials ) : Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
---------------------------------------------------------------------- -
in preparation of the COP 19 to be held in Warsaw Poland 2013 ( climate change conference on global warming ) . Can artist performa and activate a debate ?
This is how I used to tabulate my sightings - I never considered myself a trainspotter, as to me the numbers without the details of the type of train, number of coaches etc seemed pointless. Apologies to all you straightforward spotters out there. I guess the signs of asperger's syndrome were apparent even then !
Analysis of employment prospects - shows numbers of Hungarian refugees staying in England and emigrating to the USA and Canada.
GB127.Council Proceedings
Social insurance - general considerations manuscript memo by Beveridge, with note that this document was found by him on 11 June 1952: It was presumably composed... [in July 1941] and is thus the first draft of Beveridge Report. With typescript copies.
IMAGELIBRARY/1382
Manifestació per la Independència. Diada Nacional Catalunya de 11 de setembre. Barcelona. 11/9/2017.
BS Móvil, la aplicación de banca móvil de Banco Sabadell, incorpora novedades como la opción de devolver desde tu móvil o tableta. Más información sobre BS Móvil en sab.to/IfAZGZ
Photo used by www.flupatch.org/influenza-resources/flu-vaccines-now-mor....
Photo used by www.petsadviser.com/pet-health/not-vaccinating/.
Rückseite der Karte aus Engelberg, Schweiz, Poststempel vom 25. Juli 1925.
Zusatz-Information:
"Engelberg ist eine politische Gemeinde des Kantons Obwalden in der Zentralschweiz.
Der Ort geht auf die 1120 gegründete Benediktinerabtei Kloster Engelberg zurück und ist eine Exklave des Kantons Obwalden, umgeben von den Kantonen Bern, Nidwalden und Uri. Engelberg ist ein Ort des Sommer- und Wintertourismus." Wikipedia.
Additional information:
'Engelberg is a municipality in the canton of Obwalden in central Switzerland.
The village dates back to the Benedictine abbey of Engelberg, founded in 1120, and is an exclave of the canton of Obwalden, surrounded by the cantons of Bern, Nidwalden and Uri. Engelberg is a place of summer and winter tourism.' Wikipedia.
La Carpio, 2014
This picture is part of a documentary work done for PNUD. At the end it will be a book, videos and a web site.
Image from an Album (AL-33) which belonged to Lt. H.L. Kelley. The album houses drawings from newspapers from the USS Saratoga and USS Ranger.
Repository: San Diego Air and Space Museum Archive
Title: Document written by Blanche Kelso Bruce, possibly
a speech, in which he discusses the accomplishments of Henry Ward Beecher
Date Original: n.d.
Description: This document is comprised of 11
leaves containing Bruce's handwritten text in ink on one side of each leaf.
The content is concerned with outlining and discussing the accomplishments of
Henry Ward Beecher, especially those in regard to working for
the rights of African-Americans. Bruce was the first African-American
to serve a full term (1875-1881) in the U.S. Senate.
Creator: Bruce, Blanche Kelso, 1841-1898
Subject(s): Bruce, Blanche Kelso, 1841-1898
Beecher, Henry Ward, 1813-1887
Alternative Title: 080225-17
Publisher: Wofford College
Contributor:
Date Digital: 2008-09-03
Type: Text
Format [medium]: Manuscript
Format [IMT]: image/jpeg
Digitization Specifications: 800ppi 24-bit depth color; Scanned with
an Epson 15000 Photo scanner with Epson Scan software; Archival master is a
TIFF; Original converted to JPEG with Irfan View software.
Resource Identifier: 080225-17
Source: The original, accession number 080225-17, from which
this digital representation is taken is housed in The
Littlejohn Collection at Wofford College,
located in the Sandor Teszler Library.
Language:En-us English
Relation [is part of]:The
Littlejohn Collection
Rights Management: This digital representation has been
licensed under an Attribution
- Noncommercial- No Derivatives Creative Commons license.
Contributing Institution: Wofford College
Web Site: http://www.wofford.edu/library/littlejohn-home.aspx
The Robert Pocock Herbarium Project was funded by the Heritage Lottery Fund and supported by the Kent Wildlife Trust and the Natural History Museum. Its aim was to search the Natural History Museum herbaria to find the c240 plant specimens collected by Robert Pocock of Gravesend in the early 19th century. The aims also included making and exhibiting images of this unique record of Kent's botanical heritage, giving talks to local people on this subject and creating a website detailing all available information. The Project began in September 2013 and is on-going.
Studying examples of Robert Pocock's handwriting helped us to identify his herbarium specimens from the labels.
10/52
So today hasn't been too eventful. I played a little golf with two friends and went to church, but other than that, I've not done anything but be on the computer all day (no surprise there) and study for a chemistry quiz tomorrow. So ready for school to be out. Two more weeks, then senior week, then graduation on June 3rd.
EOS Rebel T1i
Edited in Aperture 2/PS CS5
Canon 85mm f/1.8
Holy Willie's Prayer (pages 21-25 of the The Glenriddel Manuscripts, which contain a selection of Burn’s poems and letters, compiled in two volumes, for presentation to Burns's friend, Robert Riddell of Glenriddell (1755-1794), during the years 1791 to 1793.) The first volume, contains copies of poems both in Burns's hand and in that of a scribe. It contains over 50 poems, most famously a full version of Holy Willie's Prayer. This is the most devastating and amusing of Burns's diatribes against the apparent hypocrisy of certain sections of his native Church. It is directed against William Fisher, a farmer in Montgarswood and an elder of Mauchline Kirk. Burns uses this hypocrite - who had initiated disciplinary action against the poet's friend, Gavin Hamilton, for failing to attend the Kirk regularly - to savage the orthodox Calvinist doctrine of double predestination. The satire was so severe that it circulated in handwritten form for some three years before its publication as part of a pamphlet. Written in August 1785, this is one of the poet's earliest satirical works on orthodox Calvinism and is the only version of the poem in Burns's hand.
Title: Opinion in Brown v. Board of Education of Topeka, 08/31/1951
Production Date: August 31, 1951
Creator(s): U.S. District Court for the First (Topeka) Division of the District of Kansas. (06/09/1890 - )
Brown v. Board of Education, Implementation Decree; May 31, 1955; Records of the Supreme Court of the United States; Record Group 267; National Archives.
In this milestone decision, the Supreme Court ruled that separating children in public schools on the basis of race was unconstitutional. It signaled the end of legalized racial segregation in the schools of the United States, overruling the "separate but equal" principle set forth in the 1896 Plessy v. Ferguson case.
Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=2641494
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Went through a file of newspaper articles I clipped for my show. This ad was published in the New York Times, 31 July 2007. He spent $187,000 for the ad. I took the pic in my back yard after it rained -- you can see the wet soil. (Cropped and joined two pics.) I don't agree with all of it, especially the shooter in the sewer.
Dear Mr. Graham:
As you know, I wrote to you on April 4, 2006 about the conclusive evidence that there was a government-wide conspiracy resulting in the murder of President John Fitzgerald Kennedy in Dallas, Texas on Friday, November 22, 1963. You thanked me on April 7, 2006 for sending you my letter about the Kennedy assassination and told me that you would pass on the material to Leonard Downie Jr., The Post’s Executive Editor.
My communications with the The Post began on January 12, 2006 when Milton Coleman, The Post’s Deputy Managing Editor arranged for me to meet with Michelle Garcia, Post reporter. During my meeting I gave Ms.Garcia various materials related to the assassination, including the two censored videos, The Men Who Killed Kennedy, The Final Chapter, Volumes 1 and 2.
Subsequently, I began having conversations with The Washington Post’s New York bureau. On March 30, 2006, I had a meeting in the New York office on West 57th Street.
But later, The Washington Post after repeated requests had never returned the Kennedy assassination material. I then had to ask my Washington attorney, Roy Kaufmann of Jackson & Campbell, P.C. to write to The Post requesting the return of my property. After repeated requests, I then had to retain the services of John J. Janiec, an attorney with offices in The Empire State Building. It was not until Mr. Janiec filed summons against The Washington Post in the Supreme Court of the State of New York did The Post finally relent and returned most of my property during November 2006.
But The Post has still not returned the important video, The Man Who Killed Kennedy, The Final Chapter, Volume 1.
The Post’s actions are symptomatic of how the American newsmedia has worked to keep the truth from the public about the most atrocious crime in U.S. history.
With a few exceptions such as journalists Helen Thomas and Robert McNeil, the media—both individually and collectively --- have safeguarded the government’s false version of what happened on that terrible day in November 1963.
Indeed, David Talbot in his new book, Brothers, wrote that in 1965 “the press was rushing to close the case on the assassination of President Kennedy.”
The media, including The New York Times, allowed themselves to be infiltrated by the CIA. Talbot reported that “the CIA alone had over four hundred American journalists on its payroll.”
The best example is Gerald Posner. His 1993 book, Case Closed, was written for an elite audience, primarily journalists, predisposed to believe the government’s false version of events. In my opinion, Posner’s book is full of inaccuracies. Random House editor Robert Loomis solicited Posner to write this book with the promise of full CIA cooperation.
President John Fitzgerald Kennedy was murdered by Vice President Lyndon Baines Johnson in a widespread, incredibly complex and brilliantly planned conspiracy that involved the Federal Bureau of Investigations directed by J. Edgar Hoover, the CIA directed by David Atlee Phillips, the Secret Service, elements of the United States Air Force, including General Curtis LeMay of the Joint Chiefs of Staff, the United States Army, the United States Navy, Henry R. Luce’s LIFE Magazine, the Ford Motor Company, the Dallas Police, including Dallas Mayor Earle Cabel, big Oil of Midland, Texas, the Texas political establishment, the mafia, the anti – Castro Cubans, Southern racists, including retired General Edwin Walker, and others. President Richard M. Nixon was also involved.
Miller Reporting Company did the reporting for the Assassination Records Review Board. Congress created the John F. Kennedy Records Act in 1992 that created a five-civilian member board entrusted with the responsibility to review and declassify documents held by the CIA, FBI, Secret Service, etc. President Bill Clinton made the appointments to the board.
On Monday, November 9, 1998, the National Archives released to the public all the working files of the Assassination Records Review Board and its staff covering the recently completed 4-year effort of that independent Federal agency to find and release government records related to the Kennedy assassination. Among the internal records released that day was a 32-page research paper, written by AARB’s Chief Analyst for Military Records, which provide compelling evidence that there were two different brain specimens examined following the autopsy on the body of JFK—President Kennedy’s brain, as was expected, and a fraudulent, substituted brain specimen at a later date—and that the brain photographs in the National Archives today in the so-called “autopsy collection” are not images of President Kennedy’s brain, but are images of someone else’s. All photographic records of President Kennedy’s brain have disappeared, since its pattern of damage was consistent with being shot from the front; the images of the substituted specimen show damage generally consistent with the official version of what happened of being shot from above and behind.
The final shot that killed President Kennedy came from the front from an assassin in the storm sewer to the right of the limousine, entered his right temple and exited from the back causing a massive hole in the back of Kennedy’s head. The assassin used an explosive bullet that flattens out and doesn’t leave a trace. This explains the massive hole in the back of Kennedy’s head. The small hole in the right temple was covered up, and in the forged photographs, a soft-matte insert was put in its place to cover up the massive hole in the back of his head.
The reasons why President Kennedy was murdered were varied: First of all, as President Dwight Eisenhower warned about at the end of his administration was the military-industrial complex. On October 11, 1963 Kennedy issued White House Directive NSAM 263. Kennedy planned to withdraw 1,000 military advisors from Vietnam by the end of 1963 and the balance of 15,000 military advisers would be withdrawn by late 1965. There would have been no Vietnam War.
Secondly, Kennedy planned to get rid of J. Edgar Hoover in his second term. He also planned to scale back the CIA to the manner that President Harry Truman envisioned the agency: as an intelligence agency---not one that sponsors wars and assassinations.
It was also known that Kennedy thought that the oil depletion allowance was too generous. He planned to lower it thus angering the oil people. The anti-Castro Cubans were enraged because of Kennedy’s refusal to invade Cuba. Southern racists were bitter because Kennedy supported civil rights. The mafia were out to destroy Kennedy because John and Robert Kennedy had targeted the mafia.
Then there was Vice President Lyndon Johnson who was exceedingly corrupt, possessed an overpowering ambition to be president, and would stop at nothing to obtain his goal.
Robert A. Caro, the renowned biographer of Lyndon Johnson has already published three of his four volumes of The Years of Lyndon Johnson. Caro published this paragraph in the introduction to his first volume, The Path to Power. The introduction is called “Patterns.”
The dark thread was still present after college. It would be present throughout his life. The Path to Power, the first of three volumes that will constitute The Years of Lyndon Johnson, ends in 1941, when Johnson is only thirty-two years old. But by 1941, the first major stage of his life is over. A young man—desperately poor, possessed of an education mediocre at best, from one of the most isolated and backward areas of the United States--- has attained the national power he craved. He has won not only a seat in Congress but influence that reaches far beyond his district’s borders. And by 1941, also, the major patterns of his life are established and clear. In attaining this influence, he has displayed a genius for discerning a path to power, an utter ruthlessness in destroying obstacles in that path, and a seemingly bottomless capacity for deceit, deception and betrayal in moving along it. In every election in which he ran---only in college, but thereafter—he displayed a willingness to do whatever was necessary to win: a willingness so complete that even in the generous terms of political morality, it amounted to amorality.
After Lee Harvey Oswald was shot, President Lyndon Baines Johnson called Parkland Hospital. Phyllis Barlett, Chief Telephone Operator for Parkland Hospital remembers the call: “The call came in and said “hold the line for the President,” and for a second I was still thinking Kennedy, and I didn’t... I was kind of taken aback for a minute and a few seconds. It was just a matter of a second, that’s when he came on in a loud voice and said: “This is Lyndon Johnson. Connect me to the accused assassin’s doctor.” It sounded the same as it had been on newcasts when I would hear him speak.”
Ms. Barlett then put the President through to an office adjoining the operating room, where Dr. Charles Crenshaw was urgently called to answer the phone. He recalls: “I picked up the phone and it was there that I heard this voice like thunder that stated: “This is President Lyndon B. Johnson.” And he asked: “How is the accused assassin doing?” I was so startled the only thing that I could say was: “He is holding his own. He has lost a lot of blood.” He said: “Would you take a message to the chief operating surgeon?” It was more of an order than a question. “There is a man in the room, I would like for him to take a deathbed confession.” And all of a sudden the phone went off. I returned to the operating room, I tapped Dr. Shires on the shoulder, he looked at me like “What are you talking about?” Everyone was working feverishly in the operating room trying to correct the wounds there. I said: “Guess who I have been talking to? The President of the United States called and he wants that man over there to take a deathbed confession.” And Shires looked at me like I was crazy. And we both realized that Lee Harvey Oswald, had he survived, would not have been able to give any testimony until two or three days after the procedure. But still in all, the President had called and I did relay the message.”
The Assassination Records Review Board obtained a 14-page document from the Russians on March 6, 1995. The document was once a top-secret KGB intelligence report. On page 9 of the report is this statement:
“On September 16, 1965, this same source reported that the KGB residence in New York City received instructions from KGB headquarters in Moscow to develop all possible information concerning President Lyndon B. Johnson’s character, background, personal friends, and family and from which quarters he derives his support in his position as President of the United States. Our source added that “now” the KBG was in possession of data purporting to indicate President Johnson was responsible for the assassination of the late President John F. Kennedy.”
Turning now to President Richard M. Nixon. Nixon authorized the break-in at the Watergate Complex during the night of June 16-17, 1972 because Nixon was fearful that National Chairman Larry O’Brien might have documents in his files indicating that Nixon was involved in the Kennedy murder—he was. Richard Nixon had been at the party of Clint Murchison’s, the Dallas oil billionaire, and he had gone into the private meeting with J. Edgar Hoover, LBJ, Edward Clark, Johnson’s attorney (and the secret boss of Texas) in the early morning hours of Friday, November 22, 1963, about eleven hours before President Kennedy was murdered.
On page 21 Ira David Wood III wrote in his chronology in Murder in Dealey Plaza (edited by James H. Fetzer) the following:
“Later that morning, Nixon flew out of Dallas Love Field at 9:05 a.m. on American Airlines Flight 82. He was then legal counsel for Pepsi-Cola and was allegedly in Dallas to attend a company meeting.
CIA agent Russell Bintliff will tell The Washington Star in 1976 that Pepsi-Cola had set up a bottling plant in Laos in the early 1960’s... One of the immediate consequences of the JFK assassination will be the escalation of American involvement in Vietnam, in theory providing the alleged Pepsi-Cola plant with a great deal more business”.
LIFE Magazine played a major role in The Conspiracy beginning with the photograph of President Kennedy’s limousine. LIFE cropped the photograph on page 23 of the November 29, 1963 issue so that the bullet hole in the left windshield is not visible.
In this same issue (written during Saturday and Sunday, November 23 and 24, 1963) Thomas Thompson wrote a long story about Lee Harvey Oswald which may have deceived the American people:
Thompson wrote the following:
“But slowly, methodically, the police were building their case. (They were not.) ---connecting Oswald with the mail-order purchase of a rifle like the one that fired the bullet (Oswald never owned a rifle.) placing him on the scene with a long parcel the size and shape of a rifle (It wasn’t. The package was only two-thirds that size and contained curtain rods.) comparing his palm-marks with the one found on the murder weapon.” This is Thompson’s most appalling lie. The FBI flew the cheap Italian carbine rifle to Washington and then flew it back to Dallas. On Monday morning, November 25, agents took the rifle to the Dallas funeral home where Oswald’s dead body was. Paul Grudie, the funeral home director, reported that agents asked to have the preparation room to themselves. Afterwards, Grudie had to clean the ink from Oswald’s dead hand. The FBI then announced that they had found Oswald’s palm print on the rifle!
In the subsequent issue, December 6, 1963, Thompson continued his lies. In the February 21, 1964 issue, LIFE magazine published on its front cover the fraudulent photograph showing Oswald’s head superimposed on someone else’s body holding the cheap Italian carbine rifle.
Regarding the Ford Motor Company’s involvement, Henry Ford II and LBJ were friends. The Secret Service secretly flew Kennedy’s limousine to Detroit’s Willow Run Airport on Sunday, November 24, 1963 and took it to the Ford River Rouge Plant. On Monday morning, November 25, the windshield with its hole was stripped from the car and replaced with a new windshield. The limousine was then secretly flown back to Washington and returned to the White House garage. Detailed information about the Ford Motor Company’s involvement can be found in The Men Who Killed Kennedy, The Final Chapter, Volume 1, as well as from numerous other sources.
Evidence of the Secret Service’s involvement in The Conspiracy is clearly demonstrated in the film of Kennedy’s motorcade at Dallas Love Field. Secret Service Agent, Emory P. Roberts, in the limousine in front of Kennedy’s car, waves away the Secret Service agent Henry J. Rybka from Kennedy’s limousine. Rybka throws up his arms in astonishment with the implied message: “This is not what I was trained to do!”
David Talbot writes about LBJ’s distrust of the Secret Service: “Just honestly, Mike,” LBJ told Senate Majority Leader Mike Mansfield in a September 1964 phone conversation recorded by the president’s Oval Office taping system,--“ and I wouldn’t have this repeated this to anyone—my judgment is that they’re more likely to get me killed than they are to protect me.”
In the opening and lead story by journalist Tom Wicker in the Saturday, November 23, 1963 edition of The New York Times is conclusive evidence of The Conspiracy. On page 2 Wicker reports Acting White House Press Secretary Malcolm Kilduff’s press conference at Parkland Hospital at 1:30 p.m. (Central Standard Time). Kilduff said: “President John F. Kennedy died at approximately one o’clock Central Standard Time here in Dallas. He died of a gunshot to the brain, Dr. Burkley told me.” (Burkley was Kennedy’s personal physician) “It was a simple matter at the time of a bullet right through the head.” (Kilduff raised his right arm and used his right index finger to point to the entrance wound in the right temple.)
In the second column on page 2, Wicker wrote this: “Later in the afternoon, Dr. Malcolm Perry, an attending surgeon, and Dr. Kemp Clark, Chief of neurosurgery at Parkland Hospital gave more details:
Mr. Kennedy was hit by a bullet in the throat, just below the Adam’s apple, they said. This wound had the appearance of a bullet’s entry.
Mr. Kennedy also had a massive, gaping wound in the back and one on the side of the head. However, the doctors said it was impossible to determine immediately, whether the wounds had been caused by one bullet or two.”
Oliver Stone’s film, JFK, which is about 98% accurate, shows a superb frame-by-frame analysis of the Zapruder film showing the six shots. Two of the eight assassins were in the lower part of the Dal-Tex Building. Another two assassins were on the sixth floor of the Texas Book Depository Building. One of the assassins was Malcolm Wallace. His finger print was found on one of the boxes in the sniper’s nest. Another assassin was on the fourth or fifth floor of the Texas Book Depository Building.
The CIA had the mafia hire three killers from Marseilles, France. Two of those killers were behind the picket fence on the grassy knoll. The third assassin was in the storm sewer to the right of the limousine. The first shot came from an assassin on the left side of the Stemmons Freeway, crashed through the front windshield and hit Kennedy in the neck. The second shot came from behind from an assassin in the Dal-Tex Building and hit Kennedy in the back. The third shot came from behind from the fourth or fifth floor of the Texas Book Depository Building and hit Governor John Connolly. The fourth shot came from an assassin in the Dal-Tex Building and flew over the motorcade and hit cement. A concrete fragment hit by-stander James T. Tague in the cheek. The fifth shot came from an assassin in the Texas Book Depository Building and hit Kennedy in the side of the head. And the sixth and final shot came from the assassin in the storm sewer; hit Kennedy in the right temple, blasting out from the back of his head killing the President.
Both the Warren Commission and the House Select Committee on Assassinations were cover-ups. Allen W. Dulles was an active member of The Conspiracy as well as the cover-up. Gerald Ford was a forceful member of the cover-up and acted as an FBI informant regarding some of the secret proceedings of the Warren Commission. Senator Richard Russell privately knew that the Warren Commission’s findings were absurd, but Congressman Hale Boggs had his papers eviscerated by the FBI and he was murdered by the CIA, as were dozens of others during the 1960’s and 1970’s in the ongoing effort to cover-up The Conspiracy.
Connie Kritzberg was a reporter for the Dallas Times Herald. She conducted a telephone interview a couple of hours after Kennedy’s death with the two principal doctors among the 16 doctors who attended Kennedy at Parkland Hospital. Both doctors, as did all 14 other doctors and four nurses reported that he was shot twice from the front, first in the neck and finally in the right temple.
Kritzberg talked to Dr.Williams Kemp Clark, head of neurosurgery, and Dr. Malcolm Perry. She asked the two doctors how many wounds there were in Kennedy’s body. Dr. Clark told Kritzberg that he was working on the gaping hole in the head, and Dr. Perry said he was working on the entrance wound in the neck. Kritzberg said that Dr. Perry said three times that “there was an entrance wound from the front.”
Connie Kritzberg then said she wrote “a simple story, only about 12 inches long, titled “Neck Wound Brings Death” and turned it in.”
The next morning, Saturday, November 23, Kitzberg found that the story she filed had been changed. She found in the story “an unprofessional sentence” in the third paragraph. It said, “A doctor admitted that it was possible there was only one wound.”
“I was very upset,” Kritzberg said. “I called the city desk and talked one of the assistant city editors. I asked him ‘Who changed my story?’ Kritzberg said. “He knew immediately what I meant,” She asked him, “ Who put in that sentence?” The assistant city editor said, “The FBI.”
Arlen Specter, now Senator Specter, who was a lawyer on the Warren Commission, invented the single bullet theory known as the “magic bullet.” Kenneth O’Donnell, JFK’s special assistant, recalls Specter’s effort at another deception:
“I distinctly remember that when Johnson and I talked at the hospital there was no mention of which of the two planes he should use. Nor was there any mention that he was considering waiting for Jackie and the President’s casket to be on the same plane with him before he left Dallas. Later as a lawyer for the Warren Commission, Arlen Specter, pointed out to me that according to Johnson’s testimony, I had told him to board Air Force One, Specter asked me, to my amazement, if I would change my testimony so that it would agree with the President’s. Was I under oath?’ I asked Specter, as, of course, I was. Certainly I wouldn’t change anything I said under oath.”
President George Herbert Walker Bush, as a former director of the CIA, continues to this day to be intensely involved in the cover-up of the murder of President John Fitzgerald Kennedy. President Bush strenuously opposed passage of the J.F.K. Records Act and refused to make the appointments to the five civilian-member board. The appointments had to wait until Bill Clinton became President. Indeed, at the funeral for President Gerald Ford on January 2, 2007, Bush falsely charged that Lee Harvey Oswald killed Kennedy.
There are many reasons why the Kennedys remained quiet all these years. David Talbot wrote in Brothers that Robert Kennedy in 1965 told an old family friend: “If the American people knew the truth about Dallas, there would be blood in the streets.” Robert Kennedy was also concerned about his own personal safety. He also shared a sense of guilt about his brother’s death. Kennedy set up in his office an operation to assassinate Castro, but the government took over that operation to kill his brother. RFK also intended to break open the case once he became president, but he was assassinated on June 5, 1968.
Lee Harvey Oswald was working for the FBI at the time of the assassination making $200 a month. He was also working for the CIA. On or about Tuesday, November 12, 1963, Oswald delivered a note to his FBI supervisor, James P. Hosty, Jr., warning him that the assassination was about to take place. Hosty sent out a wire on November 17, 1963 to all FBI Offices. The wire read: “Bureau has determined that a militant revolutionary group may attempt to assassinate President Kennedy in his proposed trip to Dallas, Texas, November 22, Nineteen Sixty-Three.” After the assassination, all the wires were destroyed except the one in the New Orleans Office. The Warren commission, whose members were appointed by LBJ, held an emergency, executive session on Saturday morning, January 22, 1964 to discuss Oswald’s FBI number and FBI salary. While the two assassins on the sixth floor of the Texas Book Depository Building were shooting the president, Oswald was in the second floor lunch room. He briefly stepped out on the steps of the Texas Book Depository Building and was photographed. Oswald was already in the Texas Theater before Officer Jefferson Davis Tippitt was killed.
In a very real sense, Lee Harvey Oswald was an American hero. At great personal danger to himself, Oswald entered into The Conspiracy in an effort to prevent President Kennedy’s murder. Jack Ruby who was a member of The Conspiracy then murdered him. Oswald was then made a villain and the self-serving and deceptive American news media has perpetuated this lie for now for than 43 years.
In Brothers Benjamin Bradlee, Executive Editor of The Washington Post acknowledged to David Talbot that he didn’t do more to investigate the assassination because he was concerned that further reporting might harm his career.
Sincerely,
Paul Kuntzler