View allAll Photos Tagged divinity
Le Mans Cathedral
Le Sarthe, France
Rolleiflex 2.8f on Lomography 800 film #filmisnotdead #grainisgood
We did the guided tour of the Bodleian while we were in Oxford and I'm so glad we did. The guide was so knowledgeable and we got to go to all kinds of areas that you can't access normally (and many of which you can't photograph!) We started here in the Divinity School, a building that has evolved from its beginnings in the C15th until Wren (himself an Oxford scholar) added the door bottom left to line up with the Sheldonian Theatre opposite in the C17th It is the oldest surviving purpose-built building for university use, specifically for lectures, oral exams and discussions on theology. It is no longer used for this purpose, more recently it was used as the Hospital Wing of Hogwarts in the first two Harry Potter films.
Abdul Kalam in his book Ignited Minds says that, “Only children will have these innovative ideas... I personally feel that young have the most powerful minds. They can overcome the negativity of the bureaucracy and some self-centered policies of the state government to enrich the people of the country."
God is not only in the cross atop the temples of devotion and forts of civilisations but in every drop that sparkles in its light. We need to see them all as part of him as who knows which drop is meant to quench your thirst. (Arabian sea as seen from the Diu Fort).
DIVINITY
Pullip Custom Head by Sheryl Designs to Sinstresse
Sinstresse order me the same design on this face doll:
I would like to thank Iso400 for my recent feature on their Monday Morning Special.
Snow in Tokyo is something spectacular.
Snow falls over the deep red gates at Sensoji Temple in Asakusa, Tokyo, Japan.
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Domenico Modugno Lu pisci spada Teatro 10 1964
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Acitrezza, a coastal town in eastern Sicily, a fraction of Acicastello (a town so called due to the presence of a gloomy and imposing Norman Castle which rises above the sea); Acitrezza has the prefix "Aci", which we find in nine municipalities in the province of Catania, a prefix that originates from an ancient legend that speaks of a love story between the shepherd boy Aci and the beautiful Nereid named Galatea, a marine divinity , but it is also a story of jealousy, in fact Galatea was desired by the terrible god Polyphemus (Ovid, in the XIII book of the Metamorphoses); Acitrezza is above all known to most, for having been the socio-cultural background for the novel "I Malavoglia" by the great realist writer Giovanni Verga, and for the film " The earth shakes" by the great director Luchino Visconti, a film always inspired by the novel "I Malavoglia ”; speaking of Giovanni Verga, born in Catania, I would like to underline that he was not only a famous writer, exponent of the Verismo literary current, but he was also a passionate photographer, whose photographic production was certainly influenced by his friend and writer Luigi Capuana: in Verga's photographs (for many years I have owned the book "Verga photographer") we find a particular attention to portraits (simple people, such as relatives, acquaintances, peasants, waitresses), photographs of urban and rural realities of Sicily of his time (a diatribe concerns whether or not these photographs were important cues for fueling his literary narrative production), but not only Sicily, there are photographs of landscapes such as the lakes in Lombardy, Bormio, Switzerland, which Verga visited starting from Milan where he lived for a long time. This introductory note, to talk about the photographs I took in Acitrezza on June 24th of this year: the first photos I post (in the slideshow, as in the photostream, they will be the last to appear) there are portraits of some very nice members of the Lega Navale di Acitrezza who performed in a very particular and unique musical performance using the shells of clearly exotic molluscs, I then made photographs of the particular coast of the sea that bathes Acitrezza, devoid of beaches, with the characteristic faraglioni (islands of the Cyclops), for which bathers to immerse themselves in its clear waters, must adapt to the presence of the rocks, or take advantage of the concrete "slides" created for launching or hauling boats, or taking advantage of the characteristic wooden scaffolding which, like stilt houses, overlook the rocks, allowing you to park comfortably a short distance from the sea water; however what prompted me to go to Acitrezza was the particular scenic representation held on the occasion of the Feast of San Giovanni on 24 June, a farcical representation that dates back to 1750, and seems to originate as a propitiatory rite for to fish for swordfishfish, such farce-representation takes the name of "U pisci a mari" (the fish in the sea), almost superfluous to underline how fishing for coastal towns such as Acitrezza (therefore also fishing for large Mediterranean fish, such as tuna and swordfish) has represented and represents an important source of livelihood, fishing that above all in the past (now it has become a rarity, something survives in the Strait of Messina) was carried out with the use of a long rod equipped with a harpoon with mobile and articulated fins (so as to prevent the rod from being unsarpooned by leveraging it), with typical boats of two types, the "luntru", equipped with a tree in the center of the boat, about three meters high, from whose top you can see the swordfish (which in the period between April and September it approaches the Calabrian and Sicilian coast of the Strait of Messina, it can be seen while it sails torpidly or even sleeps on the surface), the other type of boat is the "feluca" whose "modern" version includes, in addition to a very high lookout mast, the presence of a very long walkway that allows you to reach the swordfish above, which has not yet alarmed itself by hearing the engine of the boat still far away. In this "pantomime", a Swordfish-Man is symbolically captured with a spear, bright red fake "stage blood" is immediately sprinkled on his body, the joy among the fishermen is great, at the tip of the pier with the umbrella in hand there is the "Rais" (the Chief of the crew who has the task of signaling the presence of the Man-Fish) who rejoices, (this type of fishing has very ancient origins), the musical band has taken its place on a barge, with its music, brightens up the whole scene despite the bloody aspect that characterizes the scene, some photographs if not commented (and seen individually) could create a bit of bewilderment, looking at the smiling faces of the spectators one realizes that we are faced with a farce-representation, the Man-Fish, albeit "wounded", manages to squirm and regain his freedom by throwing himself into the water, the fishermen are in the throes of anger and despair, the Rais despairs, the capture and salvation for the Man-Fish takes place three times, after which the fishermen, now without prey and desperate, end their comedy by overturning the boat and thus ending up miserably in the water. The colors present in the feast of San Giovanni di Acitrezza are the colors red and yellow, colors that we find in the clothes of the fishermen, in the decorations and in the colors of the boat called San Giovanni, so even the devotees dress in red and yellow wearing the handkerchief or the yellow-red dress of St. John.
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Acitrezza, paese costiero della Sicilia orientale, frazione di Acicastello (paese così chiamato per la presenza di un tetro e imponente Castello Normanno che si erge sul mare); Acitrezza ha il prefisso “Aci”, che ritroviamo in nove comuni della provincia di Catania, prefisso che origina da un’antica leggenda che parla di una storia d’amore tra il pastorello Aci e la bellissima Nereide di nome Galatea, una una divinità marina, ma è anche una storia di gelosia, infatti Galatea era desiderata dal terribile dio Polifemo (Ovidio, nel XIII libro delle Metamorfosi); Acitrezza è soprattutto conosciuta ai più, per aver fatto da sfondo socio-culturale al romanzo “I Malavoglia” del grande scrittore verista Giovanni Verga, e al film “la terra trema” del grande regista Luchino Visconti, film ispirato sempre al romanzo “I Malavoglia”; a proposito di Giovanni Verga, nato a Catania, desidero sottolineare, che egli non fu solamente un famoso scrittore, esponente della corrente letteraria del Verismo, ma egli fu anche un appassionato fotografo, la cui produzione fotografica fu certamente influenzata dal suo amico e scrittore Luigi Capuana: nelle fotografia del Verga (da molti anni sono in possesso del libro ”Verga fotografo”) ritroviamo una particolare attenzione al ritratto (persone semplici, come parenti, conoscenti, contadini, cameriere), fotografie di realtà urbane e rurali della Sicilia del suo tempo (una diatriba riguarda se tali fotografie erano o meno importanti spunti per alimentare la sua produzione narrativa letteraria), ma non solo la Sicilia, ci sono fotografie di paesaggi come i laghi lombardi, di Bormio, della Svizzera, che Verga visitò partendo da Milano dove egli visse per molto tempo. Questa nota introduttiva, per parlare delle fotografie che ho realizzato ad Acitrezza il 24 giugno di quest’anno: le prime foto che posto (nello slideshow, come nel photostream, saranno le ultime ad apparire) ci sono i ritratti di alcuni simpaticissimi soci della Lega Navale di Acitrezza che si sono esibiti in una particolarissima ed unica performance musicale utilizzando le conchiglie di molluschi chiaramente esotici, ho poi realizzato fotografie della particolare costa del mare che bagna Acitrezza, priva di spiagge, coi caratteristici faraglioni (isole dei Ciclopi), per cui i bagnanti per immergersi nelle sue limpide acque, devono adattarsi alla presenza degli scogli, oppure approfittare di “scivole” in cemento create per la messa in acqua o l’alaggio delle barche, oppure usufruendo di caratteristiche impalcature in legno che, come palafitte, sovrastano le rocce, consentendo di stazionare comodamente a poca distanza dall’acqua del mare; però quello che mi ha spinto a recarmi ad Acitrezza è stata la particolare rappresentazione scenica che si tiene in occasione della Festa di San Giovanni il 24 giugno, rappresentazione farsesca che risale al 1750, e sembra originare come rito propiziatorio per la pesce al pescespada, tale rappresentazione-farsa prende il nome di “U pisci a mari” (il pesce nel mare), quasi superfluo sottolineare di come la pesca per paesi costieri come Acitrezza (quindi anche la pesca ai grandi pesci del Mediterraneo, come tonni e pescespada) ha rappresentato e rappresenta una importante fonte di sostentamento, pesca che soprattutto in passato (ora è diventata una rarità, qualcosa sopravvive nello stretto di Messina) veniva eseguita con l’utilizzo di una lunga asta dotata di un arpione ad alette mobili e snodabile (in modo da impedire che l’asta, facendo leva, potesse disarpionarsi), con barche tipiche di due tipi, il “luntru” , dotata di un albero nel centro della barca, alto circa tre metri, dalla cui sommità si avvista il pescespada (che nel periodo tra aprile e settembre si avvicina alla costa calabrese e siciliana dello stretto di Messina, lo si può avvistare mentre naviga torpidamente od addirittura riposa in superficie), l’altro tipo di barca è la “feluca” la cui versione “moderna” prevede oltre ad un’altissimo albero di avvistamento, la presenza di una lunghissima passerella che consente di giungere sopra il pescespada, il quale ancora non si è messo in allarme sentendo il motore della barca ancora distante. In questa “pantomima”, un Uomo-Pescespada viene catturato simbolicamente con una fiocina, del finto “sangue di scena” color rosso vivo viene subito cosparso sul suo corpo, la gioia tra i pescatori è grande, sulla punta del molo con l’ombrello in mano c’è il “Rais” (il Capo dell’equipaggio che ha il compito di segnalare la presenza dell’Uomo-Pesce) che esulta, (questo tipo di pesca ha origini antichissime), la banda musicale ha preso posto su di un barcone, con la sua musica rallegra tutta la scena nonostante l’aspetto comunque cruento che caratterizza la scena, qualche fotografia se non commentata (e vista singolarmente) potrebbe creare un po’ di sconcerto, guardando i visi sorridenti degli spettatori ci si rende conto che ci si trova davanti ad una rappresentazione-farsa, l’Uomo-Pesce seppur “ferito” riesce a dimenarsi ed a riguadagnare la libertà gettandosi in acqua, i pescatori sono in preda alla rabbia ed allo sconforto, il Rais si dispera, la cattura e la salvezza per l’Uomo-Pesce avviene tre volte, dopodiché i pescatori, oramai senza più preda e disperati terminano la loro commedia rovesciando la barca e finendo quindi miseramente in acqua. I colori presenti nella festa di San Giovanni di Acitrezza sono i colori rosso e giallo, colori che ritroviamo nei vestiti dei pescatori, negli addobbi e nei colori della barca detta di San Giovanni, così anche i devoti vestono di rosso e giallo indossando il fazzoletto od il vestito giallo-rosso di San Giovanni.
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Divinité féminine, Mexique, 900 - 1519. Elle est associée dans la culture huastèque à la terre, à la lune et à la fécondité.
Female divinity, Mexico 900 - 1519. In Huastec culture it was associated with Earth, Moon and fecundity.
This picture is taken in Simhachalam temple in Vishakapatnam where in this carved stone art stands frozen with its divine architecture
Vishakapatnam,India
Persephone is a daughter of Zeus and Demeter, she was taken by Hades the God king of the underworld and taken as his majestic queen, as the goddess of death, no one must speak her name. She once lived far away, living with nature, many Gods fell in love and tried to capture her heart. But in the end Hades rapes and steals her away and takes her to the darkest depths of the underworld.
In the end Hades is forced to let her go, Hermes retrieves her, but Hades had got her to eat some pomegranate seeds and because she had tasted the food of the underworld she was required to stay there for the winter months and only return to her mother for 2 thirds of the year.
This shoot has been a dream for a long time. I first stepped foot in this manor house over 2 and a half years ago. I had actually put this shoot together many many months ago but just as the date approached to do it, the house became unable to visit.
For so long I dreamt about this scene, my heart torn apart that I would never be able to make it a reality. But then one day while talking to a friend, I was made aware that it was possible, it wouldnt be easy, but that has never stopped me before.
I was lucky to have an amazing model, Jessica Nicole Griffiths recently arrived in London from Melbourne. She was so up for it, it made me the happiest person alive and with the help of amazing Matthew Adams and Richie Gowen we had made it into the house in pitch darkness, arms full of beautiful gowns made my The Couture Company
During the mission to get inside, Richie had already faceplanted a shallow river as he slipped on the log across it. Poor Rich was freezing cold as we slept in this beautiful abandoned manor house.
Sleeping in such a decaying building, with the bitter cold coming through the windows and dust coating the floor, it was a test of endurance, but worth it when the sun finally came up and revealed the beautiful house ready for us to get these photos.
I'm so happy I made this a reality finally.
Photographer: Rebecca Bathory
Model: Jessica
Dresses: The Couture Company Designer wedding gowns
Acccessories: Natasha Jane
With help from Richard Gowen Photography and Unexposed Exploration
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Shot with Canon 5Diii Body, Canon 16-35mm 2.8ii
Available as Limited Edition Signed Prints, Please message me for more information Available in small size in editions of 15, medium size in editions of 10 and large size in editions of 5, printed on art paper and all come with a hologram certificate of authenticity.
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On the left the bell tower of New College, built at the end of the 14th century. Below it is the so called Bridge of Sighs, in reality Hertford Bridge.
On the right the many pinnacles of the Old Bodleian built largely at the beginning of the 17th century. Just right of centre is the Tower of the Five Orders that stands above the main entrance. In the extreme lower right is a corner of the Duke Humfrey's Library, built above the Divinity School and finished in 1488.
The iconographic type known as the 'goddess with uplifted arms' may have originated in Crete and found its way to Cyprus at the end of the Late Bronze Age (12th-11th centuries BCE). All said to have been found in the same tomb, these figures may represent either a divinity - the Great Goddess of Cyprus later assimilated with Phoenician Astarte and Greek - or else elite worshippers or priestesses (perhaps in the Sanctuary of Palaepaphos near where they were found).
Wheel-made tubular bodies, with applied breasts and arms (heads missing on two); made of buff clay decorated with black and red paint: parallel bands on the lower body probably representing drapery, the top end of a maniple-like sash is just visible on each; armlets and bracelets along both arms are shown as parallel bands of paint; a loose chain or string hangs between the breasts, at the end of which are several pendants, probably seals (very worn); surface is very worn and the lower part of the body of the front one is restored with plaster.
Cypro-Archaic I, 700 BCE-600 BCE, Cyprus.
British Museum, London (1899,1229.1-3)