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Dieser Doktorhut hat eine Geschichte - die Dissertation dazu gibt's auf Qucosa: tud.qucosa.de
Ein Bild mit Hut sagt mehr als tausend Worte! Deshalb sammeln wir Fotos individueller Dr.Hüte, die mit einer Open Access-Veröffentlichung auf www.qucosa.de verlinkt sind – auf Flickr, im SLUBlog und auf Twitter. Wir möchten damit erreichen, dass noch mehr Forschungsergebnisse elektronisch mit Open Acccess veröffentlicht werden, damit Wissen einfach geteilt und genutzt werden kann. Und Neugier wecken, denn unter jedem Doktorhut stecken Ideen, Anekdoten, Köpfe und die sprichwörtlichen Mühen der Ebene.
Haben Sie bereits beides erworben oder kennen jemand, der jemand kennt, die oder der einen Dr.-Hut mit Open-Access-Link zur eigenen Diss hat? Oder möchten Sie selbst Ihre Doktorarbeit nachträglich online veröffentlichen? Dann bitten wir Sie um eine Nachricht an das Qucosa-Team der SLUB.
Foto: Lars Ludwig
Королева Э. А. Ранние формы танца / Королева Э. А. ; Институт истории искусств Министерства культуры СССР : диссертация … канд. искусствоведения.– Москва-Кишинев, 1973.– Т. 1. – 244 с. ; Т. 2. Приложение. – 29 с. ; фотографии.
Автор диссертации, опираясь на огромный эмпирический и теоретический материал, накопленный в смежных науках – археологии, этнографии, искусствоведении, социологии, психологии, попытался выявить наиболее характерные черты древнейших форм танца, определить сущность танцев первобытных племен, структуру и семантику их хореографического текста. Королева Э.А. справедливо считает, что «знание основных черт древнейшего пласта хореографического искусства помогает уже сейчас выявить некоторые наиболее древние черты старинных фольклорных танцев». Очень интересен второй том диссертации, который содержит фотографии изображений наскальной живописи, скульптур, рисунков, на которых запечатлены моменты танца первобытных людей.
Phil McMillan's dissertation for an MA Graphic Design course at the University of Central Lancashire (UCLan) in Preston.
More info at www.folddesign.co.uk. Printed by Newspaper Club.
Dieser Doktorhut hat eine Geschichte - die Dissertation dazu gibt's auf Qucosa: tud.qucosa.de
Ein Bild mit Hut sagt mehr als tausend Worte! Deshalb sammeln wir Fotos individueller Dr.Hüte, die mit einer Open Access-Veröffentlichung auf www.qucosa.de verlinkt sind – auf Flickr, im SLUBlog und auf Twitter. Wir möchten damit erreichen, dass noch mehr Forschungsergebnisse elektronisch mit Open Acccess veröffentlicht werden, damit Wissen einfach geteilt und genutzt werden kann. Und Neugier wecken, denn unter jedem Doktorhut stecken Ideen, Anekdoten, Köpfe und die sprichwörtlichen Mühen der Ebene.
Haben Sie bereits beides erworben oder kennen jemand, der jemand kennt, die oder der einen Dr.-Hut mit Open-Access-Link zur eigenen Diss hat? Oder möchten Sie selbst Ihre Doktorarbeit nachträglich online veröffentlichen? Dann bitten wir Sie um eine Nachricht an das Qucosa-Team der SLUB.
Source: Pfaff, Christoph Matthäus, 1686-1760. Dissertatio juris ecclesiastici de annexis exercitii religionis evangelicae ad I. P. Art. V. [paragraph]. 31 (Tubingae: Typis Christiani Godofredi Cottae, [1742?]); 20 cm. Call # German dissertations #23.
Dieser Doktorhut hat eine Geschichte - die Dissertation dazu gibt's auf Qucosa: tud.qucosa.de
Ein Bild mit Hut sagt mehr als tausend Worte! Deshalb sammeln wir Fotos individueller Dr.Hüte, die mit einer Open Access-Veröffentlichung auf www.qucosa.de verlinkt sind – auf Flickr, im SLUBlog und auf Twitter. Wir möchten damit erreichen, dass noch mehr Forschungsergebnisse elektronisch mit Open Acccess veröffentlicht werden, damit Wissen einfach geteilt und genutzt werden kann. Und Neugier wecken, denn unter jedem Doktorhut stecken Ideen, Anekdoten, Köpfe und die sprichwörtlichen Mühen der Ebene.
Haben Sie bereits beides erworben oder kennen jemand, der jemand kennt, die oder der einen Dr.-Hut mit Open-Access-Link zur eigenen Diss hat? Oder möchten Sie selbst Ihre Doktorarbeit nachträglich online veröffentlichen? Dann bitten wir Sie um eine Nachricht an das Qucosa-Team der SLUB.
63.265 // Y3 // 30.04.2010
I handed the final draft of my dissertation in today!
There is one more assignment to do (I handed in the other assignments I had in today, too), and then I'm all done. All finished.
Yikes and blimey.
ETA: Back from Rochester Sweeps Festival! Photos will follow shortly, but I'm currently refueling with lots of coffee, before having a good go at the last essay! I'll be replying to flickrmails and comments soon, I promise!
Cal State Fullerton President Mildred García, right, meets Felicia Anderson of Cal State Long Beach at the recent CSU Board of Trustees meeting. CSUF alumna Charie Poderoso, background, and other CSUF Ed.D. grads and students presented their dissertation research projects. Photo by Matt Gush
It's finished! Finished!!!
It's finished! Finished!!!
It's finished! Finished!!!
It's finished! Finished!!!
It's finished! Finished!!!
It's finished! Finished!!!
It's finished! Finished!!!
It's finished! Finished!!!
I finished my dissertation yesterday. at long last. I have uploaded a PDF of it onto Dropbox if anyone wants to read it
Features Classic castle and Classic space
Download it here : db.tt/4MnJAzfN
Dieser Doktorhut hat eine Geschichte - die Dissertation dazu gibt's auf Qucosa: tud.qucosa.de
Ein Bild mit Hut sagt mehr als tausend Worte! Deshalb sammeln wir Fotos individueller Dr.Hüte, die mit einer Open Access-Veröffentlichung auf www.qucosa.de verlinkt sind – auf Flickr, im SLUBlog und auf Twitter. Wir möchten damit erreichen, dass noch mehr Forschungsergebnisse elektronisch mit Open Acccess veröffentlicht werden, damit Wissen einfach geteilt und genutzt werden kann. Und Neugier wecken, denn unter jedem Doktorhut stecken Ideen, Anekdoten, Köpfe und die sprichwörtlichen Mühen der Ebene.
Haben Sie bereits beides erworben oder kennen jemand, der jemand kennt, die oder der einen Dr.-Hut mit Open-Access-Link zur eigenen Diss hat? Oder möchten Sie selbst Ihre Doktorarbeit nachträglich online veröffentlichen? Dann bitten wir Sie um eine Nachricht an das Qucosa-Team der SLUB.
“I’m documenting the people of Leeds for my final year dissertation”
“Wow, that sounds a lot more professional than my usual pitch of ‘Can I take your picture?’”
I caught Rob with an outside photography studio set up in the centre of Leeds. I say studio, it was more like one soft box, a background and a camera on a tripod.
Rob studies photography at the local city college and was in town taking portraits for his final year dissertation. We spoke about the similarities in our respective projects and he explained about the concept and theory behind his. He seemed quite knowledgeable in terms of knowing various techniques and other photographers who he had obviously studied.
It got me thinking about the influence education makes on a person’s art. I’ve had no official teachings in photography, apart from the things I’ve read and picked up - does it make a significant difference…?
Anyway, thought aside, after signing a model release and Rob had taken a series of shots of me, leaning against a steal pillar, I had a look at them:
“Wow, it makes me look really tall!”
“Yeah, it’s the angle I’m shooting at”
And he went onto explain the influence of other street photographers such as Vivian Mier, Helen Levitt and a few others in his shot choices.
So, in response to the conversation, I decided to mirror his influenced style by also shooting from a low angle. I have to say it’s not a natural angle to be at, and I wasn’t that low. I can understand the effect it has in terms of skewing the subject and making them look more imposing perhaps but I don’t think I will be using it that often, if at all.
I took this picture on the 21th of June as part of my dissertation research, at the campus of the Technological Educational Institute in Argostoli, Cephalonia. Greece. It reveals the extent to which “nature and culture” are brought together in a single tattoo. Nora decided to have this tattoo of a half-moon combined with a soft melting pocket watch on the back of her neck in December 2009, when she was 21 years old. When asked why she picked these two images, she told me that she chose the melting watch, because it refers to her favourite surrealistic painting “Persistence of Memory” (“La persistencia de la memoria”, 1931) by Salvador Dali, since “memories are an important reason to keep living”. She chose the moon because “the most wonderful things happen at night when the moon is in the sky”.
Photograph and Text: Aggeliki Asimakopoulou
Кузина Н. В. Два поэтических мира: О. Э. Мандельштам и Б. Л. Пастернак (1910—1920) / Кузина Н. В. ; научный руководитель — доктор филологических наук, профессор В. С. Баевский ; Смоленский государственный педагогический институт : диссертация … кандидата филологических наук: 10.01.01. — Смоленск, 1997. — 284 с.
Шифры хранения: 61 97-10/421-3.
В данной диссертационной работе Наталья Кузина исследует поэтические миры двух величайших представителей Серебряного века Осипа Мандельштама и Бориса Пастернака в трех аспектах: синхронии, диахронии, соотношении с историософскими концепциями авторов. Выделяет их общие и индивидуальные особенности. Рассматривает отражение в стихотворениях поэтов идеологии скифства и евразийства. Описывает образы пространства и времени с опорой на анализ имен собственных: топонимов и антропонимов, словарь употребления которых составлен автором и представлен в приложении к диссертации.
____________________________
Алексеева М. А. Творчество Б. Пастернака 1910—1920-х годов: формирование органической поэтики / Алексеева М. А. ; научный руководитель — доктор филологических наук, профессор В. В. Эйдинова ; Уральский государственный университет им. А. М. Горького : диссертация … кандидата филологических наук: 10.01.01. — Екатеринбург, 1997. — 196 с.
Шифры хранения: 61 97-10/250-4.
В своей диссертационной работе Мария Алексеева исследует творчество одного из крупнейших русских писателей и поэтов XX века Бориса Пастернака, в котором отразились поиски новой гармонии между человеком и миром, человеком и другими людьми, человеком и историей — поиски, определяющие все искусство Серебряного века. Автор интересуется проблемой эстетического самоопределения литератора, становления и развития его художественной системы. Рассматривает процесс возникновения формы и созидаемого ею смысла на примерах ранней лирики, писем, прозаических фрагментов. Раскрывает существенные закономерности поэтики Пастернака 1910—20-х годов.
Sheffield War Memorial, 25m to the south of City Hall
Grade: II* listed
List Entry Number: 1271299
Statutory Address: Barker's Pool, Sheffield, South Yorkshire S1 2HB
National Grid Reference: SK3520687182
Summary
First World War memorial dedicated in 1925, with dates added for both World Wars. It is the only war memorial by its sculptor, George Alexander, and of the architect Charles Carus-Wilson.
Reasons for Designation
Sheffield War Memorial, situated in Barker’s Pool, is listed at Grade II* for the following principal reasons: * Historic interest: as an eloquent witness to the tragic impact of world events on this community, and the sacrifices it made in the conflicts of the C20; * Sculptural interest: for the exceptional quality of its ornamental metalwork including figures which, though relatively conventional in form, are very well modelled; * Architectural interest: it is exceptional for a war memorial to take the form of a monumental flagstaff, the design being an effective response by Carus-Wilson to the constrictions of the site; * Group value: with the Grade II*-listed City Hall by E Vincent Harris.
More information can be found on the link below:-
historicengland.org.uk/listing/the-list/list-entry/1271299
Websites
Sheffield Archives and Local Studies, accessed 21/03/2016 from:-
www.sheffield.gov.uk/libraries/archives-and-local-studies...
University of Glasgow, Mapping the Practice and Profession of Sculpture 1851-1951 - Ercole Parlanti, accessed 21/03/2016 from:-
sculpture.gla.ac.uk/view/person.php?id=ann_1356905966
University of Glasgow, Mapping the Practice and Profession of Sculpture 1851-1951 - George Alexander, accessed 21/03/2016 from:-
sculpture.gla.ac.uk/view/person.php?id=msib2_1220041255
War Memorials Online, accessed 31 January 2017 from:-
www.warmemorialsonline.org.uk/memorial/120351
War Memorials Register, accessed 21/03/2016 from:-
www.iwm.org.uk/memorials/item/memorial/2220
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George Alexander: sculptor and Charles Carus-Wilson: architect
City War Memorial, 1922-25
Barker's Pool
bronze, white steel flagpole
Location:
Barker's Pool, between the City Hall and John Lewis.
This site was probably chosen because the City Hall was built at the same time allowing more scope for landscaping the site. The frontage of the City Hall was in fact reduced by thirty feet to allow for greater access around Barker's Pool, which was only closed to traffic and pedestrianised in 1989.
Description:
Four bronze figures of servicemen stand above panels showing the emblems of local regiments, Sheffield's coat of arms and the Navy, Merchant Navy, Army and Air Force. The four figures are of ordinary soldiers with their heads bowed and rifles reversed; two are clean shaven , two have moustaches. They are slightly less than life size. Their backs are to a central column which becomes a flagpole above their heads. The figures were designed by G. Alexander, the memorial by C. Carus-Wilson. The bronze base of the memorial is round, seventeen feet six high and six foot six inches in diameter. The floral (acanthus) motif is a quotation from the City Hall's facade.
Commission:
Sheffield War Memorial Committee, Sub-committee of City Council.
The money required [£5,345] came from the 'Lord Mayor's Appeal', which raised money in several different ways:
- House to house collections
- The 44 Sheffield theatres, music halls and cinemas held special fund-raising performances.
- Shopkeepers and schools were asked to raise funds through collection boxes, as were University students and lecturers, although Churches and chapels were exempt.
- Ratepayers were asked to make a contribution
- A 'Flag Day' was held
- The British War Graves Association made a contribution.
On 7th July 1923 the Sheffield War Memorial committee proposed a competition to select the most suitable design for a war memorial to represent the City of Sheffield. E. Vincent Harris, the architect for the City Hall, was the judge and entries restricted to architects and sculptors working, or with practices, in Sheffield. There were 34 entrants and the top three designs were announced on 7th March 1924:
1st: George Alexander (sculptor) and Charles Carus-Wilson (architect)
2nd: C.P. Toothill of Holmes and Sons, St James Street, Sheffield
3rd: Francis Jahn and Roy Smith (sculptors) of Sheffield College of Art.
The bronze casting was by the Parlanti Foundry of West Kensington, London.
The memorial was unveiled on 28th October 1925, by Lt-Gen. Sir Charles H. Harington, G.B.E., K.C.B., D.S.O.
Comment:
This monument is seen as Sheffield's Cenotaph. The mast is the same height as the adjoining City Hall, and also incidentally is set 20 feet into the ground to stabilise it. It was made in one length of mild steel in Hull by Earle's Shipbuilders and Engineers and transported by rail to the Wicker in Sheffield. Its journey from there to Barker's Pool was only achieved after considerable difficulty in manoeuvring through the streets. The original design included four female figures between the soldiers but this was amended in order to save money.
Note:
Much of this information came from a dissertation by Kim Schofield, HADAF graduate in 1986.
Grammatical, lexical, syntactical, citation, and formatting errors can undermine even the strongest dissertation. Polished Paper's editing and proofreading professionals are trained to thoroughly examine every line to ensure your dissertation is judged on its merits. Let us help you ensure that your dissertation truly reflects the time, effort, and determination it took to write.
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Collection of data is one humungous task that a researcher has to fulfill. But the real challenge lies beyond the samples and questionnaires. It is the analysis part of the data which has been painstakingly collected. The Dissertation Data Analysis has to be done keeping in mind the requirement of the research and the way it has to be molded to get the desired results.
Слева: Пряхин В.П. История советской игрушки за 60 лет (педагогический, художественный и производственно-товарный аспекты) / Пряхин В.П. ; научный руководитель доктор биологических наук, профессор А.М. Фонарев ; научно-исследовательский институт дошкольного воспитания : диссертация … кандидата педагогических наук: 13.00.01. — Москва, 1979. — 183 с. ; иллюстрации.
Шифры хранения: Дк 80-13/110.
В настоящей диссертации В.П. Пряхин всесторонне рассматривает историю развития советской игрушки с 1917 по 1977 год, выделяя основные этапы и характеризуя их. По мнению автора, развитие игрушек и их использование в процессе воспитания детей определяется комплексом социально-педагогических, эстетических и производственно-технологических условий. На основании их изучения предлагается программа-прогноз единой системы ассортимента продукции для детей всех возрастов. В работе широко используются архивные материалы, музейные экспонаты и фотографии игрушек.
Справа: Новиков А.И. Дизайн развивающих комбинаторных игровых средств (на основе русской фольклорной деревянной игрушки) / Новиков А.И. ; научный руководитель кандидат искусствоведения Л.А. Кузьмичев ; Всероссийский научно-исследовательский институт технической эстетики : диссертация … кандидата искусствоведения: 17.00.06 — Москва, 1998. — 267 с. ; иллюстрации.
Шифры хранения: 61 98-17/75.
Целью данной диссертации является разработка основополагающих принципов и методов дизайна развивающих комбинаторных игрушек в системе обучения и воспитания детей. В ходе исследования автор приходит к выводу, что современная игрушка, продолжая традиции многовековой давности, должна нести в своей конструкции перспективу для детского развития. Именно такая дизайнерская игрушка может свести к минимуму многие факторы, которые отрицательно влияют на ребенка, находящегося в социуме и исследующего его. Диссертация проиллюстрирована фотографиями игрушек, некоторые из них обнаружены при проведении раскопок в Великом Новгороде и на Ладоге.
Photo Credit - JHC Archives
COMING IN MIDWINTER 2012 –
FREE SUNDAY LECTURES AT JAY
Commemorating the Bicentennial of the War of 1812
Come Learn about America’s Founding
… at a Founder’s Home
January 22nd at 4:00 pm – Reimagining the War of 1812 - “Redcoats’ Revenge” with Col. David Fitz-Enz
What if, on September 11, 1814, the United States had lost the close-run battle that Winston Churchill called the “most decisive” of the War of 1812? With a victory at Plattsburgh, would the British have eventually been able to regain control of their former colonies? Redcoats’ Revenge brings the most successful field commander in history, the Duke of Wellington, to North America in 1814 and presents a montage of the personalities and battles, real and quite possible, of the War of 1812. With a clever and compelling premise, this exciting alternate history will enthrall readers and reveal just how close the US was to becoming a British colony once again.
Col. Fitz Enz was a regular army officer for 30 years. Among his combat decorations is the Soldiers Medal, the army’s highest award for life saving at extreme risk. His unit operated the Moscow Hot Line for 3 presidents. His literary awards include The Distinguished Book Prize from the Army Historical Foundation and the Military Order of Saint Louis from The Knights Templar for contributions to military literature.
February 19th at 4:00 pm - The War of 1812 in American Caricature with Dr. Allison Stagg
This lecture will consider key events from the War of 1812 by exploring satirical visual imagery. Political cartoons were printed with immediacy to capitalize on sensational events and to mock prominent politicians and figures, while extolling pride in the American cause. Caricatures of this period although printed in haste, show how people in America responded to the War of 1812. Rarely are such prints considered in American history dialogue, yet such images are vital documents that provide viewers with the opinions of the every-day citizen in the early 1800s. In focusing on caricatures produced during this period, this lecture considers the “peoples story” of the War of 1812 through a series of visually humorous images.
Allison Stagg received a Ph.D. in Art History from University College London. Her work has been supported by numerous grants, including awards from the New-York Historical Society, New York Public Library, and the Gilder Lehrman Institute of American History. Dr. Stagg is a recipient of the Jane and Morgan Whitney fellowship at the Metropolitan Museum of Art 2011-12 to edit her Ph.D. dissertation, “The Art of Wit: Political Caricature in the United States 1780-1830” for publication.
All programs above are free and take place at the 1907 Van Norden Carriage House. Seating is limited so reservations are required.
Landscape lovers travelled to the old silver mining town of Aspen, Colorado this past June 23rd to join The Cultural Landscape Foundation (TCLF) for an unparalled series of private garden visits curated by
TCLF Co-Chair Kurt Culbertson, President of Design Workshop. The 2012 Aspen Garden Excursion, featured no less than 6 award-winning residential designs, all incorporating sustainable features ranging from water conservation to native plant choices responsive to the climate and ecology of the area. The sites were all breathtaking, and participants took in dramatic views from a preserve overlook to a streamside estate, from a contemporary mountain garden to a cascade garden. As one of the highlights, Kurt arranged for Jeff Berkus, architect of The Aspen Institute’s Doerr-Hosier Center, to lead a tour through the grounds which include Herbert Bayer’s striking 1955 Marble Garden and environmental artist Andy Goldsworthy’s red sandstone installation “Stone River.” Our group travelled from McLain Flats to Red Mountain and saw a great breadth of topography and creative treatments while also learning about the agricultural history and rich heritage of Aspen and its environs. The day was a great success.
To learn more about future events at The Cultural Landscape Foundation
The Jay Heritage Center is proud to partner with TCLF on our ongoing series of Sustainable Landscape Symposiums funded by a grant from Con Edison.
Jay Heritage Center
210 Boston Post Road
Rye, NY 10580
(914) 698-9275
Email: jayheritagecenter@gmail.com
Follow and like us on:
Twitter @jayheritage
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A National Historic Landmark since 1993
Member of the African American Heritage Trail of Westchester County since 2004
Member of the Hudson River Valley National Heritage Area since 2009
On NY State's Path Through History (2013)
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I took some pictures, since I had to give it away as soon as it was finished. Big important graduate school ritual to get all those signatures on the title page!
(I don't know if I was supposed to see these or not, but they were in with an envelope they gave me)
Each May, final-year undergraduates at Sussex celebrate after dashing to hand in their dissertations before the 4pm deadline.
Phil McMillan's dissertation for an MA Graphic Design course at the University of Central Lancashire (UCLan) in Preston.
More info at www.folddesign.co.uk. Printed by Newspaper Club.
Phil McMillan's dissertation for an MA Graphic Design course at the University of Central Lancashire (UCLan) in Preston.
More info at www.folddesign.co.uk. Printed by Newspaper Club.
For my upcoming dissertation I will have to do a lot of research, so to motivate myself to do it I made a special notebook. The pages are partly printed preparation, partly scrap paper I had at home from various old notebooks and school exercise books.
I'm a roads scholar. I have this problem with taking pictures of paths. I think about routes all day long, and I see them everywhere... the journey of life, the crossroads of decision making, the individual paths converging and leaving each other... so what can I do if I find myself taking pictures of highways and paths converging and passing by each other in the evening sun? Tilden Regional Park, Berkeley, California
Beautiful Ballerina Dancer in Pointe Shoes & Leotard! Golden Ratio Composition Ballet, Ballerina, & Dancer Photography Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!
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Everyone is always asking me for this! Here ya go! :)
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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...
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Regarding the award-winning physicist Dr. Elliot McGucken at Princeton University, the late John Archibald Wheeler stated, "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student. . . Originality, powerful motivation, and a can-do spirit make me think that McGucken is a top bet."
Dr. E would go on to heal the blind with his NSF-funded, award-winning Ph.D. dissertation which also laid down the foundations of Light Time Dimension Theory. Over the years, LTD Theory added foundational *physical* postulates, principles, and equations en route to becoming numerous books, with this one forming the simple, illustrated introduction. My fine art photography (writing with light) graces the books!
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Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
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Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!
Yesterday I successfully defended my dissertation. It's a very happy thing, and it's still sort of setting in.
Thanks go to my committee for the magnum of champagne and to ImaginaryGirl for the Perfect Gift. (I'm a Moleskin addict, and she managed to find a place that engraves them. I've been carrying it around all day and just staring at it with a goofy grin on my face.)